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The prized elite world of South Korean speed skating has been mired in scandal following a wave of allegations from female skaters who say that they were sexually abused by their coaches and that it was covered up.
For a country that is a world leader in speed skating, having won 24 Olympic gold medals, this is a serious development. Other sporting federations say they are also now investigating claims of inappropriate behaviour.
Many see this as South Korea's #MeToo movement finally being taken seriously, even if only through the prism of elite sport.
In the latest development, five unnamed female skaters have come forward accusing their coaches of abuse. One skater alleged that a coach forcibly kissed her and then verbally abused her when she rejected his advances.
The women, represented by a group called Solidarity for Young Skaters (SYS), made their allegations public in a news conference held at South Korea's parliament on Monday alongside a South Korean lawmaker Sohn Hye-won who has also taken up this cause.
"They are very much afraid of potential retaliation and possible rejection from the community," Park Ji-hoon, a lawyer for Solidarity for Young Skaters, told the BBC.
Ms Sohn and the pressure group also called for an investigation into Jun Myung-kyu, the former national team coach and a hugely influential figure in South Korean speed skating, who they accused of concealing misconduct.
Mr Park said Mr Jun's actions had gone undetected for years because he had "influence over the Korean ice skating community... because [the] community and some politicians have protected him."
Mr Jun has denied having any prior knowledge of the allegations or that he had knowledge of the abuse that led to one of his coaches being jailed for assault.
"I wasn't in a position to know everything about alleged sexual assaults," he told a press conference on Monday.
The SYS group has urged the government to carry out a survey of all athletes in an attempt to root out sexual violence in South Korea's sporting community.
It all started in January 2018 when Olympic short-track speed skating gold-medallist Shim Suk-hee accused her former coach of repeatedly assaulting her since her teenage years.
Last September Cho Jae-beom was convicted of beating and abusing Ms Shim and other skaters. She said he had been beating her since she was seven - and had even broken her fingers with an ice hockey stick.
"He kicked and punched me so hard, especially on my head, that I even thought 'I could die here'", she said speaking at a court hearing last year.
Other athletes later came forward and Cho was last September sentenced to 10 months in jail for assaulting Ms Shim and three other skaters.
But in a complaint filed last month, the 21-year-old came out to accuse Cho of sexual assault.
She says the sexual assault started in 2014 when she was still a student and continued until shortly before the Pyeongchang Olympic games. His lawyers have denied this allegation.
Her fresh charge of sexual abuse led almost 250,000 in South Korea to sign a petition demanding a longer jail term for Cho.
But the problem is not limited to South Korean skating.
Former tennis star Kim Eun-hee revealed last year that her tennis coach had been sexually assaulting her since the age of 10.
She remained silent until she ran into him at a tournament two years ago, and realised he was still coaching young tennis players.
Ms Kim filed a criminal complaint against him, and in October, he was convicted of rape with injury and sentenced to 10 years in jail.
Former judo athlete Shin Yu-yong has also accused her former high school coach of repeatedly raping her over a period of four years.
He denied the allegations, saying instead that he was romantically involved with her.
Despite this, the Korea Judo Association later said they had placed a lifetime ban on him, saying it was a "serious problem" that he had "inappropriate relations with a minor... whether or not [he] is found guilty."
South Korea's Human Rights Committee on Tuesday said it would establish an investigation team to look into the treatment of athletes.
"We consider the seriousness of violence and sexual abuse in the sports field cannot be overlooked any longer," Choi Young-ae, the Chairwoman of the National Human Rights Commission of Korea said at a press conference.
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A man wearing make-up on the street may elicit unwelcome glares, questions about his masculinity and even his sexuality. But in South Korea, ideas about how to look good as a man are changing attitudes and influencing the world, as the BBC's Saira Asher reports.
When the BBC posted a video about the make-up routine of a 16-year-old YouTuber in Seoul on Facebook, the reactions ranged from intrigued to downright vitriolic.
Some assumed this meant he was gay, while others admonished him for his choice saying "real men don't wear make-up". There were, of course, those that argued for his freedom to live life however he pleased and against the "fragile masculinities" on show.
But Kim Seung-hwan is used to it. He says he's been called gay by some Koreans online for as long as he's been doing make-up tutorials.
When asked about whether he thought he looked feminine after he put on make-up, he was confused by the question as if he had never even thought about it.
For those uncomfortable with men who wear make-up, the scene at a high-end salon for men in Seoul's Gangnam district would have been quite something. But it points to an important shift in cultural expectations.
Senior make-up artist Han Hyun-jae expertly applies foundation, eyeliner and lipstick on a man. He chooses from an array of products and brands that will be familiar to most women, and goes in for the final touches of what he calls the K-pop (short for Korean pop) look . It's a scene that repeats itself day after day.
Packs of confident young men saunter into the salon and then leave with perfect skin and hair. Many of them are singers or actors on their way to promotional events.
One man is there for his wedding make-up, a common practice for men in South Korea. He chooses to get red lips for his special day.
"We make their complexion cleaner, eyebrows darker, contour their faces and draw out their masculinity in a way they can't do themselves," says Mr Han. He says men come in wanting to look like their favourite K-pop idols.
In the last few years, K-pop bands and Korean dramas have become the major influence on young people in the country and last year K-pop broke into the mainstream US and UK music scenes.
"I think Korea is a trailblazer in men's beauty culture, definitely in Asia at the moment, if not the world," says Joanna Elfving-Hwang from the University of Western Australia, who has done extensive research on beauty and image in South Korea.
"The way they (K-pop stars) play with masculinity, what it means to be a beautiful man in a heterosexual or non-heterosexual way, it opens up possibilities for men on the street and eventually makes it more acceptable."
This doesn't mean every man in Seoul walks around with a full face of make-up.
But in young and fashionable neighbourhoods like Myeong-dong it's common to see men walking around with foundation or BB cream (blemish balm) - a moisturiser and light foundation hybrid.
More importantly it has allowed for a much looser interpretation of what's acceptable for men when it comes to beauty.
And some young Korean men are unapologetic about the drive to enhance their look.
That wasn't always the case. In the 1980s and 90s the salaryman was the prevailing male aesthetic. Suits, luxury watches and a traditional strong male look were the norm. Korea has mandatory national service and that moulded and defined what men thought would look appealing.
"In the 80s and 90s, men in Korean pop content were largely portrayed as tough guys in gangster and detective films, and rebellious young men in some TV dramas," says Sun Jung, the author of Korean Masculinities and Transcultural Consumption.
But all that changed in the mid-1990s when music group Seo Taeji and The Boys came onto the scene, says Prof Elfving-Hwang. They used rap, rock and techno influences and incorporated English language into their music.
They kick-started fan culture which has now become a major force in the music industry, she says.
Then followed the big entertainment companies churning out K-pop girl bands and boy bands, and their influence has been like nothing before it.
"Compared to the 80s and 90s, now there are a lot more soft masculinities - pretty boy images and gentle male images - represented in media, and consumers welcome and widely consume them," says Dr Sun Jung.
They came to be known as Khonminam - combining the words for flower and a beautiful man. She says it takes inspiration from similar concepts in Japan of bishonen or beautiful boys and Shojo manga - girls comics.
"I think the phenomenon should rather be explained through the notion of hybrid or versatile masculinity - soft yet manly at the same time - which is different from effeminised," says Dr Jung.
She cites Song Joong-ki, the star of hugely popular Korean drama "Descendants of the Sun" as the embodiment of this. He may be a khonminam in his look, but as a special forces captain in the military he is also a tough guy.
Descendants of the Sun and other Korean dramas have helped spread the South Korean look around Asia and now the world. And that means the ways to achieve that look are in demand.
Male idols are plastered on billboards in Seoul hawking products like face masks and moisturisers. Companies are actively hiring men to sell women make-up products.
Their fandom in places like China, Thailand and Singapore is not to be dismissed either. Huge crowds show up to their performances and product launches.
"Men in China and South East Asia tend to think that Korean men are the typical beauty," says Lee Gung-min, a consultant to South Korean beauty companies.
"That is having a huge impact on male consumers in Asia."
Beyond Asia, brand Korea is starting to sell well in the US and Europe.
Walmart and Sephora now have K-beauty (Korean beauty) brands on their shelves and beauty bloggers are spouting the virtues of the 10-step K-beauty routine for glowing skin. American and European make-up enthusiasts are fast becoming acquainted with brands that were previously only popular in Asia like TonyMoly, Innisfree and Etude House.
Most interestingly, established beauty brands are making their own versions of products that originated in South Korea - like Clinique, Lancome and L'oreal introducing cushion compacts.
The drive for the perfect face has undoubtedly also contributed to a well reported rise in cosmetic surgeries in South Korea to achieve the desired jawline or nose. But it also stems from a deeply ingrained preoccupation with how you present yourself to others.
That's a common sentiment across Seoul. People here really care about how they look and how they come off to the world - both men and women.
You can't walk a few steps without coming across a cosmetics or skincare shop with a salesperson outside trying to lure you in with a free face mask, and companies are definitely capitalising on that self-care culture to sell products.
But men are now as much at the receiving end of that drive - or perhaps pressure - for self enhancement that women have felt for generations.
Korean men are starting a beauty revolution
S Korea soldier: ‘Criminal because I’m gay’
The rise of South Korean skin products
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