Kate Mara Nips
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Kate Mara Nips
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Between film shoots, international flights, and a family crisis, a lovely afternoon with Kate Mara. (That's Mare-uh. Not Marr-uh.)
Kate Mara and I swallowed up by a couple quicksand cushions, on the open-air back patio of a Manhattan hotel on a Saturday. The weather: coolly humid. The birds: chirping without concern. She seems in a bit of a rush, checking out in between shaking my hand and leading us here. She's been in New York for five days. Tomorrow she will fly to Belfast to shoot a film for two months. Her plan after this interview is to take a car back to her family's home upstate.
"Well, my family's dog, Betty Boop, died a couple days ago."
And with that, the birds stop chirping.
Not that she seems down. There's a steady hum to her cadence. "It was kind of crazy. I'm here doing a little Fantastic Four press. I went to the Met [Costume Gala], and I planned on going to see my family for two nights. The day I got there, the dog passed. I felt lucky to be there."
The Maras are a dog family. "Oh, my gosh. We've never not had them." Kate has two. She got them about twelve years ago. There's Bruno, and there's Lucius, who is a rescue, like Betty, who was four years younger than both of them. "I hate to say this, because I love my dog who's not a rescue, Bruno, but I got him before I really understood how desperately dogs need to be rescued," she says. "Now we're obsessed with the breed. Boston terriers are like little gremlins. But that's why I love them.
The picture is the background of her phone, which she hands to me. The dogs could be twins.
"Can you guess which one is Lucius?"
I point to the terrier with the slightly more austere cheekbones. Looks like a Lucius.
"Wow," she says. "You got it wrong."
Her drink is "hot water with, like, lots of lemon on the side." She sips it, in between curse-laden sentences and sniggers. She lies slack on the couch, legs uncrossed. We talk about whether she'll visit her family's Dublin farm in between workdays; her wisecracking Fantastic Four costars ("I don't really fuck with them. They fuck with me"); the serial mispronunciation by her "more proper" sister, Rooney, of the first a in Mare-uh ("We give her shit all the time"); her support of the Humane Society and Oceana; her veganism and gluten-freeism and belief that movie-theater-popcorn butter is sacrilege. ("That, to me, is gross. It makes the popcorn soggy, too.") She takes offense at my hypothesis that when she's training for a film and cannot eat movie-theater popcorn but brings a popcorn-pang palliative snack with her, she chooses carrots. ("No. Not carrots.")
So, how did it feel to lose to the Philadelphia Eagles 27–0 last year?
(The Eagles are the rivals of her, well, genealogy, which comprises two cornerstones of the National Football League. They are the intrastate rivals of the Pittsburgh Steelers, founded by her maternal great-grandfather in 1933, and the chief rivals of the New York Giants, founded by her paternal great-grandfather in 1925 and, gloriously, the losers of both games against the Eagles last season.)
"Yes, I am wearing a Giants shirt. Of course I'm a huge fan. It's never nice to lose against the Eagles. Never."
"You didn't hurt me. I'm not giving you the satisfaction."
She once said that her contract stipulates she cannot work during the Super Bowl—"People love that"—but she clarifies that it's an issue only if she's shooting in February. Though, yes, she asks to have the days surrounding the Super Bowl off, because one time—we hypothesize (incorrectly, it turns out) it's the championship game in which the Steelers defeated the Arizona Cardinals—she was working. "It's like missing the biggest family event of your life." I share a brief anecdote about a Steelers-loving friend who, a half hour after that game, returned home screaming with joy.
"Well, I'm sure you can relate to that . . . if your team won."
She's now spent more than half her thirty-two years working as a professional actress and is well past Brokeback Mountain and 24 and Entourage. After playing a power-thirsty reporter/seductress on House of Cards, giving such nuance to her character's neediness and savvy and posturing that she received an Emmy nomination (see: episode ten, in which she shrinks when confronted by her paramour's wife in one scene but in the next attempts to milk the confrontation for dominion over him); earning a preemptively scheduled-for-a-sequel superhero blockbuster in Fantastic Four and a Ridley Scott–directed space epic in the autumn; and wrapping two other films, Mara has a new agency. She can decide how she spends her time.
"I think I've become more aware of whom I'm going to spend three months of my life with," she says. "Why do I want to have that experience with that person? And what will it give me? Will it help me grow? I've started actually making a list of directors that I'm excited about—and now I'm not just waiting for them to have a movie but maybe creating one myself." The list is in the Notes section of her phone.
She motions for the check—not to cap the conversation but to prepare for maximal efficiency whenever it does end. Though soon after the waiter arrives, I tell her to go.
She bounces up. "Well, listen, thanks so much for my lemon water," she says. "It was a treat." She slicks the line and offers a hug and is gone.
Published in the August 2015 issue.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io
The 15 Hottest Photos of Celebrities on the Beach
Kate Upton Channeled Marilyn Monroe in a New Video
Advertisement - Continue Reading Below
Cami Morrone Stars in a 'Blade Runner' Remake
Elsa Hosk Dances in a Red Leather Bikini
Karlie Kloss Recreated 'Santa Baby' for Christmas
Instagram Model Alexis Ren Loves a T-Rex
Hailey Baldwin's LOVE Advent Calendar Video
Joan Smalls Recreated Kanye's Video for 'Fade'
Alexa Chung Takes off All Her Clothes
Ciara's LOVE Video Will Probably Rile Up Fox News
Every product was carefully curated by an Esquire editor. We may earn a commission from these links.
Between film shoots, international flights, and a family crisis, a lovely afternoon with Kate Mara. (That's Mare-uh. Not Marr-uh.)
Kate Mara and I swallowed up by a couple quicksand cushions, on the open-air back patio of a Manhattan hotel on a Saturday. The weather: coolly humid. The birds: chirping without concern. She seems in a bit of a rush, checking out in between shaking my hand and leading us here. She's been in New York for five days. Tomorrow she will fly to Belfast to shoot a film for two months. Her plan after this interview is to take a car back to her family's home upstate.
"Well, my family's dog, Betty Boop, died a couple days ago."
And with that, the birds stop chirping.
Not that she seems down. There's a steady hum to her cadence. "It was kind of crazy. I'm here doing a little Fantastic Four press. I went to the Met [Costume Gala], and I planned on going to see my family for two nights. The day I got there, the dog passed. I felt lucky to be there."
The Maras are a dog family. "Oh, my gosh. We've never not had them." Kate has two. She got them about twelve years ago. There's Bruno, and there's Lucius, who is a rescue, like Betty, who was four years younger than both of them. "I hate to say this, because I love my dog who's not a rescue, Bruno, but I got him before I really understood how desperately dogs need to be rescued," she says. "Now we're obsessed with the breed. Boston terriers are like little gremlins. But that's why I love them.
The picture is the background of her phone, which she hands to me. The dogs could be twins.
"Can you guess which one is Lucius?"
I point to the terrier with the slightly more austere cheekbones. Looks like a Lucius.
"Wow," she says. "You got it wrong."
Her drink is "hot water with, like, lots of lemon on the side." She sips it, in between curse-laden sentences and sniggers. She lies slack on the couch, legs uncrossed. We talk about whether she'll visit her family's Dublin farm in between workdays; her wisecracking Fantastic Four costars ("I don't really fuck with them. They fuck with me"); the serial mispronunciation by her "more proper" sister, Rooney, of the first a in Mare-uh ("We give her shit all the time"); her support of the Humane Society and Oceana; her veganism and gluten-freeism and belief that movie-theater-popcorn butter is sacrilege. ("That, to me, is gross. It makes the popcorn soggy, too.") She takes offense at my hypothesis that when she's training for a film and cannot eat movie-theater popcorn but brings a popcorn-pang palliative snack with her, she chooses carrots. ("No. Not carrots.")
So, how did it feel to lose to the Philadelphia Eagles 27–0 last year?
(The Eagles are the rivals of her, well, genealogy, which comprises two cornerstones of the National Football League. They are the intrastate rivals of the Pittsburgh Steelers, founded by her maternal great-grandfather in 1933, and the chief rivals of the New York Giants, founded by her paternal great-grandfather in 1925 and, gloriously, the losers of both games against the Eagles last season.)
"Yes, I am wearing a Giants shirt. Of course I'm a huge fan. It's never nice to lose against the Eagles. Never."
"You didn't hurt me. I'm not giving you the satisfaction."
She once said that her contract stipulates she cannot work during the Super Bowl—"People love that"—but she clarifies that it's an issue only if she's shooting in February. Though, yes, she asks to have the days surrounding the Super Bowl off, because one time—we hypothesize (incorrectly, it turns out) it's the championship game in which the Steelers defeated the Arizona Cardinals—she was working. "It's like missing the biggest family event of your life." I share a brief anecdote about a Steelers-loving friend who, a half hour after that game, returned home screaming with joy.
"Well, I'm sure you can relate to that . . . if your team won."
She's now spent more than half her thirty-two years working as a professional actress and is well past Brokeback Mountain and 24 and Entourage. After playing a power-thirsty reporter/seductress on House of Cards, giving such nuance to her character's neediness and savvy and posturing that she received an Emmy nomination (see: episode ten, in which she shrinks when confronted by her paramour's wife in one scene but in the next attempts to milk the confrontation for dominion over him); earning a preemptively scheduled-for-a-sequel superhero blockbuster in Fantastic Four and a Ridley Scott–directed space epic in the autumn; and wrapping two other films, Mara has a new agency. She can decide how she spends her time.
"I think I've become more aware of whom I'm going to spend three months of my life with," she says. "Why do I want to have that experience with that person? And what will it give me? Will it help me grow? I've started actually making a list of directors that I'm excited about—and now I'm not just waiting for them to have a movie but maybe creating one myself." The list is in the Notes section of her phone.
She motions for the check—not to cap the conversation but to prepare for maximal efficiency whenever it does end. Though soon after the waiter arrives, I tell her to go.
She bounces up. "Well, listen, thanks so much for my lemon water," she says. "It was a treat." She slicks the line and offers a hug and is gone.
Published in the August 2015 issue.
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Actress Kate Mara pulled a saucy prank on her House of Cards co-star Kevin Spacey by covering her nipples with stickers of his face during a sex scene. The star plays journalist Zoe Barnes, who embarks on an affair with married politician Francis Underwood, played by Spacey. Mara insists the plentiful nude scenes became the perfect setting to play practical jokes on her revered fellow actor. She tells Playboy magazine, "I'd read all the scripts way in advance, so nothing shocked me. It just happened, and it wasn't uncomfortable. From day two of working with Kevin, I found him just as playful as I am. He would definitely up my game. "I tried to get him to laugh by wearing pasties with his face on them. Of course, because Kevin wants to win whatever the game is and because he always wins, he did not laugh. "He waited until the director said 'cut' and then he laughed. Kevin has an amazing sense of humor, but he's also a great professional and he's really f---ing good at it."
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This should remind viewers to tune in for the second season of House of Cards , premiering Friday.
Kate Mara strips down to her skivvies in the March 2014 issue of GQ . The 30-year-old actress, who plays a sex-favor-trading blogger in the acclaimed Netflix series, models Eres lingerie and a Topshop cardigan in one photo, completing her look with a Bettina Javaheri at Roseark necklace and Charlotte Olympia heels. Mara also shows off her hot body in T by Alexander Wang sweater and an Eres bikini.
While the photo shoot may be provocative, it pales in comparison to what House of Cards has in store.
"I mean, the dials were really high in the first season," she says of the critically acclaimed TV show, which earned Robin Wright a Golden Globe win in the Best Actress – Television Drama category. "[Series creator] Beau Willimon has a very big imagination. And he and our writing staff, I think they really pulled through this season. Because it's hard to top all the things that happened last season. Last year, before Season 1 came out, I had seen all the episodes; this year I haven't, so I'm just as excited to watch it like anyone else. Still, I think it's just as surprising and addictive. Hopefully, we'll see."
Mara says she "didn't shadow anyone" to prepare for her role. Instead, she consulted Willimon and executive producers David Fincher and Kevin Spacey .
"Being a journalist wasn't the most important thing for me. That was just her job—it could be anything. The most important aspect of Zoe that I felt I needed to understand and wrap my head around was her crazy drive and ambition," the actress explains. "Sitting around with Beau and Fincher and Kevin, just setting the backstories—that's where I got all of my information."
When Mara was shooting Season 2, she also filmed the movie Transcendence with Johnny Depp .
"We were shooting in the middle of the desert in the summer, in New Mexico, and it was 110 degrees," she says of the upcoming movie. "Outside all day in the sun and most of the guys playing the army guys were either ex-marines or had some sort of experience in the field."
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