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A few weeks ago, they requested me to write an article on one of the paintings by Hopper and one of the Nighthawks and I, being a good researcher, went to inform me. It is well-known, or at least is taught by experience, in order to appreciate a painting it is necessary to know the history of the painting and the painter, and above all the context within which he painted it. Art is certainly an universal thing, that transcends both space and time making it is recognizable after many centuries. The interpretations, however, alter, as does the way society and the world evolve and what used to be easily seen, maybe decades later, is no longer so obvious. What was unthinkable before is now revealing the work to us in a different manner.
Re-meaning a work through time
It's a little like what I think happens when you see Hopper's " Nighthawks" that was shut at the bar at late at night, with that window that resembles an aquarium, from the position of characters observed.
I believe that in this work, Hopper wanted to give space to the viewer, allowing him to look at the silent tranquil, precise and serene scene given to us by the dark night.
malding meaning , conceived to be a place for active viewing could be the keystone that allows the work to be reinterpreted throughout time and, consequently, to remain timeless, indestructible, modern, even very modern.
The piece, which was created in 1942, cannot be immediately linked to a specific time period, but it seems that its date can be altered depending on the changing viewer, depending on the time in the period in which the work is viewed.
My opinion is that this is the key to reading, the time and space occupied by the observer that Hopper wanted to create.
I'll explain.
In my research for information and news about Hopper's " Nighthawks" I was able be aware of how many people have described it by highlighting these elements:
"[...] the solitude, the feeling of emptiness of a world whose shimmering patina starts to lose its luster. [...] The distinctly commercial character, the false myths take off their masks to reveal a displaced reality, without valid points of reference , immobilized by uncertainty and lack of conscience. "
Night and transformation
I am of the opinion that this interpretation is not complete, that is, it's an interpretation influenced in the context of society as well as by the dating that is attributed to the work that took place in the United States between the 40s and 50s, during the boom in economics which redefined the cultural and social assets that were a part of the life of people in a society that was even a bit bourgeois in which nightclubs are seen as places of solitude and despair, as well as a sense of emptiness.
This is somewhat true and slightly not.
The first time I saw this painting, without having studied it, it gave me a lot of happiness and peace with its vibrant contrast and nocturnal stillness.
Perhaps, as a resident of a large busy and noisy city, nighttime is one of the times where I can enjoy the city in a more peaceful way there are fewer people, fewer cars as well as less noise. There are also more space between the streets to make the most of, and the best place to be, beneath the city's starless sky. Night has a completely different meaning to me than those who went to bars in the United States during the 40s as the sun's path down and the city is transformed into its appearance and streets become more open and simple.
We must not forget how society has changed in more than half a century of social and cultural changes. This is the case that occurred between Pop as well as Rock culture, and between the psychedelic movement as well as the decade 2000.
As a girl of the 90s, I grew up also at night and by "growing up" I am referring to everything "formative" experiences that the night brought me. For me , it's normal to go out after dark and walk around the neighborhood, and on Saturdays looking for the best party, dancing until the early hours and riding around on a motorbike or car to locate the last bar open you can grab a bread or hot pizza or hot pizza, and then where to sip the last glass and light the last cigarette before dawn was set. From the 80s and to the present, nightlife stopped in a way that scared those who stayed the house (let's take a look at the anti-prohibitionism movement, jazz music and the Cursed Poets all of them perfect nights owls) and it has become the place where many of the prominent personalities of society find the comfort and peace of other night hawks.
Hopper's contemporary realism
Nowadays Hopper's painting reminds me of numerous scenes from contemporary life, and makes me feel satisfied and sympathize with the three main characters, who have a chat while the bartender cleans the bar to close a day and open another. The nocturnes want to rest in the silence of their nightly companions. They meditate on their lives observing them through a glass and form a group of the night, accepting everyone and judging no one. It's not a coincidence that in the most ancient primitive civilizations like the Indian one the hour and a half before dawn is called Brahmamuhurta which is also known as the time of Brahma the most ideal time to dedicate yourself to prayer, meditation as well as study and reflection. In this time, the energy levels are higher as well as intense but with tranquil, spiritual intensity.
There is no solitude nor absence in the painting of Hopper. I found more among the gentrified streets of the night quarters. This is because even the right-thinking folks started going out in the evening.
In other words, the most famous and oldest areas had to be turned into marketplaces for consumers as well as the spontaneous aggregations of people in the square had to rearrange themselves in line waiting to be seated; and the music of the drums along the other side of the street was silenced by the police sirens. That scares me today because the night is desnatured by its mystical, timeless ambience and by the fact that it is an occasion of aggregation for individuals, and by becoming an unintentional and productive element of the system, demanding the highest level of professionalism and clarity even from the darkest corners in the city.