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Father Responds To Allegations Of His 'Pornographic' Photos In Amazing Way
Aug 21, 2014, 09:07 AM EDT | Updated Dec 6, 2017
Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
Arts and Culture Reporter, HuffPost
Wyatt Neumann is a photographer and a father. In 2014 he took his two-year-old daughter Stella on a cross-country road trip, photographing their journey along the way. Neumann captured sunsets and cornfields and, of course, Stella, often donning one of most two-year-old girls' two favorite ensembles: a princess dress and nothing at all.
In the middle of the trip, what the Safari Gallery describes as "a hyper puritanical, neo-conservative group" launched a cyber-attack on Neumann's images, specifically those of Stella. Calling the images "perverse," "sick" and "pornographic," members of the group attempted to remove all traces of them from the web. They successfully prompted Facebook and Instagram to shut down his accounts, and they criticized his artist website as well. While Neumann claims he was open to others expressing their opinions about his work, the "forced censorship" went too far.
"The anonymous public made their opinions about my work," he explained in an interview with The Huffington Post. "It was the actions they took against me, the reality for me was that these people could actually affect my ability to express myself. They took down my Instagram and Facebook; those are huge digital platforms for a photographer. It had a physical effect on my ability to communicate with people. The fact that they had that ability to control my experience in this life made me want to fight back. I really believe that the work is beautiful and [reveals] the innocence of childhood."
Neumann was determined, somehow, to turn all the hate directed his way into something beautiful. Rather than ignoring the criticism lodged against him, he created a new series in which he juxtaposed the hateful comments with the corresponding images he maintained were innocent. What he created was a photography show that presents both sides of the moral debate, allowing each visitor to interpret the images individually.
The title of the subsequent exhibition, "I FEEL SORRY FOR YOUR CHILDREN –- The Sexualization of Innocence in America," was in part inspired by an online comment attached to one of Neumann's works that read: "The whole thing is sickening and I FEEL SORRY FOR YOUR CHILDREN." The exhibition examines the attacks launched against his photographs as well as what he sees as a segment of contemporary culture, thriving off shame and censorship, that incited such attacks.
"When I decided to do the show I was so upset and I was like, You know what? I think this is beautiful," Neumann continued. "I'm going to show these to the world the way that I saw them when I took them. I'm going to put them in beautiful frames on beautiful walls in a beautiful gallery."
The exhibition proudly displays Neumann's photos, while raising the questions asked by anonymous online critics in a public sphere. Are these images pornography or art? Exploitation or expression? Is the human body a site of shame or wonder? Fear or freedom? These questions are not only at the core of this exhibition, but of a debate about the sexualization of young girls that far exceeds the parameters of the art world.
Neumann delves into the darker details in his artist statement: "What’s troubling is the abject reviling of the human body, the intense and overt sexualization of the natural human form, especially the naked bodies of carefree young children, who have yet to feel the burden of institutionalized body image awareness and the embarrassment that comes with adolescence. My children are free, they live without shame."
He continued to The Huffington Post: "My kids have a whole lifetime of having body shame issues. My daughter is going to have years of feeling not pretty. I want my children to have a solid foundation of self-confidence and self-worth."
The exhibition illuminates a struggle faced by many single fathers, who often feel targeted by a public suspicious of a man alone with a young girl. "The most impactful reaction [to the exhibition thus far] was a father who came, a single dad. It brought him to tears. He said 'I struggle with this all the time. I can feel this in America. As a man with a little girl, I feel this all the time.' As fathers we try to do our best; it's a difficult thing. The new breed of fathers in this country are adopting a lot of the ethos and positioning that has traditionally been a women's role."
Take a look at Neumann's striking series below, juxtaposed with negative comments expressed by incognito internet users. Let us know your thoughts on this bold project in the comments.
WARNING: Some readers may find the below language offensive.
Neumann's photographs are currently on view at The Safari Gallery at 355 West Broadway until August 21, 2014.
Arts and Culture Reporter, HuffPost




Author & Photographer:

Liza Van der Stock ,














The house where Maurice, Laura and Eva live. They live upstairs and downstairs porn movies are shot and erotic parties take place.











Maurice, Laura and Eva in the morning getting ready for school and work.











Laura and Eva going to the supermarket.











Eva and her friend Roosje at the riding school.

2018 Primetime Emmy

& James Beard Award Winner

Photographer Liza Van Der Stock’s intimate project about a porn-producing family in Flanders was shortlisted for the 2015 Sony World Photography Awards.
In a Flemish village outside of Turnhout, Belgium, Laura and Maurice live together with their daughter Eva. They have all the trappings of a normal family, but when 9-year-old Eva is at school, Maurice and Laura start their day jobs as porn producers.
I photographed the family for two years for my project called Paradi$e Lu$t. They’ve given me unfettered access to both their personal and professional lives. The duo, more than anything, are small business owners: together they started a production company called “Stout!” around a decade ago. It’s still a modest operation: they produce the movies and both work the camera. And, from time to time, they are the porn stars as well.
Like Maurice and Laura, their other actors are ordinary people. They’re fathers and neighbors. Salesmen and postmen. The sex and the bodies are very real, not fake, not glamorous.
Maurice and Laura used to live above an erotic club they owned and filmed in, but they moved out to the quieter village once Eva got a little older. The most interesting thing about the village life was the process of gaining their new community’s acceptance. When Eva was new in her school there were some children who couldn’t play with her because their parents didn’t allow it. Laura really wanted everybody to accept them, so she threw a very big party for Eva’s birthday. She cleaned the house for two days and made it totally sex-free. She invited everybody from the school, also the parents. People came to realize that they are just normal people and since then she organizes the party each year.
Maurice and Laura are always very honest with Eva. They don’t want to lie to her. But of course they informed her about their job in words she can understand. She knows that they had a bar where naked people came to have a drink and to dance. Eva has a really good relationship with her parents and their job has never been an obstacle. And in my time with them, I saw a warm family with a very normal life that really separated their work life from their personal life. A moment I remember very well was when Eva received her first communion in church. Laura was very involved in the ceremony and afterwards there was a party in their new café. Friends and family came along and it was a very good day. In the porn Laura and Maurice make, actors are captured on tape as they are. My project aims to portray the family with that same humanity.
See more of Van der Stock’s work at www.lizavanderstock.com .
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