Japanese Lesbian Nampa Pick Up

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Japanese Lesbian Nampa Pick Up
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What Girls Think When You Nanpa Them
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Many of you guys are curious about Japanese nanpa, and how it may be similar or different from Western game. “How do I nanpa Japanese girls on the street” is still one of the most common questions I get asked. Luckily for you, we focus on this very technique!
It always helps to think about what the girls is thinking and feeling when being approached. Being approached is a fact of life for any girl in Japan with a decent face and body, so they have adapted defenses against weak approaches. Most blowouts are exactly that, a defense against the weakest guys and approaches. Cultivating your own strong street approach is an art where we walk the balance between aggressive and calm, confident and pushy, funny and overly entertaining.
The basic approach should be self-assured, neither direct nor indirect (no straight-up compliments on appearance, yet no “asking for directions”), assume rapport, and talk calmly and in a friendly manner. Always keep in mind what the girl thinks and feels during the interaction. For that, I recently bumped into a great resource that I’ll share with you guys today.
I came across a Japanese woman named Kaede on twitter. The profile image she has reads “私、楓本人です。女が感じる本音をナンパ師に向けてツイートしています” or, “I’m the real Kaede. I tweet the true feelings of girls for nanpa guys.” You can find her @kaedenanpahihyo which means Kaede, the nanpa critic. Most of her tweets are simple nuggets of advice to improve your nanpa skills. For example:
女性は（あ…あの人私に話かけてくる…）と初めから分かっていることが多い。つまり初めから警戒されているということを頭に入れておこう。
— ナンパ批評ガール楓 (@kaedenanpahihyo) November 4, 2015
“Girls usually know ‘Oh that guy is going to come talk to me,’ so remember that from the beginning, she may be on guard”
It’s quite nice to see things which are fundamentals of what we teach verified from the other end of the subjective experience. I have long assumed that girls know almost everything and the only lie you can tell a girl is the one she wants to believe. If you always imagine you are totally exposed, your intentions bare naked before her gaze, you actually are empowered. If you assume from the beginning that she knows what you want, then you set yourself up to surprise her with your honesty and self-assured desires, which she will respect. Compared to the hyenas and the herbivores, the premature ejaculators and the impotent, you sit the fine line between strong enough to close the deal and calm enough to relax her.
Another example of a “top 3 list” by Kaede:
好感をもてた声がけランキングトップ３：第３位ナンパしてきた人が道を教えてくれた。
— ナンパ批評ガール楓 (@kaedenanpahihyo) November 4, 2015
Approach leading to good impression top 3, #3: The guy trying to pick me up gave me directions
好感をもてた声がけランキングトップ３：第２位　ナンパなんだけど、ナンパっぽくなくてゆるーいキャラに好感をもてた。
— ナンパ批評ガール楓 (@kaedenanpahihyo) November 4, 2015
Approach leading to good impression top 3, #2: Even though it’s nanpa, it’s so casual and relaxed that it doesn’t seem like it.
好感をもてた声がけランキングトップ３：第１位　トークが面白くてもっと話していたいと感じた。
— ナンパ批評ガール楓 (@kaedenanpahihyo) November 4, 2015
Approach leading to good impression top 3, #1: The conversation is funny / interesting and I felt like I wanted to talk more.
Everything we teach is corroborated by the lovely Ms. Kaede, and it’s great to hear a woman’s perspective. I hope she keeps up the good work! If you want to hear more good advice from Ms. Kaede, get on twitter and follow both her @kaedenanpahihyo and me @socialsinapse!
approach, empathy, Japanese, nanpa, perspective, street, twitter
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An Iranian Woman Finds Love in the Japanese Lesbian Drama West North West
West North West, directed by Takuro Nakamura, follows a Tehran exchange student Naima and her romantic triangle. Nakamura was kind enough to answer some of our questions about the film.
The Advocate : Where does the story originate from? Takuro Nakamura: It comes from a very personal experience. Over 10 years ago, there was a woman I used to see. She understood me extremely well and showered me with a love that I had never felt before. However, I was unable to reciprocate that love. I don't know why. I was probably afraid of that kind of love.
At the same time, I began to have feelings towards a certain man. We were in the same year at a vocational school and his carefree smile left an impression on me. Again, this was a feeling that I had never felt before. Back then I was still young and very confused. I was embarrassed with myself and even clearly remember being creeped out with myself. I projected these chaotic feelings that I felt back then onto the three characters in the film and wanted to imprint these feelings into this movie.
Why did you want to tell this story? Same-sex or different-sex, I think that to like and love somebody else is a positive. However, by looking at the negative sides that hide within the positive — such as pain, conflict, anger, jealousy, envy and hate — I wanted to think about the what it means to truly think of and care about others.
Why is the film titled West North West? West North West is the direction that one prays towards Mecca from Tokyo.
The film puts an Iranian leading character in the Japanese context. What’s unique about it, and why chose an Iranian character? Perhaps it's that the person who stirs up Naima's heart more than ever before happened to be a Japanese woman with a different cultural background, values, and even tastes from hers. To speak about why I made the character Iranian... that was because only Sahel Rosa could play the role of Naima. Sahel's being is Naima herself and the only person who could give this character flesh was Sahel.
Is lesbian love subdued in Japanese culture? There has been an increasing acceptance towards not just lesbians, but LGBTQ in general here. It's possible to say that it is a result of the concerned parties raising their voices and demanding their rights. However, social welfare issues such as same-sex marriage and partnership laws are still very much premature. I hope that society will become one in which people can live with their loved ones without fear.
West North West will premiere at Japan Society's JAPAN CUTS festival in New York City on Saturday, July 22. Find more information here . 
Video credit: West North West © West North West

Would you like to watch some love stories, but you don't have the time for a full feature film? Here is our list of some of the best Taiwanese lesbian short films. Follow us through the different stages of love.
"The rhythm of a dance is like being in love." Hanni and Ziyou have a very intense crush on each other. Hanni is inseparably glued to Ziyou and takes care of everything in her life, but due to a misunderstanding, Ziyou starts avoiding Hanni. Like a silent waltz, the two enter a silent game. Back and forth, one takes a step forward as the other retreats. Can they ever share another bright day?
The once very close, Rochee and Wildee, begin a long distant relationship as Rochee gets dispatched abroad, leaving their intimate cohabitation life behind. This sudden lose of focus deeply affects Wildee and she even finds herself becoming weightless, literally floating around their apartment. Wildee struggles to lead a normal life and finding ways to bring herself back to the ground. However, she gradually realizes her relationship with Rochee is mutating into something else…
This short film depicts a pair of lesbian lovers who communicate using sign language. Though they cannot speak, their love and conflicts are much stronger than anyone else's. The film abandons the coherence of linear time and uses a fragmented structure to construct their story. The two actresses always clash overly daily issues. They are confused, pushing, fighting, silently crying, argue in sign language and throw objects to each other. The reason behind the director's decision of using sign language and body language to showcase other types of communication between couples.
Wei-Wei is struggling with her current relationship, finding it difficult to commit to her girlfriend. She decides to embark on a trip alone to visit her hometown and pick up the remnants left by the mother she never met. During her trip, a man always wearing pair of jeans appears in her surroundings from time to time. She cannot tell whether he is a figment of her imagination or if he is real. The man also appears to be on a quest, but whatever he is seeking is too abstract to be found. She feels attracted to him, because they seem to share a similar kind of void in their lives.
The humid and lonely winter in Taipei still cannot stop a person's purpose. Blurry illusions are the hidden rules for modern relationships. Shu Yu is obsessed with scarlet red, and Ying Ru is cynical. They are both strolling down this noisy city like eels. They are on their way to discover, and also escaping, themselves.

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