Incest Sister 2021
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SISTER-Making Of: Becoming Sister-and-Brother
SISTER-Behind the Scene of the Theme Song
A girl who has lost her parents is facing the issue of pursuing an independent life or raising her younger brother.
I waited a month to see the movie because I didn't trust the hype created by the Chinese moviegoers... everyone wanted to see it immediately after the release on 2nd April! Of course, my wife wasn't exception... so I had to endure tirades of how good this film is, how sad and touching it was... Today, I finally endured 2 hours and seven minutes and I am happy to write my opinion! Cinematography, acting of the youngest actor, authenticity of using the Sichuan dialect and directing were superbly executed by the very experience team! Everything rest was so melodramatic that it felt like scenes were planned so carefully to get the desired effect that sometimes seemed like they were forced! Written and filmed for the Chinese audience which is almost always sympathetic to the suffering that was endured during the one child policy by many families, this film's full story will be lost with the audience from other countries. To me this film was simply boring, wrongly paced, with illogical actions of the members of the family - it could be the cultural difference gap... but I am not sure about it, after living 10 years in China. So, if you are Chinese, you probably watched it already... if you are coming from any other country - try to skip it. It will confuse you, annoy you, bore you and you will be asking yourself why are you always repeating the same mistakes trusting your cable service provider's ratings!
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A girl who has lost her parents is facing the issue of pursuing an independent life or raising her younger brother. A girl who has lost her parents is facing the issue of pursuing an independent life or raising her younger brother. A girl who has lost her parents is facing the issue of pursuing an independent life or raising her younger brother.
Josie & Jack review – shockingly lifeless incest drama
© 2021 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
The female characters are badly underserved in this story of an off-the-rails brother and sister that gravitates around the monstrous men
Last modified on Tue 16 Mar 2021 11.01 GMT
“Y our dad kept you locked up in an old house,” a character drunkenly blurts out in this adaptation of Kelly Braffet’s gothic novel about childhood misery and brother-and-sister incest. “It’s soooo Flowers in the Attic.” If only! The most shocking thing about this movie is how stale and lifeless it is, as if entire scenes had been placed into a vacuum storage bag, zipped up, and sucked of all energy and human feeling.
Set in the 1990s, it begins in rural Pennsylvania where 16-year-old Josie (Olivia DeJonge) and her older brother Jack (Alex Neustaedter) have been raised in a spooky old house by their physics professor father (William Fichtner). He’s a violent pompous drunk who homeschools the kids rather than sending them to “the idiot factory” local high school. In a few flatly acted scenes, he rants grandiosely about his university colleagues and hurls crockery at his children.
Jack is a good-looking bad boy who instructs Josie to seduce the kid behind the counter of the local pharmacy so he can get his hands on prescription drugs. And Jack creepily paws at his sister, stroking her hair and walking into the bathroom when she’s in the shower. Director Sarah Lancaster’s script, co-written with Braffet, keeps the audience guessing right up to the end how far things have gone between them – but there is so little visible chemistry between the actors you may not care either way.
Eventually, after a massive barney at home, the siblings escape, arriving penniless in New York where Jack attaches himself to an Upper West Side socialite, Lily – a brittle performance by Annabelle Dexter-Jones so good it deserves a better role. As for Josie, she is a disappointing non-character – often spotted with her nose in battered Kafka paperback to show she’s got a brain, but 90 minutes pass before she gets a chance to use it. Unintentionally, perhaps, the film is the story of monstrous men (a daddy dictator and controlling brother); the women are weirdly blank.
Josie & Jack is released on 22 March on digital platforms.
https://www.imdb.com/title/tt12788426/
https://www.theguardian.com/film/2021/mar/16/josie-and-jack-review-sarah-lancaster-kelly-braffet
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Incest Sister 2021
