Kim Carnes Voyeur
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Kim Carnes Voyeur
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^ "Vote Grammy Awards" . The Afro American . February 12, 1983 . Retrieved December 26, 2014 .
^ " "Voyeur" 7" Single" . Discogs . Retrieved December 26, 2014 .
^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, NSW: Australian Chart Book. p. 256. ISBN 0-646-11917-6 .
^ " Top RPM Singles: Issue 6927 ." RPM . Library and Archives Canada . Retrieved September 15, 2020.
^ " Kim Carnes – Voyeur" . Top 40 Singles . Retrieved December 26, 2014.
^ " Kim Carnes – Voyeur" . VG-lista . Retrieved December 26, 2014.
^ "SA Charts 1965–1989 (As presented on Springbok Radio/Radio Orion) – Acts C" . The South African Rock Encyclopedia . Retrieved December 26, 2014 .
^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE . ISBN 84-8048-639-2 .
^ " Kim Carnes – Voyeur" . Singles Top 100 . Retrieved December 26, 2014.
^ "Kim Carnes: Artist Chart History" . Official Charts Company . Retrieved September 15, 2020.
^ "Kim Carnes Chart History (Hot 100)" . Billboard . Retrieved December 26, 2014.
^ "Kim Carnes Chart History (Dance Club Songs)" . Billboard . Retrieved September 15, 2020.
^ "Cash Box Top 100 Singles – Week ending October 16, 1982" . Cash Box . Retrieved September 15, 2020 .
^ " Offiziellecharts.de – Kim Carnes – Voyeur" . GfK Entertainment charts . Retrieved March 27, 2019.
" Voyeur " is a song by American singer-songwriter Kim Carnes from her seventh studio album of the same name (1982). Written by Carnes, her husband Dave Ellingson, and Duane Hitchings, the song is an uptempo synth-pop track. It is the first track from the album, and its lead single .
"Voyeur" peaked at number 25 on Cash Box ' s Top 100 Singles and number 29 on the Billboard Hot 100 . Internationally, the single reached number five in Norway and number 10 in Spain and Sweden. It featured a then-controversial music video, which was later banned for its suggestiveness. The song received a nomination for Best Female Rock Vocal Performance at the 1983 Grammy Awards . [1]
Kim Carnes
Dave Ellingson
Duane Hitchings
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Except for giving it only two stars, the Allmusic review is correct in saying that it's a mystery as to why this fine album stalled on the charts, just when Ms. Carnes was poised to become a superstar.
Having spoken with Ms. Carnes at length, and loving the album for over 35 years, in retrospect, maybe the wrong songs were chosen for the singles. The tit… Read More
Adult Contemporary Contemporary Pop/Rock Soft Rock
Recording Location
Hitchings Manor
Record One, Los Angeles, CA
Sensual
Sentimental
Autumnal
Bittersweet
Intimate
Laid-Back/Mellow
Poignant
Sad
Yearning
Melancholy
Reflective
Romantic
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Playful
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Earnest
Plaintive
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The problem with success is following it, of course, and Kim Carnes had a very difficult time doing that after "Bette Davis Eyes" and its accompanying album, Mistaken Identity , rocketed to number one overnight in 1981. Voyeur, her follow-up, appeared that following September, and it was expected to be a blockbuster, not just by her label, EMI, but from many industry observers as well. How could it not? She had a huge hit underneath her belt and the new album followed the pattern of the hit -- sleek, stylish post-new wave pop/rock, heavy on drum machines, sequenced synths, and arena rock guitars, all married to anthemic pop tunes and ballads. It seemed tailor-made for hit status, but it stalled on the charts. This was a shocking performance for an artist that seemed poised for superstar status, and it's hard to say exactly why the record didn't do as well. Yes, Voyeur doesn't have anything as brilliant as "Bette Davis Eyes" on it, nor is it as even as Mistaken Identity , but it truly does follow the formula effectively, and there are moments, like "Merc Man," that seem ready for the radio. But it was not to be, probably because of the shifting tastes of the American public. The album itself got lost in the emergence of MTV and the accompanying surge of popularity of new wave. And so, the album didn't burn up the charts, but as a piece of music, it was certainly a worthy follow-up to Mistaken Identity .
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Label:
EMI America – 1C K 052-86 585
Format:
Vinyl, 12", 45 RPM, Maxi-Single
Country:
Germany
Released:
1982
Genre:
Electronic, Rock
Style: Synth-pop, Disco
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