Incest Erotic Movie
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Incest Erotic Movie
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10. I Am Frigid... Why? (1972) Doris is initiated into sex by the force of an incestuous brother and sister. The film deals with her erotic odyssey to overcome her induced frigidity. She tries to embark on an affair with a theatre director, but finds out she cannot do the deed. Orgies and prostitution are on the menu to rectify the situation. However, it isn't until she meets a psychiatrist, who explains the mechanisms of her frigidity, that she can plunge full throttle into the world of sexual fulfilment without neurosis. This is the follow up film to I Am A Nymphomaniac. It is once again directed by Max Pécas and stars the delightful Sandra Julien as the unfortunate Doris. Politically incorrect in every way, the psychiatrist at the end of the movie seems to suggest that being raped was Doris' own fault. Such a plot point won't go down well with contemporary audiences, unless they are willing to overlook a bit of 1970s male chauvinism. Julien puts in a terrific performance as Doris - enchanting and alluring at every turn as she attempts to overcome her frigidity (leading to all sorts of deviant behaviour).
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My first film watched was Carrie aged 2 on my dad's knee. Educated at The University of St Andrews and Trinity College Dublin. Fan of Arthouse, Exploitation, Horror, Euro Trash, Giallo, New French Extremism. Weaned at the bosom of a Russ Meyer starlet. The bleaker, artier or sleazier the better!
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10. I Am Frigid... Why? (1972) Doris is initiated into sex by the force of an incestuous brother and sister. The film deals with her erotic odyssey to overcome her induced frigidity. She tries to embark on an affair with a theatre director, but finds out she cannot do the deed. Orgies and prostitution are on the menu to rectify the situation. However, it isn't until she meets a psychiatrist, who explains the mechanisms of her frigidity, that she can plunge full throttle into the world of sexual fulfilment without neurosis. This is the follow up film to I Am A Nymphomaniac. It is once again directed by Max Pécas and stars the delightful Sandra Julien as the unfortunate Doris. Politically incorrect in every way, the psychiatrist at the end of the movie seems to suggest that being raped was Doris' own fault. Such a plot point won't go down well with contemporary audiences, unless they are willing to overlook a bit of 1970s male chauvinism. Julien puts in a terrific performance as Doris - enchanting and alluring at every turn as she attempts to overcome her frigidity (leading to all sorts of deviant behaviour).
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© What Culture Ltd. 2022 All Rights Reserved. —
Privacy Policy
More stories to check out before you go
My first film watched was Carrie aged 2 on my dad's knee. Educated at The University of St Andrews and Trinity College Dublin. Fan of Arthouse, Exploitation, Horror, Euro Trash, Giallo, New French Extremism. Weaned at the bosom of a Russ Meyer starlet. The bleaker, artier or sleazier the better!
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8 Directors Who Have The Worst Takes About Their Own Movie Endings
10 Seriously Messed Up Psychological Horror Movies
10 Recent Movies Where The Reshoots Were Obvious
Harry Potter Quiz: Which Gryffindor Said It?
10 Actors Who Improved At Something They Were Terrible At
Delivering passionate and comprehensive entertainment coverage to millions of users world-wide each month. Seen on Sky News; featured in The Guardian, NY Times, The Independent and more. 40,000+ articles posted by thousands of contributors spanning the entire cultural spectrum.
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Erotic Drama , Psychological Drama - NR
Erotic Drama , Psychological Drama - R
Erotic Drama , Romantic Drama , Coming-of-Age , Melodrama - R
Erotic Drama , Softcore Sex Film - NR
Erotic Drama , Gay & Lesbian Films - NR
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A type of drama with an emphasis on eroticism and where a sexual relationship plays an important role in the plot. Often these frank films contain elements of graphic nudity, sexual intercourse, and fetishism, yet these acts rarely are portrayed gratuitously or for simple voyeuristic pleasure. Often, the attention is drawn to issues of pleasure, companionship, and emotional and physical necessity. Unlike exploitation or porn flicks, erotic dramas offer more elaborate dramatic structure, deeper psychological character motivations and display a higher artistic level; some of them have become acknowledged classics. Unfortunately, Hollywood's traditional reluctance in dealing with overtly sexual and erotic topics in a serious manner (studios prefer to link sex with violence, exemplified by the erotic thriller, or with humor in the teen sex comedy) have given this subgenre a predominantly international flavor since the mid-'60s. A few notable examples include Last Tango in Paris, In the Realm of the Senses, Betty Blue, Henry and June, Crash, The Lover, Lovers, The Hairdresser's Husband, Breaking the Waves, The Piano, Matador, and The Pillow Book. Domestically, the abandonment of the Hayes Code in the late ‘60s offered American filmmakers chances to maturely explore eroticism for the first time. Disappointingly, between Hollywood's squeamishness, the underground's ‘70s sexploitation movement and the ‘80s post-AIDS age of abstinence, little of interest was made. However, the rise of the American independents in the late-'80s and ‘90s finally produced filmmakers willing to address eroticism without shyness, leading to domestic starting points like Blue Velvet, sex, lies and videotape and Female Perversions. ...
Directed by Sun Woo Jang , Jang Sun-Woo
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Adar giggles throughout the movie — but her hollow laugher is more like a silent scream, signaling that this is not funny at all. Her mother and the boyfriend become abusive to Adar, and she wanders the streets looking for someone to save her. She meets a boy named Alan who could pass for her doppelganger. They connect almost wordlessly, then buy matching outfits at a clothing store before Adar brings him home.
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