Husband Film

Husband Film

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Cast

Ben Gazzara

Harry

Peter Falk

Archie

John Cassavetes

Gus

Jenny Runacre

Mary

Jenny Lee Wright

Pearl

Noelle Kao

Julie

John Kullers

Red

Meta Shaw Stevens

Harry’s wife, Annie

Leola Harlow

Leola

Delores Delmar

The countess

Eleanor Zee

Mrs. Hines

Claire Malis

Stuart’s wife

Peggy Lashbrook

Diana Mallabee

Eleanor Gould

“Normandy” singer

Sarah Felcher

Sarah

Gwen Van Dam

“Jeanie” singer

John Armstrong

“Happy Birthday” singer

Antoinette Kray

“Jesus Loves Me” singer

Lorraine MacMartin

Annie’s mother

David Rowlands

Stuart

Nick Cassavetes

Gus’s child

Xan Cassavetes

Gus’s child

Credits

Director
John Cassavetes
Written by
John Cassavetes
Producer
Al Ruban
Associate producer
Sam Shaw
Director of photography
Victor J. Kemper
Production supervisor
Fred Caruso
Supervising editor
Peter Tanner
Graphic artist
Edie Shaw
Musical director
Stanley Wilson
Musical director
Jack Ackerman

NEW YORK
Art director
Rene D'Auriac
Production manager
Robert Greenhut
Camera operator
Michael Chapman
Camera operator
Dick Mingalone
Continuity
Nancy Norman
Sound
Dennis Maitland
Costumes
Lewis Brown
Makeup
Robert Laden

LONDON
Assistant director
Simon Hinkly
Assistant director
Philip Mead
Camera operator
Geoff Glover
Sound
Barry Copland
Continuity
Peggy Lashbrook
Wardrobe
Shura Cohen
Wardrobe
Dennis Frun
Makeup
Tommie Manderson

For streaming, search the Criterion Channel

The trailblazing independent auteur John Cassavetes pushes his raw, uncompromising emotional realism to its limit in this unflinching portrait of masculinity in crisis. Cassavetes joins Ben Gazzara and Peter Falk—both of whom would become key collaborators of the director’s—playing a trio of middle-aged Long Island family men who, following the sudden death of their close mutual friend, channel their grief into an epic, multiday bender that takes them from Manhattan to London in a desperate, debauched quest to feel alive. By turns painfully funny and woundingly perceptive, this “comedy about life, death, and freedom” (as its tagline stated) stands as perhaps the most fearless, harrowingly honest deconstruction of American manhood ever committed to film.
A film of volatile emotions that provides no catharsis, John Cassavetes’s exploration of masculinity finds the director at his most existential and abstract.
The filmmaking duo behind Bloody Nose Empty Pockets share with us the movies they turn to time and again for inspiration.
John Cassavetes’ emotionally naked human dramas are benchmarks of American independent cinema. Having started out in New York as an actor, Cassavetes brought to his directorial efforts the same kinetic, heightened realism that marked his film and theater roles—a wily danger, the sense that at any moment things could explode from the inside. Shadows (1959), the first film he directed, self-financed for a mere $40,000, didn’t find much of an audience upon its small initial release, but it garnered Cassavetes some notice from critics (including a Venice Film Festival Critics Prize)—as well as studios, resulting in a couple of impersonal projects in the 1960s ( Too Late Blues, A Child Is Waiting ). He dove back into personal filmmaking later in the decade with the devastating domestic drama Faces (1968). Though hardly a crowd-pleaser, that film—made, like Shadows, wholly independently—was an art-house success, resulting in three Oscar nominations. From that point on, Cassavetes was synonymous with uncompromising, anti-studio American fare, working with a rotating cast of brilliant actors like Ben Gazzara, Seymour Cassel, and, of course, his wife, Gena Rowlands, to touch raw nerves with such films as A Woman Under the Influence (1974), The Killing of a Chinese Bookie (1976), and Opening Night (1976). Cassavetes died in 1989.
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From Wikipedia, the free encyclopedia

9 September 2013 ( 2013-09-09 ) (TIFF)
14 March 2014 ( 2014-03-14 ) (Canada)

^ "The Husband" . TIFF . Retrieved 8 August 2013 .

The Husband is a 2013 Canadian comedy film directed by Bruce McDonald . It was screened in the Special Presentation section at the 2013 Toronto International Film Festival . [1]

This article related to a Canadian film of the 2010s is a stub . You can help Wikipedia by expanding it .
This film article about a 2010s comedy is a stub . You can help Wikipedia by expanding it .

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