L'innocence la plus adorable
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L'innocence la plus adorable
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High school has rarely appeared so deadly and so boring at the same time
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Sophie Curtis co-stars alongside Kelly Reilly, Linus Roache and Sarita Choudhury in Hilary Brougher’s semi-suspenser.
With her third feature, writer-director Hilary Brougher reaches for an allegorical take on contemporary teen culture, but the film’s uneasy mixture of melodramatic and supernatural elements quickly devolves into a frequently risible genre mashup. Theatrical release appears to be a perfunctory prelude to potential ancillary opportunities.
Following the tragic drowning of her mother while surfing off Long Island, teenage Beckett (Sophie Curtis) and her father Miles (Linus Roache) relocate to Manhattan in an attempt to restart their lives. Still traumatized by the accident, Beckett experiences frightening hallucinations, but doesn’t mention them to her father. Miles, a popular novelist, enrolls his daughter in the exclusive Hamilton prep school, where she’s welcomed by Natalie (Stephanie March), a family friend who’s active in the school community, and looked after by the school nurse, kindly young Pamela (Kelly Reilly). Among her classmates, she meets laidback Jen (Sarah Sutherland) and slightly threatening Sunday (Chloe Levine), as well as Natalie’s cute teenage son Tobey (Graham Phillips).
Accepting Pamela’s referral to school psychiatrist Dr. Kent (Sarita Choudhury) for counseling sessions only stresses Beckett out more. At the same time, Pamela is making frequent home visits to check up on Beckett and incidentally her father, eventually moving herself into Miles’ bedroom, to his daughter’s great discomfort and bewilderment. Even as she’s starting to feel a return to normalcy as her own relationship with Tobey blossoms, Beckett suffers a major setback after Sunday inexplicably kills herself, jumping off the school roof. Still experiencing awful nightmares and terrifying visions of dead Hamilton students, Beckett learns about several previous suicides at the school and begins to suspect that something seriously twisted is transpiring between the female staff and the student body.
Despite passing similarities to classics like Rosemary’s Baby and The Stepford Wives, Brougher’s script, adapted with Tristine Skyler from Jane Mendelsohn’s novel, initially adopts a fairly realistic tone, minimizing genre elements and instead emphasizing the conflicts between Beckett and the women who seem to be threatening her. Neither the narrative nor the characters are well-served by this essentially melodramatic structure, however. Curtis admirably holds her own with far more experienced castmembers, including a number who are playing conspicuously below their potential.
In the end, outrageous third-act plot developments and second-rate special effects can’t boost the effort above the eminently absurd, but it’s unfortunate, since the outlines of a solid drama or provocative horror movie are clearly visible. The filmmakers appear unprepared to commit to either option, although having things both ways clearly diminishes the outcome.
Production companies: Killer Films, John Wells Productions, Scion Pictures
Cast: Sophie Curtis, Kelly Reilly, Linus Roache, Graham Phillips, Sarah Sutherland, Annie Q., Stephanie March, Sarita Choudhury, Chloe Levine
Screenwriters: Hilary Brougher, Tristine Skyler
Producers: Christine Vachon, Pam Koffler, Jane Mendelsohn
Executive producers: Ron Curtis, Nicholas Jarecki, Kevin Turen, Brian Young, Mike Heller, Justin Nappi, Mo Al Turki, Andrew Levitas, J.C. Khoury, Jonathan Cavendish
Director of photography: David Morrison
Sign up for THR news straight to your inbox every day
Sign up for THR news straight to your inbox every day
Subscribe for full access to The Hollywood Reporter
Send us a tip using our anonymous form.
site categories
News
Film
TV
Awards
Lifestyle
Business
Global
Video
Podcasts
Sustainability
The Bottom Line
High school has rarely appeared so deadly and so boring at the same time
Subscriber Support
Get the Magazine
Customer Service
Back Issues
E-edition Access
The Hollywood Reporter
About Us
Advertise
Careers
Contact Us
Accessibility
Legal
Terms of Use
Privacy Policy
Privacy Preferences
AdChoices
Follow Us
Icon Link
Plus Icon
facebook
Icon Link
Plus Icon
twitter
Icon Link
Plus Icon
instagram
Icon Link
Plus Icon
youtube
The Hollywood Reporter is a part of Penske Media Corporation. © 2022 The Hollywood Reporter, LLC. All Rights Reserved. THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC.
Our Sites
Artnews
BGR
Billboard
Deadline
Fairchild Media
Footwear News
Gold Derby
IndieWire
Robb Report
Rolling Stone
SheKnows
She Media
Soaps
Sourcing Journal
Sportico
Spy
StyleCaster
The Hollywood Reporter
TVLine
Variety
Vibe
WWD
optional screen reader
About Us
Advertise
Careers
Contact Us
Icon Link
Plus Icon
The Hollywood Reporter is a part of Penske Media Corporation. © 2022 The Hollywood Reporter, LLC. All Rights Reserved. THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC.
Subscribe for full access to The Hollywood Reporter
Subscribe for full access to The Hollywood Reporter
Sophie Curtis co-stars alongside Kelly Reilly, Linus Roache and Sarita Choudhury in Hilary Brougher’s semi-suspenser.
With her third feature, writer-director Hilary Brougher reaches for an allegorical take on contemporary teen culture, but the film’s uneasy mixture of melodramatic and supernatural elements quickly devolves into a frequently risible genre mashup. Theatrical release appears to be a perfunctory prelude to potential ancillary opportunities.
Following the tragic drowning of her mother while surfing off Long Island, teenage Beckett (Sophie Curtis) and her father Miles (Linus Roache) relocate to Manhattan in an attempt to restart their lives. Still traumatized by the accident, Beckett experiences frightening hallucinations, but doesn’t mention them to her father. Miles, a popular novelist, enrolls his daughter in the exclusive Hamilton prep school, where she’s welcomed by Natalie (Stephanie March), a family friend who’s active in the school community, and looked after by the school nurse, kindly young Pamela (Kelly Reilly). Among her classmates, she meets laidback Jen (Sarah Sutherland) and slightly threatening Sunday (Chloe Levine), as well as Natalie’s cute teenage son Tobey (Graham Phillips).
Accepting Pamela’s referral to school psychiatrist Dr. Kent (Sarita Choudhury) for counseling sessions only stresses Beckett out more. At the same time, Pamela is making frequent home visits to check up on Beckett and incidentally her father, eventually moving herself into Miles’ bedroom, to his daughter’s great discomfort and bewilderment. Even as she’s starting to feel a return to normalcy as her own relationship with Tobey blossoms, Beckett suffers a major setback after Sunday inexplicably kills herself, jumping off the school roof. Still experiencing awful nightmares and terrifying visions of dead Hamilton students, Beckett learns about several previous suicides at the school and begins to suspect that something seriously twisted is transpiring between the female staff and the student body.
Despite passing similarities to classics like Rosemary’s Baby and The Stepford Wives, Brougher’s script, adapted with Tristine Skyler from Jane Mendelsohn’s novel, initially adopts a fairly realistic tone, minimizing genre elements and instead emphasizing the conflicts between Beckett and the women who seem to be threatening her. Neither the narrative nor the characters are well-served by this essentially melodramatic structure, however. Curtis admirably holds her own with far more experienced castmembers, including a number who are playing conspicuously below their potential.
In the end, outrageous third-act plot developments and second-rate special effects can’t boost the effort above the eminently absurd, but it’s unfortunate, since the outlines of a solid drama or provocative horror movie are clearly visible. The filmmakers appear unprepared to commit to either option, although having things both ways clearly diminishes the outcome.
Production companies: Killer Films, John Wells Productions, Scion Pictures
Cast: Sophie Curtis, Kelly Reilly, Linus Roache, Graham Phillips, Sarah Sutherland, Annie Q., Stephanie March, Sarita Choudhury, Chloe Levine
Screenwriters: Hilary Brougher, Tristine Skyler
Producers: Christine Vachon, Pam Koffler, Jane Mendelsohn
Executive producers: Ron Curtis, Nicholas Jarecki, Kevin Turen, Brian Young, Mike Heller, Justin Nappi, Mo Al Turki, Andrew Levitas, J.C. Khoury, Jonathan Cavendish
Director of photography: David Morrison
Sign up for THR news straight to your inbox every day
Sign up for THR news straight to your inbox every day
Subscribe for full access to The Hollywood Reporter
Send us a tip using our anonymous form.
Доступ к информационному ресурсу ограничен на основании Федерального закона от 27 июля 2006 г. № 149-ФЗ «Об информации, информационных технологиях и о защите информации».
Shyla Stylez humide et collante
Baisée par un mauvais employé
La voisine baisée par un Français