L'artiste souffrant
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L'artiste souffrant
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Olivier Souffrant
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Overview
1 exhibition , 1 upcoming exhibition
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BIOGRAPHY
acrylic and archival CMYK ink on canvas
Jul 24,2022
- Aug 20,2022
Dec 09,2021
- Jan 22,2022
Jun 17,2021
- Jul 16,2021
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Haitian
|
1994
Olivier Souffrant is an artist. Numerous key galleries and museums such as Kravets/Wehby Gallery have featured Olivier Souffrant's work in the past. The maker's first piece to be offered at auction was " To Pimp a Generation " at Phillips New York in 2022.
“ A slowing Deciding to think is not the same as moving the mind to think differently. Language is limited, slippery. Looking at art practices that sprawl in their silence and beckon us to engage with this obscurity, this series will consider how our attention can be moved by poetry that makes intellectual, emotional, and ethical demands of readers through gestures toward knowing that cannot be realized. What are the implications of turning our attention to writing that withholds, acknowledging the tenuous grasp language has on meaning? What is the value of a poetics of the unsayable? ”
“ “Peace is the absence of war, but it is also the presence of actively attentive ethics of pacifism. Those who take peace seriously understand this important tension. Peace is not simply carefree, but precisely a directing of care toward peace. In every work in Yoko Ono’s show, you the viewer have to care, attend, and interact.” ”
Souffrant's book Plain Burned Things: A Poetics of the Unsayable is available from the Collection Clinamen imprint in interdisciplinary poetics from les Presses Universitaires de Liège.
"Leah Souffrant, with laudably quiet gestures, reaches lyrically into literature's silent places to delineate the thermodynamics of the lacuna. Working the pauses, she does a Duras: nimble, stunned, alert. Hats off to Souffrant for the elliptical beauty she unearths and ̶ with interpretive deftness ̶ performs!"
Read A More Visceral Sense of Language’s Limitations , Leah Souffrant’s discussion (with Liesl Schwabe ) of creating art and poetry in Speak the Magazine .
Featured in the Studio Lab Showcase, “ Thread: Riddle of the Physical ” appears in Seisma Magazine , a journal dedicated to the intersection between science and art.
Leah Souffrant’s Afterword to In Praise of Fragments by Meena Alexander was published in 2020 by Nightboat Books.
In 2020, Souffrant’s The Same World was a finalist for the National Poetry Series.
Leah Souffrant makes art, poetry, and criticism. Her work involves literature, visual studies, poetics, translation, as well as feminist theory & aesthetics. Recent projects include a range of inquiries into the unsayable and the everyday ̶— in theory, performance, visual art, poetry, and all stretches between; poetics of motherhood; investigations into representations of loss.
In 2020, her poetic manuscript was a National Poetry Series finalist. Her doctoral dissertation was awarded the Nina Fortin Dissertation Proposal Award by the Center for the Study of Women & Society. Souffrant was selected to be a Catwalk Institute Artist-in-Residence and has been recognized as a New York Foundation for the Arts (NYFA) Fellow in Poetry.
Plain Burned Things: A Poetics of the Unsayable was published in 2017. Souffrant’s Commentary series “A slowing: Poetics and attention” appears on Jacket2 in interlocking essayistic installments.
Souffrant studies looking, learning, and knowing in writing and visual studies, with an emphasis on aesthetics of silence. In poetry, essays, and art, Souffrant is committed to interdisciplinary work and research. She is currently working on a book enacting a lyric investigation of the entangled relationship between argument and oppression. Sample of her visual art can be found here .
Poetry and criticism by Souffrant can be found in literary journals, scholarly reviews, and print anthologies. Selected Writing:
“ A More Visceral Sense of Language’s Limitations ,” conversation with Liesl Schwabe in Speak the Magazine . “ Thread: Riddle of the Physical ” in Seisma Magazine ’s Studio Lab Showcase Review of migraré in Résonance 2022 Afterword to In Praise of Fragments by Meena Alexander, Nightboat Books 2020 "Reading Simone Weil" in Bone Bouquet Louise Labé's Sonnet II in Interim, Vol. 34, Issue 3, from a series of poetic transcreations, from the French ” A Brief Meditation on Looking: Why Instagram ” in Closed Eye Open . “Haunting Is Recursive: A brief meditation on erasure and the case of Zong! ” appears in L'effacement , a 2019 installment of Formes poétiques contemporaines. Review of the MoMA exhibition Yoko Ono: One Woman Show, 1960-1971 in the Poetry Project Newsletter “ Mysterious Me: A Brief Meditation on Personae ” in Poet Lore 'Like a postponed present': Reading reality in Mandelstam's 'Voronezh Notebooks' in Jacket2 “ Look at the Wall: Reading the Unsayable in Duras and Carson ” in Pennsylvania Literary Journal “Mother Delivers Experiment: Poetry of Motherhood: Plath, Derricotte, Zucker, and Holbrook” in WSQ Women’s Studies Quarterly "Not to Walk" in Poet Lore A fierce intellectual pacifism: Riding's 'Contemporaries and Snobs' - an essay-review at Jacket2 “In Praise of Unknowing” at EOAGH “A conception is a motion” in Far From the Centers of Ambition , Lorimer Press “Long Short Talk on My Black Mountain, Which is Invisible” in Far From the Centers of Ambition , Lorimer Press “Imperfect Plenty” in Starting Today: Poems for the First 100 Days , University of Iowa Press “Lucrece in Translation: Analysis of Progressive Silence” in Anamesa Literary Journal “Heard the unspoken words” in Tygerburning Literary Journal “Language about language” in Tygerburning Literary Journal “Untitled (or It was/By the water)” in the Burnside Review “It’s only when I look at trees” in Memorious Translation of Marina Tsvetaeva’s “Poem of the End,” from the Russian - unpublished Additional works have appeared at Delirious Hem, Poet Lore, Poets & Writers online, Weber , and elsewhere.
Selected Collaborations and Performances: Reading at Callicoon Fine Arts for In Praise of Fragments Artistic Consultant, Brooklyn Academy of Music, with Brazilian director Renato Rocha Reading at Berl's Brooklyn Poetry Staging of Sylvia Plath’s radio play “Three Women,” developed in collaboration with Karinne Keithley Composition and performance of song series by Stefan Feingold, Swiss composer and classical guitarist Performance and workshopping of Staging Elizabeth Bishop’s Letters Work featured in Dome Poem NC by Lee Ann Brown and Tony Torn Co-editor of Four Corners literary journal 2005-2007 Epistolary poetics with Canadian-based poet and performer Abby Paige Souffrant’s artist book Essay for Elsa: somersaults exhibited in the A.I.R. Gallery , Dumbo, Brooklyn Reading from “Entangled with texts: Poems” in Jane’s Reading List: Jane Marcus Feminist University , The Graduate Center, CUNY September 2016 Aesthetics and Ethics of Teaching Writing, New York University, October 2017
Dr. Souffrant holds a Ph.D. in English from the Graduate Center, City University of New York (CUNY), an M.F.A. in Creative Writing in Poetry from the Bennington Writing Seminars, and a B.A. in Russian Literature from Vassar College. She studied briefly at St. Petersburg State University in Russia. Since 2013, Souffrant has been faculty at New York University, where she h
Une superbe nana plantureuse se fait casser le cul et la chatte
Brunette avec des beaux seins branle en pov
Je me suis trouvé un nouveau fan