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Adults watching a concert by an idol group in Tokyo. Rights groups have complained that society's sometimes permissive view of the sexualisation of young girls puts minors at risk. PHOTO: AFP
TOKYO (AFP) - In a cramped and dark venue in a sleazy Tokyo district, dozens of middle-aged men cheer at a performer on stage: The object of their adoration is a six-year-old girl.
Decked out in make-up with ribbons in her hair, Ai is dressed like an adult, but still looks very much a child.
She is a so-called "idol" singer - common in Japan, where rights groups have complained that society's sometimes permissive view of the sexualisation of young girls puts minors at risk.
It was only in 2015 that possessing child pornography was criminalised and authorities are struggling to bring the country into line with other advanced nations on the issue.
In the crowd at an idols show, Soichiro Seki, 40, says he watches young girls on stage twice a week. He insists he goes just to encourage the performers and feels no shame.
But he did concede that other fans objectify them.
"(For them) coming to a concert like this and visiting a hostess club in Kabukicho are essentially the same thing," he said, referring to Tokyo's major red-light district.
Idol Tama Himeno, who has performed on stage since the age of 16, says the men attending her shows worship the performers and crave communication with young girls that they cannot get elsewhere.
Most fans are "pure," insists Himeno, now 24, although she admits she was once offered 30,000 yen (S$360) for her used pantyhose.
"Men idolising young girls is relatively accepted in Japan," said Himeno, citing the "Tale of Genji", an 11th-century classic depicting a nobleman's romantic relationships with women, as well as a small girl.
For Ai's manager Hidenori Okuma, the men are attracted by the thought of contact with a "girl next door".
"Meeting and chatting with high-school idols has become so popular," said Okuma.
"It's now less embarrassing to admit you like young girls. Now they (male fans) say they prefer primary school girls, without hesitation."


Adults watching a concert by an idol group in Tokyo. PHOTO: AFP


Ai's mother, Mami Yamazaki, says her daughter has wanted to be an "idol" singer since she watched an anime cartoon about young girls striving for stardom.
"On television, you see kids acting in dramas and commercials. In magazines, children are modelling clothes. What Ai is doing is not much different," she says, despite the audience for idol shows being mainly adult males.
Yamazaki, 26, herself played in a band as a teenager and sees her daughter's performances as a way into the popular and lucrative world of idols.
It can be a pathway to fame, as demonstrated by Japan's AKB48 band, one of the most successful acts of all time, who started in a small stage in Tokyo's Akihabara, with the youngest member aged 11.
But getting a foothold into the idol scene means the child has to interact with adult fans, taking photos together and autographing the backs of their t-shirts.
"It must be a bizarre sight" for foreigners, admits Himeno but she stresses any sexual advances are an absolute "no-no."


A man visiting a concert by an idol group in Tokyo. PHOTO: AFP


Japan's battle against paedophilia is well documented. The number of minors abused in child pornography has risen five-fold in the past decade, according to official figures.
Police have failed to stamp out so-called JK (Joshi Kosei, or high school girls) businesses, which offer men services such as going for a walk with a teenage girl so the customers have a chance to negotiate for sex.
Quasi-pornographic "chaku-ero", or clothed eroticism - images of small children posing in tiny swimsuits - are easily found on the Internet, slipping through a legal loophole.
Lawyer Keiji Goto, who campaigns for minors' rights, says the problem is a social one.
Many Japanese think that sexually objectifying young girls is not taboo but rather "just falls into a grey zone," said Goto.
Japan is far from being the only place with a problem of sexualising children.
In America, concerns have been raised about the hyper-sexualisation of children appearing in beauty pageants, as well as on reality shows such as "Toddlers and Tiaras." And the French Parliament in 2014 adopted a ban on "mini miss" competitions for girls younger than 13, prompted by controversy over a 2010 Vogue magazine photo shoot featuring provocative images of a 10-year-old.
But in Japan, there has been little public debate of the issue.
Psychiatrist Hiroki Fukui, who also treats paedophiles, says the awareness in Japan that children need to be protected from potential sexual predators is "so low."
He explained: "We need to realise this situation in Japan is not normal."
Shihoko Fujiwara, the representative of an NGO that helps victims of human trafficking and sexual abuse, warned of a dangerous mindset.
"The girls will think to themselves the audience is crazy about them because they are small girls and because their value will reduce once they get to the age of 18.
"A society that allows children to have such a twisted self-identity can never protect them."
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Sexual assault of schoolgirls is commonplace on Japan’s public transportation, but now more girls are speaking out.
Additional reporting by Shiori Ito.
Tokyo, Japan – Tamaka Ogawa was about 10 years old when she was sexually assaulted for the first time. It was a public holiday and she was on the subway. A man standing behind her pulled down the band of her culottes and underwear, touched her bare bottom, then pressed himself against her. She recalls feeling shocked and physically sickened. When she reached home, she repeatedly washed the spot where he had pressed himself against her, although she was conscious of not spending too long in the toilet, in case her family noticed that something was wrong.
Some years later, on her first day of senior high school, she was groped on the commute home. After that, the groping and sexual assaults – men would often stick their hands inside her underwear – became a regular occurrence as she made her way to or from school in her uniform. Each time, she would run away, unsure of what to do. 
“I thought of myself as a child,” she reflects. “I could not understand that adults were excited by touching me.”

It would be improper to express anger towards an adult, she thought, and she worried about attracting attention. Besides, her parents had never spoken to her about such things and how she ought to handle them.
She recalls one incident particularly clearly. She was about 15 and on her way to school. A man began to touch her, putting his hand inside her underwear. He was aggressive and it hurt, she remembers. When the train stopped, she got off. But he grabbed her hand and told her: “Follow me.” Ogawa ran away. She believes that people saw what was going on, but nobody helped.
She felt ashamed and complicit, she says.
“He seems to have thought that I was pleased with his act,” the now 36-year-old reflects.
“When I was in high school, every [girl] was a victim,” says Ogawa. “[We] didn’t think we could do anything about it.”
Today, Ogawa, a writer and cofounder of Press Labo, a small digital content production company in Shimokitazawa, an inner-city Tokyo neighbourhood, often writes about Japan’s gender inequality and sexual violence issues.
In 2015, she began writing about the country’s long-standing problem with groping – or chikan, in Japanese – often experienced by schoolgirls on public transportation. Many victims stay silent, unable to talk about their experiences in a society which, by many accounts, trivialises this phenomenon. 
But, in the past two years, that has begun to change as more people speak up against it.
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Yayoi Matsunaga is one of those people.
One morning in late January, the 51-year-old arrived at a coffee shop in the bustling neighbourhood of Shibuya with a suitcase of badges.
The round badges, designed to deter gropers, feature illustrations such as a schoolgirl peering angrily from between her legs, or a crowd of stern-looking rabbits and include the messages, “Groping is a crime” and “Don’t do it”. Each comes with a leaflet instructing the wearer to clearly display the badges on their bags, to stand confidently and to be vigilant.
Matsunaga began her Osaka-based organisation, Groping Prevention Activities Centre, in 2015 after her friend’s daughter was regularly molested while taking the train to school.
Takako Tonooka, the pseudonym she has used in interviews with the Japan Times, confided in her mother, and the two tried various solutions to stop the attacks. They bought a stuffed toy which says “Don’t do it” when pulled. They spoke to the police and the railway authorities, who said they would act if it was the same perpetrator – but it never was. Tonooka even wore her school skirt shorter and found that she was harassed less.
Matsunaga says trains display posters telling groping victims to be brave and to speak up. Tonooka started practising saying “Stop it” and “No” at home. She began to confront offenders, who would then angrily deny touching her. Onlookers did not help. Eventually, she and her mother created a label to attach to her bag, which says, “Groping is a crime. I’m not going to give up” and features a picture of policemen catching perpetrators. It worked.
But the label made Tonooka self-conscious, and Matsunaga says boys teased her.
Matsunaga decided that Tonooka should not have to fight on her own, so she came up with an idea to involve others by crowdsourcing ideas for anti-groping badges.
“High school girls are really into this ‘kawaii’ culture so they had to be cute,” she says.
Yayoi Matsunaga, 51, began her Osaka-based organisation, Groping Prevention Activities Centre, in 2015 after her friend’s daughter was regularly groped on the train [Shiori Ito/Al Jazeera]
In November 2015 she launched a crowdfunding campaign that attracted 334 donors and raised 2.12 million yen (about $19,000). Then, she ran a badge design crowdsourcing contest.
High school pupils, art school students, and freelance designers – many telling her it was the first time they’d thought about the issue – submitted 441 designs from which Matsunaga selected five. Her organisation gave away about 500 and three police stations handed out more. She now sells them online, for 410 yen ($3.70) each. From March, 11 department stores will stock them and she’s aiming to secure more distributors near train stations.
Apart from making the badges more widely available, Matsunaga also wants offenders to see them and think: “The world is changing, some people have started talking about it.”
By involving students, Matsunaga believes she’s encouraging them to talk about this issue from a young age.
The badges have had a direct effect. Data collected from 70 students at a high school in Saitama prefecture, just north of Tokyo, between April and December 2016, showed that 61.4 percent of respondents said they had not been touched since using the badges, while 4.3 percent reported no change.
Railway police have also started holding awareness-raising lectures with high schools which have enabled students to feel more comfortable speaking about the issue, Matsunga says.
In Ogawa’s opinion, the badges are an important intervention because they do not label anyone a victim or perpetrator, and they prompt discussion. “You need courage to wear these badges,” she says. “[They’re] cute but the message is strong.”
Groping is often normalised as something that happens on the crowded city subway lines, according to Tamaka Ogawa [Shiori Ito/Al Jazeera]
Despite such initiatives, experts say Japanese society remains willfully oblivious or unaware of how widespread this problem is and how often girls are assaulted.
Hiroko Goto, a feminist, professor of criminal law at Chiba University and vice president of Japan-headquartered NGO Human Rights Now, believes many people do not consider groping to be a crime. “[For] society at large, it’s not a big problem; that’s the kind of double standard [between] the victims’ viewpoint and the social viewpoint.”
In Ogawa’s opinion, society normalises groping as something that just happens.
There are no accurate figures on the number of victims; only a fraction are believed to report incidents.
One key problem when it comes to talking about “groping” is that people have very different ideas about what that entails; the term itself fails to adequately describe the range of violations. The widely held assumption is that groping is non-consensual touching over clothing, something deemed a minor crime and punishable under Japan’s prefecture-level Anti-Nuisance Ordinance. Under the ordinance, the sentence is usually six months in jail or a 500,000 yen ($4,500) fine.
“I hear many girls telling me that they have experienced men’s hands under their skirt, and the groper’s fingers in their vagina,” Matsunaga says. “It is rape.”
Men ejaculated on Ogawa’s friends. Often, she says, the perpetrators put their hands inside her underwear. Many times, the abuse involved being penetrated by men’s fingers.
Police officers usually decide whether more serious groping-related cases, where the violations include penetration, should be filed under Article 176 of the Penal Code, which carries a maximum sentence of 10 years in prison. But just a tiny proportion of the total reported cases get filed under this article. Article 177, which pertains to rape, carries harsher penalties, but its legal definition is extremely narrow and only considers rape to be forced sexual intercourse.
According to Ogawa, groping-related violations are too often downplayed by society as a “nuisance”. It was only when she started writing about these crimes, she says, that she discovered that what she had experienced was sexual assault. “What was shocking me the most is that I didn’t realise that I was experiencing indecent assault,” Ogawa says.
Japanese society focuses on telling women to be careful, how to dress and to travel in women-only carriages – which are mainly available during peak hours on weekday mornings – Ogawa says. “They are telling women to protect themselves, to be careful, but no one tells the men not to do it,” she says.
Even the rail authorities’ anti-groping posters are too cute and miss the point, Ogawa argues.
“They don’t talk to the perpetrators. I wish there would be posters saying, ‘If you want to grope, you need to see a doctor’,” she says. Ogawa would also like to see more CCTV cameras installed on trains, something she believes Japan can do as it shores up surveillance for the 2020 Olympics.
Ogawa believes that a collective understanding of what actually happens on public transport is crucial. But for that to happen, more victims must speak up. “I think if women don’t talk about what is happening, then it will be always invisible,” she says.
It was only when Tamaka Ogawa started writing about sexual violence in Japan that she realised the gravity of what she had experienced as a schoolgirl [Shiori Ito/Al Jazeera]
Convincing society that there’s a problem is further complicated by a dominant narrative about men being falsely accused. Ogawa and others who write about sexual violence say much of the online backlash they receive comes from men who say this is the real problem.
“If we talk about sexual violence, especially if the topic is about groping, the main … concern is about false accusation,” Ogawa says.
“The media always blames … the victims,” explains Goto, who points to the fact that Japan’s mainstream and social media is male-dominated.
“The media [is] overly focused on this topic [of false accusations],” says Ogawa – who believes that false accusations and convictions are rare as compared to actual instances of sexual assault.
She points to the widely reported story of Koji Yatabe, whom a district court found guilty of forcing a young girl to touch his penis in 2000. Yatabe, who fought his conviction and eventually had it overturned by a high court judge, co-wrote a book with his wife about his case. That was then turned into a film called I Just Didn’t Do It. 
Ogawa believes the media over-reported Yatabe’s side of the story, instilling fear about false accusations and creating a distraction from the problem of sexual violence. Worse, she says, it discouraged victims from being “able to talk about it [groping] – and that’s a problem”.
That absence of victims’ perspectives, is why Aiko Tabusa, a non-fiction manga artist, started blogging about groping in 2011. “There was either groping porn or innocent gropers’ stories,” the 38-year-old explains.
She is currently working on a manga book about groping on trains, an idea she tried to pursue six years ago with three publishers, who all turned her down.
“They were like, ‘Who’s going to read that? There’s no demand’,” Tabusa recalls. “For me, groping was like a daily life story.”
Each of the badges sold by Matsunaga’s organisation comes with instructions for girls on how to prevent or respond to groping on trains [Shiori Ito/Al Jazeera]
Many Japanese women say they stopped experiencing groping when they graduated from high school and no longer wore school uniforms.
“[It] never happened [again] since I took off my uniform,” says 20-year-old Kotomi Araki, an economics undergraduate student and waitress, who says she was g
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