Jeune Rousse

Jeune Rousse




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Jeune Rousse
Jeune fille rousse was last modified: April 9th, 2018 by Jon
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Algiers 1865 - Le Vésinet 1953
Biography & List of works

Signed: L Levy Dhurmer / Paris / 1905
After finishing with honours at the École communale supérieure de Dessin et Sculpture in the 11th arrondissement in 1885, and exhibiting at the Paris Salon in the years 1882 – 1889, Lucien Lévy-Dhurmer suddenly left Paris in 1889 for the Côte d’Azur; he remained absent for the next six years, wholly abandoning a still promising artistic career in Paris. In 1895, at almost thirty, he travelled to Italy where Venice and Florence particularly captivated him. This trip would cement a deep and life-long affinity to da Vinci and Italian Renaissance Art, as well as markedly re-focused Lévy-Dhurmer on his earlier artistic aims. It was life-altering; he returned to painting.
In late 1895, sometime before October, Lévy-Dhurmer, relocated in Paris and now painting full-time, was invited by the Belgian poet George Rodenbach to his home to draw his portrait. (The portrait, made three years after the publication of B ruges-la-Morte , which made Rodenbach a symbolist literary icon, is today in the Musée d’Orsay, Paris). This friendship was no doubt the force behind Lévy-Dhurmer’s first solo exhibition early the next year at the Galerie George Petit.
The show at the Petit Gallery, of around 25 pastel and 5 paintings, instantly established Lévy-Dhurmer’s reputation in Paris. One critic exclaimed “ a youth, a debutant and also a master, ” asking rhetorically if the artist was “S ymbolist, Mystic, or Romantic. ” Another critic likened him to “ da Vinci, Botticelli and Memling, the ancients, the moderns… ” Lévy-Dhurmer continued working as a celebrated portraitist, draughtsman, pastelist and painter of religious, genre, symbolist and landscape paintings until the Second World War.
Large scale gallery shows were organized to celebrate Lévy-Dhurmer’s career in 1927, and again in 1937; upon the artist’s death in 1952 a retrospective exhibition was organized by the French Museums in Paris. More recently again, a further exhibition was organized by the Louvre at the Grand Palais in 1973, Autour de Lévy-Dhurmer , to celebrate the acquisition of a group of major pastels now hanging in the Musée d’Orsay.
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