Incest Mainstream Scenes

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Incest Mainstream Scenes
From Wikipedia, the free encyclopedia

^ "Entertainment | Brookside's two decades of trauma" . BBC News. 2002-10-10 . Retrieved 2014-08-21 .

^ Cooper, Lorna. "Brookside: Trevor Jordache – Soap villains: is Karl Munro the baddest baddie?" . Tv.uk.msn.com. Archived from the original on 2014-08-21 . Retrieved 2014-08-21 .


Incest as an either a thematic element or an incidental element of the plot, can be found in numerous films and television programs.

Instances of incest between siblings.

Sometimes, two characters do not know about their blood relationship when they enter a sexual or romantic relationship, or one of them knows while the other does not.

The practice of cousin marriage remains legal in many countries.


The love scene has been a part of cinema right from the beginning. One of the first movies ever screened was simply called The Kiss (1896), a 47-second smooch – newspaper editorial writers were scandalised. By 1910, film storytelling had developed enough that a love scene could serve as a crucial part of a narrative. Actress Asta Nielsen’s stunning seduction of a circus performer in the Danish film The Abyss, in which she grinds her hips against him while taking part in a gaucho dance, radiates sexual heat. It’s a sex scene with clothes on, the moment Nielsen’s character metaphorically consummates the relationship. She was the sexual aggressor – and audiences in Europe and America were shocked. The scene was censored throughout parts of the US. (Motion Picture Distributors)
With the establishment of the Hollywood Production Code in the early 1930s, directors were limited in how much sexual behaviour they could depict on screen. There wouldn’t be a Hollywood movie like Ecstasy, the 1933 Czechoslovakian film [that showed Hedy Lamarr nude and having an orgasm]( http://www.bbc.com/culture/story/20140527-how-10-movie-taboos-were-broken), for decades. But clever filmmakers like Alfred Hitchcock found ways of subverting the Code. He decided to include “the longest kiss in movie history” in his film Notorious, despite the Code’s decree that Hollywood kisses must be limited to three seconds or less. So rather than just one long kiss, Hitchcock had Cary Grant and Ingrid Bergman pucker up intermittently while locked in an embrace for two and a half minutes – during which time they also move around an apartment arm in arm, talk on the phone and discuss a chicken dinner, with the kissing serving as punctuation for their dialogue. Hitchcock may not have actually violated the Code, but he certainly did in spirit. (RKO Radio Pictures)
Depictions of sex in American cinema loosened up considerably during the 1960s after studios stopped enforcing the Production Code. But an independently produced film that helped kick off the Blaxploitation craze, Sweet Sweetback’s Baadasssss song, went further than any American film to that point. It featured unsimulated sex, as Melvin Van Peebles, also the director of the film, makes love to several women while his character is on the run from law. Most controversial of all, he placed his naked 13-year-old son Mario Van Peebles in one scene to depict his character as a youth at the moment when he lost his virginity to a prostitute. (Cinemation Industries)
Britain didn’t lag behind the American underground cinema in opening up new sexual frontiers. Ken Russell had already courted scandal with the [nude male wrestling match he staged in Women in Love](http://www.bbc.com/culture/story/20140527-how-10-movie-taboos-were-broken), but The Devils took it a step further. A tale of religious hysteria and sexual panic in 1600s France about a town the Church believes is infested with demons and witchcraft, the movie shows nuns engaged in an orgy, while surrounded by Christian iconography. In one scene Oliver Reed portrays Jesus as he’s taken down from the cross only to be ravished by a lusty Vanessa Redgrave – this two years before The Exorcist and 16 years before The Last Temptation of Christ provoked outrage for mixing sexuality with the sacred. (Warner Bros)
The Japanese film from master provocateur Nagisa Oshima paved the way for Lars von Trier’s Antichrist in its depiction of sexual violence. It shows the evolution of a torrid affair, through unsimulated sex, between a damaged man and woman in 1930s Japan, whose sexual lives build toward greater and greater extremes including erotic asphyxiation. Like the notorious real-life incident from 1930s Japan on which it’s based, the movie’s final love scene culminates in castration and murder. (Surrogate)
David Lynch’s film is full of disturbing moments – including an agonising sequence in which Dennis Hopper’s nitrous-oxide huffing maniac rapes Isabella Rossellini. But its ‘love scene”’ in which Rossellini demands the film’s hero Kyle MacLachlan beat her, is nearly as disquieting. Few films before Blue Velvet had examined the power dynamics of sexuality to such visceral effect, and a number of film critics, including Roger Ebert, couldn’t accept that. Ebert famously wrote, "[Rossellini is] degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film." (DEG)
Marvel Comics’ irreverent fowl got the big screen treatment in a film produced by George Lucas, but this was not exactly child-friendly entertainment in the manner of Star Wars. It flirted with unsettling ideas about inter-species romance, or outright bestiality – something rarely ever depicted on film. Howard is shown to be quite a libidinous duck who reads a magazine called Playduck and attempts and nearly succeeds in seducing human Lea Thompson. In one almost-steamy scene he gets her into bed and, after she says “I can’t find the right man,” utters the immortal line “Maybe it’s not a man you should be looking for”. Though they are affectionate with each other, thankfully no actual feathers fly. (Universal Pictures)
Director Larry Clark and screenwriter Harmony Korine wanted to make a film that showed teenage promiscuity in American urban life. The result was unflinchingly raw – and extremely controversial as it featured actual teenage actors playing teenage roles, while the tradition has often been for older actors to play such parts. The opening moments alone comprise an extended love scene between a 17-year-old boy and a 13-year-old girl. Clark said that he hoped to make a movie that would be the cinematic equivalent of The Great American Novel. The Washington Post, however, called it “virtually child pornography”. (Miramax International)
Vincent Gallo’s reverie on grief, about a man examining the various stages of a relationship that’s caused him regret, may be the ultimate cinematic lightning rod. It not only drew boos at Cannes, Roger Ebert declared it to be the worst film in the history of the festival. One scene in particular left the audience stunned: an extended sequence in which Chloe Sevigny performs oral sex on Gallo. One can argue that it reveals the codependent nature of their relationship and is essential to the story – but the close-up framing and extended duration of the scene made some think that art had become pornography. (Wellspring Media)
South Park creators Trey Parker and Matt Stone created a blistering satire of US foreign policy – along with Hollywood celebrity culture and filmmaking clichés – in Team America: World Police, staged entirely with marionettes. One moment particularly stood out and caused the film nearly to be slapped with an ‘adults only’ rating in the US: a love scene between two of the puppets. Using the aesthetic of a children’s film in an aggressively sexual way drew controversy, though the directors defended it by saying that simulating a hook-up between the puppets reflects the joking way kids actually play with their toys. Particularly acrobatic, the scene’s duration was one and a half minutes at first but Parker and Stone had to cut it down to 50 seconds until the US ratings board would give it a less restrictive classification. (Paramount Pictures)

Blank Check (1994) Official Trailer – Brian Bonsall Movie HD
The Godfather (1972) Trailer #1 | Movieclips Classic Trailers
Pretty Baby (3/8) Movie CLIP – Bidding on Violet (1978) HD
Cuties | Official Trailer | Netflix
Manhattan (1979) Official Trailer – Woody Allen, Diane Keaton Movie HD
Kids (1995) Official Trailer #1 – Larry Clark Drama HD


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Jamie founded Listverse due to an insatiable desire to share fascinating, obscure, and bizarre facts. He has been a guest speaker on numerous national radio and television stations and is a five time published author.
One of the most precious things that exists in this world is childhood innocence. Unfortunately, the film industry has a disturbing history of having children perform sexually explicit actions on film, largely for the entertainment of adults. While attracting rightful condemnation from many, there is not enough being done to protect children working in the entertainment industry from being exposed to and participating in things that children should not be a part of.
This is a particularly timely list as the mainstream media has recently begun drawing attention to QAnon when a reporter recently asked the president what he thought about “his” suggestion that Mr Trump is working to end a deeply entrenched child sex trafficking cabal in the deep state with Hollywood complicity. Additionally, Netflix recently released a show Cuties which has horrified many with its extreme pro child sexuality content.
These are 10 films featuring children performing explicit actions on screen . . . disturbingly this is just the tip of the iceberg .
Seth Rogan’s 2019 comedy film Good Boys pushed all the remaining boundaries of late night comedies. The film features 3 13 year old boys, played by real 13 year old actors, who are preparing for their first Kissing Party and have several misadventures along the way. The boys activities in the film included them cursing, peeping on their neighbors and underage drinking. In addition there were several scenes featuring the underaged actors using sex toys , both properly and improperly. One scene featured 13 year old Jacob Trembly kissing a sex doll which was implied as being used by one of his friends parents. Another featured all 3 of the boys viewing a pornographic video. In spite of all of this, there was little mainstream controversy surrounding the film and it was released to the public without incident, grossing 110.6 million at the box office. [1]
Disney movies are meant to be child friendly and family friendly films. Given that they are mostly watched by children, Disney movies are often held to a higher standard in terms of what is on screen. That is not always the case however and several Disney films have been at the center of controversy, one such is the movie Blank Check. In 1994’s Blank Check, the 11 year old Preston was seen to be in a one sided relationship with a 32 year old actress featuring dates, romantic gifts, and culminating in a kiss on the lips at the end of the movie. It created controversy at the time but was quickly forgotten and Disney was forgiven. This scene came back to haunt Disney in 2019 when the film was rereleased on Disney’s new streaming service Disney Plus. Many people were shocked and appalled that Disney chose to keep the scene in the movie, however the protests fell on deaf ears and the scene remains on Disney Plus. [2]
Much like Blank Check, Interview with a Vampire features a kiss between an underage actor and an adult actor. The main difference is between the genders of the actors, with the female Kristin Dunst kissing the male Brad Pitt . There was a 19 year age difference between Pitt and Durst at the time. Since the film’s release, both Pitt and Durnst have spoken about the scene saying how they both felt disgusted by what they had to do and regret their roles. Although Durnst feels uncomfortable with the kiss she shared with Pitt, she still speaks highly of Brad Pitt and his behavior on set, saying that he was like an older brother to her. [3]
Francais Ford Coppola’s 1972 film The Godfather is considered by many to be one of the greatest films of all time. The film tells the story of World War Two veteran Micheal Corleone, the son of feared Mafia Don Vito Corleone, reluctantly taking over his father’s criminal empire during a time of conflict within New York’s organised crime families. In addition to controversy from Italian Civil Rights groups and real organized crime organizations in regards to the depictions of Italian Americans, one particular scene crossed the line. In the film, when Micheal is forced to flee to Italy after killing a rival monster as well as a New York City police captain, he meets a young Italian woman named Apollina, who he soon marries. In the scene where Micheal and Apollonia consummate their marriage, the then 16 year old Simonetta Stefanelli removed her top showing her bare chest and began a sexually suggestive scene with the then 30 year old Al Pacino. Despite this, The Godfather’s legacy as a cinematic masterpiece remains. [4]
A movie telling the story of an underage prostitute featuring an underage actress will always create controversy, with outrage likely following quickly. As a result such movies are rarely made, especially ones featuring real underage actresses. But in 1978 a movie like that was released, starring 12 year old Brooke Shields. There were countless controversial scenes in the film, such as 12 year old Shields completely naked, Shields virginity being auctioned off and Shields being drugged and sexually abused. These scenes led to the film being banned in the Canadian provinces of Ontario and Saskatchawan, in a ban that lasted until 1995. Now, the film is considered a classic by some, but a sick use of cinema by others. Shields, who was the focal point of this controversy says that she regrets nothing and is proud of the film. [5]
Jodie Foster’s role in Taxi Driver has always been marked with criticism. Given her young age at the time, coupled with the fact she had to flirt with 33 year old Robert DeNiro and witness the film’s violent climax when 3 men are gunned down in a bloody gun battle. These scenes were so gruesome that Foster had to undergo several psychological evaluations in order to perform in these scenes, further stoking controversy. Finally, 4 years after the release of the film a man named John Hinckley shot President Ronald Reagan in order to get Foster’s attention. Today, Taxi Driver is known for being the film that put director Martin Scorsese on the map, as well as being one of Robert DeNiro’s most memorable roles. [6]
Based on the controversial 1955 book, Lolita is a movie detailing the illicit relationship between a 12 year old girl and her middle aged stepfather. Unlike the original 1962 movie which had a more lighthearted and comedic tone to it, the 1997 remake of the film did not shy away from the more controversial themes of the original novel. In the film, Lolita was played by 17 year old Dominique Swain while Humbert Humbert was played by 49 year old Jeremy Irons, who later stoked controversy for saying that parental affection had a sexual aspect. In the film, Irons and Swain engaged in all of the hallmarks of a traditional relationship such as hugging, kissing, as well as illusions of sexual contact between the pair. [7]
The description of this movie says it all. “Amy, 11 years old, tries to escape family dysfunction by joining a free-spirited dance clique named Cuties, as they become aware of their own femininity through dance.” This, combined with images of scantily clad young girls sparked a fierce social media backlash with many demanding Netflix remove the film with some even going so far as to cancel their Netflix accounts altogether. Netflix further stoked controversy when their executives refused to condemn pedophelia and insisted that the controversy surrounding the film was wrong. Nonetheless, Netflix eventually bowed to public pressure and removed the posters featuring scantily clad young girls and changed the film’s description. That however does not change the fact that the film contains scenes of scantily clad 11 year old girls performing sexually provocative dances and is set to release to the public very soon. [8]
Noted Hollywood figure Woody Allen’s personal life has been the source of controversy over the course of many years. The source of this controversy stems from his relationship with his step-daughter Soon Yi , whom he had raised since she was 11 years old. It has been alleged that the relationship started before Soon Yi was 18, but that has never been proven. Given this controversy, his 1979 film Manhattan has been analysed under a new light. This film, which tells the story of a 42 year old writer, played by Allen, dating a 17 year old high school student, played by 17 year old Mariel Hemingway. Given the disturbing nature of Allen’s later relationship , many have said that the film represents a pedophelic fantasy of Allen’s, as opposed to the work of cinematic art it was once hailed as. Nonetheless, the film still details an inappropriate adult/child relationship in a normalised context. [9]
The 1995 film Kids centers around several teenagers in New York City in the mid 1990s . At the time of the film’s release it was rated NC-17 due to scenes of underage drug abuse, underage nudity, and a plotline centering around an HIV positive rapist who went around infecting young virgins. It also attracted anger from the general public for these themes and sparked a heated debate about artistic expression. Despite this, it was released unedited. A film so controversial could only be made by one man. The infamous former Hollywood producer and convicted rapist Harvey Weinstein , who is now serving a 23 year sentence for his crimes. Although most of the main cast members were over the age of 18 at the time of filming, several such as Leo Fitzpatrick and Rosario Dawson were still underage at the time of filming, and performed explicit actions as such. [10]
About the author: After using many pseudonyms to write twelve lists for Listverse, I have now decided to publish under my own name.


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Jonathan Glazer’s criminally misunderstood second feature Birth combines a sedated surrealism with a powerful meditation on belief and its connection to love and the result is a confrontational and compelling pièce de résistance.
Nicole Kidman is Anna, a Manhattan widow who slowly comes to believe the claims of a ten-year-old boy named Sean, who repeatedly tells her that he is the reincarnation of her late husband, also named Sean, who died suddenly ten years hence.
There’s something histrionic about the emotional insecurity that Birth boldly emblazons, and it makes for something of a malefic love letter, a lamentable billet-doux from a gifted director. Way ahead of its time, Birth is, as A.O. Scott writing for The New York Times puts it, “both spellbinding and heartbreaking, a delicate chamber piece with the large, troubled heart of an opera.”
French New Wave luminary Louis Malle’s controversial coming-of-age story embraces accidental incest in the town of Dijon. Despite its racy and sensational subject matter Murmur of the Heart is a shockingly sensitive, remarkably tender, and tellingly melancholic film that ranks with Malle’s finest work.
15-year-old Laurent Chevalier, played brilliantly by Benoît Ferreux, is in many w
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