Latin American Dances

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Latin Dances Learn about popular LATIN BALLROOM styles: Samba, Rumba, Cha-Cha-Cha, Paso Doble, Jive and SOCIAL LATIN dances: Salsa, Bachata, Merengue, Reggaeton, Mambo, Kizomba, Zouk, Argentine tango
Latin dances are rather a large group of dance styles that are united by their place of origin - Latin America and invariably passionate rhythms and performances. Latin American dances are a type of ballroom and club dances that spread throughout Europe in the 19th century and became very popular. They owe their wide popularity to curiously mixed cultures of the Americas, including European and local folk dances. Thus, the Spanish folk dance, the elements of which were performed by bullfighters during a bullfight, became known throughout the world as a paso doble. Samba was brought to Brazil, and then to Europe, African influence is seen in rumba and cha cha cha which originated in Cuba and Haiti.
The traditional program of Latin Ballroom Dances, adopted by the World DanceSport Federation, since 1930 includes five dances in the Latin American section. These are Samba, Rumba, Cha-Cha-Cha, Paso Doble and Jive (United States origine). All of them are performed in a pair, a man and a woman and, unlike the European dances, the partners during the performance can either separate the contact, or cling to each other very closely. All Latin American dances are rhythmic and emotional, and some of them are particularly sensual.
The other large group of Latin dances is so-called Social (or ”club” Latina) includes Salsa, Bachata, Merengue, Reggaeton, Mambo, Kizomba, Zouk and Argentine tango. It has long been one of the most popular group of mass dance, both in Latin America and in the United States, Europe and Asia. Salsa and bachata, merengue and mambo - these dances do not require perfected skill, it is more important to reveal them completely, turning movements into meaningful love and passionate stories. For many years, the cult for all Latin dancers is the movie “Dirty Dancing” with Patrick Swayze, where the most popular amateur dances are shown in all its glory.
Salsa dancing initially developed into a particular style in the 1940s and comes from a tradition of Latin dance styles that dates back to the early 1900s. It is heavily influenced by Afro-Cuban traditions and dance styles such as mambo, guaguanco and danzon. The brief history of salsa dance is that people moved to new locations and assimilated into new cultures, where salsa evolved into fresh styles. There are several different salsa styles influenced by cultures of the cities they originated. For instance, most famous in North America in United States are New York Salsa (also known as dancing 'On 2') and Los Angeles Salsa (known as dancing 'On 1'). Many dance aficionados actually claim that New York Style salsa is the original style of salsa, as the term and the dance were coined in the Big Apple. Other styles include Cuban salsa, Cumbia, Rueda de Casino (read more on salsa dance types here). Besides New York and Los Angeles in USA, major cities around the world where salsa is most popular are: Toronto Salsa and Vancouver Salsa in Canada and in United Kingdom: London Salsa. There are numerous Salsa Festivals around the world that attract thousand of Salseros every year as well as Salsa Congress which is a multi-day dance festival featuring workshops, social dancing, performances and competitions focusing on Salsa dancing.
Bachata dance is known for its love stories, and its syncopated rhythm. The dance actually was born of the music in the Dominican Republic during the 1960’s. Unfortunately, a dictatorship that found Bachata to be an art form of low standing held the music and the dance back for decades. The music was first developed with a heavy guitar emphasis and heartrending love stories as its basis. However, it grew primarily within bars and brothels, and this led to Bachata being held back for literally decades. Although the Bachata dance itself is a spinoff of the music, in recent years the music has grown more slowly than the dance. Bachata dance continues to grow and thrive all over the world, and has finally reached a place where it is widely accepted.
The Merengue is a couple dance that has roots in the Dominican Republic. There are many theories of how precisely it became the dance that it is today. It is certain, however, that Dictator Rafael Trujillo deemed it the Dominican official dance and musical style after his rise to power in the 1930’s. A similar style is enjoyed in neighboring Haiti. The Merengue is one of the recognized Latin dance that has evolved over the years and widely enjoyed in many parts of the world.
Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The word mambo comes from the name of the god of war. In immemorial times, the Cubans dedicated a ritual dance to him, with the aim of deserving location and ensuring patronage. The mambo dance has much in common with rumba and cha-cha (at first, the famous cha-cha-cha was even called syncopated mambo), but it has a great temperament, freedom in expressing feelings and emotions, luxurious music. Incendiary rhythms of mambo are widely used in cinema. This dance is both a means of seduction and a way to express your feelings. Among the most famous films in which dance is used is the film “Mambo” with starring Antonio Banderas and Arman Assante and the more modern film Dirty Dancing starring Patrick Suezi.
Kizomba is a new direction of latin dance culture that originated in Angola in the 1980s under the influence of French Creole music and African folk rhythms. And in Europe, it has spread widely in the twenty-first century. Kizomba has similar features with samba, bachata and Argentine tango, but this style is smoother, moderate and calm. Energy of Kizomba is more sensual and romantic, not expressive but rather flirtatious. Nowadays, Kizomba is winning the hearts and minds of modern youth. Everyone wants to learn how to dance Kizomba, everyone wants to shine at parties, to be fashionable and modern. There are numerous Latin Festivals around the world that include Kizomba as one of their featured dances.
In the late 20th century, dramatized concert performances with bright costumes and lively ethnic music were popular in Haiti, Martinique and the Cape Verde Islands. This is how the Zouk dance style emerged, combining the intonation of authentic Haitian music, the calypso style, the sound of “black” Angolan music. “Zouk” in French Creole means “party” or “festival.” Dancing evenings with live music have won wild popularity not only on the islands. France, Canada, Brazil and the countries of Asia and latey United States have not resisted the pressure of the sensual rhythm.
Zuk dance is a social dance that is performed on three counts and is saturated with beautiful curves of the upper part of the body and deflections, and the steps and turns are complemented by circular rotations, wave-like movements and turns of the head. This style of dance is much more sensual than others, its turns and “falls” are spectacular, so the flexibility of the partner is of particular importance. Acrobatics are allowed. There are many Latin Festival events around the world that include Zouk dance as an essential part of their program.
Reggaeton is a musical style that originated in Puerto Rico and Panama in 1970-1980. It was born under the influence of such directions as reggae, dancehall, hip-hop and very quickly became popular in the countries of Latin America and the Caribbean. And how a separate style was highlighted in the 1990s, spreading its popularity to the USA, where immigrants brought it. A characteristic feature of this musical direction is overt and even somewhat aggressive sexuality, a clear reggae rhythm and a recipe in Spanish. Nando Boom and El General are considered to be the fathers of this musical direction.
Tango is a very sensual dance, and is among some of the most famous couple dances today. Prior to the birth of Tango, which happened in the poorer sections of Buenos Aires in the early 1900’s, there were only a few dances that required that a couple become so intimate as to face each other. The history of Argentine Tango is a little muddled, as it began in the lower classes, and it has faced many trials over the years. However, Tango has survived and grown into a dance that is enjoyed worldwide. Around 1911, Tango made the trip overseas and became a sensation in Paris, London and Berlin. 1913 saw it strike New York City in full force, although less authentic Tango dancing was already practiced there to some extent.
Tango scenes have been featured in many tango films. Tango scenes have been featured in many tango films. Today we see many thriving tango communities around the world, with the biggest one in Buenos Aires (Argentina), in USA: New York tango and Seattle tango are among the largest, in Europe: Berlin and more. You can catch the best tango performances at many Milongas (social tango dancing). There are as well many Tango Festivals around the world that attract thousand of Tangueros and fans.
Bomba is one of the traditional dances and musical styles of Puerto Rico, which arose at the intersection of African and Spanish cultures and the Indian culture of native Taino. Bomba got its name from the drums made out of rum barrels. The base rhythm of Bomba is performed on two or more drums. The meaning of bomba is similar to the meaning of Cuban rumba - it is a competition between a singer, a dancer and a percussionist.
The main trait of Bomba is that the musicians in it follow the dancer (and not vice versa). The vocal part consists of the recitals of the soloist and choir (at least three voices). In this case, the soloist will improvise poetry, and the chorus will respond to him.The dance is still extremely popular in Puerto Rico and New York.
Puerto rican style of music and dance, used as a means of social and political expression. This traditional dance uses a panderet (tambourine), has a 4/4 pace and does not follow the clave. Plena was created 100 years ago in the working class barrios of Ponce, Plena's roots could be traced back into the changes in society brought on by Puerto Rico's move from Spanish into U.S. rule. Plena was born of African American roots and has been changed to a distinctively Puerto Rican dance style from the consequences of Jíbaro, indigenous Taino, and European musical traditions, along with the contribution of freed slaves out of English-speaking Caribbean Islands who travelled to Puerto Rico.
Plena primarily existed within folklore nevertheless, in the 1990s Plena has been given new life due to musical bands from Puerto Rico and New York who updated its sound to be fresh and modern. Whether folklore or contemporary audio, it is the panderos -- three or more handheld drums of distinct sizes/pitches (seguidor, segundo, and requinto), along with also the guiro -- a gourd percussion tool of native Taino source -- which collectively create the unique rhythm of Plena.
Samba is a dance rich in history, and one that is known for the joy it expresses. The traditional Brazilian Samba is a national favorite each year at Rio’s Carnival Celebration. Both men and women, each known as a Sambista, present the rhythmic celebratory dance throughout the city during the festivities. The Ballroom Samba varies greatly from many of the styles, but does maintain some of the Brazilian Samba characteristics. Ballroom Samba is recognized as one of five International Style of Latin Dancing partner dances. The Samba as seen today developed in Rio near the close of the 19th century. In 1917, Samba was beginning to be viewed as a dance style in its own right. The year of 1930 saw it become an accepted form of ballroom dance -- Ballroom Samba has made a lasting impact on partner dancing throughout the world.
Rumba, one of the five international Latin dances, is a sultry story in motion. This particular Latin dance is widely acknowledged as the most sensuous. Rumba has humble beginnings. As with many others, at least some of Rumba’s roots can be traced back to African tribal dances. However, it is in the nation of Cuba where it became the Rumba that is still so popular today. It is commonly referred to as the grandfather of Latin dance. Rumba hit the United States during the 1920’s, and laid the groundwork for all Latin dances thereafter.
Originally known as Cha-Cha-Cha, the name of this flirtatious and upbeat partner dance has been shortened a little over the years to simply Cha-Cha. This particular dance style was developed originally in Cuba, and then picked up by dancers visiting Havana from all over the world. The dance's fun, flamboyant and quick nature made it appealing then, and certainly adds to its appeal now. The more authentic Cuban style is very sensual, somewhat teasing and a bit contagious. Not only is the Cha-Cha still danced across the globe and is one of the International Style of Latin Dancing partner dances, the musical genre can be heard sung by incredibly popular musical artists even today.
Paso Doble (Spanish for “two steps”) is a Spanish dance imitating a bullfight. Paso doble was one of the many Spanish folk dances associated with various aspects of Spanish life. The partner represents the torero, and the partner - his cloak (muleta), sometimes - the second torero, and very rarely - the bull, as a rule, defeated by the final blow. The nature of the music corresponds to the procession in front of the bullfight. The dance was first performed in France in 1920, became popular in Parisian high society in the 1930s, therefore many steps and figures have French names. After the Second World War, Paso Doble was included in the Latin-American program of sports ballroom dancing.
Jive is a dance of African American origin that appeared in the USA in the early 1940s. Jive is a type of swing with fast and free movements. Modern jive is very different from swing in style, although it often uses the same shapes and movements. Jive dance is performed at ballroom dancing competitions. Of the five dances of the Latin American program, the jive is always the last and is the apotheosis of the competitive program. This dance is very fast and sparkling. Thus, it allows couples not only to demonstrate technical skills, but also to show their physical fitness.
There is also East Coast Swing that we plan to cover later. Stay tuned!
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Latin American dance, dance traditions of Mexico, Central America, and the portions of South America and the Caribbean colonized by the Spanish and the Portuguese. These traditions reflect the distinctive mixtures of indigenous (Amerindian), African, and European influences that have shifted throughout the region over time.
This article surveys selected genres of dance across the vast and diverse region of Latin America. After a brief consideration of dance in preconquest cultures (for further treatment, see Native American dance), the narrative turns to the profound influence on dance practice of the European-imposed Roman Catholic Church and its calendar of festivals and commemorations. At the same time, imported elite dance practices became part of the colonial cultures and were in turn infused with local and regional flavours. From the 19th century on, national variations have asserted themselves throughout dance practice in Latin America and in the Latino cultures of North America. (Latin American music shows a similar path of development; a great deal of the region’s nonclassical music, both vocal and instrumental, accompanies or shares a history with dance.)
Although the article discusses theatrical derivatives of traditional dance (which are often grouped under the name folklórico) because of their visibility and importance in the region, not included are international forms of concert dance, such as ballet and modern dance. After a chronological survey of broad trends, with examples, the article focuses on individual countries. Haiti, which was colonized by the French, is included in this article because it shares important African-derived ritual practices with Brazil and Cuba and because its history is entwined with that of the Dominican Republic. Perhaps needless to say, this article can only skim the surface of such a vast topic.
On their arrival in the Western Hemisphere in the late 15th and early 16th centuries, explorers from the Iberian kingdoms of Portugal and Castile (Spain) encountered peoples—even entire empires—previously unknown to Europeans. A few of the Europeans wrote about the music and dance practices they observed during ritual festivals among the local populations. The indigenous populations were decimated by disease, forced labour, and warfare, and their history was disrupted. In the Caribbean very few indigenous people survived, but on the mainland significant populations managed to preserve their communities.
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Some early dance history can be inferred from the archives and from what seem to be continuous practices. For example, creation stories were a common aspect of indigenous spiritual practice, and their telling often incorporated dance as a vital element. Natural forces (i.e., gods and goddesses) and animal spirits were honoured or represented as dramatic actors; dance rituals were often meant to forestall or explain cataclysmic events. The great civilizations of the Aztec and Inca (like the Roman Catholic Church of their conquerors) organized time according to complex ritual calendars, and dance was essential in their communal ritual life.
The dances of the Aztec were precisely structured and executed. Priests trained young people in the movements of the ritual dances and organized the ceremonies into massive arrangements of dancers who moved in symbolic geometric patterns. Combat was a major theme that featured male dancers: weapons in hand, individuals or groups of dancers enacted struggles between gods or between military units such as eagle warriors and jaguar warriors. Dances could last more than a day to test the warrior-dancers’ endurance and commitment. In some ceremonies dancers moved in columns to represent revolving astral bodies i
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