Jena Malone Topless

Jena Malone Topless
Выбрать язык русский азербайджанский аймара албанский амхарский арабский армянский ассамский африкаанс бамбара баскский белорусский бенгальский бирманский болгарский боснийский бходжпури валлийский венгерский вьетнамский гавайский галисийский греческий грузинский гуарани гуджарати датский догри зулу иврит игбо идиш илоканский индонезийский ирландский исландский испанский итальянский йоруба казахский каннада каталанский кечуа киргизский китайский (традиционный) китайский (упрощенный) конкани корейский корсиканский коса креольский (гаити) крио курдский (курманджи) курдский (сорани) кхмерский лаосский латинский латышский лингала литовский луганда люксембургский майтхили македонский малагасийский малайский малаялам мальдивский мальтийский маори маратхи мейтейлон (манипури) мизо монгольский немецкий непальский нидерландский норвежский ория оромо панджаби персидский польский португальский пушту руанда румынский самоанский санскрит себуанский сепеди сербский сесото сингальский синдхи словацкий словенский сомалийский суахили сунданский таджикский тайский тамильский татарский телугу тигринья тсонга турецкий туркменский узбекский уйгурский украинский урду филиппинский финский французский фризский хауса хинди хмонг хорватский чви чева чешский шведский шона шотландский (гэльский) эве эсперанто эстонский яванский японский
Talk Like a Pirate Day September 19, 2022

Powered by WordPress
|
Theme: Myth by Michael Van Den Berg.

Various topless scenes of Jena Sims in the unforgettable screen classic, Attack of the 50-Foot Cheerleader (2012)
Many years ago (2005), she performed in some topless scenes in the immortal cinema classic, Apocalypse and the Beauty Queen.

Log in
|

|

Search

Search

Jethro Nededog | November 27, 2013 @ 1:14 PM
Please tell us why you hid this ad?
Please tell us why you hid this ad?

Jolie Lash | August 21, 2022 @ 7:10 pm

Jolie Lash | August 21, 2022 @ 7:07 pm

Jeremy Fuster | August 21, 2022 @ 4:49 pm

Sharon Knolle | August 21, 2022 @ 1:30 pm

Rosemary Rossi | August 21, 2022 @ 1:26 pm

Jolie Lash | August 21, 2022 @ 11:16 am

Katie Campione | August 21, 2022 @ 10:55 am

Loree Seitz | August 21, 2022 @ 9:09 am

YOU'VE REACHED YOUR MONTHLY ARTICLE LIMIT.
WANT TO KEEP READING?

SIGN UP FOR OUR FREE DAILY NEWSLETTER, FIRST TAKE

Thanks for your

Loyal readership of

* You have also unlocked a free 7-day Trial Membership to WrapPRO

WANT TO GO DEEPER?
SIGN UP NOW FOR YOUR

7 DAY FREE TRIAL
GO PRO TODAY
NO THANKS

WrapPRO - 7-Day Free Trial Account Free Trial Newsletters Confirmation Let's Get Started
TheWrap Membership Account Checkout Newsletters Confirmation Let's Get Started
”It’s like 49 floors, a glass elevator, everybody can see in,“ the actress said on ”Live With Kelly and Michael“
David Steele/Disney-ABC Domestic TV
Jena Malone accidentally gave a hotel employee quite the memory while shooting a provocative scene for “The Hunger Games: Catching Fire.”
Malone, who plays District 7’s female tribute Johanna Mason in the film, described the incident which occurred while shooting a sexy strip scene in an elevator on Wednesday’s “Live With Kelly and Michael ”
“Any time there’s nudity, it’s never that sexy to begin with, for sure,” Malone said. “It’s always a little awkward. I mean, we were actually shooting in a real hotel and a real elevator and so they couldn’t really shut down the entire hotel. It’s like 49 floors, a glass elevator, everybody can see in. It’s kind of a crazy thing.”
Although she was surprised the nude scene wasn’t being shot in a studio or soundstage, the 29-year-old went with the flow.
“So I was like, ‘Ok wait, I can do this, I can do this, I can do this,’ she told hosts Kelly Ripa and Michael Strahan.
Malone continued: “I get in and it’s great, Woody [Harrelson] and Jen [Lawrence] and Josh [Hutcherson] were so supportive and we’re good friends at that point and I think at Take 2, I’m, you know, bare bones and I’m about to leave the elevator and the doors open and there is some guy that works at the hotel carrying like a coffee cup holder. And his mouth is just like agape and I’m staring at him trying to be in character and I just fall out of frame laughing. I couldn’t take it, literally.”
Amid laughter, Ripa joked, “Is this the employee of the month prize?”
Malone said she just let the elevator doors close on the employee and never saw him again.
As for nude scenes, Ripa, who starred on daytime soap “All My Children” for two decades, believes you should flaunt it while you still have it.
“Do it all now before gravity hits. Do it all now,” the co-host said. “This is my advice to young actresses. Be as nude now as you can.”
Plus, executive producer Ryan Condal and Rhaenyra actress Milly Alcock weigh in some of those big scenes from the premiere
Paddy Considine, who plays King Viserys Targaryen and Matt Smith, who plays Prince Daemon Targaryen (HBO)
( Spoiler alert! This story contains discussion of plot details from “House of the Dragon,” Season 1, Episode 1. )
Familial bonds were broken and possibly left unrepairable in the premiere episode of HBO’s “House of the Dragon.”
King Viserys Targaryen (Paddy Considine) broke with his brother Prince Daemon Targaryen (Matt Smith) in the Season 1 premiere of the “Game of Thrones” prequel series, removing him from the line of succession after he heard that his younger sibling had called his late newborn son, “the heir for a day.”
“That’s the first sort of wedge that’s driven between the brothers. And, you know, it’s a very – it’s a big moment,” Considine told TheWrap of the Throne Room scene. “Because Viserys has his responsibility as king, his brother’s insulted him. He’s always defending his brother. He tells him, ‘You’re the only ally I have in that room. And this is how you’ve treated me?!’ I mean, it cuts deep because [Queen] Aemma’s the absolute love of his life. Another baby’s lost and his wife with it. And I think it’s probably that, however it was said, it was just Viserys in his grief interprets it as a terrible insult.”
The “heir for a day” comment was recounted to the king by Otto Hightower (Rhys Ifans), his Hand, after Daemon was heard saying it the night before while drinking in a pleasure house with his City Watch men. Smith, though, doesn’t think his character meant the comment as a jest of any kind.
“[T]hey cut away from it, but actually, when you see it when he plays it, it’s not – I don’t think he’s doing it like taking the piss. I think he’s saying it, like with a degree of sincerity, ‘The heir for a day,’” Smith said (the audience never actually sees Daemon say it on screen, just Hightower recounting it). “I suppose the point is, he said it and … then I think he’s just really frustrated at his brother. And he wants to shake him and go wake up. I love you more than everyone else. It’s just, you know, misplaced love is what it’s all about.”
It’s a sentiment echoed by “House of the Dragon” co-creator and co-showrunner Ryan Condal, who told TheWrap the brothers aren’t trying to become enemies.
“It’s a complicated relationship between the two of them. What makes that relationship really compelling to watch and I think to write, and to watch the actors perform, is that they both do really deeply love each other. They both just want the other one to be a different person,” Condal said. “And it’s not a classic, you know, black sheep of the family, ‘no one likes the brother.’ Viserys really loves Daemon … just don’t be such an a–hole all the time, and think of somebody other than yourself. And Daemon wants for Viserys to value the classic tenets of House Targaryen – fire and blood. And Daemon desperately wants to be Viserys’ Hand and be trusted by him. Be held at his side, and not, you know, go over there and run the City Watch, run the treasury, to keep him at arm’s length, to keep Otto Hightower between them. And it’s that constant play between them of just – instead of embracing what the other is, wanting something different out of their kin.”
During their argument, Daemon chastised his brother for being “weak” and for allowing others to take advantage of him, insisting he has always been on Viserys’ side.
“He’s not weak,” Considine said about that comment from Daemon. And addressing the one about used by others, Considine said, “Well, that’s the game.”
“And Viserys is fully aware of it because in the same episode, he tells that to Rhaenyra. I think people underestimate – maybe it’s just the way I was playing him, but I never underestimated anybody around that table and what their motives were,” Considine continued. “It was my job to keep the peace. And, you know, the prophecy, the dream that I speak of in that first episode, it’s important that I pass that on to the right person, and give them the responsibility. And it has to be somebody who can carry that.”
For King Viserys, the person he decided deserved that responsibility was his daughter, Princess Rhaenyra (Milly Alcock). In that moment, as she is told she will be his heir, her father passes on a secret kept and shared from king to king, about a dream from a previous Targaryen ruler – Aegon – that a Targaryen must sit on the Iron Throne and unite the people of Westeros in the battle to come, which will begin following a terrible winter – his song of fire and ice. But Rhaenyra may not buy into her dad’s warning at that moment. She does know, however, that something is afoot.
“I don’t know if she’s buying into it, but I think that she ultimately, at that moment, realizes how big of a deal this is,” Alcock said. “I think she’s thinking, ‘Dad, what is going on? Like, why are you thinking – what are you not telling me? If this is one thing that you’re not telling me, there must be so much more that I don’t know about.”
Being recognized by her father, though, as his heir, is a huge moment for the princess.
“I think ultimately … that’s what she wants [over] the whole show is to be seen by her father and to be heard by her father. And we kind of get to see how that shift happens when she develops and matures as a young woman and understands the world more,” Alcock said. “She kind of has this weird battle where she’s kind of like, bought into this new game that she doesn’t know how to play.”
Once again, the line of succession is questioned in Westeros
Matt Smith as Prince Daemon Targaryen and Milly Alcock as Princess Rhaenyrs Targaryen in "House of the Dragon" Episode 1 (HBO)
Spoiler Alert: This article recaps “House of the Dragon” Season 1, Episode 1 – the series premiere
Three years after the conclusion of “Game of Thrones,” we’re back in Westeros and back in time during the reign of the Targaryen family.
The show opens with a voice-over telling us a king – Jaehaerys Targaryen – is in ill health; his sons have died, so he calls a council at Harrenhal to choose an heir so the realm doesn’t fall into chaos when he dies. It comes down to just two options – Jaehaerys’ daughter Rhaenys (Eve Best) and his nephew Viserys (Paddie Considine) – but unsurprisingly, the council picks the male.
After a quick reminder of the dragon-headed Targaryen symbol, we jump ahead to the ninth year of Viserys’ reign, which is precisely 172 years before the birth of Daenerys Targaryen (Emilia Clarke), who will one day go on a rampage and torch King’s Landing for reasons that still doesn’t fully make sense.
But with that reminder of Dany, filmmakers throw to their new, young, female white-haired Targaryen on dragonback – Princess Rhaenyra (Milly Alcock) – as she touches down in King’s Landing. There, we get our first introduction to Kingsguard Ser Harrold Westerling (Graham McTavish from “Outlander”), who seems to be assigned to protect her, and Alicent Hightower (Emily Carey), a companion, who rides with Rhaenyra in the horse-drawn carriage into King’s Landing.
Rhaenyra pops by to see her heavily pregnant mother, Queen Aemma (Sian Brooke), who lectures her about riding dragons and how her role in this world is to have babies, which, obviously, does not sit well with Rhaenyra, who is not content with the role of women in this society.
Leaving the ladies for a bit, things move to a meeting of the Small Council, giving us a proper introduction to King Viserys, his Hand of the King (and Alicent’s dad), Otto Hightower (Rhys Ifans), and a few other folks, including Rhaenys’ husband, Lord Corlys Velaryon, aka The Sea Snake. Corlys drops some intel that there’s a Free Cities alliance growing called the Triarchy, and their leader could present problems, especially to shipping lanes. Let’s put a pin in that.
Rhaenyra joins the scene serving as cupbearer (remember when Arya Stark did that), allowing her to overhear the men discuss (complain about) her uncle, Prince Daemon, who one guy thinks needs to stop by and give them an update on the City Watch, which he commands.
The meeting quickly turns to the next subject (corporate meeting leaders, take note of how fast things can be tackled) – the upcoming tournament to celebrate the impending birth of what Viserys just knows will be his male heir (the camera spends a little extra time on Rhaenyra’s face at that moment).
Once she’s free from having to hear about the boy who will be king, Ser Westerling brings Rhaenyra to the Throne Room, where Prince Daemon (Matt Smith) is sitting on the Iron Throne, because clearly, Daemon is a boundary-pushing kind of guy. Uncle and niece chat in High Valyrian – they’re both dragon riders, and share this special language connection as well – and in a kind of creepy moment, he has her turn around as he puts a necklace on her made of Valyrian steel, giving them another special connection. “Now, you and I both own a small piece of our ancestry,” Daemon says.
Back to King Viserys: With his shirt pulled up, Viserys’ back is now being looked over by some maesters, who are tending to a disgusting, pus-filled wound (it kind of looks like the gooey flesh underneath calcified greyscale). It’s not responding to treatment – something Hightower tells the main maester to keep quiet – and plans are made to cauterize it at some point.
Health check over, Viserys goes to do a personal check on his heavily pregnant wife who is pruning in a tepid bath. They’re 100% having a boy, he tells her. He had a dream about it! She is ready for this baby to come out, but this will be the last one. After losing five babies in 10 years, she can’t go through another pregnancy, she tells him.
As evening sets in, we check in with Prince Daemon in a testosterone-fueled situation – soldiers beating their chests in unison as he walks past them and looks them over. After a pep talk about how macho they are, they’re released to go out and terrorize King’s Landing, dispensing justice like cutting off an accused thief’s hands, an accused rapist’s junk, and the head of someone Daemon condemns to death.
It’s no surprise that in the morning, at the Small Council meeting, Hightower is in an uproar over Daemon’s unchecked power, though the prince, still bearing blood stains from last night’s activities, defends himself. Viserys tries to pacify his Hand and his brother, while Corlys says criminals should fear the City Watch, revealing he supports Daemon’s decisions, which we’re assuming could be important later.
Before Viserys tells his brother to enforce the laws, but not go on a rampage again, Otto and Daemon get into it with Hightower bringing up Daemon’s wife, whom he ignores, and who is in the Vale. Daemon pokes the bear by mentioning Hightower was recently widowed.
Daemon tries to console himself after the meeting by having sex with pleasure house woman Mysaria (Sonoya Mizuno), but the sizzle dies, despite her reminding him he is powerful and the rider of that wild, unpredictable dragon Caraxes.
The next day it’s finally time for the big action of the episode – the tournament to celebrate the hasn’t-happened-yet birth of the presumed next heir to the Iron Throne.
Baratheons joust, we hear the mention of some Tarly squire (as in Samwell Tarly’s family), and Baratheons joust again and get knocked down by a nobody (the common-born son of Lord Dondarrion Stewart) named Ser Criston Cole (Fabien Frankel). Princess Rhaenyra takes notice of the young man.
For the second round of jousting, Prince Daemon comes in with his dragon-winged fancy helmet peacocking and chooses which rider he wants to joust first. Since we know he’s a button-pushing kind of guy, he picks Otto Hightower’s eldest son. Alicent, we learn, bites or tears off her cuticles when she gets anxious, and she does this before Daemon knocks her brother clear off the horse (much to Otto’s dismay), forcing him to need medical attention.
Inside the Red Keep, Aemma is in labor and the king is pulled from the tourney to attend to her. Things, though, are not going well with the birth. The baby, he’s told, is in breach.
As the show cuts back and forth between Daemon knocking off more and more jousters in an attempt to be No. 1, Viserys is told by the maester that both mother and baby will likely die, but there is another option — the might be able to save the child.
While Viserys ponders the impossible, Ser Criston faces off with Daemon. There’s lots of slow-motion shots of the two men and their horses, while the king tells Aemma he loves her. His words frighten her, and with good reason, because they are about to perform a caesarian without anesthesia and without the ability to save her.
The show then cuts back and forth between the jousting and the procedure to bring out the baby.
Daemon stands in front of the crowd after seemingly defeating Ser Criston, thinking he’s won, and just as Viserys’ baby is brought from the dying Aemma’s womb (this is a particularly brutal and bloody scene) – the baby that will move ahead of Daemon in the line of succession. But then, back at the joust, Criston takes Daemon out and forces him to yield. We then learn that the king’s newborn is indeed a son so Daemon is not the heir anymore, so a parallel to the joust with Criston. Viserys names the baby Baelon Targaryen.
Sadly, though, the next scene is a cliffside funeral, with Aemma’s body atop a funeral pyre and a smaller body – the baby’s – next to her. In a moment where he comes across as concerned, Daemon tells his niece Rhaenyra they are waiting for her to give her dragon the command to light the fire. She talks to him in Old Valyrian, wondering if her father finally found happiness in the brief time her baby brother was alive. Daemon reminds her that her father needs her, but she responds by saying she’ll never be a son. After that, she says “dracarys,” and the funeral happens.
While the king’s in mourning, Hightower brings up the line of succession to the Small Council and notes how powerful Daemon is, and how that’s not actually a good thing. So, the king’s firstborn child – as in Prince Rhaenyra – is suggested to move into the position of his rightful heir.
As we wait for what we know will be the King’s decision, Hightower sends his daughter Alicent – in one of her mother’s gowns – to visit and “comfort” the king. She brings Viserys a book and wins brownie points by saying she is sorry for his wife’s death. Nothing appears to happen other than a simple bond being formed between the king and his daughter’s closest friend, but clearly there’s more to come, especially with her father Otto pushing things.
Daemon spends his own evening in a pleasure house, drinking and sulking, some
Amy Shumer Topless
Brie Larson Nude Leaked
Fucksaw

Jena Malone Topless

Report Page