Les solos de Henessy
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Les solos de Henessy
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Am Bache Waldvöglein Ländler Ringellied Legende Die Sägemühle
Leise zieht durch mein Gemüth Die blauen Frühlingsaugen Mädchen mit dem rothen Mündchen Zum Schluss: „Sag, wo ist dein schönes Liebchen“
Mittagsstille (Noon) Zwiegespräch (Canon) Abendnähe (Twilight) Träumerei (Dreaming)
Um Mitternacht In der Frühe Am Abend
En route (On the Road) L'Auberge (The Inn) Enfants qui passent (Passing Children) Aux temps passés (From Old Times) Danseuse sur la scène (Ballet Girl on the Stage) Sonatine Scherzetto
Puppenwiegenlied (The Doll's Cradle Song) Puppentanz (The Doll's Dance) Im Wald (In the Wood) Erster Walzer (The First Waltz) Schläfriges Kind (The Sleepy Child) Auf Wiedersehen (Goodbye)
Noce campagnarde Fillettes Basse-cour Sur l'herbe Au bord du Ruisseau
Sérénade espagnole Bergérie Petite mazurka
Madrigal Canon Style irlandais Petites scènes parisiennes: A. Montrouge le matin, B. Sortie de midinettes
Ancient Clan March Cork Reel Sagairt tar teorach Cork Reel
Lydia Épiphanie Là-bas! Le Revenant
Annie La Fille aux cheveux de lin Nell
[no descriptive title] Espagne Suisse [no descriptive title]
Au couvent Bavardes La Vieille tante Mondaine Jeunes anglaises Charmeuse de serpents Dans les jardins du sérail
Fête de village au XVIII me siècle Fête populaire dans la banlieue de Paris au XX me siècle
Petit pâtre sur les hauts pâturages Champs de blé au clair de lune Dans une petite ville flamande le dimanche Cîmes neigeuses Sieste en chemin de fer
Valse rustique Valse canaille Valse distraite Valse boîteuse Valse érotique À la Reger Encore une valse
Ouvriers allant à l'usine Promenade du philosophe À travers bois Cornemuse en tête Sur la route d'Amalfi Sentier de Meudon au printemps Par la pluie
Promenade matinale au jardin du Luxembourg L'Américain qui a bien diné Dans un atelier de couturières
Dédicace: Aux amis de Russie Tupac–Polka Das Fräulein stand am Meere und seufzte lang und bang Napolitains En regardant une ronde de jeunes filles Chanteuse de Beuglant Bébé prend sa médecine
La Forêt de Clamart à l'aube Un Jardin arabe Une Pagode indochinoise Un Berceau Un Vieux cimetière Un Souvenir lointain
Le Mort joyeux Les Grands jasmins épanouis Il était une fois
Fillettes brunes Le Goût de la cannelle Nègre endimanché
Si la distance qui nous sépare Paysage Chanson écossaise
Fox Trot Tango Chanson de l'émigrant Lever du soleil dans les Hébrides
Le Chasseur noir La Chanson du vent de mer
Il était une fois Panis angelicus Vers traduits de Goethe
Moderato assai Allegretto à la manière de Johannes Brahms Allegro à la manière de Félix Mendelssohn Bartholdy
^ Axel Klein, Bird of Time. The Music of Swan Hennessy (Mainz: Schott Music, 2019), ISBN 978-3-95983-593-0 , pp. 435–494.
This is a list of compositions by Swan Hennessy (1866–1929).
Hennessy was an American composer of Irish family background who studied in Germany, lived in England and Italy, but spent most of his career (from about 1903) in France.
He was a most accomplished composer of chamber music in many diverse instrumentations and of piano music. The following is a list of compositions in a table sorted by opus number . This is followed by a list sorted by genre .
The following table shows a chronological list, based on Klein (2019). [1] Dates given are for publication, not composition.
Published Leipzig: Breitkopf & Härtel , plate no. 17120 (without opus number). Dedication: "Seinem Freund und Lehrer Herrn Professor Percy Goetschius gewidmet".
Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 564.
Words by Heinrich Heine . Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 562. Dedication: "Fräulein Lucy Roper gewidmet".
Published London: Augener & Co. , revised edition, 1902. No. 2 also published New York: G. Schirmer (1890), plate no. 7241; also in The Monthly Musical Record vol. 22 no. 253 (January 1892), pp. 11–14.
Words by the composer; designated as "Op. 5 No. 1", but no other numbers are extant. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 587. Dedication: "To Miss I. C. Ross".
Vol. 1 published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 591 (1886); vol. 2 ibid., plate no. G.A.Z. 617 (1887). Dedication: "Seinem Freunde Herrn Ernest Longley gewidmet".
Published London: Augener & Co., plate no. 7671. Dedication: "An Herrn Theodor Kirchner ".
Published London: Augener & Co., plate no. 7672. Dedication: "To Frau Clara Schumann ".
Published London: Augener & Co., plate no. 7902.
Published London: Augener & Co., plate no. 7942.
Published Paris: Durand & Schoenewerk, plate no. D.S. 4043. Dedications: 1. "à Lucie"; 2. "à Lambert Zegers Veeckens"; 3. "à Miss Katie Lewis"; 4. à Gretchen Goetschius"; 5. "à William T. Scott Barber".
Variations sur un thème original dans le style irlandais (Variations on an Original Theme in the Irish Style)
Published London: Augener & Co., plate no. 1287; revised edition, ibid. (1903), plate no. 1287α. Dedication: "To Miss Carrie Townshend".
Published Paris: Enoch & Cie., plate no. E. & C. 4658. Dedication: "à Madame Béatrice Langley".
Published London: Schott & Co., plate no. 27497; second edition: Mainz: B. Schott's Söhne, n. d. [1905], same plate no. Dedication: "à son ami A. Simonetti ".
Deux Études pour la main gauche seul
Published Paris: J. Hamelle, plate no. J. 5405 H.
Published Paris: J. Hamelle, plate no. J. 5340 H.
Published London: Augener & Co., plate no. 1360α. Dedication: "à Mlle. Claire Przybyszewska".
Published London: Schott & Co., plate no. 27919.
Published Leipzig: Breitkopf & Härtel, plate no. 24931.
Published Paris: E. Demets , plate no. E. 1267 D. Dedication: "à Mademoiselle Claire Przybyszewska".
Published (without opus number) Paris: E. Demets, plate nos E. 1293 D. to E. 1297 D. Dedication: "à Max Reger ".
high voice and string quartet (w/ version for piano)
Words by Leconte de Lisle . String quartet original unpublished. Piano version published Paris: J. Hamelle, plate no. J. 5489 H.; second edition as no. 1 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1244 D. Dedication: "à mon ami Hugo Rasch".
Published Paris: E. Demets, plate no. E. 1387 D.
Published Paris: E. Demets, plate no. E. 1271 D. Dedication: "A Monsieur E. Demets".
Words by José-Maria de Heredia . Published Paris: J. Hamelle, plate no. J. 5501 H.; second edition as no. 2 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1245 D. Dedication: "à Mademoiselle Marie Stark".
Words by Leconte de Lisle . Published Paris: J. Hamelle, plate no. J. 5505 H.; second edition Paris: E. Demets, plate no. E. 1286 D. (1907); also as music supplement to La Revue musicale no. 52 (1911); later listed as no. 1 of Trois Chansons écossaises , Op. 31 (no collective print). Dedication: "à son ami Hugo Rasch" (Demets edition only).
Published Paris: E. Demets, plate no. E. 1346 D. Dedication: "À mon ami Auguste Delacroix".
Variations sur un air irlandais ancien
Published Mainz: B. Schott's Söhne, plate no. 28388.
Published (without opus number) Paris: E. Demets, plate no. E. 1409 D.; material taken from the Petrie Collection of Irish Music, compiled by George Petrie and edited by Charles V. Stanford
1. Words by Joséphin Soulary 2. words by Charles Baudelaire Published (without opus number) Paris: E. Demets, plate nos E. 1246 D. and E. 1247 D.; second editions as nos 3 and 4 of Quatre Mélodies (1908), see below. Dedications: 1. "à mon Ami Gino Sartoni", 2. [no dedication].
1. words by Leconte de Lisle 2. words by José-Maria de Heredia 3. words by Joséphin Soulary 4. words by Charles Baudelaire Published Paris: J. Hamelle, plate nos J. 5489 H.; J. 5501 H.; J. 5506 H.; J. 5656 H.
Words by Leconte de Lisle . No collective print; no. 1 (Annie), see above; no. 2 published Paris: E. Demets (1920), plate no. E. 2006 D.; no. 3 published Paris: E. Demets (1922), plate no. E. 2037 D. Dedications: 1. "à son ami Hugo Rasch"; 2. "à Madame Delorme Jules Simon"; 3. "à Charles Hubbard".
Published Paris: E. Demets, plate no. E. 1448 D. Dedication: "à Mlle. Claire Przybyszewska".
Published Paris: F. Durdilly, Ch. Hayet, successeur, plate no. C. 6254 H. Dedication: "à Monsieur Jules Combarieu , Hommage sympathique et reconnaissant".
Petite suite sur les notes Mi Do Mi Fa Si Mi
Published Mainz: B. Schott's Söhne, plate no. 29378. Dedication: "à mon cher ami E. Demets".
Kinder-Album , 24 kleine Präludien in verschiedenen Ton- und Taktarten
Published Mainz: B. Schott's Söhne, plate no. 28824. Dedication: "Meinem lieben Vater gewidmet".
Published Mainz: B. Schott's Söhne, plate no. 29379. Dedication: "à Madame Betty Heffner, Hommage sympathique".
Les Noces du soldat de bois , Ballet en un acte
Introduction, XII variations et fugue
collaborative publication with works on the same theme by Hugo Rasch, Georges Loth, Auguste Delacroix, and Herbert Fryer , Paris: E. Demets, plate no. E. 1487 D. Dedication: "à mon ami Hugo Rasch".
Published Paris: E. Demets, plate no. E. 1614 D. Dedication: "à Tupac".
Published Paris: E. Demets, plate no. E. 1615 D.
Published Paris: E. Demets, plate no. E. 1664 D.
Published Paris: E. Demets, plate no. E. 1678 D. Dedication: "à la mémoire de Bizet ".
Trois Chansons espagnoles
1. Fluthenreicher Ebro (Sur les rives fleuries)
2. Auf den Wällen Salamankas (Sur les murs de Salamanque)
3. Neben mir wohnt Don Henriquez (Mon voisin est Don Henriquez)
voice and string quartet (w/ version for piano)
French words by the composer after Emanuel von Geibel and Heinrich Heine 2.~3. words by Heinrich Heine. Published Paris: E. Demets, plate no. E. 2083 D. Dedication: "à Mademoiselle Radiana Pazmor"
Published Paris: E. Demets, plate no. E. 1674 D. Dedication: "à mon ami Heinrich Möller".
Published Paris: E. Demets, plate no. E. 1726 D. Dedication: "À mon Père".
Published Paris: E. Demets, plate no. E. 1727 D.
Published Paris: E. Demets, plate no. E. 1784 D. Dedication: "à Monsieur le Professeur Carl Heffner".
Adagio et allegretto du quatuor à cordes
Transcription by the composer from the Suite , Op. 46 Published Paris: E. Demets, plate no. E. 1732 D.
Published Paris: E. Demets, plate no. E. 1747 D. Dedication: "à Louis Vuillemin ".
Published Paris: E. Demets, plate no. E. 1794 D.
Deuxième quatuor [String Quartet No. 2]
Published Paris: E. Demets, plate no. E. 1994 D. Dedication: "à la Mémoire de Terence McSwiney , Lord Mayor de Cork".
Published Paris: E. Demets, plate no. E. 1825 D.
Eight Celtic Pieces / Huit Pièces celtiques
Published (with English title) London: Evans & Co., plate no. S. & Co. 31; second edition (with French title) as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2320. Dedication: "To Denis Breen".
Published Paris: E. Demets, plate no. E. 2002 D. Dedication: "à mon ami Paul Le Flem ".
Published London: Evans & Co., plate no. S. & Co. 41; second edition as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2321. Dedication: "à Lucien Haudebert ".
Paris: E. Demets, plate no. E. 2001 D. Dedication: "à mon ami Paul Ladmirault ".
Published London: Evans & Co., plate no. S. & Co. 40; second edition Paris: Max Eschig & Cie. (1929), plate no. M.E. 2322. Dedication: "à Michael Kavanagh".
1. Words by Charles Baudelaire 2. words by Albert Samain 3. words by Jean Ajalbert Publication(s): 1. Paris: Éditions Max Eschig (1932), plate no. M.E. 3692; 2. Paris: Max Eschig & Cie. (1925), plate no. M.E. 1564; 3. Paris: Éditions Max Eschig (1932), plate no. M.E. 3693. Dedications: 1. "à Jean Suscinio"; 2. "à Charles Hubbard"; 3. "à Marcelle Gerar".
Published Paris: E. Demets, plate no. E. 2070 D.
Variations sur un thème de six notes (H.B., E.B., C.H.)
Published Paris: Max Eschig & Cie., plate no. M.E. 1315.
English horn, violin, viola and cello
Published Paris: Max Eschig & Cie., plate no. M.E. 1430. Dedication: "à M. Paul Brun".
Published Paris: Max Eschig & Cie., plate no. M.E. 1262. Dedication: "à Mademoiselle Rachel Blanquer".
Troisième quatuor [String Quartet No. 3]
Published Paris: Max Eschig & Cie., plate no. M.E. 1719. Dedications for the four movements: 1. "à Emile Loiseau"; 2. "à Adrien Fourment"; 3. "à Robert Chantôme"; 4. "à Robert Ladoux".
"Sonate celtique" on title page, "Sonatine celtique" (= correct) on first page. Published Paris: Max Eschig & Cie., plate no. M.E. 1425. Dedication: "à Robert Chantôme".
Published Paris: Max Eschig & Cie., plate no. M.E. 1447. Dedication: "à Francis Touche".
Douze Canons à deux voix à tous les intervalles
Published Paris: Max Eschig & Cie., plate no. M.E. 1563. Dedication: "à ma femme".
Published Paris: Max Eschig & Cie., plate no. M.E. 1525. Dedication: "à Emile Loiseau".
1. & 2. words by André Delacour 3. words by Leconte de Lisle Published Paris: Max Eschig & Cie., plate no. M.E. 1631. Dedication: "à Mademoiselle Marthe Saisset".
Published Paris: Max Eschig & Cie., plate no. M.E. 2264 (as part of the Album celtique , 1929). Dedication: "à mon fils Patrice".
Published Paris: Max Eschig & Cie., plate no. M.E. 1637. Dedication: "à M. René Laurent".
Clamart | Aubervilliers | Meudon | Robinson | Verrières | Bourg-la-Reine
Initially self-published as 3 pieces (1926); extended edition published Paris: Éditons Max Eschig (1929), plate no. M.E. 2410. Dedication: "à Maurice Servais".
Published Paris: Max Eschig & Cie., plate no. M.E. 1985 (wrongly dated to 1926). Dedication: "A mes amis Emile Loiseau, Gaston Blanquart et Gustave Dhérin".
Published Paris: Éditions Max Eschig, plate no. M.E. 1941. Dedications: 1. "à Paul-Louis Neuberth"; 2. "à Carol-Berard"; 3. "à Madame Neuberth"; 4. "à Paul-Louis Neuberth".
Trois Chansons celtiques
1. La Chanson du rouet
2. Berceuse d'Armorique
3. Le Départ des pêcheurs
1. Words by Leconte de Lisle 2. words by Anatole Le Braz words by Pierre Scize Published Paris: Éditions Max Eschig, plate no. M.E. 2115. Dedications: 1. "à Henri Collet "; 2. "à Eugène Cools"; 3. "à Pierre Scize".
Books 1–4 (1927) Book 5 (1928) Published Paris: Éditions Max Eschig, plate no. M.E. 1781, M.E. 1782; M.E. 1783, M.E. 1986, M.E. 2251. Dedications: Books I–III "à Marthe Le Breton", Books IV–V "à Richard Byk".
1. Words by Paul Gérardy 2. words by Anatole Le Braz Published Paris: Éditions Max Eschig, plate no. M.E. 2249 & M.E. 2250.
Published Paris: Éditions Max Eschig, plate no. M.E. 2252. Dedication: "à Madame Fernande Kufferath".
Quatrième quatuor [String Quartet No. 4]
Published Paris: Éditions Max Eschig, plate no. M.E. 2463 (score) & M.E. 2464 (parts).
soprano, mezzo-soprano and alto (solos)
1. Words by Jean Ajalbert 2. words by St Thomas Aquinas 3. words by Johann Wolfgang von Goethe , translated by Louis de Ronchaud Unpublished.
two violins (or two groups of violins)
1. Words by Paul Verlaine 2. words by Prosper Blanchemain Published Paris: Éditions Max Eschig, plate no. M.E. 3694. Dedication: "A Mlle. Marguerite Breitner".
Published Paris: Proprieté de l'auteur. Dedication: "A Suzanne Chevaillier".
Published Paris: Proprieté de l'auteur. Dedication: "À Madeleine Monnier".
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Delight in the picturesque city of Cognac and experience the exquisite alchemy of heritage, savoir-faire and art de vivre that makes Hennessy cognacs so appreciated the world over.
Though famous for its eaux-de-vie, Cognac has roots stretching back to the Roman Empire. A thriving merchant town since the Middle Ages, it comes to life through the richness of its architectural detail: linger along the banks of the Charente River, wander through charming cobblestone streets, and spot the salamander insignia of King François Ier, the city's most illustrious son.
A10 Exit 18 Saintes or N10 to Angoulême, then follow signposts for Cognac
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105 minutes minutes from the Bordeaux airport
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[Estribillo: Big Soto] Ey, la disco se pone loca porque llegué yo, eh (Yo) A ella se le agua la boca cuando oye mi voz, ey (Prr) Yo no salgo de la casa si no es con la Glock Ando siempre en coro con los mio', yeah En la mano una botella full de Hennessy, eh Solo las mujeres bellas al lado de mí (Skrt-skrt) Me siento feliz por la vida que yo elegí (Yeah) Aunque a alguno' no les guste por ahí (Yeah, yeah), yeah [Verso 2: Big Soto] Ey, este level muchos quieren tener, pero no le llegan y se frustran Tienen odio en ocasiones por mi éxito y eso no me disgusta (Prrra) Más bien me parece divertido y miro todos eso' mensajes cuando tiro (Yeah) Con la jeva del que tira mierda (Yeah), a mi no me interesa, sigo haciendo mi sonido Estilo como kilo', una cara por donde camino (Eskere) Tengo el respeto de mis colegas y voy a mi cegado a que me gano el Kino, eskere Larga vida y mujere', somos reyes con superpodere' Este chanteo muchos lo tienen, pero ninguno lo hace como se debe, yah [Puente: Big Soto] Ey, la vida es descontrol y party cuando llego (Llego) Mujeres mueven el culo pa' los bandolero', ey (Ey) Quiero modelos en una nota contando mi dinero (Yah-yah) Quiero larga vida pa' los mio' que siguen en el ghetto (¡Prrra!)
[Estribillo: Neutro Shorty] Prr
Une asiatique chaude dans une compilation de faciale
Chatte poilue en andromaque inversé
Échangistes libertins