Kristina Whore

Kristina Whore
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From Wikipedia, the free encyclopedia

^ Jump up to: a b Reuters report in The Globe and Mail , 10 October 1995, page D2.

^ Dagens Nyheter, 25 February 2002.

^ Minneapolis Star and Tribune, 14 October 1996, page 05B.

^ Time, 23 October 2001.

^ Interview with Alice Ripley Archived 8 September 2014 at archive.today

^ "Kristina The Musical Legal Dispute" . Broadway.com. 24 March 2007 . Retrieved 3 February 2013 .

^ Corliss, Richard (24 September 2009). "Kristina: A New Musical from the ABBA Guys" . TIME . Archived from the original on 27 September 2009 . Retrieved 3 September 2022 .

^ Suskin, Steven (24 September 2009). "Variety review" . Variety . Retrieved 3 February 2013 .

^ "Talkin' Broadway review" . Talkinbroadway.com . Retrieved 3 February 2013 .

^ Mark Shenton (15 April 2010). "The Stage review" . Thestage.co.uk . Retrieved 3 February 2013 .

^ "The Times review" . Entertainment.timesonline.co.uk . Retrieved 3 February 2013 .

^ Independent review Archived 25 July 2011 at the Wayback Machine

The Emigrants (1971 film)
The New Land (1972 film)
The New Land (1974 TV series)
Kristina från Duvemåla (1995 musical)

Kristina från Duvemåla ("Kristina from Duvemåla") is a Swedish musical written by former ABBA members Björn Ulvaeus (lyrics) and Benny Andersson (music). It is based on a series of four novels by Swedish author Vilhelm Moberg detailing a family's poverty-driven migration from Sweden to America in the mid-19th century: The Emigrants (1949), Unto a Good Land (1952), The Settlers (1956), and The Last Letter Home (1959).

The show premiered at the Malmö Opera and Music Theatre in Malmö , Sweden, on 7 October 1995 and received a rapturous welcome. The audience gave it a 10-minute standing ovation, while the critics unanimously praised it. [1] Martin Nyström of Dagens Nyheter wrote that Andersson and Ulvaeus "created a great Swedish musical that thematically touches on the great questions of our time" and compared Andersson's musicality with that of Schubert ; while Svenska Dagbladet ' s Carl-Gunnar Åhlén concluded that Björn Ulvaeus "succeeded in presenting the drama without getting bogged down, despite its almost Wagnerian length." [1] A few years later, however, Dagens Nyheter reviewer Marcus Boldemann wrote that "Kristina från Duvemåla is not an A-class musical work." [2]

On 12 October 1996, the 90-minute (of a nearly four-hour score) concert version with the original cast was presented, in Swedish, in Minneapolis , Minnesota , as an opening event of the Plymouth Music Series 1996–1997 season in Orchestra Hall ; and next day in Chisago Lakes High School in Lindstrom, Minnesota – the area where much of the events in Moberg's books took place and where the statue of the books' two main characters stands on the main street of the town.

The American premiere received a glowing review from Minneapolis Star and Tribune : "I have seen the future of the music theater, and its name is Kristina... Engaging, emotionally charged – and at times haunting – a piece of work capable of enchanting US viewers even when performed in a cut-down, concert version and in a tongue foreign to the audience"; while Helen Sjöholm who performed the role of Kristina was described as "extraordinary." [3]

Time magazine later wrote that "the show has Swedes, Americans, Indians; a sacrificial whore and the death of a child; and – in case you think it sounds too solemn for your tastes – a bilingual fart joke... and it's one of the most ambitious swatches of musical theater (39 songs!) since Gershwin's 1935 "Porgy and Bess," with one of the most serious, lyrically seductive scores since Rodgers and Hammerstein were creating their midcentury, midcult epics." [4]

Subsequently, the musical was staged at Gothenburg Opera and then premiered at the Stockholm 's Cirkus that was specially renovated for it. This production won four 1998 Guldmasken Theatre Awards (Swedish equivalent of Tony Award ). Counting all three runs, which were almost continuous, interrupted only by summer vacations and hiatuses due to the production's physical moving, Kristina från Duvemåla ran for nearly four years (more than 650 performances in total), making it the second longest running musical in Swedish history. In 2001, a touring concert staging was presented featuring most of the original performers recreating their previous roles. All three original Swedish productions were directed by Lars Rudolfsson with set design by Tony Award -winner Robin Wagner and musical direction by Anders Eljas .

The original cast triple CD set was released in 1996 and peaked at number two on the Swedish album chart, remaining on it for a total of 74 weeks and winning the 1996 Swedish Grammis Award as the best album. For a number of years, a song from the musical "Guldet blev till sand" (The gold turned into sand) performed by Peter Jöback held the distinction of having spent the longest amount of time on the national Swedish radio chart Svensktoppen .

By the mid-2000s, the show had been translated into English by Björn Ulvaeus and the Les Misérables English lyricist Herbert Kretzmer . English translations of individual songs have been presented at various concert performances throughout the last two or three years, mainly by Helen Sjöholm or Swedish musical theatre stalwart Tommy Körberg , always in association with Benny Andersson or Björn Ulvaeus.

In March 2006, a workshop was held in New York and featured Sara Chase as Kristina, Clarke Thorell as Karl Oskar, Kevin Odekirk as Robert and Alice Ripley as Ulrika, [5] the latter performing the song "You Have to Be There" from the musical in her and Emily Skinner 's 2006 show at The Town Hall in New York and later releasing this live recording on Raw at Town Hall 2-CD set.

At the time, there had been talk of a fall 2007 opening at The Broadway Theatre , but those plans never materialized partly due to a protracted legal battle over the use of the original book written for the musical. [6]

The English-language premiere of the musical, in a concert version under the name "Kristina: A Concert Event," took place at Carnegie Hall on 23 and 24 September 2009, with Helen Sjöholm as Kristina, Russell Watson as Karl Oskar, Louise Pitre as Ulrika and Kevin Odekirk as Robert.

The performances received mixed reviews, from TIME commenting that "some of the most rapturous melodies ever heard in Carnegie Hall poured out of that grand old barn last night" [7] to Variety concluding that "Moberg's series adds up to some 1,800 pages, and many in the restless Carnegie Hall audience may have felt they were sitting through all of them...U.S. audiences are likely to find Kristina's epic tale less than gripping." [8] Talkin' Broadway critic Matthew Murray admitted: "It’s a musical you don’t just want to listen to: During the better portions of its score – of which there are many – you feel you have to...Andersson’s work is so big, so thoroughly conceived, and so varied in style, tempo, and color that it often feels more like a symphony than a musical. Of course, making it one would mean jettisoning the specific story treatment and lyrics, losses most shows couldn’t weather. But its music is so good that Kristina could be even more powerful as a result." [9]

The Carnegie Hall concert recordings were released on a 2-CD set by Decca Records on 12 April 2010.

Kerry Ellis premiered the song "You Have to Be There" in its English-language version, at Thank You for the Music, a special event celebrating the music of Benny Andersson and Björn Ulvaeus on 13 September 2009. The song is featured on her debut album Anthems (2010) produced by Brian May . She has since sung the song at various live events, including Anthems: The Tour (2011).

The UK premiere of the musical, also in a concert version, took place at the Royal Albert Hall on 14 April 2010.

Similarly to the US, it received a mixed critical response. "The inspiration for both score and lyrics feels more like a retread of the worst excesses of Les Misérables (a fact amplified here by sharing the English lyricist of that show, Herbert Kretzmer ) and Frank Wildhorn , with the occasional Lloyd Webber rock riff thrown in for good measure," wrote The Stage , [10] while The Times concluded that "the piece displayed moments of musical power. But it will need major restructuring if it is to work on the theatrical stage... if it showed gleams of promise, this concert also emphasised that Kristina still has a long road to travel before any of us is truly moved to say thank you for the music." [11]

Contrary to these opinions, chief classical music and opera critic for the Independent Edward Seckerson wrote a highly sympathetic review of the performance, calling Benny Andersson "a composer/melodist of startling distinction." He suggested that "this one-off concert performance...presented only its bare bones, a series of musical snapshots from a much larger whole... So dramatically sketchy, musically sumptuous. But Andersson's gorgeous folk-sourced melodies (like a Swedish Grieg ) spirited us forward from one accordion-flecked knees-up and effusive ballad to the next... If ever a piece sung a nation's pride, this is it." [12]

Replacement performers included Frida Bergh (Kristina), Joakim Jennefors (Karl Oskar), Niklas Andersson (Robert), Lisa Gustafsson (Kristina) and Christer Nerfont (Robert).

On 9 September 2016, the concert version with a Norwegian cast (but sung in Swedish) was presented at Lillestrøm Kultursenter, Lillestrøm . It was later presented at Lørenskog Hus, Lørenskog , and at Ullensaker Kulturhus, Jessheim . The entire run was sold out and got rave reviews in the press. The Romerike symphony Orchestra and St. Laurentius choir was conducted by Anders Eljas who was also musical director for this production.

In August 2021, the first fully staged production was played on the outdoor stage at Bømlo Teater in Bømlo on the west coast of Norway . The version was the same as the one developed for the Helsinki production. It was played for the first time in Norwegian, translated by Runa Våge Krukhaug. The production was directed by Jostein Kirkeby-Garstad , and conducted by musical director Gunvald Ottesen .

For 25 years Nils has worked with an iron rod to move stones from the fields of his farm Korpamoen in Ljuder's parish, Småland, Sweden. One day he slips and a big rock rolls onto him, breaking both his hip and femur. As a cripple he cannot work and is forced to sell the farm. His oldest son, Karl Oskar, barely of age, convinces Nils to sell the farm to him, and he buys it for 1700 riksdaler.

Karl Oskar visits his girlfriend Kristina, who waits for him and pictures him making his way through the familiar surroundings ("Duvemåla Pasture"). Karl Oskar tells her that he has bought his father's farm, and can now marry her ("My Lust For You"). They marry and begin a life together, but times are hard because of bad harvests (King of Stone's Kingdom). Kristina worries that they cannot support their growing family, and suggests to her husband that they take steps to prevent another pregnancy. Karl Oskar says that it would be a betrayal of his love for her.

Karl Oskar's younger brother, Robert, is on his way to begin work as a farm hand on a nearby farm. He stops by a stream and wishes he was as free as the water ("Out Towards a Sea").

Kristina is pregnant again, and she and Karl Oskar worry that they won't be able to feed their children during winter, because of a drought and bad harvest. An angry Karl Oskar tells God that since he took their hay last year, he might as well take the rest. Shortly thereafter lightning strikes the barn, setting it on fire. Kristina tells her husband that he got what he wished for ("Bad Harvest").

Young Arvid, who works as a farmhand beside Robert at the farm of Nybacken, is unjustly punished by his mistress; in desperation, he sets out to kill her with an axe, but Robert stops him. The two boys dream of a better world, a world across the ocean, called North America, which Robert has read about.

Kristina loves her home, and is happy to be married to Karl Oskar and have their three children (Blåklintstäcket/Kristina's Apple Tree). One day Robert returns home, having been beaten by his master. He refuses to go back, and asks for his share of the inheritance so he can leave Sweden and travel to North America. Karl Oskar confesses that he has been considering the same thing; he and Robert try to convince Kristina that she will love America, but she is too afraid ("No"). Kristina asks her beloved Uncle, Danjel, to help her change her husband's mind. In a dream, Danjel has a vision where he is called to fulfill his uncle's work of restoring God's Kingdom on earth and to lead the people away from the false teachings. One night he gathers a group of outcasts to celebrate communion ("Little Group"); the gathering is disrupted by the Provost and the local authorities, who scatter the group and intend to bring them all to justice for breaking the law. One of the persons in the room, Ulrika of Västergöhl, a former prostitute who is now born again through Christ and lives in Danjel's house, is furious over the hypocrisy of their persecutors, one of whom used to be her customer. Ulrika vows that her illegitimate daughter Elin will never have to suffer because her mother was a whore ("Never").

Kristina, and Karl Oskar's parents, try to convince him to stay, pointing out the advantages of home ("Golden Wheat Fields"). When Kristina makes christening porridge for the new baby, their starving oldest daughter (Anna) eats it, but the grain swells in her stomach, and she dies ("Come To Me Everyone"). Realising that the poverty in Sweden is just as dangerous as anything overseas, Kristina agrees to move. They visit the Provost and write down their reasons for emigrating in the church book. The provost warns them of all the horrors waiting in America, saying that God will wipe America off the face of the earth within fifty years. The emigrants begin their journey. Karl Oskar, Kristina, their children and Robert have gained some companions; Danjel and his family are moving to escape religious persecution, along with Ulrika and her daughter, and so is Arvid, who has also been living with Danjel. A group of 16 people leaves Ljuder, never to return ("We Open Up the Gateways.")

The ship turns out to be smaller than they had thought it would be. Karl Oskar must bunk with the bachelors. For the first time in their marriage, Kristina and Karl Oskar are separated ("Farmers at Sea"). One day Kristina discovers lice on her body. She is horrified, since she has never had them before in her life, and blames Ulrika, who has none ("Lice").
An old woman on the ship, Fina-Kajsa, is traveling to find her son in America, carrying a big grindstone because she has heard grindstones are very expensive in America. Fina-Kajsa tells the story of how lice came to be.

One night in the middle of a storm Karl Oskar is woken by his oldest son, Johan, who tells him that his mother is bleeding. Kristina, pregnant with her fifth child, has fallen ill with scurvy. The captain does what he can to help her, and Karl Oskar sits by her side, waking through the longest night of his life ("Stay"). When morning finally comes
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