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Diane Kurys' first film, Diabolo menthe Peppermint Soda , made in , depicts the lives of two schoolgirl sisters growing up in the early s, a period which coincides with Kurys' own adolescence. Kurys' films are of interest not just as projections of individual preoccupations but also because their focus on girls and women of the baby-boomer generation produces a symptomatic text for analysing wider issues relating to female identity. Her work needs to be understood within the specific context of French cinema and French culture, in which the concept of the auteur, if ostensibly ungendered, remains resolutely masculine. The commercial and critical successes of Diabolo menthe and Coup de foudre , Kurys' two most incontrovertibly women-centred films, coincide with the period when the women's movement in France had its greatest impact on social and political life. Diabolo menthe was a huge success, well received by the majority of critics and the highest grossing French film of , at one point coming second only to Star Wars. Cocktail Molotov focuses on a trio of teenagers who miss out on what was going on. If you are authenticated and think you should have access to this title, please contact your librarian. Institutions can purchase access to individual titles; please contact manchesterhive manchester. Don't have an account? All of MUP's digital content including Open Access books and journals is now available on manchesterhive. Series: French Film Directors Series. This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The volume draws on extensive archival research as well as insightful interviews with significant writers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. Drawing on dozens of examples from films, both mainstream and less familiar, the book opens up rich, new ways of understanding the pervasive influence of Shakespeare on modern media and culture, and more generally on our conventions of romantic love. Throughout, Spicer emphasises the importance of situating stars within their mutable economic and cultural contexts as they struggle for creative control over their careers. You're not logged in. Advanced Search Help. Abstract only. Log-in for full text You are not authenticated to view the full text of this chapter or article. Username Please enter a valid Username. Password Please enter your Password. Forgot your password? Buy Book in Print. Rights and Permissions. Institutional access. Table of Contents. Chapter 9: Conclusion. Your current browser may not support copying via this button. Share on facebook Share on linkedin Share on twitter. Listen in terror British horror radio from the advent of broadcasting to the digital age. Author: Richard J. Author: R. Sean Connery Acting, stardom and national identity. Author: Andrew Spicer. Sign in to annotate. Delete Cancel Save. Cancel Save. View Expanded. View Table. View Full Size.

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La Baule buying coke