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Isabelle Fuhrman Naked
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Home Movies How 'KISS boots' and a 'butt dolly' allowed Isabelle Fuhrman to play Esther again in Orphan: First Kill
The all-grown-up actress returns to the role of a homicidal con artist she portrayed as a child in 2009's The Orphan .
By Clark Collis August 18, 2022 at 01:00 PM EDT
Isabelle Fuhrman in 'Orphan: First Kill'
Julia Stiles and Isabelle Fuhrman in 'Orphan: First Kill.'
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How 'KISS boots' and a 'butt dolly' allowed Isabelle Fuhrman to play Esther again in Orphan: First Kill
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Director William Brent Bell had a very particular problem when he set out to direct horror prequel Orphan: First Kill (out August 19). In the 2009 horror hit Orphan , a ten-year-old Isabelle Fuhrman had portrayed a diminutive 33-year-old Estonian con artist and killer named Leena Klammer who pretends to be a child named Esther and is adopted by an American couple played by Vera Farmiga and Peter Sarsgaard. Bell was keen for Fuhrman to reprise the role of Esther in his new prequel but, in the time since the first film, the now grown-up actress had seemingly aged out of the role and could no longer easily pass herself off as a woman passing herself off as a child.
To make matters trickier, Bell was both unwilling and unable to use an abundance of digital effects to roll back the years.
"Everybody was like, it would be really cool if we could make it work with her," says the filmmaker, whose previous credits include 2016's The Boy and its 2020 sequel Brahms: The Boy II . "[But] I think a lot of people were like: That's a hundred million dollar movie. That's The Irishman and all this stuff. And I still don't even think that works well yet."
Instead, Bell went the practical route while making the movie, in which Fuhrman's character presents herself as the long-ago-abducted daughter of a different couple, portrayed by Julia Stiles and Rossif Sutherland. The director explains that he used "every trick in the book" to make Fuhrman seem smaller, even casting people who were taller than his lead to help create the effect.
"It certainly was in my mind when we would talk about an actor," says Bell. "I'd be like, 'How tall's that person?' 'Oh, he's like six-four.' I'm like, 'Great!' But we still needed a lot more help with the size stuff."
For many shots in the film, the director utilized the technique known as forced perspective, the same trick Peter Jackson frequently employed on the Lord of the Rings films, to make Ian McKellen's Gandalf seem much taller than the Hobbits portrayed by Elijah Wood, Sean Astin et al.
"It's where, if we have two people in frame, if we want one person to be smaller, we put them further back," says Bell. "Then we use a lens and such that [when] they're moving together they look in proportion to one another."
As a result, when Fuhrman was speaking to another actor in the same shot, she would not actually be looking at them, but staring at a spot some distance behind her scene partner.
"Any scene was like a magic trick because, even if it was a simple scene of two people walking down an alleyway, that means that Julia had to be two or three steps ahead of her," says Bell.
"It was difficult," says Fuhrman. "It's hard to remember that you can't look in the eyes of the person you're acting opposite, you have to look directly to the side."
Stiles recalls, with something of a shudder, that she was often required to wear the kind of giant footwear preferred by the rock band KISS while shooting scenes with Fuhrman.
"They had committed to not using any CGI or any digital effects, so it was all practical trickery, and that meant that I was subject to the daily humiliation of having to wear these platform [shoes]," says the actress with a laugh. "They tried all these different things. First, it was walking on platforms, like an actual box that they would build, but sometimes we didn't have time for that. So I would wind up wearing these Gene Simmons boots that made me five inches taller, then they kept growing, they made me like seven inches taller. So that was not distracting at all! I was like, 'Can't I just wear really tall stilettos or something fashionable?' 'No, no, no, no, no.' They couldn't find any high heels that were big enough. So it ended up being these platforms."
Fuhrman, meanwhile, was helping the illusion by propelling herself around the set on what she describes as a "butt dolly."
"It's for a camera operator, usually they hold a camera on it," says the actress. "It is a very small bicycle seat that's very short to the ground and you can put your feet on the ground and walk with it. That's essentially what a butt dolly is. It's not for actors to use, it's not very sturdy, it's for someone who actually knows how to do the camerawork with it. But we were trying to figure out how we were going to run around this kitchen, and Julia can't wear those shoes because they're too high, and I can't squat while I'm running, it's not possible. That was when we discovered the holy grail, which was the butt dolly that our camera operator had, because I could sit on it, and move my legs, and that was how I was able to drive it. So when we were doing that stunt scene I was on this little tiny chair walking around on it."
Bell cast a pair of young actresses, Kennedy Irwin and Sadie Lee, as body doubles for Fuhrman in shots where the audience wouldn't see the star's face.
"We worked together as a team every single day," says Fuhrman, "how Esther was going to move, how she was walking, how she should move her hand, how she would touch something. Those were conversations that we had every single day and they got to be an active part of it. I couldn't do this performance without them.
The wardrobe and make-up departments also played an important role in de-aging Fuhrman onscreen.
"Her clothing wasn't just made bigger to fit her but also to shape her to have more of a child-like appearance. You know, kids have bigger heads and smaller shoulders," says Bell. "And then we used a lot of beauty techniques, like enhanced beauty techniques, to make her younger. And then, when we came into post-production, we typically do [digital] clean-up on the actors and make them look pretty amazing, and we just took that to one degree further. So, [we used] every little tool we had."
Not every trick worked. At one point, Bell had a double wear a mask of Fuhrman's head. The result was terrifying but not in the right way.
"It's called a hyper-flesh mask and it was made from a 3D scan of Isabelle's head," says the director. "It looked amazing. But when we put it on the actual double, and she walked out for the camera test. it was obvious [it wasn't going to work]. It was really weird, and it was creepy, but it was not going to cut it for a movie."
Amidst all this on-set mayhem, Fuhrman was required to ignore the many distractions and once again embody, both physically and mentally, the psychotic Esther.
"In preparation for this, I really had to step back into those shoes that I was in when I was ten," says the actress. "I had to ask myself every single day what choices I would have made as a ten-year-old, not just as a twenty-three-year old, when I was filming this two years ago. I knew I couldn't just look at it from my adult perspective. I actually think I made some of my smarter decisions when I was ten years old on the first movie, and it was important for me constantly to remind myself not to intellectualize too much of everything on this one."
Given the KISS-style boots, the "butt dolly," and all the rest, it is no surprise to learn that Fuhrman was anxious before she saw the finished film.
"Honestly, when I saw the movie for the first time, I was really nervous, because I wasn't sure how it was going to look," says the actress. "My jaw just hit the floor. I was like, I can't figure out how we did it, and I was there, I was there every single day , I saw all of the tricks, and it's still shocking. I'm just so excited for the fans to see this one. I feel like they're really going to love it."
Orphan: First Kill is available to watch in cinemas, on digital, and streaming on Paramount+ August 19. Watch the film's trailer below and a scene from the movie above.
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From Wikipedia, the free encyclopedia
This article needs to be updated . The reason given is: Fuhrman has performed in several Off-Broadway theatre plays, yet none are listed here. Also, the "Career" section ends in 2015, even though she has had several acting credits since that year and a few upcoming films.. Please help update this to reflect recent events or newly available information. ( September 2020 )
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Wikimedia Commons has media related to Isabelle Fuhrman .
Isabelle Fuhrman (born February 25, 1997) is an American actress. She is best known for her role as Esther in the horror film Orphan (2009) and its prequel Orphan: First Kill (2022), which has led some publications to label her as a "horror icon" for her performance. [1] She also portrayed Clove in the dystopian adventure film The Hunger Games (2012).
Isabelle Fuhrman was born in Washington, D.C. , the daughter of Elina Fuhrman ( née Kozmits), a journalist, author, wellness activist, and founder of the vegan soup company Soupelina , and Nick Fuhrman, a one-time Wisconsin political primary candidate (U.S. House of Representatives) and business consultant. [2] [3] Her father, who is of Irish descent, was adopted by a Jewish family. Her mother is a Russian Jewish immigrant, from Soviet Moldova . [4] [5] She has an older sister, Madeline (born August 21, 1993). She and her family moved to Atlanta in 1999 when her mother joined CNN . [6] For high school, she attended the Buckley School , a private school in Sherman Oaks . Fuhrman also briefly attended RADA , and briefly attended The Westminster Schools in Atlanta, Georgia . [7] Fuhrman graduated from Stanford University Online High School in 2015. [8] [9]
Fuhrman's acting career began at the age of seven, when a casting director from Cartoon Network spotted her waiting for her older sister Madeline and cast her for one of the shows, Cartoon Fridays . [10] Fuhrman made her big screen debut just a few years later in the 2007 drama Hounddog . The same year, Fuhrman was chosen to star in the movie Orphan alongside Vera Farmiga and Peter Sarsgaard . [11] [12] Fuhrman was cast after an exhaustive nationwide search of young actresses to portray the lead in the Warner Bros . collaboration between Leonardo DiCaprio 's Appian Way and Joel Silver 's Dark Castle Entertainment. [13] [14]
Fuhrman's other credits include Grace O'Neil in the pilot episode of the 2006 television series Justice , and a number of national commercials for such brands as Pizza Hut and K-Mart . Her performance as Gretchen Dennis (also known as Girl Ghost) opposite Jennifer Love Hewitt in a 2008 episode of Ghost Whisperer earned her a Young Artist Award nomination. Fuhrman also appeared in comedy skits on The Tonight Show with Jay Leno . [12]
In 2011, Fuhrman played Angie Vanderveer in the dark comedy Salvation Boulevard (based on the novel by Larry Beinhart ), with an ensemble cast that included Pierce Brosnan and Marisa Tomei , and which premiered at the Sundance Film Festival . [15] Also in 2012, Fuhrman voiced genetically enhanced assassin Victoria in Hitman: Absolution .
In 2012, Fuhrman played Clove, a career tribute who tries to kill the main character, Katniss, in the film The Hunger Games . [16] Originally, she auditioned to play Katniss Everdeen but was too young to play the part as she was 14 at the time. She was called back to audition for Clove, and successfully got the part. [17] On May 15, 2012, it was announced that Fuhrman would be starring in the remake of the 1977 horror classic, Suspiria ; [18] however, it was later announced that the production was stuck in legal woes and that the film would be delayed or cancelled. [19]
On May 24, 2013, Fuhrman was cast as Max in Kevin Connolly 's next movie, Dear Eleanor , [20] a film scheduled for release in 2015. That following year, Fuhrman was cast in the film Cell , an adaptation by Stephen King . [21] In 2015, she was cast in a "major recurring role" on the Showtime drama series Masters of Sex , playing Tessa, the daughter of Virginia Johnson ( Lizzy Caplan ). [22] Fuhrman was also cast as the lead in the independent drama Hellbent . [23]
In 2021, Fuhrman won Best Actress in a US Narrative Feature at the 2021 Tribeca Film Festival for her "explosive" performance in Lauren Hadaway's directorial debut (which also won Best US Narrative Feature at Tribeca 2021) The Novice . Her performance and the film have summoned critical acclaim, Oscar awards buzz, with critics calling Fuhrman's turn "a Daniel Day-Lewis transformation" and "the year's best performance." [24] Fuhrman was nominated for Lead Actress at the Independent Film Awards.
In 2020, it was announced Fuhrman would reprise her role as Esther in an Orphan prequel. [25] The film, titled Orphan: First Kill , was released in
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