Jean Louise O'sullivan Nude
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Jean Louise O'sullivan Nude
Nudity
whether in glimpses, through clothes, in silhouette or in the distance was
strictly banned by the 1930 Motion Picture Production Code. According to the
code nudity in any form was “immoral” and should be completely avoided. Despite
this, Pre-code films are full of it. Instead of straight “in fact” nudity,
directors became sneaky but attempting to make the nudity tantalisingly quick
or part of the plot. Several actresses, like Jean Harlow and Norma Shearer
created screen legends based on what they or didn’t wear. Thankfully, this
clever film making has been preserved and audiences today can view scenes that
Joseph Breen and code makers would later ban from cinemas for over fifty years.
Let’s take a look at the methods this generation of Hollywood directors,
writers, cinematographers and actors used to bypass the code:
Since silent
films and the glorious Gloria Swanson, directors have been using swimming and
bathing scenes as a source of decadence and undue exposure. Surprisingly,
unlike other forms of Pre-code nudity, several male actors get into the act.
3. Indecent or undue
exposure is forbidden.
1) Tarzan
and his Mate (1934) and Bird of
Paradise (1933): Both these films include extensive nude swimming scenes
with both Maureen O’Sullivan (or her body double) and Dolores del Rio taking
the plunge with their male co-stars.
2) Night
After Night (1932) and Search for
Beauty (1934): A little look at male nudity with George Raft taking a
revealing bath in Night After Night
and Buster Crabbe showering in Search for
Beauty (1934).
3) Sign
of the Cross (1932): If the conservative Claudette Colbert knew what the
camera was capturing at the time she would be shocked. The bathing scene pretty
much shows all of poor Ms Colbert’s breasts.
4) Barbarian
(1933): Although apparently in a nude coloured body suit, Myrna Loy bares all
in this nude bathing scene.
5) Blonde
Crazy (1932): Joan Blondell takes a bath with James Cagney in the room, its
definitely Pre-code!!
6) Red
Dust (1932): Jean Harlow cements her screen persona as a bombshell after
she takes a bath in a barrel.
Honourable Mentions: Maltese Falcon (1931), Beauty and the Boss (1932) and King Kong (1933).
2. Existent – but really non-existent
– Clothes
5. Transparent or
translucent materials and silhouette are frequently more suggestive than actual
exposure.
1) Hells
Angels (1930): Jean Harlow wears a slinky, thin dress for much of the film
leaving nothing to the imagination.
2) A
Free Soul (1930): Norma Shearer in ‘that dress’.
3) Tarzan
and his Mate (1934): Maureen O’ Sullivan wearing a ‘barely there’ brown
costume.
4) Search
for Beauty (1933): Chorus girls in thin white costumes.
5) Smarty
(1934): Joan Blondell teases her husband and ex-husband by strutting around in
a very skimpy black dress and then has it ripped off.
Honourable Mentions: Basically every
other Jean Harlow film and shots from the deleted and unfortunately lost scenes of Greta Garbo in Mata Hari (1931).
4. Dancing or
costumes intended to permit undue exposure or indecent movements in the dance
are forbidden.
1) Gold
Diggers of 1933 (1933): Often used as a classic example of Pre-code at its
best by film historians, Gold Diggers
includes the notorious musical number Petting in the Park which features chorus
girls clearly undressing behind a thin screen.
2) Murder
at the Vanities (1934): A really confronting murder mystery/ musical film
with a musical number titled Marijuana .
It includes a number of scenes with barely clothed dancers and women with
strategically placed objects.
4) Roman
Scandals (1933): Eddie Cantor’s comedic nod to the ancient Roman
civilisation Includes his usual frivolity, double entendres and women clothed
only in their long blonde locks.
5) Hips,
Hips Hooray (1934): A film that I believe probably escalated the coming of
the enforced code, Wheeler and Woosley almost take it too far in this film.
Lots of girls in bath tubs, suggestive leather costumes and more double
entendres then I could catch in one sitting.
6) Meet
the Baron (1933): Pretty dull movie but includes a long musical number with
chorus girls singing about having a shower while in the shower.
1. Any
licentious or suggestive nudity – in fact or
in silhouette ; and any lecherous or licentious notice thereof by other
characters in the picture;
1) Song
of Songs (1933): Marlene Dietrich becomes an artist’s model with the artist
using her physique to craft a full (and very lifelike) body sculpture.
2) The
Common Law (1931): This time Constance Bennett plays the model to painter
Joel McCrea who poses her nude and semi-nude.
4) Sign
of the Cross (1932): Although not art related, this film shows a poor
Christian women tied to a pole, covered only in vines about to be attacked by a
gorilla.
5) Scarlett
Empress (1933): I haven’t seen this film in ages, but I am told there is
distant shots of nude women in silhouette.
2. Undressing scenes
should be avoided, and never used save where essential to the plot .
1) Under
18 (1931): The beautiful Marion Marsh becomes a model with many outfit
changes.
2) Footlight
Parade (1933): Although a musical, this film includes lots of chorus girls
in skimpy outfits as well as actresses doing quick costume changes between
musical numbers.
3) Dr
Jekyll and Mr Hyde (1931): Miriam Hopkins spends an excessive amount of
time undressing seductively for Fredric March and then hops into bed.
4) If
I Had a Million (1932): Another excessive undressing scene featuring Wynne
Gibson before bed time.
Honourable
Mention: Every gangster film, musical, romance, and drama – pretty much every
film with a female in it.
1. The effect of
nudity or semi-nudity upon the normal man or woman, and much more upon the
young and upon immature persons, has been honestly recognized by all lawmakers
and moralists.
2. Hence the fact
that the nude or semi-nude body may be beautiful does not make its use in the
films moral. For, in addition to its beauty, the effect of the nude or semi-nude
body on the normal individual must be taken into consideration.
3. Nudity or
semi-nudity used simply to put a "punch" into a picture comes under
the head of immoral actions. It is immoral in its effect on the average
audience.
1) Elysia Valley of the Nude (1933): An ‘educational’ film about nudism and
nudist societies; so, full of naked people.
2) Tabu (1931) and Blonde Captive (1932): Both films where so-called documentary crews
travel to distant, exotic locations to film and study “savages”. Very dull and
very offensive.
Precode is an era of Hollywood between 1929 and 1934. Its films are filled with gangsters, molls, prostitutes and modern career women. Check it out!!
Emma
I'm classic film crazy and have recently discovered the wonderful world of Precode Cinema. I'm sometimes a writer and sometimes other things. The Gods and Goddesses of this era radiate passion and life - they are completely modern and wonderful.
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There are relatively few examples of Pre-Code male nudity--actual or suggested--of which I'm aware, but Search for Beauty really tries to make up for it! For #4 "In Silhouette," I wonder how important those adjectives were ("licentious," "suggestive," "lecherous") because one could make a case for Song of Songs that the nudity was purely artistic.
Just saw the classic film, "Wings" for the firs time. There is a tiny flash of a Clara Bow breast in a dressing scene in that film, in addition to some male (back) nudity in the exam room at the army air corps sign-up.
You missed Harlow's nip in Red Headed Woman when Una Merkel hands her a nightgown
I'm a TCM fan and I watch many older movies. I can often see through starlet's tops, and nipples very common visible in my opinion. It's quite erotic, as they are often hard. Just saying : ) Garbo was Hot!
Claudette Colbert in Sign of the Cross
Maureen O'Sullivan in Tarzan and His Mate
Scarlett Empress (from Precode.com)
Miriam Hopkins and Fredric March in Dr Jekyll and Mr Hyde
Who is the most naughty Precode dame?
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