Life James Dean Full Movie

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Life James Dean Full Movie
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A photographer for LIFE Magazine is assigned to shoot pictures of James Dean.
Directors Anton Corbijn Starring Robert Pattinson , Joel Edgerton , Dane DeHaan Genres Drama Subtitles English [CC] Audio languages English
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Anton Corbijn - director See profile
Supporting actors Alessandra Mastronardi , Ben Kingsley Producers Iain Canning , Benito Mueller , Wolfgang Mueller , Christina Piovesan , Emile Sherman Studio See Saw (Life) Distribution Pty Limited Rating R (Restricted) Content advisory Alcohol use , foul language , nudity , sexual content , smoking Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Diane Davis Reviewed in the United States on December 18, 2015
I can see why this film might be considered too low key and uneventful for today's movie audiences, and that's too bad. We've come to expect scripts made of sound bites and stories told in spectacular visuals. "Life" reminded me of how rewarding it can be to settle in and eavesdrop on other people coping with their lives. In this case, you have two ambitious young men, who couldn't be more different - in their backgrounds, their personalities, their talents and their approach to attaining success. We're in the unique position of knowing what will become of them, which gives everything an added dimension, reflected in the film's melancholy look and sound. DeHaan overcomes his lack of physical resemblance to Dean with a muttered delivery that's equal parts shy and cocky in keeping with the gentle and arrogant man he portrays. Unlike Stock, Pattinson does not get in his own - or DeHaan's - way, his own charisma muted beneath a desperate and largely directionless need to be respected as an artist. I wish there were more movies as thoughtful and quiet as this one,
D. Larson Reviewed in the United States on November 17, 2020
Was the real James Dean a just mumbling, mopey self-absorbed poseur with an impressive pompadour? Did he really drag a bongo drum around as an emotional support instrument? Dane DeHann’s performance sure makes a case for narcissism run amok combined with a delivery so low energy that you suspect some sort of metabolic problem. Low thyroid function? Check his pulse ox? Inertia is DeHann’s go-to emotion here. Most of us know James Dean only from Turner Classics and maybe the Porsche crash. What I know is “East of Eden”, where Dean as the “bad” brother does a lot of agonizing and has father issues. And “Rebel” which was a lot more fun, what with knife fights, Griffith Park, cool jackets and the famous “chickie run” ending with a nice car over the cliff! “You’re tearing me apart!” on the other hand, kind of too easily lends to parody. And “Giant” in which Dean is at least not the most bad actor in an interminably bad movie. He does have some of the worst instant aging makeup in memory, though. So, a sensitive, insightful examination of this troubled young man, kind of lost on me. Also lost because, while I remember Life magazine being a fixture at my grandparents’ house, the reference is going to be lost on anyone younger than me. Life was a very big deal in the ‘50’s. But that was a long time ago, and the idea of photojournalists building portfolios is a stretch for those immersed in social media influencers. This is a loving postcard from 60 years ago when magazine spreads could make a career, and everybody smoked. All the time. Wow, do a lot of lungs give their all for this picture. The sets must have just reeked. So, other than a milieu remote from most of us, how is it? Depends on your patience. This is a movie about stasis; James Dean, on the threshold of stardom, is stuck. Dennis Stock (Pattinson) is stuck. Indiana is where they’re stuck, and nothing much happening there. Indecision, reluctance to engage, general moping and some minor backstory about Stock’s failed marriage and failing fatherhood, and fade to black. Stock is the young man on the make, hustling to get ahead. Dean can have it all but can’t make himself want it. Considering the brief moment the real men’s lives intersected, seems like a thin peg to hang a movie on. Action fans or those wanting salacious details should look elsewhere. Aside from a little Benzedrine and many, many cigarettes, nothing gritty. A few longing looks between Dean and Stock is about it. Back when he made those execrable “Twilight” movies, Robert Pattinson seemed not much more than a pale but pretty cipher. Best you could say is that his sparkly emo-vampire was prettier than Kristen Stewart. Surprisingly enough, he’s turned out to be a pretty darn good journeyman actor in a lot of things. Just saw “The Lighthouse” and he’s truly remarkable in what should be a ridiculous role. Kid grew into it! So, two people doing their level best to recreate the era of movie moguls (Ben Kingsley, just great!) and NYC diners and Midwest farm life. Good? I don’t know. To me, a movie I finished because I’d started it and I didn’t feel like getting off the Airdyne to find another channel. Art house types might get more out of it. It’s a movie about movie making that has not a moment of the making of movies. If you thought Dean was a genius, go for it. If, like me, you think of James Dean as just this guy, y’know? Maybe give it a pass. But if you still like Pattinson, check out “The Lighthouse”. A lot more fun than the art house reputation might indicate.
cyrus Reviewed in the United States on April 2, 2020
I don't know who castthis movie, but the two lead actors are terrible: the James Dean character looks like a nerdy lesbian and has NONE of the sex appeal that the real James Dean spilled out in gobs. The guy comes across as a wuss--the last guy chosen for the 7th-grade basketball team. In fact, the guy look like he's 7--10 at most. The actor who plays the photographer is even worse--every time he makes the fake effort to put his hand behind his ear (did this photographer do this?) one cringes. One can feel the actor thinking, "Okay, I'd better put my hand behind my ear again." I'd be interested in the story but, after 10 minutes of atrocious acting, I had to move on.
Douglas Russell Black Reviewed in the United States on April 19, 2020
A joint Aussie/Canuck production! Dane DeHann and Robert Pattison are both excellent as James Dean and his photographer. It portrays the unlikely friendship that develops between James Dean and a photographer following him around New York trying to get shots. The acting is superb and the screenplay interesting. Both characters are complex and challenging to play. The two men take a trip together and numerous photos are shot that have become iconic. The real photos of James Dean are displayed at the end of the movie after you have had a look at the circumstances in which they were taken. A trip back in time!
Lorene Reviewed in the United States on November 2, 2020
I found it amazing that the life of one of the most exciting actors of his generation could produce a film with such boredom. I get the angst that James Dean may have had but why the film had to express it in a droll, one note presentation was beyond me. Rarely have I wanted a film to tell me more about a person but end up of knowing nearly nothing new about that person. I persevered to the end but it was a grind to the last scene. Sad waste of time for me. Makes me glad James was not around to see his fire reduced to rubbish.
newt Reviewed in the United States on December 30, 2019
This movie is horribly directed. Dull, monotone, and lifeless. The actor playing Dean is a sleepwalker, at his best, one dimensional, though he is rarely at his best. Pattinson looks uncomfortable holding a camera, which he does rarely, like taking a picture is a last minute thought that he does casually, almost incidentally, as if only to underline his boredom. Life is short, this movie is a waste of it.
Andalucianlady Reviewed in the United States on January 16, 2016
Excellent movie. The sets, locations, costuming, cinematography all add so much to the story line of months prior to James Dean becoming famous. The story is really about the photographer named Dennis Stock who took photos of James Dean for Life magazine which have now become iconic. Robert Pattinson who portrays Dennis Stock gives such depth, insight and subtle nuances to the charactor.
Richard Masloski Reviewed in the United States on July 29, 2016
If the real James Dean was anything at all like the James Dean portrayed in this movie by Dane DeHann, then the real Dean's career would have gone no further than his first time on film in the 1950 Pepsi commercial - if even that far! And, therefore, without a James Dean as historic fact this film would never have been made - and that would have been a good thing. Look, no one can BE Dean and it isn't a clone that is necessarily desired when films are made of the legendary actor. But Stephen McHattie, James Franco and even Casper Van Dien have all given us embodiments of some sense of the real Dean. All three actors captured something of Dean's charisma, his tortured soul, his many moods. In LIFE, DeHann gives us a Dean that seems perpetually stoned. DeHann's Dean has no charm, no danger, no moods, no sexual appeal, nada. It is a one note, wimpy performance. For those who argue that the Dean in this film is meant to suggest his character more than his look, well, why then bother to attach phony earlobes to the actor's own lobeless ears - given that the real Dean had earlobes - and pop in darker blue contact lens to approximate Dean's own darker-than-DeHann's eyes blue? Why bother with the outward if naught of the inward is captured? And that voice! In the Extra, DeHann says he listened to Dean's voice to better approximate it in his performance. That is hard-to-believe, because the imitation is so far off in every particular. But what about the movie? Well, if you are going to make a movie with such an iconic actor as its centerpiece, you need to capture something of what made that actor iconic in the first place. All three above mentioned actors who've played Dean before would have given this film a solid center. But with DeHann, the shock of the performance never abates and the movie suffers enormously from it. Now, if Robert Pattinson - the able actor who plays photographer Dennis Stock - had been made-up to approximate Dean instead and had been given the lead role, the film would have had a much stronger center. Pattinson...can act! And even though he is playing the photographer, throughout the film I kept thinking what a much better Dean he would have than DeHann. Anyway, even though the movie was beautifully photographed and its subject - two weeks in the lives of the actor and his photographer - a very good one, apart from the terrible Dean performance, the minimalist script destroys whatever promise there may have been. Yes, this is an illiterate age where people text more than talk - and have little or nothing to say - witness the increasing amounts of one-word or few-word or totally irrelevant to the topic Amazon reviews ("Good", "Great," "It came in the mail as promised," "My Uncle Charlie will love it,"). So this sacrifice of the verbal to the visual has given us movies that are practically ALL visual (CGI driven turkeys) or movies whose scripts are more like transcriptions of textings than the real way people talk - or used to! Many modern scriptwriters have grown lazy in their historic research or simply do not have all that much to say so they leave it to the actors, the photography, the music to fill in the blanks. The written word is in danger of extinction - not just on the movie screen which not only mirrors but also inspires everyday life, but in the real world! People...are becoming zombies! And the characters in this movie are as zombies. The real Dean and his day were frantic with ideas, alive to the moment, anxious to be heard, desirous to live, emotive, volatile, exciting, and most of all ALIVE! All the things this snooze-fest film is not. LIFE...is dead.

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