Japanese Feminization

Japanese Feminization




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Japanese Feminization
Gaming Reviews, News, Tips and More.
Gaming Reviews, News, Tips and More.
What Is Japan's Fetish This Week? Male Daughters
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Lipstick. Long hair. Cute dresses. They're beautiful women, but they're not necessarily all women. In Japan, they're called "男の娘", or literally "male daughter".
Pronounced "otokonoko" or even "otoko no musume", the moniker is a play of words on "男の子" (otokonoko) or "boy". Japan has a long history of cross-dressing, and these otokonoko are geek-infused modern incarnations.
Otokonoko are not necessarily gay. They might be bi-sexual. They might be heterosexual or even asexual. Sexuality can come into play, of course, but otokonoko is about costume and expressions of femininity. And nerds.
Infused with an otaku sensibility, otokonoko eschew brands for geek street cred, taking inspiration from anime, manga and video games instead of the catwalks of Paris and Tokyo. In spring 2009, an otokonoko maid cafe called New Type opened in Akihabara. "Really normal-looking people come to cafe," New Type's CEO J'zK-layer told Kotaku , adding that the male to female customer ratio is 6 to 4. On weeknights, New Type holds multiplayer PSP gaming sessions and even has loaner units for PSP-less customers. The cafe has been so successful that it even opened an online shop that specializes in otokonoko garb. The shop stocks blouses, dresses, wigs and accessories aimed at otokonoko.
CROSS-DRESSING - In Japan, men who wear women's clothing are called jyosoku (女装子).
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The use of the word "otokonoko" for cross-dressing became popular online a decade ago, but manga and anime depicted boys who look like girls for years before. Anime Andromeda Shun and gender-bender gag manga Stop!! Hibari-kun! featured pretty male characters who were often confused with females.
Historically, clothing is connected with rank and identity in Japan. Over a thousand years ago, royal edicts dictated what types of clothes and even what colors men and women of certain classes could wear. Clothing as a gender marker remains strong in Japan—so does the desire to break down that gender marker, yet at the same time preserve it.
Otokonoko J'zK-layer and New Type mogul
It's a contradiction, really. Historically, kabuki actors are all men, a tradition that continues today. For centuries, to depict female roles, Japanese kabuki actors have been dressing as beautiful women. Young males, called wakashu, played the onnagata or female role. Japan isn't alone; English theater during Shakespeare's day was a male-only preserve, with young boys playing the female roles. However, as time passed, women entered English theater. In kabuki, this never happened. Popular male actors continue to play female roles, and kabuki, like sumo, remains men only.
One does not become a kabuki actor, it's a male-only birthright. There are kabuki dynasties, and…
In sumo, women are not permitted to enter the sumo ring, or dohyo (土俵) and haven't for over a thousand years. The reason is the traditional view that women were supposedly unclean, and thus, would violate the ring's sanctity, requiring it to be destroyed. That tradition is well over a thousand years old. Compare it to how women a thousand years ago were treated in the West, and it seems in line with a kind of dunderheaded male thinking that knows no borders.
Today, you'd be hard pressed to find a Japanese male who thought women, as a group, were spiritually unclean. The tradition persists in professional sumo wrestling simply because it's lasted so long. There are female amateur sumo wrestlers who are allowed to enter a ring; they just can't enter the dohyo in professional sumo wrestling. The need to preserve tradition is why kabuki continues to be all male, with men playing the female roles. In pre-Westernized Japan, the back of a woman's neck was considered attractive, and it's often what a male kabuki actors displays.
FINE ART - One of Japan's most well-known artists, Yasumasa Morimura , has made a career of reappearing in famous photos or paintings in drag.
Early Japanese literary works make numerous references to feminine-looking, young males; similar references are, of course, a trope found throughout Western literature and are not unique to Japan. What is unique is how mainstream culture has embraced the blurring of gender roles, while, at the same time, relegating it to the periphery of subculture.
In Japan, it's not only men dressing as women. In the years before the war, the all-female Takarazuka Revue musical group was famous across Japan and featured female actors in male roles. The troupe is still popular in Japan, and even did a musical version of Ace Attorney a few years back. During the post-war years, Japan got a female cross-dressing superstar, Akihiro Miwa. Escaping the atomic bombing at Nagasaki, Miwa made his way to Tokyo, where he sang in cabarets. Miwa's beautiful voice and good looks helped him make the leap to feature films. His most famous role was in Kenji Fukusaku's 1968 motion picture Black Lizard , which was based on a stage play by his love, the brilliant (and troubled) right-wing writer Yukio Mishima.
Miwa was and still is a famous cross-dresser , existing way before the otokonoko first appeared. In his youth, Miwa cut a stunning, stylish figure in women's wear, but Miwa famously said that he was half-man and half-woman—hence his decision to combine a masculine name "Akihiro" with a feminine one "Miwa". Now in his mid-seventies and sporting bright yellow hair, he's still iconic in Japan and still dresses in drag.
Japan doesn't have laws against homosexuality. Its culture hasn't been impacted by conservative interpretations of the Bible. And it hasn't outlawed, say, sodomy, yet legal protection from discrimination is still lacking. Gay people aren't as accepted as they are in the West. It is changing, and the country is gradually becoming more aware of various lifestyles. Miwa transcended this. He has voiced characters in children's anime, including Howl's Moving Castle and Pokémon: Arceus and the Jewel of Life . He even appears in potato chip commercials.
For a generation of drag queens and cross dressers, Miwa became an idol. Younger transgender personalities, such as transgender make-up artist Ikko or cross-dressing singer Peter, appear to be cut from the same cloth that Miwa was: they're brand-conscious and fashionable. This is different from the otokonoko, and owes more to the streets of Asakusa than Akihabara.
According to J'zK-layer, the difference is that otokonoko aim to be mistaken for women; however, traditional cross-dressers in Japan aim to appeal to men, not necessarily only to be mistaken for a female. "Otokonoko are a dream for girls—a beautiful doll, they can go shopping with," said Chazuke.
Nanami Igarashi explains otokonoko. (実業之日本社)
In 1979, a cross-dressing saloon called Elizabeth Club , billing itself as "cross-dresser's paradise", opened in Tokyo's Asakusa, allowing men to wear women's clothes and make-up. Customers could simply dress up and chat with other cross-dressers, eat a snack or have their picture taken. Elizabeth was successful enough to launch branches in Shinjuku and Nippori.
Otokonoko combine cross-dressing with cosplay. As otokonoko started becoming known at the turn of the century, it was manga artists and game developers who latched onto the phenomenon. Games such as Guilty Gear featured otokonoko-type characters, like Bridget, a young male bounty hunter who dresses like a nun. Bridget has since become an iconic character and a favorite for female and male cosplayers alike. The ability to straddle both the masculine and the feminine is why Bridget has such a wide appeal. "Because of anime and video games, the number of characters who are males but appear like females have multipled," said J'zK-layer. "The otokonoko characters are becoming more popular than the heroines, and there's the notice that if a game has an otokonoko character, it will sell."
Comedian Yakkun Sakurazuka has made a career out of telling quips while dressed as a tough schoolgirl. When I interviewed Yakkun a few years back, he said that he picked the 1970s-style tough schoolgirl outfit, because it was empowering, and he always felt flattered with women said he was cute. Last week, Yakkun began appearing on a new channel on Nico Nico Douga, Japan's most popular video site, dedicated entirely to otokonoko.
Bridget from Guilty Gear (Arc System Works)
Magazines, such as WAaI! boys in skirts , not only appeal to otokonoko, but attempt to introduce the subculture to a wider audience. The first issue of WAaI! introduced cross-dressing game characters from titles like Cross Days and Atchi Muite Koi (NSFW), and the publication even bundled a complementary pair of large-sized schoolgirl gym shorts for readers to don.
Last fall, 29-year-old Nanami Igarashi, who is technically male, made her manga debut, explaining the subculture and why she became an otokonoko. Igarashi, whose mother is a famed manga artist and whose father is a well-known anime and video game voice actor, started out in a boy band. Articles published last fall talked about how Igarashi began secretly wearing clothes and make-up from girlfriends.
With more and more otokonoko characters popping up in video games such as Namco's Idolm@ster , the trend continues to inch its way into the mainstream. Japan is in many ways more open about sexuality than the U.S., but in many way still very traditional, not providing transgender individuals with protection from discrimination. Japan finds it easier to put its cross-dressers on stage or television, than, perhaps, to comfortably pass them on the street.
What Is Japan's Fetish This Week? is a regular, obsessive look at the trends and topics, from mainstream to niche, that catch Japan's fancy. WIJFTW alternates bi-weekly with its sister column, What Is America's Fetish This Week?
(Top photo: Yakkun Sakurazuka | PR)
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We had the pleasure for a direct interview with Naho (thanks also to our translator Himi), she runs ZOOM Salon , one of the most famous transformation studio in Tokyo, Japan. Her transformations have translated into thousands of video views, online articles and local japanise TV features, you will soon understand why!
Note: since we used a translator we will report Naho answers indirectly from our conversation.
Who is Naho and how did you started?
Naho its originally from Chiba, her career started 10 years ago, working initially as hair stylelist. During her career she had many customer request to do some “strange” makeup and transformation gigs, but she didn’t took them too seriously initially. Only in 2014 when she opened her own studio, she decided to work on complete makeover transformations, men to woman but also woman to men, offering also counseling and support for her customers.
What is transformation to you?
Naho consider her studio not as a crossdressing salon but as transformation one open to everybody, men or woman. What she actually aim, is to release the woman inside her male customers and viceversa. It’s a concept that in japanise she called “Ri Ri Jyo” or “Ri Ri Men” which mean to “Release Woman” or “Release Man”, release something that is already inside of you. When she had her inital costumers, she thought they would like to transform just for fun, but it turns out something more deep was going on and some of them started to cry.. cry for happiness! that’s because for the first time they where able to their true self that was always hidden inside of them. Also her studio wants to change the current perception of “crossdressing/josou” which here in Japan is often seen as “creepy” to something beautiful and cute like “kawai”, thats why her studio strives for quality and high “passability” for all her transformations.
Can you tell us about your customers?
The majority of the customers are locals but also foreigners sometimes (you can see this link for the website in English), mostly male but also some female, in their mid 30 to 80+ years old, they come from every background but mostly office workers and even CEOs of big companies. On the very active Zoom blog you can see some of them, and it’s pretty remarkable that some of them are willing to share their before and after pictures, somethings that doesn’t happen too often in most of the studios in other countries. Of course privacy for the customers is always the priority but some of them had the courage to share openly on the web, where friends and colleagues could easily see their transformations. Not only some customers decided to be more open with their partners but also convince his working collegues to try and basically bring them to the studio for a company transformation experience!
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A community and platform for all the best boy to girl transformations , from crossdressers, transgenders, impersonators and drag queens.
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Reposted from @matthewjamesbeauty TRANSFORMATION TUESDAY ••• Product List @tatcha Silk






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Gregory Turowski MD, Ph.D., FACS Medical Director

9843 Gross Point Road
Skokie IL, 60076



Dr Turowski - Plastic Surgery Chicago > Transgender procedures > Male to female transition – feminization procedures *

Male to female transition – feminization procedures *
Copyright 2022 New Horizons Center for Cosmetic Surgery | Gregory Turowski | Web Design & Maintenance - MarketLink
Dr Turowski – Plastic Surgery Chicago
The Rhinoplasty, in Male to Female Transgender patient aims to soften and refine the nose to give a more feminine appearance. This nose job frequently involves reduction in the size of the nose, narrowing of the nose bone and nostrils, together with refinement and lifting of the nose tip to give a natural cute female shape to the nose.
Frequently considered one of the most effective feminization procedures for the upper face, a brow lift moves the eyebrows to a higher, more feminine-looking position on the forehead. The procedure is performed by minimally invasive approach through small hidden incisions inside the hairy scalp. With the help on an endoscope natural feminizing lift can be achieved. This plastic surgery is sometimes called a. Endobrow (endoscopic forehead lift).
Moving the hairline forward can significantly feminize the shape of your face while at the same time giving it a more youthful appearance. With scalp advancement procedures and hair transplants to the temporal area the hairline can be changed into more feminine line and a receding hairline eliminated. All of these techniques give the MTF transgender patient a natural, more feminine appearance.
The typical male forehead has prominent brow ridges, frontal bossing (frontal bossing is a medical term used to describe a prominent, protruding forehead), and a relatively flat upper forehead. The aim of bossing removal (brow contouring surgery) is to reduce this brow bossing and shape the forehead to give a more feminine smooth, gently curved forehead with the eyebrows above the bony rim of the eye socket. This procedure is frequently combined with hairline lowering and brow lift surgery.
The appearance of the cheeks is a facial feature distinctive to men and to women. Augmenting these with fat grafting alone or with permanent cheek implants provides a pleasing feminine shaped face. This augmentation also adds sensuality to the eyes and decreases the mid-face height, which is longer in men. The incisions are completely hidden within the mouth
This is a Plastic Surgery procedure performed to reduce the length of the upper lip, giving a more feminine shape and position of the upper lip. The Lip Lift is commonly combined with lip enhancement or augmentation. This procedure gives shapely, fuller upper and lower lips to feminize the face in a Male to Female Transgender patient. Lip Enhancement can be performed using Dermal Fillers or Lip Implants or by fat transfer.
Chin reduction is used to give the transgender patient a more feminine look. This chin reduction transforms a wider, longer, flatter, and more “chiseled”, male-looking chin into a narrower, shorter, and more pointed chin typically associated with a woman’s face. Chin implants are also sometimes used to achieve a more forward projection of the chin, also more common in females. This overall effect can dramatically feminize a face.
Breast augmentation procedures are performed for the male to female transgender patient. A breast augmentation procedure provides the patient with fuller, feminine breasts that project from the chest, giving the individual true female contours. This augmentation surgery for transgender patients is generally performed when hormone therapy fails to provide satisfactory results.
Since male and female breast tissue is much the same, transgender breast augmentation uses the same techniques as conventional breast enlargement procedures. This includes a variety of different types of breast implants available is a range of materials, textures, shapes, and sizes. Dr Turowski specializes in an endoscopic armpit incision for breast augmentation surgery. This mnimally invasive surgery provides enhances feminine apperacne without ANY breast scars. Favored by other surgeons inframammary (under the breast) incisions can leave conspicuous sometimes keloidal scars. These can be especially visible in the male to female patients who do not have defined inframmary fold.
One of the physical aspects that differentiates the female form from the male is the hip to waist ratio. The ideal female form includes a certain amount of hip curvature, creating a sexy, feminine contour. The attraction of fuller hips in a woman crosses all generations and cultures.
Hip and thigh augmentation can benefit transgender patients seeking the more feminine look. Hip reduction serves to offer a more masculine appeal.
For a more feminine appearance Dr. Turowski can enhance the size of the hips by use of fat transfer procedures and fillers such as Sculptra.
Transgender Male to Female Breast Augmentation
Anterior neck lift with J-plasma; chin augmentation
Transgender breast augmentation – 1 month post op
*Individual results may vary and there are no guarantees that you will experience the same results as those mentioned here.
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