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Our latest Free of the Week takes us into the depths of rural Egypt to discover the mystical Sufi Mawlid celebrations, traditional festivals where locals gather to experience divine ecstasy through chanting, dancing and shared experience. Featured by BBC Arabic, the film now has over , views but has been met with criticism by some traditional Muslim commentators who consider the practice to be blasphemous. With the unrelenting socio — economic and political pressures, communities work to preserve their traditions and to express their religious interpretations in their unique way: The Mawlid is an important example of this. A trip that I had intended to last a few days turned into a month. There I attended a number of Mawlid festivals, each one varying in character based on locality, and met some remarkable people. Celebrations take place around the shrine of the celebrated saint where temporary spaces are erected for the duration of the Mawlid, resulting in some incredible displays of public mobilisation. The Khidma is the name given to the basic physical structure of Sufi celebrations and functions as a devotional service to God. Suspension of class division and hierarchy is a core tenet and visitors are provided with a place to sleep as well as offered food and drink. The Khidma is also where the Zikr takes place, a contentious and often misunderstood ritual. The Zikr takes the form of collective chanting and ecstatic dance which brings worshippers to the point of divine spiritual elevation and closeness with God by way of an altered consciousness and in some cases complete dissociation from the self. The Mawlid is so bizarrely singular, chaotic and non—conformist that any government attempting to repress it has only inspired new and creative ways to sustain it. Despite its religious context the festival transcends religion as well as restrictions that governments have attempted to impose over the years. In many ways it continues to endure as the only public space left permitting freedom of expression in Egypt. I met Nasser at a Mawlid in Cairo where he was independently organising a Khidma. Before the festival, he would often collect or save his own money to organise a Khidma and would offer visitors what he could in terms of food, drink and a place to stay. He pays visits to the Saints in the hope of receiving blessings and messages from them. Moving freely among women, men, rich or poor, thieves and dervishes, he has a unique ability to draw together different strands of Egyptian society. Festival goers would seek him out to discuss personal problems, with Nasser offering council on a variety of predicaments but especially matters of the heart. Shortly after meeting Nasser I met his now ex-wife Iman. Unbowed by a number of traumatic life experiences she remained a bold, playful character - if a little hostile and suspicious during our first encounters. In public spaces she adopted masculine traits and preferred to cross-dress in clothing traditional to the men of Southern Egypt, explaining to me that this enabled her to navigate the heavily patriarchal society with greater ease. The film addresses the way in which Sufis are denounced and disparaged by the traditional Islamic community in Egypt with the film allowing space for characters including Nasser to discuss how they defend their traditions in the face of this hostility. Crucially it also captures the elements of Sufism expressed in context of the the Mawlids including Zikr, the process of Khidma and animal sacrifices, controversial Quranic interpretations and devotional love and surrender which are at the core of Sufi practice and thought. The film has been praised, but also heavily criticised by some traditional Islamic commentators. Several angry videos have been created in response and one in particular, which was shared on YouTube, has thousands of views. This is just one example highlighting the fear and anger that comes when exploring or instigating any kind of dialogue around Islam which focuses on the spiritual rather than the dogmatic. In spite of this, I remain adamant that rigid Islamic thought is not what prevails across the Islamic world. Those who fear Islamic discourse continue to contribute to the regression of a natural religious evolution, fearing change and loss of control. Through continued focus on the Mawlids and three central characters including: a young boy visiting Mawlids with his family and their travelling fairground , a young woman and and traditional Sufi singer, the film will explore all things social, political and religious during and in the time between the Mawlids. Y asmin is currently meeting with potential collaborators, looking for help in the funding and production of her feature film project. Jan Yasmin Kamal. Article , Free of the Week , Film. Watch full film.

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Tests on volunteers have found that the blue lily, which Egyptologists had thought was a benign plant used only for decoration, can cause psychotropic effects similar to the modern party drug MDMA, or ecstasy. Susan Duty, a pharmacologist at King's College London, monitored the effects of the blue lily on two people who reported that they felt happy and energetic and wanted to get up and dance. Both of the volunteers were very talkative and energetic. At the same time they felt relaxed and contented and were also very happy,'' she said. Historians had thought the sacred blue lily, which was found scattered over Tutankhamen's body when the Pharaoh's tomb was opened in , was a purely symbolic flower. The new research, which will be transmitted tonight on Channel 4's Sacred Weeds series, suggests the blue lily may have also played a role as a stimulant during parties thrown by the ancient Egyptians. Although this is an early stage of uncharted territory, these findings will be looked on with great interest by pharmacologists,'' Dr Duty said. The blue lily is depicted on the walls of the temple at Karnak and appeared throughout Egyptian art. Registration is a free and easy way to support our truly independent journalism. By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists. Join thought-provoking conversations, follow other Independent readers and see their replies. Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today. Please refresh the page or navigate to another page on the site to be automatically logged in Please refresh your browser to be logged in. For free real time breaking news alerts sent straight to your inbox sign up to our breaking news emails Sign up to our free breaking news emails. Please enter a valid email address. I would like to be emailed about offers, events and updates from The Independent. Read our privacy notice. Thanks for signing up to the Breaking News email. Registration is a free and easy way to support our truly independent journalism By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists. Email Please enter a valid email. Please enter a valid email. Password Must be at least 6 characters, include an upper and lower case character and a number. Must be at least 6 characters, include an upper and lower case character and a number. First name Please enter your first name. Please enter a name between 1 and 40 characters. Last name Please enter your last name. Select your year of birth You must be over 18 years old to register. Read our Privacy notice. You can opt-out at any time by signing in to your account to manage your preferences. Each email has a link to unsubscribe. Register I'll try later. Register for free to continue reading. Join our new commenting forum Join thought-provoking conversations, follow other Independent readers and see their replies Comments. Already subscribed? Log in. Thank you for registering Please refresh the page or navigate to another page on the site to be automatically logged in Please refresh your browser to be logged in. World Cup Forgotten your password? Want an ad-free experience? View offers.

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Sufi whirling dervishes performing at Beit Sanqar al-Saady in Cairo In a time when the materialistic world and its achievements seem to lie at the heart of the modern day pursuits, many youth have found themselves void of any spiritual belonging, leaving them with a yearning to find Allah God. Despite the deeply rooted origins of Sufism in Egypt, the recent times have seen a growing interest in Sufism and all that relates to it. Meanwhile, the symbolic Sufi dervish has become an icon for those who seek inner peace and tolerance. The intimate merge of political campaigning under the name of the Islamic doctrine caused many Egyptians to be disillusioned, thinking that the political actors represented Islam. Furthermore, the association of political Islamist groups to the recurrent violent acts across Egypt made a lot, especially the youth, question the essence of religion. For as long as time, many people have often found sanctuary in religious teachings. But if religion does not inspire beauty and change from within, then one should dig for the fallacies of the mindsets calling out for such faulty religious practices. The diligent pursuit for moderate religious teachings has led many wandering worshipers to the tolerant path of Sufism. Sufism, or Islamic mysticism, is the continuous search for the divine by taking religious practices to a more internal, intense and soul-searching dimension. A core concept is dhikr remembrance of God. Consequently, a growing number of Facebook communities started to attract thousands of followers, offering them a new stream of messages to decipher. While many of the Sufi teachings communicated on these online communities tend to be subtle ones, they are usually of deeper meanings which individuals tend to relate to differently. Bookstores across Egypt also reported an increase in the demand on books about Sufism. If God brings to mind mostly fear and blame, it means there is too much fear and blame welled inside us. If we see God as full of love and compassion, so are we. Even though the Sufi teachings are projections of the novel rather than being academic writings, it succeeded at inspiring thousands of Egyptian readers to follow a more curious path of inquiry towards Sufism. This has raised doubts in the minds of many about the Sufi practices. If the literary world of The Forty Rules of Love has inspired thousands of Egyptians to inquire about Sufism, there was an earlier similar influence in the music and the world of performing arts by the Egyptian Mawlawiyyah. The popularity of the troupe and its singer Amer Eltony has increased over the last years, and he has become a leading figure in the world of inshad the art of chanting invocations of God. Eltony initiated the revival of the Sufi heritage through performing arts in Egypt since he established the troupe in Through the breathtaking poetry of great Sufi masters, the mesmerizing music and the whirling enchantment, Eltony and his whirling dervishes are famous for performances that are enthralling to say the least. The effect of the Sufi lyrics has turned their performances to a group meditation. In fact, he described the Egyptian Mawlawiyyah as an inspiration to follow the Sufi path while asserting that it is not a Sufi order. It was natural that a dervish mania in Egypt blossomed from the success of the Egyptian Mawlawiyyah. Fans of the troupe follow their performances regularly, often describing the experience as elevating to a world of ecstasy where they can enjoy the lightness of their souls as they are detached from the worldly clinginess. Fans of the group savor the lyrics with an unequalled enchantment. The rhythm gains momentum and speeds up, meanwhile accompanied with the whirling of the dervishes clad in flowing white garments. As the stage turns to a heavenly vision of light that engulfs the audience in its magical energy. Eltony chants for al-Hallaj, saying:. I swear to God, the sun has never risen or set without Your love being the twin of my breath; Neither have I confided in anyone except to talk about You. Never have I mentioned Your name in gladness or in sorrow, Unless You were in my heart, wedged in my obsessive thoughts. Nor have I touched water to quench my thirst without seeing Your image in the glass. Were it possible for me to reach You I would come to you at once, crawling on my face or walking on my head. I say to our minstrel that if he is to sing, he should choose for this theme my grief at the hardness of Your heart. What cause do the foolish have to blame me? They have their own faith and I have mine. Eltony believes that the lyrics have their own soothing energy. He describes his inshad as an expression of the various ahwal spiritual states and maqamat spiritual stations of the Sufi masters who wrote the poetry, and not just a verbal poetic expression. If you have been inspired by the Sufi messages of The Forty Rules of Love, or by the beauty of the lyrics chanted by Eltony, then we advise you keep an eye on the various events across Cairo where you can be introduced to more aspects of Sufism. Alexandrian writer and photographer now based in Cairo. As an assistant professor of Political Science, Omneya has a great passion for Sufism, comparative religions and working with the beautiful young minds, exploring both the academic world and the world out there. Omneya started doing photography because of her love for the whirling dervishes as well as nature and landscapes. Omneya learned from photography that the important dimension of life is to sense the right moment and be ready for it. Share this on WhatsApp. Omneya El Naggar 11 August Read More. Scroll for more. Popular Latest Comments. Who Let the Underdogs Out? Only the stories that matter, straight to your inbox. Subscribe to the fastest growing newsletter in Egypt.

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