Jessie A Met Art

Jessie A Met Art




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Jessie A Met Art

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Evening ensemble



ca. 1930




https://www.metmuseum.org/art/collection/search/156062

Marking: Label: "Jessie Franklin Turner/290 Park Avenue/New York" Handwritten on label: "7641"



The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of The Met’s Open Access program , the data is available for unrestricted commercial and noncommercial use without permission or fee.
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Essay

Dress Rehearsal: The Origins of the Costume Institute



Chronology

The United States and Canada, 1900 A.D.-present





All Related Artworks

By Jessie Franklin Turner

Brooklyn Museum Costume Collection
Costume Institute

Ensembles
Silk
From North and Central America
From United States
From A.D. 1900–present


Jessie Franklin Turner (American, 1881–1956)
Jessie Franklin Turner (American, 1881–1956)
Jessie Franklin Turner (American, 1881–1956)
Attributed to Jessie Franklin Turner (American, 1881–1956)
Jessie Franklin Turner (American, 1881–1956)

The Costume Institute's collection of more than 33,000 costumes and accessories represents five continents and seven centuries of fashionable dress and accessories for men, women, and children.




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Jessie Franklin Turner


American

Jessie Franklin Turner's evening wear was celebrated for its glamorous and seductive qualities in fashion magazines such as Vogue and Harper's Bazaar. This ensemble portrays that reputation, with the beautifully constructed dress and wrap. The inventive, well-thought out design shows Turner's expert craftsmanship. For example, the small detail of the celadon ribbon edging on the dress adds a pleasing, unexpected element and the cocoon cut of the wrap is accomplished using just one piece of fabric. Turner was also renowned for her textiles, many of which she designed herself. The attractive hand-dyed treatment of the wrap shows her talent for creating beautiful, yet unique, textile designs. The combination of these elements would flatter both the wearer and the design itself to the utmost.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes.
Public domain data for this object can also be accessed using the Met's Open Access API .
This artwork is meant to be viewed from right to left. Scroll left to view more.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Designer:
Jessie Franklin Turner (American, 1881–1956)


Credit Line:
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of the estate of Mary Boocock Leavitt, 1974


Accession Number:
2009.300.1356a, b




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By Margherita Cole on August 28, 2020



Margherita Cole is a Contributing Writer at My Modern Met and illustrator based in Southern California. She holds a BA in Art History with a minor in Studio Art from Wofford College, and an MA in Illustration: Authorial Practice from Falmouth University in the UK. When she’s not writing, Margherita continues to develop her creative practice in sequential art.

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Designed in collaboration with Electric Pulp

Appalachian State University campus, Boone, North Carolina
Artist duo Jessie Unterhalter and Katey Truhn transform otherwise ordinary public spaces into colorful experiences for all who encounter their work. Their recent mural at Appalachian State University cloaks a three-level staircase in a kaleidoscope of vibrant patterns. As an effect, the painting looks like a hand-woven textile.
“We got approached by the Turchin Center at Appalachian State University in Boone, NC to paint the stairway that connects the main street to the campus,” Unterhalter and Truhn tell My Modern Met. “We were inspired by all of the weaving and quilting textiles that come out of Appalachia and loosely based our design on those traditions.”
The massive mural features an array of striped colors that zigzag down the concrete steps as well as a motif of an orange sun. Even when viewed at different angles, the illusory painting resembles a cascading carpet—thanks to geometry and symmetry. “When we were installing it, we basically gridded out the entire staircase and made an analog loom,” Unterhalter and Truhn explain. “There was a lot of math involved, getting the angles and perspective right was a challenge but eventually, everything locked into place. To drive home the textile reference we added tassels to the end of the piece so people feel like they're walking on a rug.”
Scroll down to see more mural paintings by Unterhalter and Truhn, and follow them on Instagram to keep up to date with their latest creations.

Appalachian State University campus, Boone, North Carolina
Appalachian State University campus, Boone, North Carolina
Appalachian State University campus, Boone, North Carolina
Celebrating creativity and promoting a positive culture by spotlighting the best sides of humanity—from the lighthearted and fun to the thought-provoking and enlightening.



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