Istanbul Life Film
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Istanbul Life Film
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Errol Flynn was paid $13,500 per week (contractually paid weekly) for his performance.
I WAS A LITTLE TOO LONELY Music & lyrics by Jay Livingston and Ray Evans Sung by Nat 'King' Cole
Errol Flynn on a romantic nostalgia adventure in Istanbul.
This must seem like a very superficial second hand plagiarism of "Casablanca" to many, but there is actually much more to it than that, if you bother to look deeper into the story, another fascinating study in a case of amnesia with a lot of question marks, many of which you have to figure out for yourself. Errol Flynn comes back to Istanbul after five years and remembers the turbulence of his last visit, in which he was involved in some diamond smuggling. He had a great and promising love affair, when everything was brutally interrupted by unforeseen circumstances, and he couldn't come back for five years. On his return he meets again his great love, but she is another person, and he has some trouble in understanding the situation, especially since she is now happily married, or at least so it seems. There is very much in this intrigue of seeming appearances while much more isn't easily told. The superficial impression and unavoidable associations to "Casablanca" are especially exacerbated by Stephanie's almost irritating likeness with Ingrid Bergman, but there is no Humphrey Bogart here. Instead you have an unusually sober Errol Flynn with almost a stone face, covering up stormy feelings with some difficulty, which must trouble him all the way. But the finale is a wonder of almost metaphysical turnings of a totally unexpected nature, and that's where you have to complete the picture by your own thinking; because Errol Flynn's sober face is never more stony than when he has given up all.
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10 of the best films set in Istanbul
From Turkish versions of Tarzan and Dracula to wintry weepies, via (whisper it) Midnight Express,
Fiachra Gibbons picks out the best films shot in Istanbul
As featured in our Istanbul city guide
Original reporting and incisive analysis, direct from the Guardian every morning
© 2022 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
"They dance for him, they yearn for him, they die for him …" From Russia with Love is not only arguably the best of the Bond films, it set the template for all that followed, right down to the corny one-liners. This is Tatiana, the Russian double-agent love interest succumbing to Sean Connery's charms: "The mechanism is… Oh James… Will you make love to me all the time in England?" "Day and night, darling… Go on about the mechanism…" The film was shot when the city's population was less than two million (it has mushroomed to more than 13 million today), and it's a magic carpet ride back to a time when Istanbul teemed with hamals , huge American cars and natty post-war Renaults. Incidentally, the colourful Gypsy neighbourhood in the film, Sulukule, has just been razed, victim of the city's latest round of wrong-headed gentrification. Beyazit, Sulukule, Yerebatan Sarayi (Basilica cistern)
Tarzan in Istanbul? Oh yes, and it gets even stranger. In their superhuman efforts to keep the public entertained, the moguls who worked in "Turkey's Hollywood", on Yeşilçam Street in Beyoğlu, produced hundreds of sometimes inspired and sometimes appalling "tribute" films. These are three of the best. Tarzan in Istanbul is actually very good, and Kilink , a suavely evil skeleton with an eye for the ladies (a rip-off of an Italian comic book character), deserves his own Hollywood franchise. My favourite is his titanic struggle with Super-Adam, whom you might recognise as Superman. Drakula , too, has a great local twist, the vampire dispatched with a copy of the Koran rather than a cross. The fact Dracula was based on Vlad Tepes, who liked nothing better than impaling Turks, added still more spice. And they didn't stop there. There is Turkish Star Wars (which took action hero camp to new heights of absurdity), Turkish Star Trek , Turkish Rocky , and, of course, Turkish Rambo . Yeşilçam Sokak, Beyoğlu
The daddy of all heist films, in which "Swiss master criminal" Maximilian Schell, Peter Ustinov, Robert Morley and Melina Mercouri – who was the muse for Dassin's Oscar-winning Never On Sunday, and later his wife – have terrific fun trying to steal the emerald-encrusted dagger of the hunchback Sultan Mahmud I from the Topkapi palace museum. Mission: Impossible, the Pink Panther, and Ocean's Eleven, Twelve and Thirteen all owe their jokey breeziness to Dassin and his merry band, although few have bettered them. Great score, too, from Manos Hatzidakis . Topkapi palace
What little of it was shot in Istanbul (Malta and Greece largely stood in for the city) was done secretly, but like Paris and dog shit, Istanbul will be forever associated with hell-hole jails, thanks to Alan Parker and his scriptwriter Oliver Stone. They took major liberties with Billy Hayes' memoirs of a failed drug runner – not that anyone is pretending that Turkish prisons were or are Butlins on the Bosphorus. But even Hayes thought they went too far, and made an apology to the Turkish people when he finally returned to Istanbul in 2007. Stone also had the good grace later to apologise – his head was still in Vietnam (perhaps the Turks were just another type of gook). That said, it remains a great piece of cinema. Ironically, Hayes' real escape was far more exciting, slipping off Imrali island, Turkey's Alcatraz – where Abdullah Ocalan, the head of the Kurdish PKK, is currently the sole prisoner, and where former prime minister Adnan Menderes was hanged by the military in 1961. Sagmalcilar prison, Bakirköy mental hospital.
Not just the best film ever made in the city, but probably the finest Turkish film of all time. Shot in wintry Istanbul, it's a marvellous and richly Turkish meditation on city and country, seen through the divide between two distant cousins – a young bumpkin who arrives as the unwelcome guest of a city photographer who is used to descending on his family in the sticks and demanding hospitality. As always, Ceylan cast his family and friends, and shot the film in and around his apartment in Cihangir. His cousin Mehmet Emin Toprak, a rural factory worker, shared the best actor award at Cannes with Muzaffer Ozdemir, who wasn't an actor either. By then the astonishing Toprak was already dead, having fallen asleep at the wheel of the second-hand car he bought from his appearance fee. He was 28. Cihangir
If Turks enjoy anything more than food and football, it is crying their eyes out at a good weepie. The Greek film Politiki Kouzina, which translates as "Constantinople cooking", briefly united Greeks and Turks around a box of Kleenex and launched a string of soap operas in both countries in which a Greek girl/boy falls in love with a Turkish boy/girl with predictably complicated consequences. The story of a young boy forced to leave Turkey in one of the last deportations of the city's age-old Greek population, in the 1960s, hit a raw nerve in both countries. Boulmetis, who wrote and directed the film, was born in Kadiköy's marvellous market, on the Asian side of the city, before his family were forced to leave for Athens, where he was "treated as a Turk". In other words, not unlike a Kurd in Istanbul … Yesim Ustaoglu's Journey to the Sun (1999) gives a good idea of what that can be like. Big strides have since been made in the way "our dark-skinned brothers" are treated, but there's still a long way to go for the city's biggest minority. Kadiköy market and nearby Haydarpaşa station
Dismissed as gay orientalist tosh by its critics, Hamam is the most sensual film shot in the city – not just in its tender telling of the relationship between an Italian who inherits an ancient hamam and a young Turkish man, but in the way it shows Istanbul's seductive mix of grime and glamour. For a film that broke so many taboos, it looks like it will stand the test of time, particularly Mehmet Günsür's wonderfully understated performance. Turkey has a rich LGBT history, and is reputed to have more transvestite and transgender people than any other developed country except Brazil. Gay life in Turkey often confounds the cliches, with transvestites once marching in full veil to protest at how young, covered women are still excluded from some universities. Beyoğlu
If only all music documentaries could be like this. Fatih Akin's passionate survey of Istanbul's musical melting pot grabs you by the lapels from the first shot and never lets go. It kicks off at the Grand Hotel Londres in Beyoğlu, where Akin's equally frenetic feature Head-On (2004) finished with a love scene worthy of Last Tango in Paris. All, or almost all, cultural life is here, from Orhan Gencebay, a cinema action hero as well as musical genius, to gecekondu (hastily assembled squatter houses) shanty-town rappers to the sublime Roma clarinetist Selim Sesler. Akin's The Edge of Heaven (2007) could also have easily made the top 10. Needless to say, the soundtracks of all three films are sensational. Grand Hotel de Londres , Beyoğlu, Tarlabaşi
The Cypriot-born director Dervis Zaim opened the way for a world-beating new wave of Turkish cinema – Ceylan , Zeki Demirkubuz , Semih Kaplanoglu et al – with this heartbreaking yet very funny story of Istanbul deadbeats, shot mostly in a tea shop below the huge second bridge over the Bosphorus. Hangdog Ahmet Ugurlu looks like a lost character from traditional Turkish shadow theatre, and the absurd tragedy of the piece, particularly the theft of the peacock from the grounds of the sultan's old fortress, found echoes in more commercial hits such as Istanbul Tales (2005) . Rumeli Hisari , Fatih Sultan Mehmet bridge
Erdem has made better films but no one has ever shot the Bosphorus in all its moods like he did here. This is a coming-of-age story, of a girl growing up with her father and dying grandfather in a shack in a creek once known as "the sweet waters of Asia". Once this was Istanbul's pleasure ground, where harem women would be brought by caique (a traditional Greek boat) and bullock cart to picnic and be entertained by Jewish comedians and acrobats. Now the girl's father uses it as a base for smuggling women to the huge supertankers that pass through the straits every day. For a more typical middle-class take on the same theme, Kutlug Ataman's excellent 2 Girls (2005) takes some beating. Kandilli, Göksu (The Sweet Waters of Asia)
Fiachra Gibbons is a former Guardian arts correspondent and Turkey specialist
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İstanbullu Gelin, annesiz babasız büyümüş, genç yaşta hayatın yükünü sırtlamış, çok güzel ve gururlu bir genç kız olan Süreyya’nın, aniden karşısına çıkan zengin ve karizmatik iş adamı Faruk’a aşık olarak Bursa’ya gelin gitmesiyle başlayan dramatik bir aşk hikayesidir. Büyük şehirde yetişmiş, özgürlüğüne düşkün Süreyya ve modern görüntüsüne rağmen ailesine ve geleneklere sıkı sıkıya bağlı Faruk arasındaki aşk, daha ilk dakikadan itibaren pek çok sınavdan geçecektir.
İstanbullu Gelin 1. Bölüm Özel Sahneler
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Home » Based on a real love story: Bride of Istanbul
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Dilsora Sattorova bin tu Furkat says:
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The second season of İstanbullu Gelin – Bride of Istanbul has just started. We can say it was one of the best performing drama of 2017 and we may say that it is will be the best series of 2018 too.
Bride of Istanbul is based on a real love story, a young beautiful singer Ülkü Üst and a young businessman Ali Sarpkan felt love and married in 1975. Ülkü Üst was the singer of the girl band Beyaz Kelebekler (White Butterflies) and married with Ali Sarpkan. But Ali Sarpkan’s family was a traditionalist family and they didn’t accept Ülkü at first, Ülkü tried everything to save her marriage even at the cost of losing her career as a singer.
The storyline of the series of this love story is modernized and included more complex relationships. Ülkü’s name is changed to Süreyya and is played by Aslı Enver and Ali’s name is changed to Faruk and played by Özcan Deniz .
Faruk is a young and rich and a modern businessman, but his family is led by his mother Esma (played by İpek Bilgin) who is a hard traditionalist and ultimate decision maker. Esma was planning Faruk to marry with İpek (played by Dilara Aksüyek) Süreyya is played by Aslı Enver, is a modern artist and who lost her parents and raised by her aunt. They fall in love in İstanbul and they got married without Faruk’s family’s approval. Faruk brings Süreyya to his 400-year-old family mason and the situation becomes more than a cultural conflict.
Later in the first season, the audience was surprised by Faruk’s background. This may be a big spoiler, so we need to say that the storyline has major differences with the original story.
This series is a bit different from common eastern and western conflict. It’s about tradition and modern choices also woman’s situation is also subjected. Süreyya is a strong character, Faruk’s mother is also a strong character, however, the main conflict is women’s situation on society, Süreyya defends a feminst line; standing on her own feet, can make her own decisions, and she does not have to obey the societal assertiveness. By contrast with Süreyya, Esma defends a traditional line; in spite of dominating the house she defends patriarchal structure, she thinks that woman has the duty to keep the family together and defends it from all threats comes from outside.
Özcan Deniz is best known from famous drama Asmalı Konak, later he starred in many romantic tv series and movies. We can say he is the romantic star of Turkish television.
Aslı Enver is a young actress and she was married with Birkan Sokullu in 2012, the couple divorced in 2015and Aslı Enver started a relationship with famous singer Murat Boz . In 2017 Murat Boz caught in a fun night with Bahar-Nihal Candan sisters that caused the couple’s breakup. Iw was also rumored that after breaking up with Murat Boz, Aslı Enver started to date with Özcan Deniz, but this was falsified by both.
İstanbullu Gelin – The Bride of Istanbul is really loved by Turkish audience. Somehow the series attracted a wide range of people in different social classes. The second season scores better in ratings.
The series is aired on Fridays on Star TV at 20:00 (İstanbul Time)
The beautiful Turkish actress Elçin Sangu finally returns to the Turkish TV with a new and pretentious production. The series, which persuaded the beautiful actress to return television, is “İyi Günde Kötü Günde” romantic comedy. There is no official translation for the series yet, however, For Better and Worse could be a proper one for now….
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Where I can buy that book about this story
If the book was written by a doctor , how did she know about the family. She didn’t interview the teal bride. She is on Instagram and denies some of the details. She is separated from ( Farouk) for 20 years. Couldn’t have been such a live story.
In the final Murat and Bade were unexplainably missing. Why?
Does it have a come back with the family after their financial disaster ?
How do you email ashli and ozem / Farouk
what happened to the characters in real life? are they still alive and are they together?
what happened to the real characters. are they still alive and are they together?
Honestly, I have been finished 4 or 5 times. It reminds me of grandmom and when I came to Korea first I started to watch and it helped to escape the stress and missing my family. I learned many things about life and family. We can see that how to protect, help, and get together in any situation as a family. I want to say thanks to all actors and film managers. All actions and performances had been chosen greatly. In winter I will travel to Turkey and in sha Allah I will visit traditional shopping malls and architectural places which are seen in the movie.
Loved this series, I watched Bride of Istanbul 8 times and loved every moment of it.
Soraya and Farouk have such beautiful chemistry, they make the story real.
Love it.
Ulce’ Sarpkin and her husband are still alive but I think they are separated. Ulce’ is on Facebook, she is still a tailoress and designer and sings when she is asked to perform. Lindsay Jane Caress.
I love Istanbul Gelin so. It only had English subtitles up to episode 180. The rest didn’t but I still watched it and enjoyed. I really loved watching Faruk and Sureya. It showed that even a strong relationship can be shaken by lust. There are women and men out there who don’t care that one is married or not. They still want you. Temptations
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