La belle Belladonna
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La belle Belladonna
The first of its kind, this establishment gives a new meaning to ‘eating in style’. With its elegantly furnished interior, two spacious bars and ambient atmosphere, everyone will feel at home in this little corner of Italy down by the river. You can choose from an extensive selection of pasta, pizza, salads, steaks, chicken and seafood.
The latest addition to the La Bella Donna experience is our Bellini Cocktail Bar. Located above the main restaurant, the bar offers views of the beautiful River Eske and Donegal Bay. It is an ideal space for a quiet catch-up over a few cocktails or glasses of wine, where we offer a Lite Bites version of our main restaurant menu. We also welcome bookings of larger parties to this space.
Monday: CLOSED Tuesday: 5 - 9pm Wednesday: 5 - 9pm Thursday: 5 - 9pm Friday: 5 - 9:30pm Saturday: 5 - 9:30pm Sunday: 5 - 9pm Christmas Eve: 2 - 7pm We recommend booking in advance to avoid disappointment!
Our menu offers something for everyone while maintaining an authentic Italian experience.
You might find it difficult to choose!
Click below to view more photos of what we have to offer!
2 Bridge St, Donegal Town, Co. Donegal.
Monday: CLOSED Tuesday: 5pm-10pm Wednesday: 5pm-10pm Thursday: 5pm-10pm Friday: 5pm-10:30pm Saturday: 5pm-10:30pm Sunday: 5pm-10pm
labelladonnarestaurant@gmail.com +353749725790
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Fuzzy Dice
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Posters
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Crops
Sweaters
Sweat Suits
Tees
Jackets
Jerseys
Anklets
Earrings
Necklaces
Shoe Charms
Handbags
Keychains
Sunglasses
Slides
Croc Charms
Bucket Hats
Patches
Pins
The Re-Ups
Best Sellers
Payasita
BD 143
Bella Doña x NFL
Las Dramáticas Club
BD Classics
Neighborhood Queen
Varsity Sweaters
Wall plates
Rugs
Trays
Fuzzy Dice
Paper Goods
Posters
Blankets
Contact
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Disclaimer
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Доступ к информационному ресурсу ограничен на основании Федерального закона от 27 июля 2006 г. № 149-ФЗ «Об информации, информационных технологиях и о защите информации».
Titian (Pieve di Cadore 1488/90 - Venice 1576)
Arrange your visit in Florence, find prices and opening hours of the museum.
Pitti Palace. 50% discount early in the morning
Boboli Gardens: new entrances at the Belvedere Fort and Porta Romana
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The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of Titian's artistic career, confirming his reputation as a master portrait painter and founder of the Venetian painting movement. The painting shows the three-quarter-length portrait of a young woman wearing a precious, exquisitely tailored dress in blue damask fabric with subtle gold embroidery and slashed sleeves in burgundy velvet to show the white fabric puffs of the blouse underneath, and a fur draped over her right hand with casual elegance. This nonchalance is mirrored in the way the woman's face captures the observer's attention, as its features adhere to the precise aesthetic canons of the Italian Renaissance such as a high forehead, slender eyelashes, vibrant gaze and black eyes, pale cheeks daubed with red, breast radiant with the colors of the moon and the honey-colored hair styled in knotted braids. Art historians have long sought the subject’s identity, proposing suggestions including the client's consort, the artist’s preferred model or an unknown lady at court. Clarifying the debate in part is a letter dated in 1535 from the Duke of Urbino, Francesco Maria della Rovere, who acquired the work in Venice in around 1536-38. Writing to Titian to organize delivery of the work, the Duke cited the painting as “that portrait of the woman wearing the blue dress”, without attributing any specific identity to the lady and thus removing the doubt that the subject was known to the Duke. Moreover, it reinforces the suggestion that the painting was intended as a representation of the ideal of feminine beauty, a very popular theme in the courts of the Italian Renaissance. The painting was transferred to Florence in 1631 together with the entire Vittoria della Rovere collection, and it was there it obtained the epithet it has retained to this day, when a guide written in the end of the eighteenth century described the woman as the painter's “favorite” or rather his “Bella”, at the time synonymous with beloved.
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