Is Kathy Bates A Lesbian

Is Kathy Bates A Lesbian



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Is Kathy Bates A Lesbian
From Wikipedia, the free encyclopedia
American actress and director (born 1948)
For the songwriter, see Katharine Lee Bates .
Bates at the 2015 San Diego Comic-Con

^ Bates won her 11th and 12th nominations for the award or her leading role in the 2009 miniseries Alice in 2012 and for her supporting role in the anthology series American Horror Story: Coven in 2014, respectively



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^ Radish, Christina (January 4, 2014). "Kathy Bates Talks AMERICAN HORROR STORY: COVEN, Working with other Talented Women, Her Cruel Character, and More" . Collider . Archived from the original on May 27, 2019 . Retrieved May 27, 2019 .

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^ Holloway, Daniel (July 13, 2016). "Chuck Lorre-Kathy Bates Marijuana Comedy 'Disjointed' Ordered to Series by Netflix" . Variety . Archived from the original on July 15, 2016 . Retrieved July 14, 2016 .

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Kathy Bates at Wikipedia's sister projects
Media from Commons Data from Wikidata
Kathleen Doyle Bates (born June 28, 1948) [1] is an American actress and director. Known for her roles in comedic and dramatic films and television programs, she has received various accolades throughout her career spanning over five decades, including an Academy Award , two Golden Globe Awards , two Screen Actors Guild Awards , and two Primetime Emmy Awards , in addition to nominations for a Tony Award and two British Academy Film Awards .

Born in Memphis, Tennessee , she studied theater at the Southern Methodist University before moving to New York City to pursue an acting career. She landed minor stage roles before being cast in her first on screen role in Taking Off (1971). Her first Off-Broadway stage performance was in the 1976 production of Vanities . Throughout the 1970s and early 1980s, she continued to perform on screen and on stage, and garnered a Tony Award nomination for Best Lead Actress in a Play in 1983 for her performance in 'night, Mother , and won an Obie Award in 1988 for her performance in Frankie and Johnny in the Clair de Lune . Her performance as Annie Wilkes in the tense psychological thriller Misery (1990) marked her Hollywood breakthrough, winning her the Academy Award for Best Actress . Further acclaim came for her starring roles in Fried Green Tomatoes (1991) and Dolores Claiborne (1995), and supporting roles in The Waterboy (1998) and Titanic (1997).

Bates received nominations for the Academy Award for Best Supporting Actress for her roles in Primary Colors (1998), About Schmidt (2002), and Richard Jewell (2019). Her television work has resulted in 14 Emmy Award nominations, including two for her leading role on the NBC series Harry's Law (2011–12). She won the Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series for her appearance on the ninth season of Two and a Half Men (2012) and the Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for her portrayal of Delphine LaLaurie on the third season of American Horror Story (2013). She also received accolades for her portrayal of Miss Hannigan in the 1999 television adaptation of Annie . Her directing credits include several episodes of the HBO television series Six Feet Under (2001–03) and the television film Ambulance Girl (2005).

Bates was born in Memphis, Tennessee , the youngest of three daughters of mechanical engineer Langdon Doyle Bates and homemaker Bertye Kathleen ( nΓ©e Talbert). [ citation needed ] Her paternal grandfather was lawyer and author Finis L. Bates . Her great-great-grandfather, an Irish emigrant to New Orleans, Louisiana , served as President Andrew Jackson 's doctor. [2] She graduated early from White Station High School (1965) and from Southern Methodist University (1969), where she studied theatre and became a member of the Alpha Delta Pi sorority . [3] She moved to New York City in 1970 to pursue an acting career. [4] Bates is an alumna of the William Esper Studio for the performing arts in Manhattan , New York City. [5]

After moving to New York City, Bates worked several odd jobs as well as minor stage roles while struggling to find work as an actress. At one point, she worked as a cashier at the Museum of Modern Art . [6]


In 1971, Bates was cast in a minor role in the MiloΕ‘ Forman comedy Taking Off (credited as "Bobo Bates"), her first on screen role in a feature film. [7] Following this, she continued to struggle to find acting roles, later claiming in an interview with The New York Times that more than one casting agent told her that she wasn't sufficiently attractive to be a successful actress:
"I'm not a stunning woman. I never was an ingenue; I've always just been a character actor. When I was younger it was a real problem, because I was never pretty enough for the roles that other young women were being cast in. The roles I was lucky enough to get were real stretches for me: usually a character who was older, or a little weird, or whatever. And it was hard, not just for the lack of work but because you have to face up to how people are looking at you. And you think, 'Well, y'know, I'm a real person.'" [8]
After Taking Off was released, Bates didn't work on another feature film until she appeared opposite Dustin Hoffman in Straight Time (1978). [7] Throughout the 1970s, she continued to perform on stage. Her first Off-Broadway performance was in the 1976 production of Vanities . Bates subsequently originated the role of Lenny in the first production of Crimes of the Heart at the Actors Theatre of Louisville in 1979. [9] Beginning in 1980, she appeared in Lanford Wilson 's Fifth of July . In 1982, she starred in the Robert Altman -directed Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean with Karen Black and Cher . During this time, she also began working in television, starring in a variety of soap operas such as The Doctors , All My Children , and One Life to Live , as well as making guest appearances in episodes of prime-time series such as The Love Boat , Cagney & Lacey , and St. Elsewhere in the late 1970s through mid-1980s. [10]

The New York Times wrote that, in the early 1980s, Bates "established herself as one of America's finest stage actresses". [8] In 1983, she was nominated for a Tony Award for Best Lead Actress in a Play for her role in the Pulitzer Prize -winning play 'night, Mother . [11] The stage production ran for more than a year. She found further success on Off Broadway , in Terrence McNally 's Frankie and Johnny in the Clair de Lune , for which she won an Obie Award for Best Actress in 1988. McNally specifically wrote the play for Bates. [8] She later succeeded Amy Irving in the Off-Broadway production of The Road to Mecca in 1988. Around this time, she shifted her focus to screen acting, with roles in The Morning After (1986), and Summer Heat (1987).

Bates' performance in the 1990 horror film Misery , based on the book of the same name by Stephen King , marked her Hollywood breakthrough. [12] The film was a commercial and critical success and her performance as Annie Wilkes was met with widespread critical adulation. Also that year, she had a role in Warren Beatty 's crime film Dick Tracy (1990). The following year, she won the Academy Award for Best Actress and the Golden Globe Award for Best Actress – Motion Picture Drama . The American Film Institute included Annie Wilkes (as played by Bates) in their "100 Heroes and Villains" list, ranking her as the 17th most iconic villain (and sixth most iconic villainess) in film history. [13]

Soon after, she starred in the acclaimed 1991 film Fried Green Tomatoes , based on the novel by comedic actress Fannie Flagg . For her performance in this film, she received a BAFTA Award nomination. [14] In 1995, Bates played the title character in Dolores Claiborne , another well-received Stephen King adaptation , for which she was nominated for Best Actress at the 22nd Saturn Awards . [15]

In 1995, Bates began working behind the screen as well, as a director, on several television series; her early directing jobs include episodes of Great Performances , Homicide: Life on the Street , and NYPD Blue .

Bates gained wider recognition in 1997 when she portrayed Molly Brown in James Cameron 's epic romance and disaster film Titanic , based on the sinking of the RMS Titanic in 1912 . [19] The film became the highest-grossing film of all time worldwide in 1998, and remained so for twelve years, until Avatar (2009), also written and directed by Cameron, surpassed it in 2010. [20]

She received her second Academy Award nomination (and first in the Best Supporting Actress category) for her work as the acid-tongued political advisor Libby Holden in Primary Colors (1998), which was adapted from the book by political journalist Joe Klein . The following year, she was nominated for Outstanding Guest Actress in a Comedy Series for her work in the sitcom 3rd Rock from the Sun as well as for Outstanding Directing in a Miniseries or Movie for her work on the Dashiell Hammett - Lillian Hellman biopic Dash & Lilly . In 2000, Bates received another Emmy Award nomination for her turn as Miss Hannigan in Disney 's remake of Annie (1999). [16]


In 2002, she received her third Academy Award nomination, again in the Best Supporting Actress category, for performance as an aging free-spirited woman in About Schmidt , opposite Jack Nicholson . A scene in the film, which features Bates completely nude entering a hot tub, was noted by critics and received significant public attention. [21] [22] [23] [24] NPR called it "the scene everyone is talking about". [22] Bates spoke about the scene in several interviews; speaking to Hello! , she said:
"People either laugh or cheer ... I was at the premiere and there are a lot of women who are shouting, 'You go, girl!' ... I think there are a lot of women in the audience who are thrilled to see a real woman up on the screen in all her glory." [7]
Throughout the 2000s, Bates worked consistently in Hollywood cinema, often playing supporting roles in number of films, such as Rumor Has It... (2005), Failure to Launch (2006), P.S. I Love You (2007), The Day the Earth Stood Still (2008), and The Blind Side (2009). In 2006, she directed and co-starred in her feature film directorial debut Have Mercy (2006) with Melanie Griffith .
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