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A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist.
Naslov filma: Popularnost: 379.17 Trajanje: 98 Minutes Slogan: Time destroys everything.
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Irréversible (French pronunciation: [iʁevɛʁsibl]) is a 2002 French psychological thriller drama film written and directed by Gaspar Noé.Starring Monica Bellucci, Vincent Cassel, and Albert Dupontel, it depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love.The film is told in reverse order, with each scene taking place … Irreversible: Directed by Gaspar Noé. With Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon. Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in an underpass tunnel. The meaning of IRREVERSIBLE is not reversible. How to use irreversible in a sentence. Irreversible definition, not reversible; incapable of being changed: His refusal is irreversible. See more. Irreversible is a thought provoking tale of revenge and the irreversible time. The film is shot in a style that connects all the shots together to make it appear as one continuous long shot. The … A young woman, Alex, is raped by a stranger in a tunnel. Her boyfriend Marcus and ex-boyfriend Pierre decide to do justice themselves. In 2002, Gaspar Noé created controversy (and controversy) by presenting his film at the Cannes Film Festival. 17 years later, he returns with a brand new version of his cult film. Welcome to the breakdown where we breakdown all the messed up movies! I have here for you today….Irréversible, directed by Gaspar Noé. This film is famous … Irreversible. “Irreversible” is a movie so violent and cruel that most people will find it unwatchable. The camera looks on unflinchingly as a woman is raped and beaten for several long, unrelenting minutes, and as a man has his face pounded in with a fire extinguisher, in an attack that continues until after he is apparently dead. It dips and spins and twirls and swings and wobbles like a dying moth, all the while catching flashes of incredibly disturbing imagery (including a shot of the director himself masturbating). Lastly, Irreversible features what is, in my experience, quite possibly one of the most talked about scenes in “horror” film history (while this isn … Define irreversible. irreversible synonyms, irreversible pronunciation, irreversible translation, English dictionary definition of irreversible. adj. Impossible to reverse: an irreversible momentum toward open revolution. ir′re·vers′i·bil′i·ty , ir′re·vers′i·ble·ness n. ir′re·vers′i·bly adv. An underachieving college student spends his days trying to enter the minds of others rather than studying, but when his hobby takes a strange turn, the wake… Synonyms for IRREVERSIBLE: irrecoverable, irredeemable, irremediable, irreparable, irretrievable, unrecoverable, unredeemable; Antonyms for IRREVERSIBLE: correctable … Irreversible was a transformative experience for me. Noé makes this film dizzying, disorienting, disgusting, and disturbing. But it’s also an awe-inspiring piece of art and philosophy, and bears up under scrutiny. Each time I force myself to watch it again, I find some other new tidbit makes the movie even more relevant – for the art of cinema … irreversible definition: 1. not possible to change; impossible to return to a previous condition: 2. not possible to…. Learn more. Irreversible 2002. Description: Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact … irreversible meaning: 1. not possible to change; impossible to return to a previous condition: 2. not possible to…. Learn more.
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A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
Directors Gaspar Noé Starring Monica Bellucci , Vincent Cassel , Albert Dupontel Genres Suspense , International , Drama Subtitles None available Audio languages Français
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Supporting actors Philippe Nahon , Jo Prestia , Stéphane Drouot , Jean-Louis Costes , Titof , more… Michel Gondoin , Mourad Khima , Isabelle Giami , Fatima Adoum , Eric Moreau , Gaspar Noé Producers Christophe Rossignon Studio AMC Plus Horror Content advisory Alcohol use , nudity , sexual content , smoking , substance use , more… violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
HobieNero Reviewed in the United States on July 6, 2022
Elle Reviewed in the United States on January 16, 2018
Of course I cannot say, and would never say that I 'loved' the tragedy portrayed. What I loved about this film foremost are the intellectual, artistic, and emotional courage of Noe and of all of the actors in creating a look at the human story, horrible as this one is. My emotions were hijacked from the first moments, of course, and I felt terrified, helpless, dismayed and aghast at what was unfolding --- or I should say what had unfolded. The experience was a terrific challenge for me personally, but as a writer myself, I had to stay with it and not look away or find a reason to disembark. (I have to confess, though, that as a screenwriter, I couldn't completely stop thinking "how (or why) did he choose to do that?" This is a reaction I have given up trying to block or battle. I'll never lose myself in a film the way I did before I wrote my first script. I'm amazed, though not surprised, to learn that the shooting script was three pages long!) The human story --- not only the violent part of it --- is what seized me, and that is really why the film is a success. I loved the trio of young, impulsive, affectionate people, unaware of what was bearing down on them. I certainly don't judge them for leading a "shallow" life, as some have. They are born into this life and trying to make the most of it. The bitter truth at the center of this film is that the arrow of time in our physical universe commands, without any possiblity of appeal, that we must forever live in ignorance of the future. We cannot foresee the looming consequences --- moments away --- of an often minor decision: a turn left or right; a look or a failure to look; the microscopic flaw deep in the machinery of the aircraft, and so forth. We can only transcend the laws of physics through art. (I am not a believer in the supernatural in any way.) This film reveals the story of these particular three people, but countless events are happening at every moment, to us and to everyone else, and always have, and always will. So the beauty of this film is Noe's ability to narrow on one tragic story among the infinite many, and then expand it to bring us within, so powerfully and grippingly that we can barely endure it. The vertigo effects I stuck with as well; to me, they represent Noe's efforts to destroy any illusion that we are in control of our fates: that our own perception is the actuality, the reality. The sickness, physical nausea and mental disorientation are the effect on us of that truth. How powerless we are to interrupt or control or change reality. We are on the ride, like it or not. We can walk out of the theater, we can be furious; we can dismiss and disparage, but reality doesn't care. It spins away and away and away. Irreversible intensified my deep sadness at how every living thing uniquely suffers its fate. I don't read or see films for entertainment, although I am usually vastly entertained, and I love humor and satire, which keep me happy and as sane, as I will ever be. But I'm inspired and also envious of this work. I thank the actors and everyone who dedicated themselves to it.
Brittany Reviewed in the United States on April 1, 2018
I had mixed feelings about this movie, but I would still recommend it. I am by no means a film critic or a filmmaker but I can respect what this filmmaker was creating here. I liked the camera and art direction because it added to the suspense and dis ease of the whole tone, a tension building and spiraling if you will. It made me feel uncomfortable but I didn't want to turn it off. The story is a terrible one but one I identify with. The famous revenge scene made me feel like I was going to have a panic attack but I stayed with it. Unfortunately, I personally could not watch the assault against the girlfriend in its entirety as it is a trigger but I did watch the end of the scene and fastforwarded thru the rest where I could still see it pass by but not hear it. Maybe I need to see the whole scene to understand the full scope of the emotions of the story and characters but I was not able as of yet to watch. It was enough for me to get the emotion and pain and terror and violence behind her and her assailant's experience. I liked the reverse order of the film as well, letting us as viewers know the outcome and then seeing how the day began for this couple in happier, unknowing times. I was struck by the very end or the opening scene with the two men shooting the shit in the bed. It was disturbing and foreboding without even knowing what was about to happen next or in their case, what had transpired underneath them minutes before. The one thing I didn't like was the very end (or would be beginning) as it didn't make as much of an impact on me than I would like. I feel it could have been a better choice of scene or added spoken words. But it still provoked something in me that is almost indescribable, something I almost can't stop thinking about days later. I love the insight into fate and Destiny; I think everyone can relate to impending doom and little choices that have disastrous implications or outcomes. And the film speaks to the underbelly of society, the speedier side of things and people, the darker sides of life and human beings, the explicit or horribly violent or even primal sides to some or all human nature. I enjoy darker movies and this is one of those. Perhaps my favorite piece was the true assailant's face as he watches the brutal scene of revenge unfolding in the gay sex club. His expression tells the story itself.
Kingmaker Reviewed in the United States on January 10, 2006
Yes, Irreversible is a monster of a movie, brutal and sickening in all the worst ways. It's also a magnificent piece of storytelling, a finely crafted film and something everyone (who loves film) should see once. I have a question though, regarding the impact scene at the Club. Two major surprises unfold here, firstly that it is gentle, cerebral Pierre and not raging, coke-fuelled Marcus that commits the murder (one of the most horribly realistic murder scenes I've ever seen, and so long, it gets to the point where you want the guy to just die already and let it be over) and secondly that 'The Tapeworm' is not the man killed, but his colleague/friend. (The scene of Tapeworm looking down on the dead body and smiling was a knife to the heart (at least it will be the second time you watch the movie and realise he escaped)) I wonder, though, if the movie had been played scene for scene normally, from true beginning to true end, what the impact of these two "twists" would have been. Playing the movie backwards, you just don't get it. You don't know Pierre's character yet. You don't know what the rapist looks like. Hmmmm.... Although working in reverse does have it's benefits. The scene with Marcus and Alex waking up to the telephone in particular, where Alex has had a dream of a long, red tunnel (the underpass) and Marcus can't feel his arm (the one that get's so disgustingly snapped in the club) And of course, the first scene (aka the last scene) of Alex in her summer dress laying in the park with the kids playing on a gorgeous sunny day, it wouldn't mean anything if the movie played forwards, I guess. Same with the party scene. It hits harder backwards. I also have to mention the soundtrack - the music is alright, but it's the throbbing, repeated blows to the head of the ambient noise that makes the movies sound. Especially the noise in the club. Just a horrible experience, especially with the camera all tilt-a-whirl and out of control, just showing (very explicit!) glimpses of the depravity that is going on. On the DVD, the extras are slim but interesting. One guy breaks down how they did the special effects (and trust me, it does make the murder scene a little easier to take) and the digital penis is just...funny weird. I think the best part of the extras are the original French teasers. One of them is simply Alex's view as she is being raped, you can't get more simple or effective than that. Oh yeah - the DVD says it has deleted scenes, but I couldn't find any....???
Grigory's Girl Reviewed in the United States on September 11, 2007
This film is ugly, brutal, depressing, visceral, and hopeless. The first time I saw it, I was devastated. I reeled for days afterwards. But seeing it a 2nd time, I didn't care for it as much, in fact, I feel I've been had. Its impact is really felt the first time you see it, because seeing it the 2nd time, you realise a lot of things about it that aren't particularly good. Most of the dialogue is poor (most of it was improvised, and not very well), the violence of the film is purposely over the top, and Noe the director seems to delight in showing nasty stuff without really bringing a sense of art to it. He enjoys rubbing your face in the sleazy, horrific violence, but has no purpose other than saying "life is brutal". I can't deny that the film did have a great impact upon first viewing, but too often when one's sense are assaulted (like they are here), you can mistake that for great, artistic film-making. Technically, the film is astounding. It was shot mostly in long takes, but edited together with CGI effects (the smashing of the head in the gay bar at the beginning was done digitally, as part of the rape scene). It's definitely a curiosity, but realise what you're getting into. It's really not for the squeamish. The opening scene in the gay bar is dizzying and brutal, and the rape scene is beyond brutal. Noe films the rape scene in one take, which makes it even more difficult to watch. Is the film art? No, it isn't. Simply because the film polarized audiences doesn't make it art (a common assumption by people). Noe's films (he's only complete 2 features) aren't really deep or anything, just pessimistic and brutal. A telling episode about Noe happened a year or so ago. The IFC Theater in NYC has a feature they do occasionally. They bring in a filmmaker to introduce a film they admire. Noe showed his first film, I Stand Alone, and Pasolini's Salo. After Noe's film concluded, he talked to the audience on why he wanted to show Salo. All he talked about was the coprophilia scenes (aka the s**t eating scenes). He didn't talk about anything else that Salo had to offer (in terms of its message on fascism, sexual perversion, the cinematography, the production design). Salo, or the 120 Days of Sodom is actually an excellent film. It's incredibly depressing and brutal, but has a real sense of art and is a genuinely controversial film, even to this day. Noe's films (he's made only 2) are not like this at all. Both I Stand Alone and Irreversible hit you in the face the first time you see them, but you shake it off, and Noe has nothing more to give you. This film has no resonance at all. It's just for shock value.
Anthony Perry Reviewed in the United States on November 28, 2009
Remember watching the imfamous flogging scene and thinking: "Hmm, this couldv'e been about seven minutes shorter."? That pretty much applies here. Granted, I understand and even applaud Gaspar's decision to expose the ugliness of rape and revenge, but there is a such thing as overstating your case. Make no mistake, this is not PORN. Alex doesn't resist her attacker in the beginning, only to change her mind the middle, and then have a screeching orgasm at the end. No, this is more like OZ. It's brutal, animal and sadistic. In fact, this movie's first act is so jarring with it's graphic (and in most cases DEVIANT) depictions of sex and violence, it can leave you with a dizzying sense of vertigo. I think that was the idea behind the spinning camera at the beginning; which is another technique that was overdone. I think this was to prepare you for the goings-on in the Rectum nightclub. As if the name itself wasn't an indication! Now for me, the saving grace of this film is the second half. It's just...wonderfully done. I'm sure by now you've read the many reviews that tells you the film is being shown in reverse order. With that in mind, you have this image of such horrible violence, and yet it's tempered by these three characters that jump out at you. They're not the victims or beserkers that you see at the film's opening. They're just regular thirty-something people out having a night on the town. As the film draws you closer to the end (well, beginning), you almost ALMOST forget what's about to happen. I was very impressed by the format and storytelling here, and that's the main reason I gave it four stars. I've never seen this done before, and was surprised at how well it worked. I don't think this was an exploitation peice (although it really did straddle the fence there). I think it was just three good people that suffered a horrible misfortune and reacted to it in a very believable way. I think it's important enough for a single viewing, but I wouldn't recommend it for your collection. It's REALLY brutal. Enjoy and Be warned.
D Reviewed in the United States on October 23, 2008
Irreversible was disturbing, unquestionably. It was probably one of the most disturbing movies I've ever seen. Two of the more notable scenes had me wanting to look away, something that the the common day torture porn movies can't seem to manage (though I stay away from them as a rule). Everything in these reviews are right in that regard -- it's not for those with soft stomachs. However, it's also a powerful film that will stick with you for several days after viewing if you can absorb it all. Some of the reviews call it exploitive and some call it a revenge film... I'd say it's absolutely neither. It doesn't use the violence/rape as a tool for satisfaction and it doesn't use it as an excuse f
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