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From Lars von Trier to John Cameron Mitchell and almost every Vincent Gallo movie, here are the films that actually captured real sex scenes.
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“Wetlands,” “Pola X,” “The Idiots,” “Intimacy,” “Strange by the Lake,” “Immoral Woman”
Sex on film is nothing new, and yet unsimulated intercourse in non-pornographic films has been somewhat of a marvel.
Catherine Breillat ‘s first film in 1976, “A Very Young Girl,” adapts her own controversial novel about a 14-year-old exploring her newfound sexuality. While the lead actress Charlotte Alexandra was age 20 during production, the film wasn’t released in theaters in the U.S. until 2000.
Breillat’s later film, “Romance,” was announced as the first European film with non-simulated sex scenes in 1999, according to Breillat.
“Actors are prostitutes because they’re asked to play other feelings,” Breillat exclusively told IndieWire . “This prostitution is not profane; it’s a sacred act that we give them.”
In contrast, John Cameron Mitchell set out to “honor” sex as a pastime for real people, much like art, music, or cuisine, in his second feature film, “Shortbus,” the 2006 film now rolling out a re-release restoration nationwide.
Mitchell told IndieWire about filming the cult classic, “Certainly, a lot of films had used sex, but they were pretty grim, and I wanted something more fun and funny, but still emotionally deep. And so I said, ‘I never want you to do anything you don’t want to do, but I do want you to challenge yourselves so we can challenge the audience.'”
Mitchell continued, “‘Shortbus’ isn’t about sex. It uses sex as a medium, as a delivery system for ideas and characters and emotions, just like ‘Hedwig [and the Angry Itch]’ uses music. Sex is our music in ‘Shortbus.’ We really only did one sexual rehearsal. I just went with what they wanted to do.”
And the depiction of unsimulated sex onscreen has taken many forms across decades and new political landscapes. “In terms of sex being presented on film, mainstream or even independent film has foresworn it,” Mitchell summarized. “They’ve given it up, because it’s too scary. There’s too many people saying someone’s being exploited and consent-based issues in intimacy. Imagine an intimacy counselor on the ‘Shortbus’ set. Imagine…a ‘Shortbus’ intimacy counselor would be like, ‘May he put his arm inside you now? Is that OK?'”
See the definitive list of unsimulated sex in film, directed by filmmakers from Lars von Trier to Vincent Gallo, William Friedkin and Abel Ferrera.
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Russian sex slaves kicked and slapped by female pimp for 'being absent without permission'
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Horrifying footage shows Russian sex slaves being abused in a brothel
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WARNING - VIOLENT CONTENT: Disturbing video footage shows how 'trapped' victims held inside a Bahrain brothel were subjected to verbal and physical abuse
This is the shocking moment victims of a ruthless gang selling Russian sex slaves are kicked and slapped by a female pimp for 'being absent without permission'.
Disturbing footage shows how 'trapped' victims held inside a Bahrain brothel were subjected to verbal and physical abuse.
Seven members of the gang selling the Russian sex slaves to oil-rich Bahrain have been jailed after an 18-year-old student managed to evade her pimps and phone her parents who alerted police.
The sinister people smuggling ring included three women - among them a mother and daughter aged 44 and 27, say police.
Gang leader Olga Goryachikh, 43, was jailed for six years, a sentence reduced from 15 years because she unmasked half a dozen accomplices.
Not all the gang members were identified or detained but one, Lyubov Fedorkova, 25, dressed in red and with a face mask in court, was sentenced for three and a half years.
Two female members of the gang were deported from Bahrain to face trial in Russia.
The ruthless syndicate recruited women aged 18 to 30 in impoverished Russian villages and provincial cities, sending them to Muslim countries in the Persian Gulf where they were "forced to work as prostitutes".
They were convicted of conning 23 women to travel, earning £12,500 for each one forced into sexual slavery.
The women were told they were going to respectable jobs in bars and restaurants in Bahrain and other Middle East countries.
But when they arrived their passports were seized, they were kept under guard, and threatened with beatings to force them to have sex with Arab clients, it is reported.
In her diary, Goryachikh reportedly described her victims as “freight carriages”.
Police seized £61,000 in US dollar cash and guns as well as evidence that dozens of women had been trafficked for sex in recent raids in Perm region and the Udmurtia republic, it is reported.
Irina Volk, spokeswoman for the Russian Interior Ministry, said: "Members of the criminal gang recruited women in Udmurtia republic and Perm region, offering them jobs abroad with good pay.
"The gangsters sorted all the paperwork, bought tickets and sent their victims to the United Arab Emirates and Bahrain.
"Having arrived there, the girls were met by their accomplices who threatened them with physical violence and forced them to work as prostitutes."
Senior investigator Sergei Petrashov said: "Some women were attracted by an offer of big money.”
A few “were told the truth about their future occupation, but in the majority of cases the women had very little idea of the job.
“The girls were clearly cheated and as good as kidnapped.”
Another police source said they were “sex slaves” with no means to escape.
In Bahrain they were made to live in brothels "in a chain of secret hotels", according to reports.
"They were fed and their basic hygiene needs were met. But there were also cases of violence," he said.
The Russian authorities were alerted after two students, aged 19 and 23, managed to return to Russia after 18 months of "rapes" when they were forced to have sex with Arab men, it is claimed.
In the Gulf, the women were reportedly under close guard and only allowed to phone home in front of their "master".
But an 18-year-old from Udmurtia region in Russia managed to call her family from Bahrain when she was not overheard.
She told the truth to her parents about her life as a "sex slave" and they immediately went to Russian police.
The other convicted gang members were named in a court statement only by their family names Arbuzov, Shilyaeva, Sibiryakov, Tatarkin, and Strelnikov .
They were jailed to periods from three to five-and-a-half years.
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As mainstream Hollywood lags behind in meaningful explorations of sexuality, these provocative short films embrace the unusual tapestry of human predilections.
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As film festivals pivot to the ever-shifting landscape of distribution and sales, the way we consume independent film is changing more dramatically than anyone could have predicted. Audiences can now experience a wider variety of films online, opening a world of possibilities that will hopefully benefit smaller films. With any luck, the new reality will broaden movie lovers’ horizons enough to include short films , which U.S. audiences can be reluctant to embrace. Most filmmakers begin to craft their voices with shorts, and given the significance of making a strong first impression, the format encourages creative risks. What’s more, younger and emerging filmmakers naturally have a finger on the pulse of more progressive ideas, ensuring a broader range of perspectives.
While mainstream Hollywood struggles to address human sexuality in any meaningful way, these four recently-released short films explore sex and desire with a refreshing playfulness. Whether it’s a feminist genre take on actual bloodlust, or a comedy about an erotic encounter where the two people never touch, these films celebrate the full spectrum of human desire. They’re all available online, though you’ll have to head over to YouTube for the more explicit titles, and each one has its own unique vibe.
Though dealing swimmingly with sexual themes, this daring drama pushes the envelope a bit too far to be considered flat-out sexy. Rather, Australian filmmaker Renée Marie Petropoulos uses sexuality as fertile ground to explore the complex connection between a mother and daughter, and each woman’s complicated relationship to her own sexuality. A quintessential “cool mom” throws a raucous pool party for her wide-eyed teenage daughter, eerily pushing her to flirt with the boys. The older woman saunters in her loose caftan doling out Jello shots, sucking down a cigarette after some boys toss her in the pool with the rest of the teenagers. As her daughter looks on — whether in shame, disgust, or normal teenage angst — an ocean of pain is shared in the glances between the two.
When a cunning teenager steals a dildo and harness from her local sex shop, she suddenly finds herself empowered beyond the imaginations of her small-minded boyfriend. Emboldened by the high of her new toy, she exudes a new confidence in front of her friends, who seem devoted to conventional gender roles. She quickly grows tired of being shut out of the boys’ games, and poses a unique dare to the young men in her circle. But her confidence is rewarded when her macho lover surprises her in exciting ways.
This funky little documentary explores the world of custom-order porn, a niche filmmaking enterprise designed by married couple Dan and Rhiannon Humes. Though they began their career in mainstream porn, the duo soon recognized an opening for user-designed content. Customers approach them with fantasies, whether to explore a specific fetish or to revisit an erotic childhood memory, and the Humes then craft them into bespoke porn. The film shows the coupe lugging camera equipment around their California home, interviewing the performers, and recounting customers and requests that stuck with them. Many of the scenarios are surprisingly moving, like the guy who just wants to see a pretty girl call him “honey” and “love.”
Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.
The most erotic film ever made about a window washer, “Squeegee” follows a delightfully weird tryst between a career woman and the scruffy younger man who washes her office windows. The 10-minute short is almost entirely devoid of dialogue, instead relying on a moody jazz score that wouldn’t be out of place in a noir. Lead actress Amy Rutherford embodies her frisky businesswoman with an empowered girlishness, communicating everything from desperate lust to soulful longing with nothing more than a few subtle looks. The glass that separates the two characters is both a literal safety barrier as well as representative of the often murky disconnect between fantasy and reality. Written and directed by Morgan Krantz, “Squeegee” is an entertaining comedic interlude that has a lot to say about the human condition. You’ll never look at window washers the same way again.
“I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week , which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.”
Lithe and full of longing, a young Italian embraces his provocative drag persona in this short and sensual documentary. Vincenzo is a young queer artist from Naples, Italy who performs cabaret-style drag at La Boum, Milan’s premiere gay club. His soul-searching voiceover narrates visually sumptuous footage of his performances, interspersed with more traditional community scenes of life in Naples. Whether he’s going by Vincenzo, Ambrosia, or Vincenzo D’Ambrosia, the film celebrates his shifting identity as he explains that the very act of naming himself is both confusing and empowering. While he appears confident and beautiful onstage, behind the scenes Ambrosia bounces between concerns about being pretty or feminine enough and feeling like he’s letting down his family every time he puts on a heel. Director Peter Spark expertly crafts this glittery dance between art and artist, allowing the harshness of Ambrosia’s inner monologue to exist side by side in beautiful contrast with his enthralling stage persona.
A young woman anxiously awaits a special visitor in a quaint roadside motel room in this surprising and humorous gore-inflected genre morsel. When her young and lanky massage therapist arrives, he isn’t exactly one for small talk, immediately putting her even more edge. Writer/director Meredith Alloway takes center stage as the eager client; she’s natural and open opposite a deliciously creepy Peter Vack. Following a string of TV roles in shows like “Mozart in the Jungle” and “Homeland,” Vack distinguished himself as a filmmaker with the highly controversial “Assholes,” which premiered at SXSW in 2017, prompting IndieWire’s David Ehrlich to call it “one of the most disgusting movies ever made.” While “Deep Tissue” is more provocative than disgusting, the final reveal is in line with Vack’s own filmmaking philosophy. Keep ’em on their toes, and they’ll eat it right up. You can watch “Deep Tissue” via The Future of Film Is Female.
Quirky and unnervingly erotic, this whimsical stop-motion animation celebrates all kinds of bodies and predilections. The film debuted as part of Sundance Film Festival’s 2018 Midnight Shorts Program, and premiered online as a Vimeo Staff Pick last year. The films spies on different creatures in bed, from lesbian nuns to gender-blending lovers. Animator Michaela Olsen wanted to show “the lives people lead behind closed doors,” and while her intricately crafted figures aren’t all people, each character channels a unique persona even in their brief scenes. “I wanted to play on the idea of seeing every detail of the characters’ worlds and secrets,” Olsen told Vimeo . “They’re opening up their world to you as a viewer and showing you their true selves.”
This Article is related to: Film and tagged Sexuality , Short Films
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