Japanese Martial Arts Women

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While Japan has plenty of women who participate in Wushu (and have done rather well) more Japanese women have made names for themselves in karate, judo and taekwondo. Japan leads the world in women’s judo and karate. Both are gendai budo martial arts, or modern Japanese martial arts that started from or after the Meiji Restoration (1866–1869).
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Are there any martial arts native to Japan?
Are there any martial arts native to Japan?
Japanese martial arts refer to the variety of martial arts native to the country of Japan. At least three Japanese terms are used interchangeably with the English phrase Japanese martial arts .
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Are there any Asian female led martial arts movies?
Are there any Asian female led martial arts movies?
Asian Female-led Martial Arts Movies (non-Chinese/HK) 1 1. Azumi (2003) Not Rated | 128 min | Action, Adventure, Drama. 2 2. Azumi 2: Death or Love (2005) 3 3. Chocolate (2008) 4 4. Lady Snowblood (1973) 5 5. Lady Snowblood 2: Love Song of Vengeance (1974) More items
Who is the blind woman in martial arts?
Who is the blind woman in martial arts?
Ichi is a blind woman who roams about town with her shamisen (a three-stringed Japanese guitar), but she has exceptional sword skills with which she fights off yakuza and other villains. 16. Shôjo wa isekai de tatakatta (2014)
When did women's martial arts become an Olympic sport?
When did women's martial arts become an Olympic sport?
The ancient martial arts, such as jujitsu or naginatajutsu, predate the Meiji Restoration. Women’s Judo, an Olympic sport, wasn’t instituted until the 1992 Barcelona Olympic games.
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YouTube › Seido - Budo, Kobudo & Japanese Artisanry
Final Female Kata. Rika Usami of Japan. 宇佐美 里香。空手
Jujitsu Ann Arbor JMAC Demo | Japanese Martial Arts Center
YouTube › Japanese Martial Arts Center
Mysterious Martial Arts Aikido (short ver.)
《Women fight the Wing Chun》Practical Martial Arts /Kung Fu
https://m.youtube.com/watch?v=iCi5_MuAY-w
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Перевести · 02.12.2014 · While Japan has plenty of women who participate in Wushu (and have done rather well) more Japanese women have made names for themselves in karate, judo and taekwondo. Japan leads the world in women’s judo and karate. Both are gendai budo martial arts, or modern Japanese martial arts …
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The Mastery Process - Women in The Martial Arts
Frequently Asked Questions
The First Step
Our entire curriculum is centered around the mastery process. We're interested in developing all our students, and since each person comes to us with abilities, there’s no “one size fits all” approach at JMAC. We pay attention to w…
https://en.m.wikipedia.org/wiki/Japanese_martial_arts
Koryū (古流:こりゅう), meaning "traditional school", or "old school", refers specifically to schools of martial arts, originating in Japan, either prior to the beginning of the Meiji Restoration in 1868, or the Haitōrei edict in 1876. In modern usage, bujutsu (武術), meaning military art/science, is typified by its practical application of technique to real-world or battlefield situations.

The …
Koryū (古流:こりゅう), meaning "traditional school", or "old school", refers specifically to schools of martial arts, originating in Japan, either prior to the beginning of the Meiji Restoration in 1868, or the Haitōrei edict in 1876. In modern usage, bujutsu (武術), meaning military art/science, is typified by its practical application of technique to real-world or battlefield situations.

The term also is used generally to indicate that a particular style or art is "traditional", rather than "modern". However, what it means for an art to be either "traditional" or "modern" is subject to some debate. As a rule of thumb, the primary purpose of a koryū martial art was for use in war. The most extreme example of a koryū school is one that preserves its traditional, and often ancient, martial practices even in the absence of continuing wars in which to test them. Other koryū schools may have made modifications to their practices that reflect the passage of time (which may or may not have resulted in the loss of "koryū" status in the eyes of its peers). This is as opposed to "modern" martial arts, whose primary focus is generally upon the self-improvement (mental, physical, or spiritual) of the individual practitioner, with varying degrees of emphasis on the practical application of the martial art for either sport or self-defence purposes.

The following subsections represent not individual schools of martial arts, but rather generic "types" of martial arts. These are generally distinguishable on the basis of their training methodology and equipment, though wide variation still exists within each.

Sumo
Sumo (相撲:すもう, sumō), considered by many to be Japan's national sport, has its origins in the distant past. The earliest written records of Japan, which are dated from the 8th century AD, record the first sumo match in 23 BC, occurring specifically at the request of the emperor and continuing until one man was too wounded to continue . Beginning in 728 AD, the Emperor Shōmu (聖武天皇, 701–756) began holding official sumo matches at the annual harvest festivals. This tradition of having matches in the presence of the emperor continued, but gradually spread, with matches also held at Shinto festivals, and sumo training was eventually incorporated into military training. By the 17th century, sumo was an organized professional sport, open to the public, enjoyed by both the upper class and commoners.

Today, sumo retains much of its traditional trappings, including a referee dressed as a Shinto priest, and a ritual where the competitors clap hands, stomp their feet, and throw salt in the ring prior to each match. To win a match, competitors employ throwing and grappling techniques to force the other man to the ground; the first man to touch the ground with a part of the body other than the bottom of the feet, or touch the ground outside the ring with any part of the body, loses. Six grand tournaments are held annually in Japan, and each professional fighter's name and relative ranking is published after each tournament in an official list, called the banzuke, which is followed religiously by sumo fans.

Jujutsu
Jujutsu (柔術:じゅうじゅつ, jūjutsu), literally translates to "Soft Skills". However, more accurately, it means the art of using indirect force, such as joint locks or throwing techniques, to defeat an opponent, as opposed to direct force such as a punch or a kick. This is not to imply that jujutsu does not teach or employ strikes, but rather that the art's aim is the ability to use an attacker's force against him or her, and counter-attack where they are weakest or least defended.

Methods of combat included striking (kicking, punching), throwing (body throws, joint-lock throws, unbalance throws), restraining (pinning, strangulating, grappling, wrestling) and weaponry. Defensive tactics included blocking, evading, off balancing, blending and escaping. Minor weapons such as the tantō (dagger), ryufundo kusari (weighted chain), jutte (helmet smasher), and kakushi buki (secret or disguised weapons) were almost always included in koryū jujutsu.

Most of these were battlefield-based systems to be practiced as companion arts to the more common and vital weapon systems. At the time, these fighting arts went by many different names, including kogusoku, yawara, kumiuchi, and hakuda. In reality, these grappling systems were not really unarmed systems of combat, but are more accurately described as means whereby an unarmed or lightly armed warrior could defeat a heavily armed and armored enemy on the battlefield. Ideally, the samurai would be armed and would not need to rely on such techniques.

In later times, other koryū developed into systems more familiar to the practitioners of the jujutsu commonly seen today. These systems are generally designed to deal with opponents neither wearing armor nor in a battlefield environment. For this reason, they include extensive use of atemi waza (vital-striking technique). These tactics would be of little use against an armored opponent on a battlefield. They would, however, be quite valuable to anyone confronting an enemy or opponent during peacetime dressed in normal street attire. Occasionally, inconspicuous weapons such as knives or tessen (iron fans) were included in the curriculum.

Today, jujutsu is practiced in many forms, both ancient and modern. Various methods of jujutsu have been incorporated or synthesized into judo and aikido, as well as being exported throughout the world and transformed into sport wrestling systems, adopted in whole or part by schools of karate or other unrelated martial arts, still practiced as they were centuries ago, or all of the above.

Swordsmanship
Swordsmanship, the art of the sword, has an almost mythological ethos, and is believed by some to be the paramount martial art, surpassing all others. Regardless of the truth of that belief, the sword itself has been the subject of stories and legends through virtually all cultures in which it has been employed as a tool for violence. In Japan, the use of the katana is no different. Although originally the most important skills of the warrior class were proficiency at horse-riding and shooting the bow, this eventually gave way to swordsmanship. The earliest swords, which can be dated as far back as the Kofun era (3rd and 4th centuries) were primarily straight bladed. According to legend, curved swords made strong by the famous folding process were first forged by the smith Amakuni Yasutsuna (天國 安綱, c. 700 AD).

The primary development of the sword occurred between 987 AD and 1597 AD. This development is characterized by profound artistry during peaceful eras, and renewed focus on durability, utility, and mass production during the intermittent periods of warfare, most notably civil warfare during the 12th century and the Mongolian invasions during the 13th century (which in particular saw the transition from mostly horseback archery to hand to hand ground fighting).

This development of the sword is paralleled by the development of the methods used to wield it. During times of peace, the warriors trained with the sword, and invented new ways to implement it. During war, these theories were tested. After the war ended, those who survived examined what worked and what didn't, and passed their knowledge on. In 1600 AD, Tokugawa Ieyasu (徳川 家康, 1543–1616) gained total control of all of Japan, and the country entered a period of prolonged peace that would last until the Meiji Restoration. During this period, the techniques to use the sword underwent a transition from a primarily utilitarian art for killing, to one encompassing a philosophy of personal development and spiritual perfection.

The terminology used in Japanese swordsmanship is somewhat ambiguous. Many names have been used for various aspects of the art or to encompass the art as a whole.

Kenjutsu
Kenjutsu (剣術:けんじゅつ) literally means "the art/science of the sword". Although the term has been used as a general term for swordsmanship as a whole, in modern times, kenjutsu refers more to the specific aspect of swordsmanship dealing with partnered sword training. It is the oldest form of training and, at its simplest level, consists of two partners with swords drawn, practicing combat drills. Historically practiced with wooden katana (bokken), this most often consists of pre-determined forms, called kata, or sometimes called kumitachi, and similar to the partner drills practiced in kendo. Among advanced students, kenjutsu training may also include increasing degrees of freestyle practice.

Battōjutsu
Battōjutsu (抜刀術:ばっとうじゅつ), literally meaning "the art/science of drawing a sword", and developed in the mid-15th century, is the aspect of swordsmanship focused upon the efficient draw of the sword, cutting down one's enemy, and returning the sword to its scabbard (saya). The term came into use specifically during the Warring States Period (15th–17th centuries). Closely related to, but predating iaijutsu, battōjutsu training emphasizes defensive counter-attacking. Battōjutsu training technically incorporates kata, but generally consist of only a few moves, focusing on stepping up to an enemy, drawing, performing one or more cuts, and sheathing the weapon. Battōjutsu exercises tend to lack the elaborateness, as well as the aesthetic considerations of iaijutsu or iaidō kata. Finally, note that use of the name alone is not dispositive; what is battōjutsu to one school may be iaijutsu to another.

Iaijutsu
Iaijutsu (居合術:いあいじゅつ), approximately "the art/science of mental presence and immediate reaction", is also the Japanese art of drawing the sword. However, unlike battōjutsu, iaijutsu tends to be technically more complex, and there is a much stronger focus upon perfecting form. The primary technical aspects are smooth, controlled movements of drawing the sword from its scabbard, striking or cutting an opponent, removing blood from the blade, and then replacing the sword in the scabbard.

Naginatajutsu
Naginatajutsu (長刀術:なぎなたじゅつ) is the Japanese art of wielding the naginata, a weapon resembling the medieval European glaive or guisarme. Most naginata practice today is in a modernized form (gendai budō) called the "way of naginata" (naginata-dō) or "new naginata" (atarashii naginata), in which competitions are also held.

However, many koryu maintain naginatajutsu in their curriculum. Also of note, during the late Edo period, naginata were used to train women and ladies in waiting. Thus, most naginatajutsu styles are headed by women and most naginata practitioners in Japan are women. This has led to the impression overseas that naginatajutsu is a martial art that was not used by male warriors. In fact, naginatajutsu was developed in early medieval Japan and for a time was widely used by samurai.

Sōjutsu
Sōjutsu (槍術:そうじゅつ) is the Japanese art of fighting with the spear (yari). For most of Japan's history, sōjutsu was practiced extensively by traditional schools. In times of war, it was a primary skill of many soldiers. Today it is a minor art taught in very few schools.

Shinobi no jutsu
Shinobi no jutsu (aka Ninjutsu) was developed by groups of people mainly from Iga, Mie and Kōka, Shiga of Japan who became noted for their skills as infiltrators, scouts, secret agents, and spies. The training of these shinobi (ninja) involves espionage, sabotage, disguise, escape, concealment, assassination, archery, medicine, explosives, poisons, black magic, and more.

Other koryū martial arts
The early martial art schools of Japan were almost entirely "Sōgō bujutsu", composite martial systems made up of an eclectic collection of skills and tools. With the long peace of the Tokugawa shogunate there was an increase in specialization with many schools identifying themselves with particular major battlefield weapons. However, there were many additional weapons employed by the warriors of feudal Japan, and an art to wielding each. Usually they were studied as secondary or tertiary weapons within a school but there are exceptions, such as the art of wielding the short staff, (jōdō) which was the primary art taught by the Shintō Musō-ryū.

Other arts existed to teach military skills other than the use of weaponry. Examples of these include marine skills such as swimming and river-fording (suijutsu), equestrianism (bajutsu), arson and demolition (kajutsu).
Philosophical and strategic concepts
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