Japanese Fetish Girls
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Перевести · Amongst Japanese otaku culture, entering a girl’s bedroom is a feat in itself. It’s seen as a sign that the girl is comfortable enough with you to share …
www.elistmania.com/10-ridiculously-hilarious-japanese-sexual-fetishes
Перевести · 05.08.2018 · This is possibly the most popular of all the Japanese fetishes, if you have ever seen knee socks on a Japanese girl you will understand why they are so popular in their culture. Considered a body part fetish the Zetaai Ryokiu also known as “delicious thighs”; in particular the naked area between the knee sock and the mini skirt.
https://en.m.wikipedia.org/wiki/Japanese_fetishes
Ориентировочное время чтения: 9 мин
Japan has a thriving fetish scene, especially BDSM fetishes. Indeed, Japanese game show-style videos have been created which center around the use of fetishes. Among the unique sexual fetishes the Japanese have produced are tentacle erotica and the BDSM fetishes shibari, bukkake, omorashi and tamakeri.
Food play is known as wakamezake, whi…
Japan has a thriving fetish scene, especially BDSM fetishes. Indeed, Japanese game show-style videos have been created which center around the use of fetishes. Among the unique sexual fetishes the Japanese have produced are tentacle erotica and the BDSM fetishes shibari, bukkake, omorashi and tamakeri.
Food play is known as wakamezake, which involves nyotaimori, the act of presenting food (typically sushi) on a nude female body. This act has become an icon of Japanese food play. Largely due to Western influence, the attraction to very large breasts (bakunyū) has emerged as a fetish in Japan. Lolicon refers to the sexual attraction to seemingly underage girls.
Shibari, as it is typically referred to in the West, is known as kinbaku (also sokubaku) in Japanese and refers to the erotic art of tying people up. Originally in Japanese history the martial art Hojōjutsu, which trained people in tying others up or restraining them with rope, was practiced and developed over long periods of time. Because being tied up with a knot was considered extremely shameful, the art emphasized many techniques for restricting noble men and others of high rank without actually using any knots. However, with the advent of BDSM in modern Japan came an eroticized offspring of Hojōjutsu, called kinbaku, that focuses more on gentler holds and uses the historical shame of being tied up to further humiliate the "bottom".
Today, Hojōjutsu is not commonly practiced and is considered by some to be a dying art, but shibari thrives in the BDSM world and has profoundly influenced the bondage scene, integrating itself into many western schools, creating dozens of fusions of styles, and being practiced by itself in BDSM communities worldwide. Kinbaku has introduced to the West ties and positions that specifically apply pressure on the bottom's erogenous zones, asymmetric uses of patterns that give the bottom two uncomfortable positions to choose from, emphasizing simpler, more elegant ties over the elaborate, decorative knots of the West, as well as use of specific katas (forms) and aesthetic rules.
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https://en.m.wiktionary.org/wiki/Appendix:Glossary_of_Japanese_sex_terms
Перевести · 18.07.2018 · lolicon, rorikon (ロリコン) — a fetish for underage girls, paedophilia. The person with this fetish. N . nakadashi — fetish for intravaginal ejaculation; creampie. netorare — fetish for being cuckolded. ex. A woman cheats with her significant other's knowledge and treats him poorly. netori — fetish …
Japan's Schoolgirl Fetish | Get Rea! | CNA Insider
10 Types of Japanese Girls in Japan
Trying all aspects of Japanese culture : nuru nuru ! (balloon at the end)
Tangtang the heavy smoking rebel girl
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Перевести · 27.02.2016 · What do you feel "OMG! that's hot!" when you see someone? We ask Japanese boys and girls …
https://en.m.wikipedia.org/wiki/Asian_fetish
Ориентировочное время чтения: 9 мин
A 1998 article in The Washington Post states that 36% of young Asian Pacific Americanmen born in the United States married White women, and 45% of U.S.-born Asian Pacific American women took White husbands during the year of publication. In 2008, 9.4% of Asian American men married to White American women while 26.4% of Asian American women were married to White America…
A 1998 article in The Washington Post states that 36% of young Asian Pacific American men born in the United States married White women, and 45% of U.S.-born Asian Pacific American women took White husbands during the year of publication. In 2008, 9.4% of Asian American men married to White American women while 26.4% of Asian American women were married to White American men. 7% of married Asian American men have a non-Asian spouse, 17.1% of married Asian American women are married to a White spouse, and 3.5% of married Asian men have a spouse classified as "other" according to U.S. census racial categories. 75% of Asian/White marriages involve an Asian woman and a White man. There was a spike in White male/Asian female marriages during and following the U.S.'s involvement with wars in Asia, including WWII, Korea, and Vietnam. In 2010, 219,000 Asian American men married White American women compared to 529,000 White American men who married Asian American women.
Since the beginning of the twentieth century, the Westerner's image of the Asian woman has been seen as subservient, loyal, and family oriented.
After World War II, particularly feminine images of Asian women made interracial marriage between Asian American women and White men popular. Asian femininity and White masculinity are seen as a sign of modern middle-class manhood. Postcolonial and model minority femininity may attract some White men to Asian and Asian American women and men see this femininity as the perfect marital dynamic. Some White men racialize Asian women as "good wives" or "model minorities" because of how Asian women are stereotyped as being particularly feminine.
In preparation for a documentary on Asian fetish called Seeking Asian Female, Chinese-American filmmaker Debbie Lum interviewed non-Asian men who posted online personal ads exclusively seeking Asian women. Things that the men reported finding appealing in Asian women included subtlety and quietness, eye-catching long black hair, a mysterious look in dark eyes, and a propensity to give more consideration to how their partner feels than to themselves. Lum characterized the stereotype associated with an Asian fetish as an obsession with seeking "somebody submissive, traditional, docile... the perfect wife who is not going to talk back".
Asian women may be viewed by White men with Asian fetish as "good wives", as in they are perceived to be able to properly take care of their children during the day and fulfill their partner's sexual desires at night. In interviews done by Bitna Kim, "Caucasian" men explain their fetish for Asian women. The Caucasian men interviewed fantasize that an Asian woman possesses both beauty and brains, that she is "sexy, intelligent, successful, professional, caring, and family oriented"; that she does not wear "White girl clothes" and heavy makeup, and that they are not high maintenance. Hence, the men believe that Asian women have respectable mannerisms. These men see Asian women to be exotic, thus desirable, because of their supposed mysterious beauty and possession of a physical appearance perceived to be petite. Sexually, the men in these interviews had a commonality. They all believed that Asian women have submissive sex. They believed that an Asian woman did not mind putting her partner's pleasure above hers. These interviews show that some "Caucasian" men with Asian fetish believe that an Asian woman embodies a perfect wife as a "princess in public and a whore in the bedroom".
Since 2002, marriages between Swedish men and Thai women have become increasingly common.
Historically, the number of Thai women marrying White men began to rise in the 1950s and 1960s as a result of Prime Minister Sarit Thanarat's economic policies which attracted foreign investment and White men to Thailand. There is a social stigma in the country against Thai women marrying White men, but research published in 2015 indicated that an increasing number of young middle-class Thai women were marrying foreign men. A generation earlier, Thai women marrying foreign men had mostly been working class.
Sources indicate that Sri Lanka is popular among Western "marriage bureaus" which specialize in the pairing of men who were "Europeans, North Americans and other westerners" with foreign women. The first and largest wave of Sri Lankan immigrants to Denmark were Sinhalese women who came to the country in the 1970s to marry Danish men they had met back in Sri Lanka. Statistics also show that marriages of Danish, Swedish and Norwegian men with Thai or Indian women tend to last longer than those of Indian men marrying Danish, Swedish or Norwegian wives.
Filipino, Thai, and Sri Lankan women have traveled as mail-order brides to Europe, Australia, and New Zealand.
Statistics detailing the sponsorship of spouses and fiancées to Australia between 1988/1989 and 1990/1991 showed that more women from the Philippines, Singapore, Malaysia, Sri Lanka, Vietnam, Indonesia, South Korea, and India were sponsored for citizenship than men from the same countries.
Data published in 1999 indicated that an estimated 200,000 to 400,000 German men annually travelled abroad for sex tourism, with the Philippines, Thailand, South Korea, Sri Lanka and Hong Kong as their main destinations. For some White men, sex tourism to countries such as Thailand is built around a fantasy that includes the possibility of finding love and romance. This idea is based on the stereotype of "the Oriental woman" who is considered to be beautiful and sexually exciting as well as caring, compliant and submissive.
According to a 2003 article, a study focused on Hmong American high school girls reported that due to dominant popular culture, girls had internalized "the image of the White American family as 'good' and 'normal,'" in contrast to their negative gender experiences in their own Hmong American households and the lack of positive depictions of Hmong or Asian people in popular culture. The girls thus doubted that marrying Hmong American men would lead to a family with gender equity that they desired. The article further detailed how the girls attempted to achieve what they saw as White traits to be attractive to White men or boys.
Study on racial preferences in dating
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(Redirected from Japanese fetishes)
Sexuality in Japan developed separately from that of mainland Asia, as Japan did not adopt the Confucian view of marriage, in which chastity is highly valued. Monogamy in marriage is often thought to be less important in Japan, and sometimes married men may seek pleasure from courtesans. Prostitution in Japan has a long history, and became especially popular during the Japanese economic miracle, as evening entertainments were tax-deductible. Decreased sex drive in the 21st century has been blamed for the low Japanese birth rate and declining growth of the Japanese population.[2]
Arguably[3] mass-produced pornography in Japan may have begun as early as the Edo period, (1603 - 1868), as erotic artwork referred to as shunga that was typically produced with woodblock prints in the 1,000’s. These erotic images were declared obscene and banned in 1772 by the Tokugawa shogunate, although they continued to be produced underground in smaller numbers.[3] Between the 1920s and '30s in Japan there was a literary and artistic movement known as ero guro which focused on eroticism, sexual corruption and decadence.[4] Softcore pornographic theatrical films known as pink films dominated the domestic cinema in Japan from the mid-1960s through the mid-1980s.[5][6]
In contemporary times Japanese pornography has gained a worldwide following and is frequently translated and exported to other cultures because of its large spectrum of themes and media.[citation needed] Pornography in Japan has in recent times expanded into new mediums such as manga (hentai) and video games (eroge) in addition to the more common film and historic mediums.
Most shunga are a type of ukiyo-e, the main artistic genre of woodblock printing in Japan. Although scarce, there are however extant erotic painted handscrolls which predate the Ukiyo-e movement.[7] Translated literally, the Japanese word shunga means picture of spring; "spring" being a common euphemism for sex in Japan.
The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life and appeal to the new chōnin class. Following the aesthetics of everyday life, Edo period shunga varied widely in its depictions of sexuality. In the Edo period it was enjoyed by rich and poor, men and women, despite being out of favour with the shogunate. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists.[7] Classifying shunga as a kind of medieval pornography can be misleading in this respect.[8]
In the years since the end of World War II, eroticism has gradually made its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946.[9] Foreign films throughout the 1950s introduced female nudity into international cinema and were imported to Japan without problem.[10] Nevertheless, until the early 1960s, graphic depictions of nudity and sex in Japanese film could only be seen in single-reel "stag films," made illegally by underground film producers such as those depicted in Imamura's film The Pornographers (1966).[11]
Mainstream pornography did not arrive in Japan until the advent of Pink film. Pink film was theatrical film which featured soft core, suggestive themes and later full-on nudity and sexual acts. The first wave of the Pink film in Japan was contemporary with the similar U.S. sexploitation film genres, the "nudie-cuties" and "roughies".[12] Nudity and sex officially entered Japanese cinema with Satoru Kobayashi's controversial and popular independent production Flesh Market (Nikutai no Ichiba, 1962), which is considered the first true pink film.[13] In the 1970s, some of Japan's major studios, facing the loss of their theatrical audience, took over the pink film. With their access to higher production-values and talent, some of these films became critical and popular successes.[14] When ownership of VCRs first became widespread in the early 1980s, AVs (adult videos) made their appearance and quickly became highly popular.[15] As early as 1982 the AVs had already attained an approximately equal share of the adult entertainment market with theatrical erotic films.[16] Since then the market for pink films has decreased tremendously and a majority of Japanese seeking pornography go to AVs.
Although the pink film genre has declined dramatically since the advent of AVs on VCR the genre is significant in that it paved the way for true pornography in Japan as well as for multiple other genres of Japanese pornographic film including: hamedori, roshutsu, and Japanese bondage.[17] Other Japanese pornography genres include: group sex (with gang bang as a subgenre), lesbian, and fetishes (particularly foot fetishes). Lotion play is a popular element in Japanese pornography.[18][19]
The genre of erotica known to the West as hentai (erotic cartoons or drawings) was invented in Japan;[citation needed] They are used in erotic manga (Japanese comic books, graphic novels) and anime (Japanese animation). The word "hentai" has a negative connotation in Japanese and usually means "sexually perverted",[20] with those in Japan more often referring to hentai as "seijin" or "adult" manga/anime.
The adult manga/anime medium carries its own distinct subgenres as well. Futanari or sexual attraction to androgynous people is an extensive subgenre of seijin manga. Bakunyū is the subgenre that features females with very large breasts. In Japan lolicon refers to an attraction to underage girls. Outside Japan lolicon generally refers to the genre of seijin manga wherein childlike female characters are depicted in an erotic manner. Lolicon's male equivalent, shotacon is similarly used in the West to refer to the genre of manga and anime in which pre-pubescent or pubescent male characters are depicted in a suggestive or erotic manner.
This section needs expansion. You can help by adding to it. (August 2010)
Japanese pornography has gained a worldwide following and is frequently translated and exported to other cultures because of its large spectrum of themes and media.[citation needed]
However, critics state that the lolicon genre of seijin manga, wherein childlike females are depicted in an erotic way, contributes to sexual abuse of children.[21][22][23][24] Several countries have attempted to criminalize lolicon's sexually explicit forms as a type of child pornography, Canada, Australia,[25] New Zealand, Sweden,[26] the Philippines[27] and Ireland[citation needed] are among those that have done so.
This section needs expansion. You can help by adding to it. (August 2010)
Prostitution has existed in some form throughout Japan's history. Despite the Anti-Prostitution Law of 1956, various legal loopholes, liberal interpretations of the law, and loose enforcement have allowed the sex industry to prosper and earn an estimated 2.3 trillion yen a year.[28] Notably, the Anti-Prostitution Law makes prostituting oneself a crime whereas those who use the services of a prostitute are immune from prosecution.
In Japan, the "sex industry" is not synonymous with prostitution. Because Japanese law defines prostitution as "intercourse with an unspecified person in exchange for payment," in order to remain legal, most sex clubs offer only non-coital services.[29] This has led Joan Sinclair, the author of Pink Box, to observe that the sex industry in Japan ironically "offer[s] absolutely everything imaginabl
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Top 8 weird Japanese Fetishes - Rice Digital
Sexuality in Japan - Wikipedia
Appendix:Glossary of Japanese sex terms - Wiktionary
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Japanese Fetish Girls
