Les Petite Fille

Les Petite Fille




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Claude is married to a boring wife and has a boring job and a boring life. One day he meets Katie and starts a love affair with her. Then he meets a man in a bar who introduces him to the wo... Read all
Claude is married to a boring wife and has a boring job and a boring life. One day he meets Katie and starts a love affair with her. Then he meets a man in a bar who introduces him to the world of exciting sexual contacts with swingers and life ceases to be boring.—lament
This has never been a very popular film, not even on the less than critical porn circuit. The recently deceased Francis Leroi was a well-liked and surprisingly respected figure with roots stretching back to the French New Wave of the sixties before choosing (rather than being forced) to make a living from adult cinema, only occasionally resorting to the odd nom de porn (Jim Clack, John W. Dark). Unlike, say, the perpetually hell-raising Gérard Kikoine (ADORABLE LOLA), Leroi was more of a gentle subversive, cheekily turning preconceived notions on their heads with a string of well-received adult films like JE SUIS A PRENDRE (containing Brigitte Lahaye's career performance) and his leather and chains opus REVES DE CUIR with Zara Whites.

French video and DVD company Blue One who owns the entire impressive Alpha France back catalog encompassing most of the French theatrical treasures have given new life to one of Leroi's most overlooked gems on a superb value 3 for 1 DVD including his LE PENSION DES FESSES NUES and MA MERE ME Prostitute.

A prototypical pencil pusher (Claude Valmont, who REALLY looks the part and is one of the most surprising sex performers you're ever likely to see) has his daily routine thoroughly upset when a chance encounter with a lovely young student (the exquisite Cathy Stewart at a very early stage in her longterm career) leads him to a life of good-natured depravity, trailing a wealthy libertine (Edwige Faillel), getting involved in all sorts of shady deals along the way. The plot is handled in an ever so slightly surreal fashion by Leroi, with inventive little touches (like the old lady at the railway station who keeps the key to Valmont's locker in return for his daily dose of lamb stew) that stick in the mind. For what purports to be a comedy, the tone is remarkably sad and melancholy, with characters stuck in the humdrum routine of life, Leroi's critique of his raincoat-clad audience perhaps ? Despite the often unlikely looking performers (Valmont, the obese guy at the porn theater, the rather matronly Faillel), the sex scenes have a no holds barred enthusiasm to them, perhaps best illustrated by a spirited threesome involving Faillel, Valmont and stalwart Diane Dubois who plays a frisky secretary at the bank owned by Faillel's husband.

Considerably better made and acted (furthermore by Marie-Claude Viollet as Valmont's mousy wife turned tantalizing temptress by the final reel) than most French porn at the time, this is one spectacularly undervalued movie worthy of rediscovery.
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Featured in Grindhouse Universe (2008)
This modernized Victorian Era-style porn from France is a good example of how mainstream filmmakers can address erotic cinema, in this case softcore porn (very soft -no frontal nudity), with a style and joie de vivre that is sorely lacking from the current gonzo sensibility.

This filmmaker would several years later succumb to grinding out hardcore trash, when the market in France opened to same, but along with other classy titles in his career like "Dossier Prostitution".

But here he is in his element, injecting welcome humor into a traditional jail-bait genre, where four beautiful young girls living with a pair of equally beautiful mature lady aristocrats, have hijinks in coming of age story fashion.

Main comic relief is afforded by an oversexed doctor whose house calls are so frequent that everyone knows something is up. An aphorisiac sex potion conjured up by the family's loyal Black maid (a character treated with welcome respect here) keeps him ready to perform at a moment's notice.

French fluff like this is taken for granted, but a great deal of craftsmanship went into this picture, loaded with production value sadly absent from erotic epics since. Roy's ability to create interesting characters while never lapsing into pretentiousness or even seriousness is to be lauded, for after all, escapism is the goal.
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By what name was Les petites filles modèles (1971) officially released in Canada in English?
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Les Petite Fille


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