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The new Lara Croft is less sexualised - but the feminist move won't save the film from its boring premise.
By Duarte Garrido, Entertainment Reporter
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Croft origins revealed in Tomb Raider trailer
First look at Alicia Vikander as Lara Croft in the new Tomb Raider film, which explores the character's origins.
The new Tomb Raider trailer shows a fresh approach to a character considered the biggest sex symbol in the video-game world.
Action-packed, grittier, darker and featuring a Lara Croft with a lot more clothes on, the remake of the seminal video game shows a heroine that is less willing to seduce her fans.
Alicia Vikander takes on the role first brought to the big screen by Angelina Jolie in 2001 and, judging from the two-minute-long trailer released on Tuesday, the Oscar-winning actress is ready to leave the sex-symbol image on the shelf and become a feminist icon.
When the game first came out in 1996, Lara Croft was instantly recognised as a pioneer, the first main female heroine in an industry largely dominated by men.
But the character soon became a paradox.
She was a feminist icon in revealing clothes who moaned sensually every time she jumped over a bridge or climbed a wall.
By the time Jolie picked up her guns, Croft was little more than a sexy, adventurous girl for gamers to lust over.
The new film, directed by Norwegian filmmaker Roar Uthaug, seems to want to bring back Lara's old spirit, showing a younger heroine in search of her missing father.
It's a fresh, welcome approach and Vikander seems to fit the mould by giving the character a speed and strength that was missing from the first two films.
Like Jolie before her, the actress comes straight from an Oscar win to a dicey franchise whose success has been mostly attributed to the over-sexualisation of its main star.
On the other hand, it offers Vikander the opportunity to headline her own big-budget film, riding the wave of Wonder Woman's feminist success.
"She has all the fierce, tough, curious, intelligent traits," Vikander said of Croft. "But we've stripped away all of her experience. She hasn't gone on an adventure just yet.
So why does a fresh take on an action-packed film featuring treasure hunters and a strong cast seem so dull?
Hollywood's track record of adapting video games has always been terrible.
From Resident Evil's (many) fiascos, to Hitman's insufferable plot and the even worse Assassin's Creed, video game films tend to be boring because their premise only works as a starting point.
The games are written in a bland, uncomplicated way, which gives whoever is playing the freedom to shape the character by choosing its path.
That doesn't translate to film, and Lara Croft is no different.
A rich, privileged girl who loses her father and uses her fortune to travel through underdeveloped countries exploring their heritage may very well work if you're the one fighting bears and zombies yourself - but feels flat if you have to sit through it at the cinema.
The trailer also fails to deliver any thrills when it comes to the action sequences, which seem exaggerated and fake - even for gaming standards.
The remake is unlikely to lure vintage gamers to the cinema or capture the interest of film critics.
Its only chance of box office success is if it somehow emulates the feminist aura of Wonder Woman - a new niche Warner Bros seems desperate to raid.
:: Tomb Raider hits UK cinemas March 2018.

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Gaming
Tomb Raider writer tried ‘so hard’ to make Lara Croft explicitly gay – but a steamy same-sex kiss was quietly scrapped
The creator of a Tomb Raider comic tried “so hard” to make Lara Croft explicitly queer – but a planned kiss somehow became just a hug instead.
Tomb Raider: Inferno co-writer Jackson Lanzing revealed the abandoned plot point on Twitter, but declined to explain why Lara Croft’s queerness ended up on the scrap heap.
Queer fans of the video games have pined for a romance between Lara and her best friend Sam for years, while many believe their relationship is a classic example of queercoding.
But the romance has never become canon – even though comic book writers tried to make it so.
Fellow comic book writer Gail Simone tweeted in February of last year that she had replayed the new Tomb Raider trilogy of video games and said nobody could convince her that Lara and Sam weren’t “10,000 per cent gay for each other”.
“It’s not even subtext,” she added.
Lanzing, co-writer of the Tomb Raider comic books, replied to Simone a full 17 months after she posted the tweet and explained that they had tried to make the romance official.
By the time it went to publishing, their culminating kiss had become a friendly hug.
“Gail, we tried so hard to make it canon,” Lanzing wrote. “We had an entire issue in Tomb Raider: Inferno dedicated to Lara going through a toxic drug trip and finally, fully understanding her feelings for Sam.”
He added: “By the time it went to publishing, their culminating kiss had become a friendly hug.”
Gail, we tried so hard to make it canon. We had an entire issue in TR: INFERNO dedicated to Lara going through a toxic drug trip and finally, fully understanding her feelings for Sam.
By the time it went to publishing, their culminating kiss had become a friendly hug.
— ??????? ??????? (@JacksonLanzing) July 18, 2020
Comic book artists Phillip Sevy, who worked on the Tomb Raider comic, added: “I still have the original pencils/inks for that page before I had to redraw it.”
The team behind the comic book have kept tight-lipped on exactly why their storyline was scrapped – but it has been enough to validate queer fans’ long held theories.
Many have reacted with unbridled joy at discovering that Lara Croft’s queerness was not just a figment of their imaginations.
Lesbian Lara Croft? Here for it https://t.co/8BsmJkD0Ha
— (sad)ie (@sadiewith30es) July 20, 2020
Tomb Raider has remained hugely popular since the original video game was released in 1996.
Since then, the franchise has had various reboots and sequels, with the character of Lara Croft going from strength to strength.
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