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ГОЛЛАНДСКИЙ ЭПИЗОД В ФИЛОСОФСКОЙ БИОГРАФИИ С.Л. ФРАНКА (НОВЫЕ МАТЕРИАЛЫ
Welcome to the brand new Arthive! Discover a full list of new features here. By using our website you accept our conditions of use of cookies to track data and create content including advertising based on your interest. Find out more about what data we collect and use at here. Enter keywords. Quick search helps finding an artist, picture, user or article and prompts your previous searches. Enter site. Museums and galleries. Products and prices. Subscribe About the artist. Features creativity Gabriel Metsu. He specialized in genre scenes, skillfully conveyed the play of light and shadow, as well as various surfaces - satin, linen, fur, ceramics, glass, skin tones. The master combined the formal language of his distinguished countryman. Gerrit Dow with plots peeking Gerard Terborch. Gabriel Metsu managed to combine in his work the best of what his contemporaries offered. Father-artist and father-skipper Gabriel Metsu was born around the end of The exact date is unknown, but the historian Adrian Weiboer believes that the future painter was born between November 27 and mid-December. His parents were the artist Jacques Metsus c. No works of Metsu Sr. Both parents of Gabriel came from South-West Flanders, but moved with their families to the Dutch Republic as children. At the wedding in Leiden in , both were no longer young and had previously been married. Gabriel most likely was their only child, but Jacques Metsu had never seen his son since he died eight months before his birth. How many half-brothers and sisters Metsu Jr. Although Adrian Vayboer believes that she could exaggerate to cause sympathy. In , the widow married the fourth time - for the skipper Cornelis Bontekrai. He had enough money to provide both Gabriel and the other children of Jacmin. Painter and writer Arnold Houbraken - , author of the historiography 'The Great Theater of Dutch Artists', does not mention this. Various researchers point to Gerrit Dow, but there is no evidence for this. The first example of influence is the panel. It should be noted that the strokes of Metsu are much freer than those of his illustrious countryman, and the color spots are almost abstract. Adrian Waiboer assumes that he received the first drawing lessons from Metsu from the silversmith Klaus Peters de Graebber from Harlem, who settled in Leiden around It is known that the year-old Gabriel was in his service. One of the Klaus brothers was the famous painter Frans Peters de Grebber, the father of painters Peter france and maria de grabbers. The latter was the mother of the future wife of our hero. Judging by the early famous works of Metsu, his next mentor was a master of historical painting. However, in Leiden there were few experts in this genre. These included Anthony Clausson de Grebber, son of the aforementioned jeweler. Some works of Metsu are so close to his paintings that the possibility of teaching should at least be taken into account. But if it took place, then not for long. Of course, Gabriel, who was barely 15 at the time, was hardly an independent practicing artist. When in the Leiden painters united with the painters and still convinced the city council to agree to the creation of the St. For a long time, historians believed that it was then that the artist moved from Leiden to Amsterdam. Later it turned out that the mark was added only in , and before that the management of the Guild was carried out very badly, contributions came intermittently - if they did at all. However, shortly after , year-old Gabriel actually left Leiden. Protecting the young man could make his countryman Jan Sten who was a student of the Knupfer. In the middle of , he nevertheless moved to Amsterdam, where he remained until the end of his life. What caused the move, is not completely clear. Maybe cosmopolitan Amsterdam was more attracted to such an ambitious artist like Metsu. But maybe economic circumstances played a role: after , the market in Leiden declined. And, as art critic Pete Bakker points out, the young Gabriel was not the only one who left the city - although he was one of the first. Anticipation watto In Amsterdam, Metsu settled on Prinsengracht Canal, in a small house that belonged to a distant relative. From that moment began serious changes in the work of the artist. If in Leiden he specialized in religious scenes like 'The Exiles of Hagar' then in a new place in a short time turned into a genre painter. It seems that it was in the bustling and noisy Amsterdam that Gabriel Metsusu realized and accepted his Leyden origin - here for the first time in his paintings you can see the influence of Gerrit Dou. However, he did not adopt to the end the elegant and time-consuming style of his popular colleague. Bright color accents that enliven the monochrome paintings of Metsu remind, rather, Nicholas Masa and fluid texture reflects impact Jan Baptista Venix , with the works of which he familiarized himself with in Utrecht. Most likely, the 'retraining' was the result of an exact calculation. Replaced the pious poor like 'Old Women for Food' wine and bread hint at the sacrament of the Eucharist came well-dressed young men and women who play music, exchange letters and gallantly flirt with each other 1 , 2 , 3. Street and market scenes are full of hints and ciphers. For example, plucked chickens and other game bear sexual connotation 1 , 2 , 3. Such paintings were much more popular with the wealthy public. It is clear why the 18th century French people adored his paintings: images of exquisite life and sophisticated courtings anticipated work Jean-Baptiste Simeon Chardin , Antoine Watteau and Francois Boucher. Isabel often served as a model for her husband and, without any doubt, is depicted in many of his paintings. However, it is unlikely that she was an artist, like a mother. Gabriel Metsu died in the fall of at the age of 38, and was buried in the Calvinist temple of Nieuve kerk on 24 October. With his death, genre painting lost one of the most prominent representatives, whose work inspired numerous artists, including Jan Steen, Jan Vermeer, Franz van Miris and Peter de hoch. Shadow of Vermeer During the life of Gabriel Metsu was a trendsetter, and after his death, his star shone even brighter. Now it is hard to believe, but in the 18th century it was much more popular and his paintings, respectively, more expensive by his compatriot Jan Vermeer. The latter was even called 'the artist in the style of Metsu'. Most likely, the painters were acquainted personally. Since their work is often not dated, it is difficult to determine who influenced whom. There is no doubt only that both were inspired by the creativity of each other. Between the works of Metsu and Vermeer there is a great similarity, both thematic and technical, it becomes clear to anyone who sees a number of their pictures Metsu - 1 , 2 ; Vermeer - 1 , 2. But by the beginning of the last century, collectors began to appreciate Vermeer above, and the merits of Metsu faded. Perhaps the role played by the proto-modernist moods of alienation in the paintings of the Sphinx from Delft or the evolution of the design to clear lines and interiors full of light. Metsu almost disappeared in the shadow of his colleague. In the 20th century, his last retrospective was held in Leiden in , and the last monograph on it was published in Author: Vlad Maslov. Read more. 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