Kareena Kapoor Heroine Sex Scene
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Kareena Kapoor Heroine Sex Scene
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2012 2012 Not Rated Not Rated 2 h 29 m
Kareena Kapoor's wardrobe for the film was one of the most expensive Bollywood had seen. It included over 130 different dresses by top fashion designers from all over the world.
When Kareena shoots the sex scene the camera is handheld and shaky but when she sees it with Divya Dutta on laptop it looks like as if it's shot with camera held properly
Featured in 14th IIFA Awards (2013)
Saaiyaan Performed by Rahat Fateh Ali Khan Lyrics by Amitabh Bhattacharya Music by Salim Merchant and Sulaiman Merchant Produced by UTV Motion Pictures, Bhandarkar Entertainment
Kareena Kapoor has always been involved in the largest blockbusters in Bollywood, and starring with the 3 Khans in films like 3 Idiots with Aamir, RA.One with Shah Rukh, and Bodyguard with Salman has made her one of the few who have collaborated with all of them in their respective hit films (OK, so RA.One kinda disappointed). Heroines have never had it easy in Bollywood when compared to the heroes, and Kareena is currently at the top of her game, but can she, like Vidya Balan, and Priyanka Chopra, marquee her own movie? The answer is probably yes, but if the self referential Heroine is anything like the title goes, she's going to need a better story and tighter script in order to make an impact. The first look at the trailer and various promotional clips may have one thinking this is somewhat like Chopra's Fashion, also written and directed by Madhur Bhandarkar, in terms of charting the come and go, ups and downs, and longevity of the career of a fickle, fame driven industry, replacing the world of fashion with that of the movies, and also taken a leaf out of Balan's The Dirty Picture in centering the story around an actress who is willing to risk all for a shot at fame, and sustaining her position at the top of the cut throat food chain of an industry, but Bhandarkar's film now could have benefited from attempting to craft a more psychologically complex film, or taken a deeper, more provocative look at the industry itself. It missed on a lot of marks set, and the film huffed and puffed throughout before finally collapsing on its own weight near the finishing line. It's not that Kareena Kapoor didn't try to save the film. Her star power is going to be the box office draw here, and she did her best for a role that had her dig deep into emotions, especially plenty of negative ones as her character of Mahi, an actress on the cusp of decline, gets embroiled pretty much on her lack of solid relationships with the opposite sex, her insecurities both personal and professional, and her conduct with the various spectrum of her industry, from peers, to rivals, and the handling of the media. Not a chance goes by where Mahi passes on being catty to those she dislikes, and in the ways of the world, what you do unto others, others will do unto you. Kapoor showcases her acting chops and while convincing, she's clearly let down by the plot of the movie. Beginning quite inexplicably with Mahi being thrown out of a car, then barging into a police station wanting to lodge a report, it goes into flashback mode to chart how we got to this stage, showing the world Mahi inhibits, with the glitz, and the glamour, and the movie premieres and after parties where stars will cajole with directors and producers to chart their next project. Transitions seemed to be in a hurry, and scenes were haphazardly strung together, probably in eagerness to show how confused, and broken the state of mind and emotion is for Mahi in the fame game, despite showing nonchalance to the competition from amongst peers. Heroine also got bogged down by the none too perfect relationships, making Bollywood seem like a cesspool for broken relationships, infidelity and adultery, where actors prey on actresses in their hotel rooms and trailers, and sports personalities become adamant in wanting an equally famous actor/actress hang by their arms. Its look into the behind the scenes in the industry just scratched the superficial surface of casting for a film, where a string of hits will continue to bring on big budgeted projects and plenty of money spinning endorsements, while duds, or not being in the limelight for whatever reasons good or bad, will slowly see one's career starting to fade. These again are something known through the grapevine, and need not be repeated ad nausem in the film just to chalk up screen time. Subplots were also hap-hazardly added into the film, making it more bewildering, and sprawling a lot more than necessary. An art-house film, and its eccentric director and acting muse, almost threatened to run away with the film from the mid point, providing what would make up to be the better bits in the movie because it was getting tiring witnessing Mahi perpetually drunk, or high, or just plain down, most of which were self inflicted. The self- destruct button was clearly set by Mahi in her burning of bridges and destruction of any semblance of friendship and relationships formed, and the story was stuck in this rut of self- torture, before trying its very best to turn things around in what could have been a wake up call to the transience of life, haphazardly assembled for the last few scenes as Mahi sold her soul for one more hurrah. In what would be reel life imitating real life, there's an unfortunate tragedy in the production of the film that would likely bring the curious to watch Heroine, just like how a scandal boosted Mahi's hopes of a comeback. Heroine could have been a fascinating look at the industry, and a great showcase for Kareena Kapoor, which unfortunately didn't turn out to be as well as expected, and kind of a disappointment.
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By what name was Heroine (2012) officially released in Canada in English?
A female superstar struggles through the trials and tribulations of being a Bollywood actress. A female superstar struggles through the trials and tribulations of being a Bollywood actress. A female superstar struggles through the trials and tribulations of being a Bollywood actress.
First Published Mar 9, 2020, 12:49 PM IST
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Kareena Kapoor recently spoke about her experience doing a naked scene for the film Heroine, read on
Kareena Kapoor aka Bebo on Women's Day talked about her Bollywood journey, difficulties and achievements. She also spoke about her experience doing a naked scene for the film Heroine.
In the movie, Kareena replaced Aishwarya Rai when the latter walked out of the movie due to her pregnancy.
While being interviewed by Anupama Chopra for Count to 5, Kareena Kapoor shared her experience doing the top five characters played by her.
Yes, it is true she did many glamorous roles in her career, but she has not done many roles sporting a bikini or going nude.
But, Heroine was probably the only movie for which she bared it all. She even received a lot of criticism. Talking to Anupama, Kareena said, "I am glad that it is in the top five characters you selected. Actually, I feel that my performance didn't get its due. I gave it my all completely like gave in to the part."
Kareena added, "I think the audience was not ready to see me in such a role at the moment. It is slightly negative and it can leave you uncomfortable. The way Madhur made the film was uncomfortable. Of course, it was slightly made out there, bizarre or whatever you think.
Kareena Kapoor on getting naked for the movie, "If you are performing in your feelings, I know the audience's feelings. I still gave it my 1000% and it is part of repute. It is definitely part of my top five characters for sure. Whatever people say, whatever the film was and whatever it is, I am so proud to wear this sash of heroine on it. I just love it because I was nothing. I was actually naked for this movie. I did it all and everything kind of went down the deepest and darkest areas, which probably I would be scared to do.
Kareena will next be seen in Angrezi Medium, which is directed by Homi Adajania and the film is a spin-off to the 2017 comedy Hindi Medium that also starred Irrfan Khan. It is scheduled to release on March 13.
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