Kathleen Turner Nude Scenes

Kathleen Turner Nude Scenes
· Senior Correspondent, Yahoo Entertainment
August 28, 2021, 12:00 AM · 3 min read
American film director and film producer
'Body Heat' at 40: Kathleen Turner recalls 'misguided' decision to film all-nude sex scene on the first day.
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The Yahoo Movie Show brings you this classic sit-down with Kathleen Turner about her greatest acting moments to date.
After some work on New York stages and a brief stint on the NBC soap The Doctors , Kathleen Turner made her stunning movie debut as femme fatale Matty Walker in Body Heat , the sweat-drenched, sex-filled neo-noir thriller released in theaters 40 years ago, on Aug. 28, 1981.
The Double Indemnity -inspired film, which also marked the directorial debut of Lawrence Kasdan , paired Turner with William Hurt as the South Florida lawyer who conspires with her to kill her wealthy husband (Richard Crenna) as they begin an intense affair.
There was the film’s twisty premise, and there was also some rocky behind-the-scenes ordeals Turner had to deal with, as she told Yahoo Entertainment during a Role Recall interview (watch above).
“It was Larry Kasdan’s first time directing, and — this was a bit misguided — [he] decided that the first scene [filmed] would be the one scene with full nudity,” the actress said, implying she was uncomfortable. “Just to break the ice and get everything over with. That would be our first shooting. Yeah, I still don’t think that was the best idea.” (Kasdan, who was co-writing the original Star Wars trilogy at the time, would go on to direct films like The Accidental Tourist , which reteamed him with Turner and Hurt, The Big Chill and Silverado. )
Beyond rookie mistakes in decision-making, there were also technical kerfuffles.
“We were shooting that fantastic scene where [Hurt is] outside the house and he picks up the chair and smashes it through the window. We were using probably one of the first Steadicams, and it kept breaking down. So we would get halfway through the shot and [go] ‘No!’ So this went on and on and on all night, and the tension is building.
“And we finally get the shot, and Bill breaks in the door, rushes over and grabs me, and we hear, ‘Cut! Wrap! The sun’s up!’ We lost the whole night trying to get this shot. So at the height of the tension, at the height of passion, we had to pick it up the next day. Talk about your cold shower.”
Body Heat helped transform the husky-voiced Turner into an international sensation who would soon go on to make hit films like Romancing the Stone (1984), Prizzi’s Honor (1985) and The Jewel of the Nile (1985). She also became an instant sex symbol — something Turneer initially struggled over, but, in recent years, she has made peace with.
“ Body Heat was a blessing because I went straight to being a leading actor and I didn't have to suffer any of this predatory male behavior like many young actresses,” she told the Guardian in 2018. “It doesn't frustrate me that nearly four decades after that film I'm still referred to as a sexual icon. I got over that a long time ago."
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Grown Up Gossip & Internet Villainy
Kathleen Turner is a veteran actress who eventually gained a couple of hundred extra pounds as she aged. Her husband had operated an unlicensed club that failed to meet many fire and health standards. The club burnt to the ground, leaving 87 people dead.
As a child, her parents discouraged her from acting since they considered it to be on the verge of prostitution. As a way to get back at her Christian family, she joined the ranks of the baby-killing organization Planned Parenthood. She also got into acting just like she wanted.
In the 1980s, she was mostly known for her roles in The Doctors and Body Heat . Her reputation had led her into other large supporting roles like Romancing the Stone and The Jewel of the Nile. She was also the voice of Jessica Rabbit in Who Framed Roger Rabbit. Since developing rheumatoid arthritis in the 1990s; she is no longer the sexy star she once was.
Did you know she once had a sexy pair of legs? Here she is looking super hot in The Man with Two Brains .
Kathleen Turner’s most famous nude scene was in the film Body Heat , where she was at the peak of her sexual confidence. Her character itself is a lesson on building the perfect pussy trap. She knows how to totally dominate a man. Much like what Linda Fiorentino did in The Last Seduction .
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Kathleen Turner in nude scene from Body Heat which was released in 1981. She shows us her tits and ass in sex scene. There is not much other real nudity but Kathleen Turner looks quite sexy. We have see through shot from her.

Actress:
Kathleen Turner

Movies:
Body Heat

Tags:
topless , sex , butt , nude , see thru

14.04.2017

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This movie was almost considered porn back in the early '80's. Its almost impossible to find. I don't do a lot of internet, maybe its out there and i just don't know how to find it...

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Body Heat is one of my favorite films, so I’ll prattle on about it for a while.
It’s a great entertainment and guilty pleasure film, but also more than that. In its own way, Body Heat was one of the most influential films in history, kind of the Pulp Fiction of its time, at least in terms of the trends it started and how often it was imitated. Just about every “erotic thriller” of the next 15 years seemed to be a variation of this film. Soft-core sex films copied it. Murder mysteries copied it. Even hard-core sex films borrowed from it. Even its name was copied. There have been many XXX videos named Body Heat since 1981.
In fact, Body Heat itself was not really original, but was a brilliant revival of a long-dormant genre. The “duplicitous woman noir” was a popular B&W genre in the 40’s and early 50’s, but disappeared for a while until director Lawrence Kasdan brought it back in color, with his own flourishes, in 1981, casting Kathleen Turner and Bill Hurt in the roles formerly reserved for the likes of Barbara Stanwyck as the scheming femme fatale and Fred McMurray as the gullible dupe.
Hey, I’m not so impressed that Kasdan made such a great film in his first attempt to direct. I mean any schmuck can make a great directorial debut if he has a script written by one of the greatest screenwriters in history. Kasdan simply hired the guy who had written Raiders of the Lost Ark and The Empire Strikes Back, the two best films of the preceding year, and would go on to win three Oscar nominations for films written after this one: The Accidental Tourist, The Big Chill, and Grand Canyon. Hell, the only thing director Kasdan really accomplished was being lucky enough to hire that guy. Of course, finding him wasn’t that hard. He only had to look in the mirror.
Kasdan did an especially good job at recreating the “sassy dame” dialogue from the 40s. Dashiell Hammett and Raymond Chandler would be proud of this, their step-child.
“You’re not too bright, are you? I like that in a man.”
“What else do you like? Ugly? Horny? Lazy? I have it all.”
Those lines are not only entertaining, but they also foreshadow the plot twists perfectly. Those twists were unpredictable when this film came out, although we’ve seen the formula copied so many times that it seems formulaic now. The fundamental requirement for a good femme fatale picture is that the woman has to make the patsy do her dirty work, but both he and the audience have to think it was all his own idea. If she pushes him into it, he will realize he’s being set up, and the audience will lose the pleasure of the ultimate surprise. Therefore, the spider really has to do her homework on the fly’s weaknesses, and she has to spin her web subtly and slowly, so as not to appear obvious. In this case, Ned Racine (Bill Hurt) wasn’t ugly at all, but really was intellectually lazy and incorrigibly horny, just as he claimed to be in that snippet of dialogue cited above, so those were the faults that Matty (Kathleen Turner) exploited.
The film also includes some of the hottest, sexiest build-up of sexual tension in film history. Who can forget the scene when Turner and Hurt first make love? The wind chimes tinkle gently in the sweltering evening. Hurt can see Turner through the locked glass door. Hurt grabs the chair from the porch, shatters the door, storms through, and takes her. She is more than willing.
Finally, I have this on my short list of films where the casting director should have gotten a special Oscar. (The Outsiders also comes immediately to mind.) The casting was sheer genius, right down to the minor roles. Check out Ted Danson of Cheers as the D.A. who really wanted to be a dancer. If only they could have obtained the musical rights to the dance classic written especially for him. I refer, of course, to “You Make Me Feel Like Danson.”
Dude, what are you waiting for? If you haven’t seen this film, do so. If you already love it, get your hands on a special digital edition, immerse yourself in special features and watch the deleted scenes.
Thanks to OZ for this. When I was in college, the Jazz Singer was 40 years old. It seemed ancient and primitive. Body Heat is now more than 40 years old, and it doesn't seem that dated. On the other hand, films that are 60 years old (1961) seem quite…
We discussed this movie recently because (Paula Prentiss was topless in a promotional picture.) As it turns out, Prentiss was topless in the film, but not in that scene. If you are interested in my lengthy thoughts about this obscure film, they follow after the jump. ---------- ---------- ---------- There…
Two words: Pia Zadora! The Lonely Lady is now available in 1080hd! UPDATED with info from the comments section. The early 80's were the era of Zadoramania! For a couple of years there, she was Johnny Carson's favorite punchline. Pia was chosen as the "worst actress of the eighties" by…
most sweat of any movie other than Cool Hand Luke
A great film, I remember seeing it in the theater and being blown away. Your review is spot-on.
Scoops: KT has a PDG corpus but singles out BH that she wouldn’t have traded for any other role. That said, “in its own way” is weasel words. I’m not a fan of the whole “best”, “sexiest”, “most influential”, ie comparative, manner of speaking about quality. Like, I liked your 1st sentence just fine, except the part about “also more than that”. That leads directly to making a case for “most influential”. Then you have to build up the numbers so it contends for “most”. What’s wrong with saying it was just “influential”? For that matter, how is being copied an unconventional take on influential? Isn’t that just normal influential? As opposed to “in its own way”? Isn’t the weasel there for no other reason than to make the reviewer sound smart?
For example, I’d say Inception was influential, too. Was it more so, even, than The Matrix? A case could be made for it. I don’t happen to agree with that, but then, I don’t like the question at all. Frankly, we overvalue novelty & exceptionalism because that’s our lifelong habit, a leftover from our youth, when we were consumed by the merciless imperative to prove ourselves.
As an old fogey, I’m consumed by a new passion: I can’t do or know everything I ever wanted to, but I’m going to focus on the things I’ll enjoy doing & learning. Behind me I have rankings & scores & lists for everything I came across. Did I ever derive one good thing from that cataloguing? I realize you may see things differently. OK, so YMMV. But, for me, no. I did not get a single jot of extra enjoyment from personally deciding that Batman was a better myth than Superman. Now, I’ve stopped thinking like that. And guess what? I don’t miss it one bit.
FWIW, your reviews are good. That’s not that common. So, great. Further superlatives would only diminish the compliment. I don’t have to puff it up & you surely don’t need me to.
I hedged my bet on “influential” because this film did not affect society in general, but only other films.
True influence happens when a show or film reaches beyond its medium and changes our behavior. Seinfeld affected the way we spent our work breaks. Miami Vice affected the way we dressed. Saturday Night Fever created fashion trends and almost single-handedly caused the big bang of the universe of disco. Body Heat did none of that, but it was influential “in its way.”
OK. That’s it then. You’re a purveyor of opinions on things that don’t matter. They’re all correct, “in their way.” Meanwhile, you are steadfast in wrong opinions on things that matter. I’m out.
Just brilliant. My favorite line is when she tells both men “Look out, he’s got a gun” at once. And that tacked-on last scene – he’s in prison and looks through her yearbook – totally ended my long-standing epilogue hatred.
Very good point. It’s one of the best epilogues in film history, if not the very best. It added yet another layer of fun, and I did not see it coming.

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