In the Woods
💣 👉🏻👉🏻👉🏻 ВСЯ ИНФОРМАЦИЯ ДОСТУПНА ЗДЕСЬ ЖМИТЕ 👈🏻👈🏻👈🏻
In the Woods
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
2010 2010 Not Rated Not Rated 1 h 25 m
Greta Zenelaj (story) Vilma Zenelaj (screenplay) (story)
"In the woods....can anyone hear you snore?"
The trees were the least wooden part of this whole film. The husband did a decent enough job, but frankly this film was as bad as a film could be.
The script made no sense, even at the end a line is invented so the wife can 'realise' what is happening. Affraid to say I had worked it out before they had got into their car.
The filming was bad...probably a handheld camera, it was always moving and added nothing to the atmosphere, nor to a sense of isolation....neither really were in the film.
Have no idea who I was supposed to 'support' in the film....but I know who I wanted to get through it.
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By what name was In the Woods (2010) officially released in Canada in English?
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A young couple go camping in the woods where they strike up an unexpected encounter with another camper they fall prey to. A young couple go camping in the woods where they strike up an unexpected encounter with another camper they fall prey to. A young couple go camping in the woods where they strike up an unexpected encounter with another camper they fall prey to.
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
In The Woods: Transparency And Punishment
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The Prologue. Nobody knows. The multi-part series continues to be filmed. The Prologue. Nobody knows. The multi-part series continues to be filmed. The Prologue. Nobody knows. The multi-part series continues to be filmed.
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale. Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale. Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale.
New generation - same rites - new cinema.....
While watching this i became acutely aware of the generation gap between the new arrivals and my own who are most probably their parents or at least their uncles and aunts. So i wondered how my niece or nephew might enjoy this film as a right- of-passage film which reflects their age group. For myself i felt a mixture of impatience and boredom mixed with reminiscence for an early adulthood which has truly past for me at least. To this extent, whilst needing something to think about, I was struck watching the film that humans are destined to rediscover the same universe with each new generation. The same rite's of passage, the same movement from childhood to adulthood, the same fumbling, the same moments of fascination and self absorption. I'm doing it even now, aged 48, where i find one is still fumbling forward in some sense but in a different sense to the age portrayed in this film. That said, i did find the film almost painfully whimsical. Whimsy is the great undoing of youth. As an adult, there is little patience for such foibles, though again I was struck at how reflective of my own experience the furtiveness captured really is for the age-period of life portrayed. It was however, with great relief that having stuck out the ins and outs of this trio of characters, the film all but completed with what was a compelling, riveting and sensual threesome between the actors. Beautifully shot, a startling musical score and intense with a prospect of a director who finally might well have something to say. I could easily have done without most of what had gone before. The symbolism of fairy tale worlds,childhood, and so forth was all in keeping with it's thematics but left me still essentially bored and wondering if the film might be pointless. I wondered if the car exploding was something which had really been earned by what we had witnessed ? It was slightly an inverted Zabriskie Point moment. Only with Zabriskie Point, the explosion metaphor stands as a symbol for absolute patriarchal rejection. Here, perhaps it stood for the end of what had gone before, but i still felt that the furtive post adolescent exploration of boundaries of which the film mostly consists, just aren't as significant or interesting as they may have felt at the time. However as a symbol of a generation who usher in a new inter-sexuality which is indeed new, the opening and finale may yet still stand. Moving beyond the old order of straight, gay and lesbian, we are entering the dawning of multi-dimensional notions of both loving and gender. Certainly when new configurations of social sexuality emerge they are indeed socially explosive and one is left speculating if the three characters are coming to new conclusions or simply replicating the timeless experimentation of ages past. The gender politics portrayed was pretty conventional. The hansom 'straight'male, confident, at ease with nudity, the furtive more reticent 'gay' male, a little closeted, lacking confidence and quietly desiring the straight male body of his girlfriend's lover, the self absorbed enigmatic woman discovering her female 'power' - all standard non-boundary pushing portrayals. However the increasing representation of bisexuality in cinema is refreshing though reflective of that group's current emergence as a psycho-sexual cultural discourse. Refreshing to the new generation though is a lack of prudishness about filming genitalia as an extension of the expression of intimacy.The camcorder shaky aesthetic also characterises freshness, though at times here was a little reminiscent of The Blair Witch Project in it's proximity to the sinister aspect of the woods. I gave this film 4 and then 5 largely because i think it over rated the rites it portrayed but also then to acknowledge the bravery of the degree of nudity the actors were prepared to give of themselves. With regards the acting, it was difficult to give credit where it might be due, largely because of an absence of a script of any notional interest. The film was heavily reliant on a kind of 'pure' cinema with a stripped down plot mostly concerned with manifesting emotional tension above all else.
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Gavin Creel
Cinderella's Prince/Wolf
David Patrick Kelly
Narrator/Mysterious Man
Annie Golden
Cinderella’s Mother/Granny/Giant
Delphi Borich
u/s Little Red Ridinghood, Lucinda, Florinda, Rapunzel
Felicia Curry
u/s Baker’s Wife, Witch, Jack’s Mother, Cinderella’s Mother/Granny/Giant
Jason Forbach
u/s Baker, Cinderella’s Prince/Wolf, Rapunzel’s Prince, Narrator/Mysterious Man
Alex Joseph Grayson
u/s Jack, Rapunzel’s Prince, Milky White, Cinderella’s Father
Albert Guerzon
Cinderella’s Father, Dance Captain
Cameron Johnson
u/s Baker, Cinderella’s Prince/Wolf, Jack, Milky White, Steward
Paul Kreppel
u/s Narrator/Mysterious Man, Steward, Cinderella’s Father
Mary Kate Moore
u/s Baker’s Wife, Cinderella, Little Red Ridinghood, Florinda
Diane Phelan
u/s Cinderella, Lucinda, Cinderella’s Stepmother, Rapunzel
Lucia Spina
u/s Witch, Jack’s Mother, Cinderella’s Mother/Granny/Giant, Cinderella’s Stepmother
Originally Directed by
James Lapine
Sound Designers
Scott Lehrer
Alex Neumann
Hair, Wigs & Makeup Designer
Cookie Jordan
Production Stage Manager
Justin Scribner
Music Coordinators
Seymour Red Press
Kimberlee Wertz
Production Supervisor
Cody Renard Richard
Casting by
The Telsey Office Craig Burns, CSA
Advertising & Marketing
Serino Coyne
General Management
Showtown Theatricals Nathan Gehan Samuel Dallas
Production Management
Aurora Productions
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PLEASE NOTE: Casting changes starting September 6th: STEPHANIE J. BLOCK AS THE BAKER’S WIFE, SEBASTIAN ARCELUS AS THE BAKER, KRYSTA RODRIGUEZ AS CINDERELLA, ANDY KARL AS THE WOLF/CINDERELLA’S PRINCE (SEPT. 6 – 15), MONTEGO GLOVER TO SHARE THE ROLE OF THE WITCH WITH PATINA MILLER. The role of the Witch will not be played by Patina Miller during the Wednesday, August 31, 2 p.m. performance. The role of Cinderella will not be played by Phillipa Soo at the Saturday, September 3, 2 p.m. and 8 p.m. performances. The role of Rapunzel’s Prince will not be played by Joshua Henry for all performances from Thursday, August 25 through Sunday, August 28.
Here’s a reason to be happy ever after... Direct from its sold-out New York City Center Encores! run, STEPHEN SONDHEIM and JAMES LAPINE ’s Tony Award®-winning triumph INTO THE WOODS has come to Broadway’s St. James Theatre. So don’t delay or be misled—this critically acclaimed new production is here just for a moment!
This theatrical event, directed by LEAR de BESSONET ( Hercules ), will honor the memory of legendary composer STEPHEN SONDHEIM and this Broadway masterpiece like never before. But don’t wait until your last midnight! Tickets are going fast—and that’s no fairy tale.
has received two Tony Award nominations, three Primetime Emmy Award nominations and seven Grammy Award nominations, garnering a 2020 Grammy in the category of Best American Roots Performance for her song “Saint Honesty.” On Broadway, she composed music and lyrics for Waitress , and stepped into the lead role in 2017, 2018, 2019, 2020 and 2021. Other musical credits include a song on the Tony Award-nominated score for SpongeBob SquarePants and Emmy Award-nominated appearance as Mary Magdalene in NBC’s “Jesus Christ Superstar Live.” Bareilles produced original music and executive produced the musical drama series “Little Voice,” teaming up with Jessie Nelson, J.J. Abrams and Apple. She currently plays Dawn Solano on the Emmy-nominated musical comedy series “Girls5eva” streaming on Peacock. She is thrilled to join this extraordinary company for another moment in the woods.
is a threetime Tony Award nominee with multiple Broadway credits. The Ferryman , Something Rotten , Hamilton , Next to Normal , Time Stands Still , Titanic , Macbeth , Shrek the Musical and Sweet Smell of Success , to name a few. Brian originated the role of King George in Hamilton at The Public Theater. Other select Off-Broadway: The Good Thief (Obie Award), The Wild Party , Port Authority , Floyd Collins among others. Brian appeared in Steven Spielberg’s 2022 Oscar-nominated film West Side Story as Officer Krupke. He was in the 2016 Oscar-winning Spotlight (multiple Best Ensemble awards including SAG Award). Other select film: Molly’s Game , First Man , The Kitchen , Ghost Town . Television: Executive producer of CBS’ “How We Roll,” he can be seen in Marvel’s “Hawkeye,” “Smash,” “13 Reasons Why,” “Evil,” “Devs,” among many others. Upcoming film and television: Where All Light Tends to Go with Billy Bob Thornton, Rebecca Miller’s She Came to Me , “Love and Death” (HBO Max), “Dear Edward” (Apple TV).
makes her highly anticipated Broadway return since receiving a Tony Award for Best Performance by an Actress in a Leading Role in a Musical in 2013 for the Tony Award-winning revival of Pippin . Miller can currently be seen on screen as lead Raquel “Raq” Thomas in Starz’s critically acclaimed “Powerbook III: Raising Kanan,” which returns for season two in August. Broadway: Pippin (Tony Award winner, Outer Critics Circle Award winner, Drama League Award honoree and Fred & Adele Astaire Award nominee), Sister Act (Tony, Drama Desk, Drama League, Outer Critics Circle Award nominations and Theatre World Award winner). Off-Broadway: Ragtime , Lost in the Stars , Romantic Poetry . West End: Sister Act (Olivier Award nomination). Television/ film: “Madam Secretary,” “Mercy Street,” “Word Party,” “All My Children,” The Many Saints of Newark , The Hunger Games: Mockingjay Parts 1 and 2 . Miller is a graduate of Carnegie Mellon University. The role of the Witch will not be played by Patina Miller during the Wednesday, August 31, 2 p.m. performance.
was last seen at The Public Theater starring in Suffs , Shaina Taub’s new musical. She is best known for originating the role of Eliza Schuyler Hamilton in Broadway’s critically acclaimed show Hamilton , earning her Tony and Emmy nominations and winning a Grammy. She was also nominated for a Tony and Emmy for the filmed version. Television: “Shining Girls,” “Dopesick,” “The Code,” “The Bite.” Film: One True Loves (upcoming): tick, tick…BOOM! ; Over the Moon ; The Broken Hearts Galley ; The One and Only Ivan . Broadway: Amélie , The Parisian Woman . Off-Broadway: Natasha, Pierre & the Great Comet of 1812 . The role of Cinderella will not be played by Phillipa Soo at the Saturday, September 3, 2 p.m. and 8 p.m. performances.
Upcoming: Walk on Through: Confessions of a Museum Novice (book, music and lyrics, originally commissioned by The Metropolitan Museum of Art.) Broadway: Hello, Dolly! (Tony Award); Hair (Tony nomination); Thoroughly Modern Millie (Tony nomination); Waitress ; The Book of Mormon ; She Loves Me ; La Cage aux Folles . West End: The Book of Mormon (Olivier Award), Hair , Waitress , Mary Poppins . Television: PBS “Stars on Stage,” “American Horror Stories,” “Eloise at the Plaza” and “Eloise at Christmastime.” Original recordings: GOODTIMENATION , Quiet , Get Out . Graduate: University of Michigan School of Music, Theatre and Dance. Gavin is a Hermitage Artist Writing Fellow, and Walk on Through was selected for development at the Eugene O’Neill Theater Center’s 2022 National Musical Theatre Conference.
is a Grammy-nominated performer and recording artist best known for his Tony-nominated leading roles in Carousel , The Scottsboro Boys and Violet , as well as for his show-stopping performance as Aaron Burr in the cultural phenomenon Hamilton (Chicago/San Francisco/Los Angeles). Joshua’s debut album Grow is available worldwide on all streaming platforms. He is a BMG recording artist and his original symphony show Get Up, Stand Up premieres this fall with The Philly Pops orchestra. On screen, he starred as Roger Bart in the Academy Award-nominated film tick, tick… BOOM! directed by Lin-Manuel Miranda. He also starred as Jerlamarel opposite Jason Momoa in two seasons of Apple TV+’s show “See.” Other Broadway shows include In the Heights , Shuffle Along , American Idiot , Porgy and Bess , Bring It On: The Musical . Off-Broadway: In the Heights , The Wrong Man . The role of Rapunzel’s Prince will not be played by Joshua Henry for all performances from Thursday, August 25 through Sunday, August 28.
made her New York debut in City Center’s Into the Woods , and is over the moon to now be making her Broadway debut! She currently stars as Ashlyn in “High School Musical: The Musical: The Series” on Disney+. Other select television: “Mom” on CBS, “Spirit: Riding Free” on Netflix, and “The Thundermans” on Nickelodeon. Favorite theatre credits: Carrie: The Musical (Carrie), Next to Normal (Natalie), The Drowsy Chaperone (Janet). Love to Mommy and Daddy!
Broadway debut! Readings/workshops: Bliss (dir. Sheryl Kaller). Regional: Weston Playhouse, Connecticut Repertory Theatre. Cole is a proud graduate of the University of Michigan’s Musical Theatre program. Huge thank you to the Nicolosi and Co. team! Much love to my family and friends for their constant support! @_cole__thompson
Broadway: Thérèse Raquin , Uncle Vanya , Once , Twelfth Night , The Government Inspector , Working . Select Off-Broadway: Miss You Like Hell , Everybody , When I Come to Die , Ghosts , Kit Marlowe , Lobster Alice . Television: “Ray Donovan,” “Twin Peaks,” “Succession,” “Feed the Beast,” “The Blacklist,” “Gossip Girl” and others. Film: Fugitive Dreams , John Wick , Flags of Our Fathers , ChiRaq , The Longest Yard , Last Man Standing , Flirting with Disaster , The Crow , Malcolm X and The Warriors . Obie Award for Sustained Excellence.
Discovered on the Bowery fronting a rock band/cast by Milos Forman as Jeannie in Hair , the 1978 film. Some Broadway credits include Violet , Xanadu , The Full Monty , Ah! Wilderness . Recently: Broadway Bounty Hunter Off-Broadway. Was Sondheim’s original Squeaky Fromme in Assassins (Playwrights Horizons). Numerous Film/Television credits, most notably her role as Norma Romano in the hit series “Orange Is the New Black,” “Filthy Rich,” “New Amsterdam,” “Evil” and “The Marvelous Mrs. Maisel.”
Broadway: A Christmas Carol Broadway (SF co.), Wicked , Beautiful: The Carole King Musical , Honeymoon in Vegas , Cinderella , Memphis , Gypsy , Fiddler on the Roof , Urinetown , Triumph of Love , Anything Goes , Sunday in the Park With George , Evita , others. Off-Broadway: Curvy Widow , Toxic Avenger , My Deah , Polish Joke , Mere Mortals , All in the Timing . National tour: The Drowsy Chaperone . Television: “The Big C,” multiple “Law & Order.” Juilliard School, drama division. nancyopel.com
is beyond thrilled to be able to join this beautiful and brilliant cast of ITW. Broadway: Shrek the Musical (Mama Bear), Les Misérables
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