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Incest Artwork
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55 Innocent Kid Drawings That Look Totally NSFW
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Inga Korolkovaite Community member
#1 Little Girl Drew A Picture Of Her Mom At Work. The Mother Is Actually Selling A Snow Shovel At Home Depot
#2 My Friend's 8 Year Old Cousin Made This Self Portrait In Art Class. He Was Wearing A Minions Shirt. Needless To Say His Family Was Confused At First
#5 My 2nd Grade Teacher Friend Had A Class Assignment To Draw The Best Way To Prevent Germs. This Kid Did Not Fail To Disappoint
#8 Found A Drawing I Did As A Child. I'm A Little Bothered
#9 Made A Book For My Dad For Father's Day. My 13 Year Old Sister Could Use Practice Drawing Whistles
#12 I Worked A Kindergarten Graduation Service A Couple Of Years Ago Where The Kids Drew Their Own Programs. I Had To Save This One, Obviously, It's A Lighthouse
#13 My Uncle's A Firefighter. One Of The Kids They Rescued Drew Up A "Thank You" Note
#15 And One Night While We Were Listening To Old School Rap He Drew Two Turn Tables. I Was Just Glad He Didn't Draw A Microphone Too
#18 This Is My Daughter Billie's Drawing Of A Fox Running Away From An Alien
#19 My 5-Year-Old Did This For Preschool. Mummy And Daddy On Their Wedding Day
#20 My Kid's Drawing About Her First Day Of Kindergarten: Her Teacher. It's Pretty Accurate
#21 My Kid's Drew This Mother's Day Card For Me. It's Supposed To Be A Rocketship, I Think
#22 My 5-Year-Old Daughter Drew A Picture Of Her At The Farm, Holding A Shovel
#23 At What Point Should You Tell Someone That Their Kid Is Drawing Questionable Art?
#24 Friend Of Mine's Kid Drew This. He Said It Was "Daddy Shaking Hands With Santa Claus"
#26 Here Is A Father's Day Card From A Friend's Student
#27 I Teach English. One Of My Student's Drawing Looks Horribly Wrong
#29 My Son Was Studying Famine And This Was His Poster To Raise Awareness And Money
#30 My Friend's Son Drew A Picture Of Mommy Mowing The Lawn
#31 My 4-Year-Old Son's Drawing Of Santa. Yep, That's His Hat. It Was On The Wall At Preschool
#32 Drawing Vases With Flowers In Art Class
#33 Drawing Of A Giraffe. This Kid May Have Been Misinformed
#35 My Daughter's Skeleton This Is In The Classroom. Apparently, A Daddy Skeleton
#36 An Elementary School Kids Drawing Of A Slave Playing A Guitar
#37 My Son Drew This Last Year In The Kindergarden. It's Supposed To Be A Fish With Its Tail Out The Bottom There
#38 My Daughters Kinder Flower - The Kindy Teacher Kindly Sent Me A Picture Via Sms
#39 My Son Got In Trouble For Drawing Eyes At School
#42 This Was My Daughters Artwork About A Monkey And A Lion
#43 I Teach 1st Grade: A Students Drawing Of A "Dog Bone" With A Rainbow Coming Out Of It
#45 This Is The Start Of My Son's Dinosaur He Drew
#46 Looks Like Rudolph Is Getting Excited About Christmas Already
#48 My Little Brother's Innocent Drawing Ruined By My Dirty Mind
#50 My Son's Homework. Say The Name Of Each Item Then Draw A Picture That Rhymes (with Dick)
#51 Sun, Tree, And Person (by My Friend's Son)
#52 My Daughter Drew This Picture Of A Cat In Kindergarten!
#53 Innocently Inappropriate Children's Artwork
#54 My 4 Year Old Was Playing On Snap Chat. He Says It's A Drawing Of A Man. Yep.
#55 My Sons Get To Know You Book. Rainbow Ice Cream Anyone? Lol
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As we've already showed you previously, sometimes kids ask and say the craziest things . However, when it comes to drawing - things get even worse. Where a child might see a hat or a whistle, you would probably see something... let's put it this way - different.
So here's a challenge for you: take a look at Bored Panda's list of these innocent kid drawings and tell us you don't see anything dirty. Yep, this is how messed up you are!
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I am going to get more downvotes for this. Just notice the nose too
Well, there is nothing wrong with that picture. It even states "...the best cock ever"
I think, if you read the bit at the top it says Jesus washes his disciples feet
I'm in my 30s and I still can't draw hands and fingers. I can relate.
And those womens look happy!! LMAO!!
Always do like me some firefighter;)
"Well, what a lovely drawing" sounds like the book is being sarcastic, haha
This shit's genius... He's even holding them!
He looks VERY happy! and a bit horny...
It was bigger before she fixed it. :/
those are her hands!!!! how stupid can ppl be?? D:
Yep that is most definitely a shovel
I always did think mushrooms were a little phallic-ally
I guess those are the limbless coprses of the children that were bullying her/him
That's gonna be one hell of a cockslap....
This is SO wrong, on SO MANY levels
There is nothing wrong with this one, he is just playing with his thing
Those are boobies. He says they are full of milk. At least he knows what they are for. It's Not like he drew a penis pounding on them.
No wonder little Miss Muffit was frightened away....
That's how I drew them when I was little
When you realize, that your third eye is actually asecond penis
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Inga is a List Curator at Bored Panda. She is a Creative Industries graduate and has a Bachelor's degree in Communication. This panda's mission is to find and cover perfect topics which would satisfy our readers' curiosity, kill the boredom, or simply make them laugh. As the topics of her lists are so broad, so is Inga's personal preferences. She loves dogs but can't resist snuggling a cat, she likes creepy docuseries but also cute animated movies like Zootopia, her music taste varies from Indie Rock to Pop and Rave, she likes relaxing crafts, yet she usually spends her evenings dancing.
I miss that innocence. On the other hand, never knew there so many ways to accidentally draw a penis.
There isn't anything wrong with that kids' pictures. Circles are easier to draw than other forms and as children don't have that insane motoric skills, they draw it that way. And if a child sees a giraffe, a dolphin or whatever and you see a penis, this is just you being perverted
This exactly is the funny thing about this. The children's drawings make us think they thought about sexual topics, even though they did not add all. It reveals in a funny way how likely we are to abstract into the wrong direction. The children might not always have superios drawing skills, but it is us that have the dirty mind!
I miss that innocence. On the other hand, never knew there so many ways to accidentally draw a penis.
There isn't anything wrong with that kids' pictures. Circles are easier to draw than other forms and as children don't have that insane motoric skills, they draw it that way. And if a child sees a giraffe, a dolphin or whatever and you see a penis, this is just you being perverted
This exactly is the funny thing about this. The children's drawings make us think they thought about sexual topics, even though they did not add all. It reveals in a funny way how likely we are to abstract into the wrong direction. The children might not always have superios drawing skills, but it is us that have the dirty mind!
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Magazine | The Disturbing Photography of Sally Mann
The Disturbing Photography of Sally Mann
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This cover story appeared in the magazine on Sept. 27, 1992, and is discussed in an article by Sally Mann in the April 19 issue .
At the opening last spring of “Immediate Family,” Sally Mann’s show at the Houk Friedman Gallery in New York, the winsome young subjects of the photographs aroused as much curiosity as the artist herself. Motoring among the spectators like honorees at a testimonial dinner, Mann’s three children — Emmett, 12, Jessie, 10, and Virginia, 7 — looked completely at ease with the crowd’s prying adoration. While her mother and father conversed with friends and admirers, Jessie orbited the four rooms in her red dress, fielding questions from strangers eager to know more about her parents. Beneath a portrait of himself in the water, Emmett shrugged off the stares and expressed a typical teen-age frame of mind. “These shoes cost $70,” he boasted about his opening night footwear. All three seemed unconcerned by the fact that on the surrounding white walls they could be examined, up close, totally nude.
The Mann children have endured scrutiny for some time now. Eight years ago, their mother began to chronicle their growing up — the wet beds, insect bites, nap times, their aspirations toward adulthood and their innocent savagery. And the work that resulted has changed the lives of all involved.
Sally Mann was an accomplished photographer before the series, but in these intimate black-and-white portraits, exhibited piecemeal over the last several years, she struck a vein. The fears and sheltering tenderness that any parent has felt for his or her child were realized with an eidetic clarity. A half-naked androgyne, smeared with dirt and grass stains, looks up from a leaf-strewn yard. Lithe, pale shapes move with prideful ease among thick-torsoed elders. The images seemed to speak of a familiar past that was now distant and irretrievable.
The vein has bled silver. Since the beginning of the year, Houk Friedman has taken orders for more than 300 prints, well over a half-million dollars worth of photographs, and the waiting period for delivery of new prints is at least a year. Probably no photographer in history has enjoyed such a burst of success in the art world. And it will likely continue now that Aperture has published a monograph of “Immediate Family” in conjunction with a traveling museum show, opening on Oct. 29 at the Institute of Contemporary Art in Philadelphia.
Not all the scrutiny has been welcome or favorable. The nudity of the children has caused problems for many publications, including this one. When The Wall Street Journal ran a photograph of then-4-year-old Virginia, it censored her eyes, breasts and genitals with black bars. Artforum, traditionally the most radical magazine in the New York art world, refused to publish a picture of a nude Jessie swinging on a hay hook. And Mann’s images of childhood injuries — Emmett with a nosebleed, Jessie with a swollen eye — have led some critics to challenge her right to record such scenes of distress. “It May Be Art, but What About the Kids?” said the headline in an angry review in The San Diego Tribune.
Mann has so far been spared the litigation that surrounded the Robert Mapplethorpe shows. And unlike Jock Sturges, whose equipment and photographs of nude prepubescent girls were confiscated by the F.B.I., she has not been pursued by the Government on child pornography charges. But a Federal prosecutor in Roanoke, Va., from whom she sought advice, warned Mann that no fewer than eight pictures she had chosen for the traveling exhibition could subject her to arrest.
Beyond issues of artistic license, Mann’s work has raised worrying personal concerns. The shield of motherhood can quickly become a sword when turned against her. If it is her solemn responsibility, as she says, “to protect my children from all harm,” has she knowingly put them at risk by releasing these pictures into a world where pedophilia exists? Can young children freely give their consent for controversial portraits, even if — especially if — the artist is their parent? And apart from legal and epistomologic matters, is the work any good? Do these sensual images emerge from the behavior of her subjects or are they shaped by the taste and fantasies of the photographer for an affluent audience? Is it pandering or bravery, her willingness to photograph what other adults have seen but turned away from?
Walking through the rooms of the gallery, you could not help but wonder what Emmett, Jessie and Virginia will think about these photographs and about their mother, if not this fall, then in 5, 10 or 15 years. You can be sure that Sally Mann wonders, too.
The doorbell at the Mann home in Lexington, Va., is a small, black, wrought-iron breast. Visitors announce themselves by pressing a red nipple within the raised areola. Like the red-metal dragons that line the driveway or the 20-by-24-inch blowups of the children in the foyer or the photograph on the living room wall of Sally Mann’s father, dead in his bathrobe, the doorbell seems designed to give a start to the uninitiated and to put some comic distance between the occupants and their neighbors. The same attitude of defiance is there in the cover portrait of “Immediate Family.” Bare-chested with arms crossed or akimbo, the three little Manns level their gaze at the world.
Children and house both project the sensibilities of Sally Mann herself. A 41-year-old dark-haired beauty whose turned-up nose accentuates a natural hauteur, she is a cool mom. With her brood safely strapped in, she drives a black BMW 735i, very fast, and favors a subdued, asexual preppy look — turtle-necks and T-shirts, cut-off shorts, dirty Reeboks.
Lexington is a genteel town, site of Stonewall Jackson’s house, Washington and Lee University and the Virginia Military Institute. Born and raised here, married to the same man for 22 years, Mann is secure enough in her surroundings to take liberties with the mores of a place only 50 miles from the headquarters of the Rev. Jerry Falwell and his Moral Majority.
“I think the South depends on its eccentrics,” she says one summer afternoon on the back porch as Jessie and Virginia weave in and out of the house. (Emmett is away at camp.) “It loves them, and it rewards them in lots of ways. This community allows itself to be scandalized by me and by my work, but they love it. What else would they do if it wasn’t for me? I take being iconoclastic sort of seriously. It’s my role here.”
Ex-”dirt hippies” who still grow much of their own food and until a decade and a half ago barely made enough money to pay taxes, Sally and Larry Mann are a tight couple. Both “Immediate Family” and “At Twelve,” her portraits of local girls on the cusp of puberty, are dedicated to him. While she has pursued her photography career with singleminded purpose, he has been a blacksmith and a two-term City Councilman; recently, he got a law degree. His office in town is 10 minutes away, and he walks home nearly every day for lunch.
Their house has an airy mood of understated comfort, its three levels overlooking a wisteria arbor and a well-tended vegetable garden in a yard that slopes down to a creek. Rope swings and hammocks hang from ash-leaved maples. The decor includes photographs by Diane Arbus and Emmet Gowin, both important figures for Mann; walls of books; marble torsos of nude women; finches in cages and flying free; the skeletons of lizards and cats. An expansion completed this year provides each child his or her own room; Sally and Larry reside in a connecting wing, which also houses her new darkroom and offices. To meet the demand for her work, she can now afford to hire an assistant.
The slow, wet air of southern Virginia in July and August, when even the trees perspire, serves as a backdrop for Mann’s idylls of leisure. “Even though I take pictures of my children, they’re still about here,” she says. “It exerts a hold on me that I can’t define.”
Mann photographs only in the summer; the rest of the year is devoted to marathon sessions of printing. “Nothing happens during the other seasons,” she says with a shrug. “I suppose I could do a normal domestic picture of the kids doing their homework. But that’s not what I do.”
The collaboration of the children in their mother’s work is apparent to anyone who spends time in their company. They are impish, argumentative participants, not robots. (When a photographer asked them what kind of portrait of their mother should accompany this article, they shouted, “Shoot her naked, shoot her naked.” She did.)
“I have no objections, none,” says Jessie, questioned in her mother’s absence about her feelings toward the photographs. “The few times I don’t like it is when I have a friend over and I’m just in my room and Mom says, ‘Picture time,’ and I don’t really want to do it.” But Jessie, whose heroes include Helen Keller, Martin Luther King Jr. and Madonna, has the body of a little girl and the mind of an art director. Like all the children, she will note places where her mother might photograph her. “I know what my mom likes sometimes, so I point it out to her.”
Last spring, Mann decided not to publish “Immediate Family”: “I thought the book could wait 10 years, when the kids won’t be living in the same bodies. They’ll have matured and they’ll understand the implications of the pictures. I unilaterally decided.” Her fait accompli provoked an uproar from the children. “They were angry I hadn’t asked them.” Family meetings were held. Emmett and Jessie were sent to a psychologist to make certain the
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