Lactating Whores

Lactating Whores
From Let the Bond Flow - The Lactation Wiki: Info about Inducing Lactation, Adult Nursing Relationships, Adult Breastfeeding, and much more!

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This page contains videos and pictures (warning:NSFW) that show what an ANR/ABF lifestyle would potentially look like. A pregnancy is not necessary; some ladies start the inducing process to increase their bust size or to become more intimate with their partner .

See our online ANR/ABF communities list to meet others who are interested in this lifestyle.

Frequently Asked Questions About ANRs/Adult Breastfeeding

What does it look like? (warning:NSFW)

Is there a way to promote on my dating profile that I'm into ANR/ABF?

Depending on which site you're on, you might be able to use our memes (warning:NSFW) or make your own. Additionally, the site logo is free to use to upload to your profile; pin button and flyer templates are now available.

Boards are the best place to save images and video clips. Collect, curate and comment on your files.
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RAPE CLAIMS Brit, 21, ‘raped by Big Brother star’ was on girls’ holiday for pal’s birthday
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HEARTLESS THUGS Vile killers stripped dad naked and 'tortured' him at industrial estate
OFF THE SCALE Pet goldfish released into the wild are turning into 2ft killing machines
Vulnerable teenage sex workers can be seen dressing themselves up before a busy night's work in the country's capital Manila
STARK images show life inside a seedy brothel in the Philippines capital of Manila - where heavily pregnant women made up some of the roughly 50 sex workers used by mainly foreign clients.
Prostitutes as young as 17 lived in the the basic living quarters of the sex den and can be seen getting dressed-up before a busy night's work.
These images, taken in the nineties, show the basic living quarters and washing facilities of the building where most of the women lived and worked.
The prostitutes would tend to sleep until the late afternoon before getting up to spends hours getting themselves ready.
Once dressed they would wait for customers in a brightly lit room with red sofas.
When they were chosen by a client they would change from an evening dress into something less formal, before leaving to go off to a hotel or to the client's house.
Pregnant women were heavily desirable among potential customers and some young mothers had to bring their kids in to be looked after while they worked.
Cops in the Philippines have been making drunks to push ups in a bizarre effort to tackle street crime.
The gung-ho president has advocated the cold-blooded murder of drug pushers by cops and vigilantes.
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Watch Humans Get Milked In Super NSFW ‘Breeding Ground’ Trailer

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The following is extremely not work safe.
Could humans be used like farm animals? Cody Knotts and Matthew Deering’s new indie Breeding Farm explores the destruction of a group of young people’s humanity as they are used like animals to be bred, milked and sometimes eaten. Based on real events , this story follows what happens to four young friends as they are bred, milked and dehumanized for profit.
The film stars Richard John Walters from My Bloody Valentine 3D fame. He plays Farmer, the man that abducts, breds and milks the women for profit in the growing human milk market .
The trailer for the 84 minute feature is right here and guaranteed to shock ya. Remember… “Stock Don’t Talk!”
Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.
The Fantasia International Film Festival is heading back to theaters this year, celebrating its 26th edition with a dynamic in-person program of screenings, workshops, and launch events running from July 14 through August 3, 2022.
While the festival’s full lineup will be announced in late June, Bloody Disgusting has the first wave of titles and a special Career Achievement Award for a hugely influential Hong Kong artist whose extraordinary work was foundational to the festival’s formation.
Here’s the press release with a first look at images from several prominent genre films…
For its 26 th edition, Fantasia is proud to honour the groundbreaking Hong Kong filmmaker John Woo with a Career Achievement Award.
With a singular directorial approach, Woo reinvented the conventions of action cinema, its visual language and dramatic codes. Nobody breaks down a sequence like Woo does: his staging is complex, his camera choreographies always elaborate, his mastery of physical performance and stunts unrivaled. His brilliantly original editing patterns are instantly recognizable, as are his slow-motion sequences, employed as much for pathos as to provide poignantly counter-adrenalized flourishes. At the heart of everything, Woo’s films are deeply moral visions,
built around themes of friendship and trust with moving sincerity. Following martial arts films such as HAND OF DEATH (1976), LAST HURRAH FOR CHIVALRY (1979) and beloved comedies such as MONEY CRAZY (1977) and PLAIN JANE TO THE RESCUE (1982), Woo made his name with the groundbreaking heroic bloodshed of films such as A BETTER
TOMORROW (1986), THE KILLER (1989), BULLET IN THE HEAD (1990) and HARD BOILED (1992). Chow Yun-fat, Tony Leung Chiu-Wai and others became international stars under his watchful eye, and by crafting an action cinema – and a genre – of his own, Woo continues to astonish audiences and filmmakers alike, inspiring legions across the world. In the years following this era, Woo has worked alternately in both Hollywood and China, on further blockbuster classics such as HARD TARGET (1993), FACE/OFF (1997), MISSION:
IMPOSSIBLE II (2000) and epics such as RED CLIFF I & II (2008, 2009), and THE CROSSING I & II (2014, 2015). He is currently hard at work on SILENT NIGHT, an upcoming return to American filmmaking, starring Joel Kinnaman and Kid Cudi. Fantasia is proud to honor John Woo’s legacy.
SATOSHI MIKI’S UNIQUE CREATIVITY SHOWCASED AT FANTASIA 2022 WITH THE WORLD PREMIERE OF CONVENIENCE STORY AND THE CANADIAN PREMIERE OF WHAT TO DO WITH THE DEAD KAIJU?
Outstanding filmmaker Satoshi Miki (ADRIFT IN TOKYO) brings us his latest otherworldly adventure. Kato (Ryo Narita, JUST REMEMBERING) is a struggling screenwriter who, one day when stepping out to buy dog food, stumbles into a mysterious convenience store where he discovers he can find anything his heart desires. Satoshi Miki’s CONVENIENCE STORY , which was pitched at the Frontières Co-Production Market, comes full circle with its World Premiere and marks Japan Times film critic Mark Schilling’s debut as a screenwriter.
Miki’s gently eccentric sense of humour further illuminates the festival’s screens with the Canadian Premiere of WHAT TO DO WITH THE DEAD KAIJU? , a sci-fi comedy that brings the Japanese giant-monster genre to a human scale. When a humongous creature dies in a river, authorities choose to use the rotting carcass as a tourist attraction rather than clean up the potential ecological disaster. This political satire in the spirit of DON’T LOOK UP takes a funny and pertinent look at our indifference towards environmental crises. North American Premiere.
Ryan Kwanten (TRUE BLOOD) and J.K. Simmons (WHIPLASH) star in veteran genre journalist, filmmaker, and podcaster Rebekah McKendry’s wickedly funny, mind-bending mix of comedy, horror, sci-fi and gloriously indescribable weirdness. In GLORIOUS , After a breakup, Wes (Kwanten) ends up at a remote rest stop and finds himself locked inside the bathroom with a mysterious figure speaking from an adjacent stall. Soon Wes realizes he has found himself in a nightmare scenario more terrible than he could ever imagine. World Premiere.
THE WORLD PREMIERE OF RODRIGO GUDIÑO’S THE BREACH INAUGURATES FANTASIA’S “SEPTENTRION SHADOWS” SECTION!
Fantasia is proud to announce a new section in the festival’s programming: SEPTENTRION SHADOWS, dedicated to showcasing Canadian cinema that captures the weird, the dangerous, things full of wonder, and (almost) everything in between. Curated by programmer, critic and podcaster Carolyn Mauricette, the section will be launched this summer with the World Premiere of Rodrigo Gudiño’s THE BREACH.
As the founder and president of Rue Morgue Magazine, Rodrigo Gudiño has lived a life immersed in the horror genre. After many years in publishing, he began directing in 2006 and made his debut feature, THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH, in 2013.
Now, In Fantasia’s 26th year, he’s back with THE BREACH. This adaptation of Canadian horror author Nick Cutter’s novel, who co-wrote the screenplay with Ian Weir, tells of a mysterious and gruesome death in the forests of Northern Ontario and the chaos that follows. Starring Allan Hawco (REPUBLIC OF DOYLE) and Emily Alatalo (SPARE PARTS), audiences can expect tension, plenty of prosthetic gore, and a score by GUNS N’ ROSES guitar great—and the film’s executive producer— Slash. World Premiere.
Monique (Gabby Beans, HOUSE OF CARDS) leaves her family quarantine to help a friend who’s suffering from terrible nightmares – but she learns too late that the bad dreams are contagious, along with the demon behind them. Award-winning Writer/Director Andy Mitton (THE WITCH IN THE WINDOW, WE GO ON) returns with his unique brand of empathetic supernatural horror. Deeply sad, deeply scary and all-out stunning in its power to probe collective trauma, THE HARBINGER bursts with occult imagination, exploring the anxiety and disorientation of the last few years in ways that only Mitton could. World Premiere.
The dynamic duo of the great Takashi Miike (ICHI THE KILLER) and the brilliant screenwriter Kankuro Kudo (TOO YOUNG TO DIE!) elevate the adventures of the ostentatious mole Reiji to unprecedented levels when the Machiavellian yakuza clan he infiltrated tries to import pasta made entirely of methamphetamines: speed-a-ronis. THE MOLE SONG: FINAL masterfully recreates the extravagant universe of Noboru Takahashi’s manga, with endangered kawaii puppets, dirty jokes, larger-than-life characters, and an unforgettable finale. The stellar cast is led by Tomas Ikuta (GRASSHOPPER), who outdoes himself with an absolutely hilarious physical performance. North American Premiere
George Jones (Ben Hall, MINARI) invites country music superstar Troyal Brooks (Mickey Reece) out on the town in Nashville in 1994 – the night before George is to be cryogenically frozen. At once hilarious and deeply affecting, COUNTRY GOLD is the 29th feature of Oklahoma indie maverick Mickey Reece (CLIMATE OF THE HUNTER, AGNES), reuniting the filmmaker with Hall, who’s never been better. A heartfelt outsider rumination on legacy and what it means to reach the age where one has more to reflect on than to look forward to. World Premiere.
Prolific filmmaker Karim Ouelhaj, Méliès d’Or winner for THE FROZEN EYE (2016), brings us his fourth feature and by far his most savage. His sharp examination of societal anguish blends into this genre-adoring film that no horror devotee would dare miss. Carried by the breathtaking performance of lead actor Eline Schumacher and her descent into insanity, MEGALOMANIAC digs deep into the sordid true story of Belgian serial killer, The Butcher of Mons. MEGALOMANIAC is a nightmare of mystical violence anchored in the reality of female persecution and gendered abuse. World Premiere.
KAPPEI BRINGS JAPANESE COMEDY TO A NEW LEVEL OF PURE APOCALYPTIC FUN
Nostradamus predicted that the world would end in 1999, but he royally screwed up. In 2022, Kappei and his fellow doomsday warriors, isolated and trained since their childhood, must learn to live a “normal” life with great supernatural powers – but no social skills whatsoever. In his feature directorial debut KAPPEI , Takashi Hirano (producer of KAMIKAZE GIRLS) creates a wonderfully whimsical coming-of-age action-comedy with the help of screenwriter Yuichi Tokunaga (FLY ME TO THE SAITAMA) and a devilishly funny performance from Actor Hideaki Ito (LESSON OF THE EVIL, TOKYO VICE). North American Premiere.
MOLOCH is the hotly anticipated feature debut from acclaimed Dutch filmmaker Nico van den Brink. This is his follow-up to his award-winning shorts THE BURDEN (currently being adapted into a feature film co-produced by James Wan and Sam Raimi) and SWEET TOOTH, both of which premiered at Fantasia. Drenched in creeping dread, MOLOCH tells the story of 38-year-old Betriek (Sallie Harmsen, BLADE RUNNER 2049) who lives at the edge of a peat bog in the Northern Netherlands. As inexplicable horrors mount, she gradually becomes convinced that she is being hunted by something ancient. International Premiere.
Vying for ANIME SUPREMACY! is no small feat. The anime industry of Japan is enormous, with 200 new TV shows and two trillion yen in revenue each year. Soft-spoken yet strong-willed anime director Hitomi Saito (Riho Yoshioka) has climbed the ranks, and is now set to direct a series of her own. Meanwhile, the difficult but undeniably brilliant director Chiharu Oji (Tomoya Nakamura) is gunning for his big comeback… and there can be only one number-one! This heartfelt, hilarious and thoroughly researched comedy-drama shows the struggle of making it to the top without compromising on vision, from director and CG animator Kohei Yoshino. North American Premiere.
Otherworldly demons and magical bloodlines threaten to reshape the world in LEGION , an ingenious Argentinian folk horror powder keg by Fabian Forte (DEAD MAN TELLS HIS OWN TALE). While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman (Germán De Silva, WILD TALES), is confined to an insane asylum, powerless to avert the demonic resurrection. This outlandishly fun horror/comedy is reminiscent of early Álex de la Iglesia, steeped in cultural vibrancy, ritual magic and a cavalcade of creatures. Canadian Premiere.
Chan-woo is on his fifth attempt to get into the police academy, when his friends make him a strange offer to pay the registration fee in exchange for just one drink at the bar. The next morning, he wakes up hungover in his loud neighbour’s apartment with a corpse lying face down in a pool of blood. With a meticulous script that rewards an observant viewer and an inspired comedic performance by lead actor Oh Dong-min ( KINGDOM ), writer/director Yeom Ji-ho’s impressive first feature NEXT DOOR delivers an engaging, claustrophobic black comedy reminiscent of Sabu’s classic MONDAY set in a single location. North American Pr
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