L'innocence de Rachel
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L'innocence de Rachel
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Rachel Argyle is a posthumous character and the primary victim in Agatha Christie's 1958 detective fiction novel Ordeal by Innocence .
She was the wife of Leo Argyle, and mother of five adopted children. She had a strong instinct for mothering, and was also active in charity work. She inherited wealth from her parents which she set up in trusts for her children. She was murdered about two years before the novel opens.
While she is not outright villainous in the original novel, she is strict and domineering towards her children, much to their chagrin particularly her adopted son, Jacko Argyle , who threatened to kill her once. Later, she was killed by Kirsten Lindholm under Jacko's order, believing Jacko would marry her after it was done, only turned out Jacko was already married in secret.
Her version in the adaptations, particularly in the 2018 BBC miniseries, portrayed her as a much less noble and much more abusive parent. Here, she was killed by her husband, Leo Argyll , who seeked vengeance against her after she filed for divorce over Leo's true parentage. In the original novel, Leo is neither murderous nor antagonistic, and is not involved in his wife's murder.
Tommy and Tuppence Beresford
Conspiracy ( Mr. Brown , Mr. Brown's decoy & Mr. Whittington ) | Elise | Miss Bligh | Mrs. Lancaster | N & M | Russian spies ( Captain Harker , Charles Bauer , Duke of Blairgowrie , Dymchurch & Number 16 ) | Sir Arthur Merivale | Sir Phillip Stark
Other Mystery Stories
The Wife of the Kenite (1923): Conrad Schaefer
The Red Signal (1924): Jack Trent
The Mystery of the Blue Jar (1924): Ambrose Lavington | Felise Marchaud
The Man in the Brown Suit (1924): Sir Eustace Pedler
The Witness for the Prosecution (1925): Leonard Vole | Romaine Heilger
The Fourth Man (1925): Annette Ravel
S.O.S. (1926): Mr. Dinsmead
Wireless (1926): Charles Ridgeway
The Last Séance (1927): Madame Exe
The Sittaford Mystery (1931): Major Burnaby
The Hound of Death (1933): Dr. Rose
The Strange Case of Arthur Carmichael (1933): Lady Carmichael
Philomel Cottage (1934): Charles Lemaitre
Why Didn't They Ask Evans? (1934): Roger Bassington-ffrench | Moira Nicholson
Murder is Easy (1939): Honoria Waynflete
Death Comes as the End (1944): Yahmose | Nofret | Satipy | Sobek | Ipy | Henet
Towards Zero (1944): Nevile Strange
Sparkling Cyanide (1945): Ruth Lessing
Crooked House (1949): Josephine Leonides
The Mousetrap (1952): TOP SECRET | Maureen Lyon | Mrs. Boyle
Destination Unknown (1954): Thomas Betterton
Ordeal by Innocence (1958): Jacko Argyle | Kirsten Lindholm | Rachel Argyle
The Pale Horse (1961): Zachariah Osborne
Endless Night (1967): Michael Rogers | Greta Andersen
Adaptational, Homage & Non-Canonical
Ordeal by Innocence (2018): Bellamy Gould | Leo Argyll
Knives Out (2019): Ransom Drysdale
Other Adaptations: Leonard Waynflete
Murderers
Dr. James Kennedy | Dr. Quimper | Elliot Haydon | Elvira Blake | Josie Turner | Lance Fortescue | Lawrence Redding | Lucky Dyson | Mark Gaskell | Nurse Copling | Tim Kendall
Villainous Victims
Colonel Protheroe | Ella Zielinsky | Giuseppe | Heather Badcock | Lucky Dyson | Rex Fortescue | Victoria
ITV Series Exclusive
Original Characters & Adaptational Culprits
Brigit Milford | Tilly Rice
Originated from non-Marple stories
Adelaide Jefferson | Charles Burnaby | Helen Kennedy Halliday | Greta Andersen | Honoria Waynflete | Jacko Argyle | Kirsten Lindholm | Leonard Waynflete | Rachel Argyle | Michael Rogers | Miss Bligh | Moira Nicholson | Mrs. Lancaster | Nevile Strange | Paul Osborne | Roger Bassington-ffrench | Sir Phillip Starke
If you're going to be mediocre, Hester, at least look pretty. Slouching is ugly. Sit up!
~ Rachel rebuking Hester as the latter was playing piano (in 2018 miniseries).
From Wikipedia, the free encyclopedia
Mrs Mary Loving, a widow
Rachel Loving, her daughter
Thomas Loving, her son
Jimmy Mason, a small boy
John Strong, a friend of the family
Mrs. Lane, a caller
Ethel Lane, her daughter
Mary
Nancy
Edith
Jenny
Louise
Martha
little friends of Rachel
^ Jump up to: a b c d Robert J. Fehrenbach, "An Early Twentieth-Century Problem Play of Life in Black America: Angelina Grimké's Rachel (1916)" in Wild Women in the Whirlwind: Afra-American Culture and Contemporary Literary Renaissance , edited by Joanne M. Braxton and Andree Nicola McLaughlin (New Brunswick: Rutgers University Press, 1990).
^ Black Drama, Alexander Street Press: http://solomon.bldr.alexanderstreet.com/cgi-bin/asp/philo/bldr/productionidx.pl?prod_code=PR001058&showfullrecord=on .
^ Patricia R. Schroeder, The Feminist possibilities of Dramatic Realism (Madison Farleigh Dickinson University Press, 1996), 112.
^ Judith L. Stephens, "Anti-lynching Plays by African American Women: Race, Gender and Social Protest in America", African American Review 26.2 (Summer, 1992), 332.
^ Will Harris, "Early Black Women Playwrights and the Dual Liberation Motif", African American Review 28.2 (Summer, 1994), 205.
^ Gloria Hull, Color Sex and Poetry: Three Women Writers of the Harlem Renaissance (Bloomington: Indiana University Press, 1992), 123.
^ Krasner, A Beautiful Pageant , 111.
^ Stephens, Judith L. "The Anti-Lynch Play: Toward an Interracial Feminist Dialogue in Theatre". The Journal of American Drama and Theatre ; New York, N.Y. 2.3 (1990): 59–69. Print. 61.
^ Mitchell, Koritha. Living with Lynching . Chicago: University of Illinois Press, 2011. Print. 61.
^ Grimke, Angelina. Selected Works of Angelina Weld Grimke . Oxford: Oxford University Press, 1991. Print.135.
Rachel is a play that was written in 1916 by African American teacher, playwright and poet Angelina Weld Grimké (February 27, 1880 – June 10, 1958). Grimké submitted the play to the Drama Committee of the National Association for the Advancement of Colored People (NAACP). For the first production of the play the program read: "This is the first attempt to use the stage for race propaganda in order to enlighten the American people relative to the lamentable condition of the millions of Colored citizens in this free republic." [1]
Originally titled Blessed are the Barren , this three-act play depicts an educated, sensitive young woman who comes to understanding of the realities of American racism. Eventually she experiences acute melancholia because of this new understanding. In Act One it is clear that her love for children inspires a deep desire to someday carry her own. She proceeds to fill her mother's house with little brown and black children, whom she lovingly tends. Her mother reveals to her and her brother the fact that their father and another brother were lynched 10 years earlier. In the Acts that follow, Rachel learns of the racism the young children she loves have been made to endure in their school and resolves to never have children. In so doing, she must ultimately reject the love of her brother's friend John Strong, the man she loves.
Rachel was first performed at Myrtilla Miner Normal School (a teacher's college) in Washington, DC., by the National Guy Players under the auspices of the National Association for the Advancement of Colored People . From its status as a work in progress years earlier through this production, Grimké received guidance from John Garrett Underhill , a white New York critic, playwright, producer and member of the Board of Directors of the NAACP. The production ran from March 3, 1916 to March 4, 1916. [1]
Approximately a year later, the play was restaged at the experimental and community theater the Neighborhood Playhouse in the Lower East Side of New York. The New York production maintained most of the actors from the D.C. production. Lillian Wald , head of the Henry Street Settlement , worked with Mary White Ovington , one of the founders of the NAACP, to bring this production of Rachel to the Neighborhood Playhouse in 1917. It was the first time a theater in the United States presented a play by a black author with a black cast before an integrated audience. ( Lillian D.Wald, Progressive Activist , edited by Clare Coss, The Feminist Press at the City University of New York, 1989, pp 11-12) It opened on April 25, 1917. [1]
One month later, May 24, 1917, at the urging of Maud Cuney Hare , the prominent musician, writer, and daughter of the black leader, Norris Wright Cuney , the play was performed in Cambridge, Massachusetts , at Brattle Hall , the auditorium of the Cambridge Social Union. A local church, Saint Bartholomew's Episcopal Church, sponsored the performance, given by amateur actors. [1]
In 1924, The Colored Branch of YMCA staged Rachel in New Castle, Pennsylvania . [2]
Rachel was produced by Spelman College 's Department of Drama and Dance in Atlanta, GA, in 1991. It was directed and adapted by Tisch Jones.
Rachel received its European premiere at the Finborough Theatre , London , in 2014.
Rachel was produced by the Theater Ensemble of Color in Portland, Maine , in 2018.
Rachel was produced by Quintessence Theatre in Philadelphia, Pennsylvania , in 2020.
Patricia R. Schroeder argued that like Mary Burrill , Angelina Weld Grimké 's anti-lynching drama relied upon naturalistic settings, vernacular language in the hopes "to use realism's mimetic power to question stereotypes and illustrate social injustice". [3] Similarly, Judith L. Stephens has argued that the recourse to realism in anti-lynching plays illustrated the graphic nature of the a
Un plan à trois avec deux meilleurs amis et un étranger
Française chaude et salope aime les doubles pénétrations
Une belle brunette du nom de Stella 19 ans et son fiancé Eric 28 ans se baisent sur le bureau en utilisant des dildo pour leur casting Amateur