It's The End Of The Fucking World
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It's The End Of The Fucking World
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When I was 9, I put my hand in a deep fat fryer
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Here's what was cut from End of the F***ing World
End of the F***ing World star almost quit season 2
Robert Chiltern / Clerkenwell Films Channel 4
Robert Chiltern / Clerkenwell Films Channel 4
The End of the F***ing World - Series 1
The End of the F***ing World by Charles Forsman
The End of the F***ing World (Original Songs and Score) by Graham Coxon
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Here's what was cut from End of the F***ing World
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"If you continue it on, then that ending becomes the beginning of something else."
The world and its wife fell in love with The End of the F***ing World 's first season.
That, according to Charlie Covell, who adapted it for the screen from Charles Forsman's graphic novel of the same name, stems from one key factor.
"I can't take credit for Alyssa and James' popularity as they're Chuck's creation," she told The i . "There's something about the disparity between the image they project and who they actually are that makes them recognisable to the audience – we can see them as two very damaged teenagers who just want to connect and we identify with that.
"I feel it especially with Alyssa. I wish I had been that ballsy and headstrong and had the ability to be rude and not care."
But despite its staggering success, some viewers felt that the series shouldn't return for round two, let alone round three.
There is always scope for continuation – stories may stop, but they don't have to end – and while the first chapter could easily have remained as a standalone, the decision was made to bring it back.
"In all truth, we just thought about it as a single thing," writer Charlie Covell told Digital Spy . "Obviously, we always think about how you continue something, but I think the way we talked about the second season is: if the first season is about running away, then the second season is about coming back and having to deal with stuff.
"So it's that transition from being a teenager into kind of adulthood. It sounds a bit pretentious, but I think it's more like a response to what happens in season one, rather than it just being another season where they kind of do crazy shit. Because I feel if you just reset characters and let them do the same thing again – I don't think that's right for the story."
She added: "At some point, you're like, 'F**k, I've got to go home. I've got to sort my life out. I can't keep running'.
"Obviously an ending is an ending. If you end it at a wedding, that's the end – but then there's obviously after the wedding, the divorce, the children, whatever. You've got all those possibilities.
"I think an end is where you just stop a story. If you continue it on, then that ending becomes the beginning of something else."
Alex Lawther (James), whose involvement was kept secret until the end of episode two , also felt that season two was a necessity.
"Season one is almost like a big question in itself," he told Digital Spy . "And as soon as Charlie said we're going to look into the fallout of season one and the consequences of what are highly traumatic events in these young people's lives... Yeah, that all made sense.
"So it was about answering that particular question of: what happens next? When all of these things happen, what are you left with?"
Chatting to NME about the moment he was told that he'd be needed for season two, Lawther said: "I was worried that James would be a ghost or in flashbacks, like in A Christmas Carol ."
And Jessy Barden was game for season two.
"If people enjoy something, you know, why wouldn't you want to do it again?" she told Digital Spy .
"The series is still about the same two people. It really is still about the two people that people responded to before. It's not like they're completely different people in any way. In some ways, they are. They're still very complex."
And it helped that Forsman "really liked it", Covell told The i .
"That made me more relaxed about writing it," she added.
With the entire series currently available to stream on All4 in the UK and Netflix in the US, people are already looking ahead to the future and if there will be a third series.
So, will James and Alyssa be back for round three?
Here's everything you need to know.
At the premiere for season two, Covell, who is currently working on Kaos , a brand new show for Netflix that "puts a modern twist on Greek and Roman mythology", didn't sound hopeful about bringing it back.
"I don't think you're going to get another series," she told press. "I think sometimes it's good to just stop things and I hope when you see the end you'll agree.
"I think you can push things but this feels like an actual end. Sorry."
But chatting to Digital Spy back in May 2019, she didn't rule it out: "I don't think you should keep on going with something beyond its natural life.
"We've met them as old teenagers, and we're now taking them into adulthood, and I'm not sure – I don't know if it's right to see more. I don't know. We'll have to see. Obviously never say never, but I think maybe sometimes it's good to get out."
A voice interjected: "We had a good idea the other day though, so I wouldn't say never. But anyway…"
Covell added: "We could do it like Boyhood ."
"Yeah!" said Barden. "That's what I think we should actually do."
"Could we afford you guys?" joked Covell.
Barden replied: "I've probably got another year coasting off this, and then I'm like probably going back to being like, 'Oh my God, why am I an actress? Another year at best.'"
But at the Virgin Media BAFTA TV Awards back in July, Covell didn't sound hopeful when asked about its future: "I have a feeling probably not.
"I feel with shows like that is probably better to leave it when it is at its height (it picked up two awards for Best Drama Series and Best Supporting Actress for Naomi Ackie). We all feel incredibly proud that we made that second season as successful as the first.
"Obviously you can never say never, but I think it's good to quit while you're ahead and I'm really pleased where we left them, and I think that's it I'm afraid."
If we did get a season three (we'll never let go), it's unclear what the time frame would be – season one landed in October 2017, and then there was that huge wait for the second chapter (November 2019) – so your guess really is as good as ours. Especially as a season three wait would definitely be even longer.
There's also COVID to contend with, which has made filming tricker than it's ever been.
The show couldn't exist without Alyssa and James, so both Barden and Lawther would need to be on board for future episodes.
"It just wouldn't work [without us both]," Barden said (via the Guardian ). "The show is Alyssa and James together, you know – that's what it is."
The pair told NME that they'd love to work together again, either on TEOTFW or another project (we hope it's both!).
"I really wanna play a female Joker," said Barden. "I wanna play a psychopath."
Lawther added: "I could play Harley Quinn and you can play the Joker."
Getting the gang back together could be tricky though – the duo are in demand following the show's international success, and are both currently focusing on their own projects.
Initially, Lawther was reticent to commit to TEOTFW .
"Initially, I thought [the show] was about a young man being violent towards a young woman, and I thought: 'I'm not really that interested because there's enough of that around,'" he told the Guardian .
But he didn't take any convincing after digging a little deeper.
"But I realised that James becomes something else. It's not about his violence towards Alyssa, it's about him understanding how he feels and working out that actually he's not a psychopath, he's just very, very, very sad."
We'd also expect Alyssa's mum Gwen (Christine Bottomley) to feature.
There's also a possibility we could see James' dead mum (Kelly Harrison) and James' dead dad Phil (Steve Oram) in flashbacks.
It feels like Bonnie's part in this story is over, so it's unlikely that Naomi Ackie will appear in future episodes. But everything is up in the air at the moment, so you never know.
First up, season three needs that all-important green light.
Unfortunately, as much as we're hopeful for a third season, it looks like there really is basically no chance. Covell's attitude to the story's season two conclusion seems pretty conclusive.
"I think, for me, that's it now," Covell said in 2019 (via RadioTimes ). Yeah, that's done. I think to try and eke more out would be wrong, I like where we've left it."
"Put it this way, if for some reason we hadn't been allowed to do season two, I would have been really gutted. Which I think shows that it was the right thing to do – for me, anyway. And I think I like where we end it [in season two], and yeah, it feels right for the story."
Okay, yeah, that sounds fairly final, but there is still some slim hope.
"But you never know, and you obviously you can't write for what people want," she added. "I think you have to work out what's right for the characters and the story – I sound like such a dick saying that but I think you can't, you're not doing fan fiction."
Sadly, fan fiction, and fan trailers, are probably all we can expect for the time being. But we're still keeping our fingers crossed that it's not quite the end (of the f**king world), and that the Boyhood concept comes to fruition.
The idea of revisiting these characters in ten or twenty years is just too good not to do, and you can bet that as soon as that's announced, we'll be coming right back to this article to celebrate.
So, keep us bookmarked on whatever laptops you pick up over the next couple of decades (or VR headsets, or holographic chess boards or whatever), because we'll be updating this page with all the latest news, scoops, and dreams come true.
If it does happen, you should expect the trailer in the month leading up to the premiere – so check back in 2031, just in case!
UK viewers can catch seasons 1-2 of The End of the F***ing World on All4, while US fans can watch it on Netflix.
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Jan. 12, 2018
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In Vulture’s review of The End of the F***ing World , Jen Chaney described it as deceptively endearing for a story about a 17-year-old self-diagnosed psychopath and the teen girl that he’s determined to murder in cold blood. But, as she correctly warned, “The title tells us pretty clearly that this show won’t have a happy ending.” All its earnest moments illuminating first love, repressed childhood trauma, and identity, coupled with the show’s typically British sardonic tone, mask the unshakable reality that these two wayward teens are in deep trouble with the law. After Alyssa ( Jessica Barden, in a breakout performance ) persuades our presumed killer James (Alex Lawther) to skip town with her, the two face immediate danger.
They wind up unknowingly breaking into the house of a serial rapist, Dr. Clive Koch (Jonathan Aris). When Koch arrives home to find Alyssa asleep and seemingly alone in his bed, he attacks her. It’s then that James slips out from under the bed, armed with the newly acquired knowledge of Koch’s crimes and the hunting knife he planned to use on Alyssa, and stabs him in the neck, leaving Koch to bleed out. Together, the pair cover their tracks as clinically as possible — the process does make James emotionally and physically ill, since he’s not actually the callous psychopath he thought he was — and flee the scene. They spend the remaining episodes as fugitives on the lam, with their next move always proving more impulsive and sloppier than the last.
The rest of the series tries to unpack how two teenagers, even those as swept up in their own angst as James and Alyssa, could become murder suspects at the center of a national manhunt. We learn James saw his mother drown herself when he was a kid, planting a seed deep within his impressionable brain that he must also be chemically imbalanced because he didn’t save
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