How To Murder Your Wife 1965

How To Murder Your Wife 1965



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How To Murder Your Wife 1965
Congratulations on this excellent venture… what a great idea!
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.

What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.

Terry-Thomas testifying on the stand during the trial.

Jack Lemmon as Stanley Ford
Virna Lisi as Mrs. Ford (her first name is never given)
Terry-Thomas as Charles Firbank
Eddie Mayehoff as Harold Lampson
Claire Trevor as Edna Lampson
Mary Wickes as Harold's secretary
Jack Albertson as Dr. Bentley
Sidney Blackmer as Judge Blackstone
Max Showalter as Tobey Rawlins
Alan Hewitt as District Attorney
Barry Kelley as Club Member (Steam Room)
William Bryant as Construction Worker
Charles Bateman as Club Member (Steam Room)
Edward Faulkner as Club Member/Party Guest
Lauren Gilbert as Men's Club Manager


^ "How to Murder Your Wife, Box Office Information" . The Numbers . Retrieved January 22, 2013 .




This page was last edited on 10 March 2021, at 02:02

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The comic strip art fea­tured in the film was cred­ited to Mel Keefer, who drew news­pa­per comic strips such as Perry Mason , Mac Divot and Rick O'Shay . Comics artist Alex Toth did a teaser comic strip in Keefer's style that ran in The Hol­ly­wood Re­porter and in sev­eral news­pa­pers pro­mot­ing the film for ten days prior to its the­atri­cal open­ing.

Stan­ley Ford ( Jack Lem­mon ) is a news­pa­per car­toon­ist en­joy­ing the com­forts of a well-to-do and happy bach­e­lor­hood in his urban New York City town house; com­forts which in­clude his loyal and at­ten­tive valet, Charles Fir­bank ( Terry-Thomas ). Stan­ley's comic strip, Bash Brannigan , is a se­cret-agent thriller char­ac­ter­ized by a high level of re­al­ism ; no mat­ter how out­ra­geous the plot, Stan­ley will not allow Bran­ni­gan to do any­thing phys­i­cally im­pos­si­ble or use gad­gets that don't exist. He hires ac­tors and sets up elab­o­rate en­act­ments of sto­ry­lines, play­ing Bran­ni­gan him­self, while Charles takes pho­tographs which Stan­ley uses as vi­sual ref­er­ences when draw­ing each strip.

While at­tend­ing a bach­e­lor party for his friend Tobey Rawl­ins ( Max Showal­ter ), Stan­ley be­comes very drunk and mar­ries a beau­ti­ful Ital­ian woman ( Virna Lisi ) who, wear­ing a whipped cream bikini, had been a high­light of the party when she stepped out of a large cake. An equally drunken judge ( Sid­ney Black­mer ) per­formed the im­promptu wed­ding and the fol­low­ing morn­ing, Stan­ley wakes up next to his naked wife. He asks his lawyer Harold Lamp­son ( Eddie Mayehoff ) to arrange a di­vorce but Lamp­son says this is im­pos­si­ble with­out legal jus­ti­fi­ca­tion.

Stan­ley's new bride is cheer­ful, af­fec­tion­ate and sexy, but does not speak Eng­lish. To learn the lan­guage, she spends time with Harold's ma­nip­u­la­tive, hen-peck­ing wife Edna ( Claire Trevor ), who speaks Ital­ian. Un­for­tu­nately, in the process, she also learns Edna's ways. Charles, who has a pol­icy of not work­ing for mar­ried cou­ples, takes a new job with Rawl­ins, who ended up being jilted by his bride-to-be. With his valet and the as­so­ci­ated per­fect or­ga­ni­za­tion of his life now gone, Stan­ley's bath­room fills with beauty prod­ucts and lin­gerie and he is kept awake at night by the tele­vi­sion, which his wife watches to im­prove her Eng­lish. Her high-calo­rie Ital­ian cook­ing causes his weight to bal­loon and she an­nounces that her mother will be com­ing from Rome to live with them.

Ad­just­ing to his mar­i­tal sta­tus, Stan­ley changes his Bash Brannigan comic strip from the ex­ploits of a se­cret agent to a house­hold com­edy, The Brannigans , again draw­ing from his real life. The comic strip turns Bash into a bum­bling idiot and be­comes wildly pop­u­lar with the pub­lic. His wife con­tin­ues to alter Stan­ley's lifestyle. In­creas­ingly ir­ri­tated by the re­stric­tions of mar­ried life, Stan­ley calls a meet­ing of his as­so­ci­ates at his all-male health club. When Edna learns of the meet­ing, she tele­phones Mrs. Ford and arouses her sus­pi­cions about Stan­ley's ac­tiv­i­ties. Mrs. Ford sneaks into the club, re­sult­ing in Stan­ley being banned for vi­o­lat­ing its "no women" pol­icy.

Stan­ley con­cocts a plot in his comic strip to kill Bran­ni­gan's wife. He drugs her with " goof­balls " and buries her alive in "the goop from the glop­pitta-glop­pitta ma­chine " at the con­struc­tion site next to their home, so that Bran­ni­gan can re­sume his ca­reer as a se­cret agent. As al­ways, he en­acts the events live be­fore draw­ing the strip, again with the help of his old valet Charles. After drug­ging his wife dur­ing a wild cock­tail party, Stan­ley car­ries her up to bed, then switches to a de­part­ment-store man­nequin to play out the bur­ial in con­crete.

Mrs. Ford comes to, sees the fin­ished comic strip de­scrib­ing Stan­ley's mur­der plan and con­cludes that her hus­band does not love her. While Stan­ley sleeps, she leaves, tak­ing noth­ing with her. After read­ing The Brannigans strip in the news­pa­pers and rec­og­niz­ing that Mrs. Ford has dis­ap­peared with­out a trace, the dis­trict at­tor­ney and po­lice de­cide that Stan­ley must have mur­dered his wife. Stan­ley is ar­rested, charged with mur­der and his comic strips are used as pros­e­cu­tion ev­i­dence at the trial. When it ap­pears that a con­vic­tion is likely, Stan­ley takes up his own de­fense and pleads jus­ti­fi­able homi­cide , ap­peal­ing to the all-male jury's frus­tra­tions re­gard­ing their own wives. He is ac­quit­ted unan­i­mously; the men in the court­room ap­plaud and carry Stan­ley out on their shoul­ders, to the con­ster­na­tion of women left sit­ting in­side.

Ac­com­pa­nied by a joy­ful Charles, Stan­ley goes home and im­me­di­ately sees that his wife has re­turned and is in their bed­room. His valet re­minds him that killing her now would not have any legal con­se­quences; since Stan­ley has al­ready been ac­quit­ted of her mur­der, try­ing him again would con­sti­tute dou­ble jeop­ardy . In his time with­out her Stan­ley came to re­al­ize that he loves his wife and when he en­ters their room he finds her in bed wait­ing for him. After putting her wed­ding ring back on her fin­ger, they are rec­on­ciled. Charles meets Mrs. Ford's at­trac­tive mother; she has come from Rome (her daugh­ter had run home to her) and is in the process of set­tling in to the Ford house­hold. Like Charles, she has a promi­nent tooth gap . Re­signed to the in­evitable for him­self, he closes the door to her room so they can share an amorous mo­ment alone.

The music was com­posed by Neal Hefti .


How to Murder Your Wife - Wikipedia
How to Murder Your Wife — Wikipedia Republished // WIKI 2
How to Murder Your Wife ( 1965 ) - Rotten Tomatoes
How to Murder Your Wife ( 1965 -Comedy, Romance, Classic) - YouTube
How to Murder Your Wife ( 1965 ) directed by Richard Quine • Reviews, film...


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Stanley Ford (Jack Lemmon) is a successful cartoonist and happily single. That is, until, he gets drunk at a friend's bachelor party and impulsively proposes to the beautiful woman who pops out of the cake (Virna Lisi). Once sober, he regrets the decision, but she won't agree to a divorce. Stanley jokingly vents his frustrations in his comic strip by having the main character kill his wife. But when his actual wife goes missing and Stanley is arrested for her murder, he has a change of heart.






Jack Lemmon








Stanley Ford















Virna Lisi








Mrs. Ford















Terry-Thomas








Charles















Eddie Mayehoff








Harold Lampson















Claire Trevor








Edna















Sidney Blackmer








Judge Blackstone















Richard Quine










Director










George Axelrod










Screenwriter










George Axelrod










Producer







May 9, 2011



| Full Review…




March 26, 2009



| Full Review…




May 9, 2005


| Rating: 3/5


| Full Review…




November 12, 2004


| Rating: 4/5





August 13, 2019



| Full Review…




May 9, 2011


| Rating: 3.5/4


| Full Review…




June 11, 2005


| Rating: 2/5





March 18, 2005


| Rating: 3/5





January 7, 2005


| Rating: 3/5





April 2, 2004


| Rating: 3/5





February 9, 2004


| Rating: 3/5





January 24, 2004


| Rating: 30/100



A mostly forgotten gem from 1965 this comedy operates under the seductive fantasy that no man ever really wants to be married. After one drunken night's revelry Lemmon awakes to discover he's slipped up ... and did it, got married (to Verna Lisi! Zowie!). Now what?
Is there any way out of it??? More cute than laff-out-loud funny it does carry more than a few good bits. It's fun cute.



Kevin M. W



Super Reviewer


Stanley Ford is a single man with a good fortune, but he is NOT in want of a wife. He enjoys his bachelor ways as a cartoonist, having his way with women and being taken care of by a butler. In a moment of drunkenness, he marries an Italian woman who doesn't speak a word of English. She is a very loving wife and nothing seems to phase her but Ford hates being married and tries unsuccessfully to dump her. He imagines that he's killed her and emulates his thoughts in his cartoon. Everyone believes he's actually killed her and tries him for murder. That's the basic plot.

There are tons of sexist, chauvinistic lines and attitudes. The comedy is dry and insulting to women. Obviously it is satire, but it's still insulting. I sat through the whole movie but it was difficult to watch and I didn't enjoy it.



Dannielle A



Super Reviewer


The story is predictable and silly, but there are a handful of really hilarious scenes, which save the movie from being too bad.



Aj V



Super Reviewer


Haven't seen it in ages, but I remember it was a hoot.



Morris N



Super Reviewer




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All Critics (14)
| Top Critics (4)


| Fresh (9)
| Rotten (5)




A nimble comedy that doesn't make much sense because it makes nonsense, most of it screechingly funny and played by knockabouts who know that the slapstick was invented for keeping an idea aloft, not for beating it into the ground.




Finesse and desire aren't enough to overcome the fact that Axelrod's script doesn't make the most of its potentially antic situations.




Believable or not, this stuff is funny just so long as one can go with the sour joke- -and that depends upon one's tolerance of trivia and also, perhaps, upon whether one is a fellow or a girl.




In the screwball tradition, but the old shack has been redecorated with solid-mahogany furniture, plush drapes and wall-to-wall carpeting.




This dated comedy is saved by Lemmon's comedic genius which eschews macho.




Lemmon est timo como sempre, e Lisi belssima, mas o fraco roteiro e a ridcula concluso comprometem o filme irremediavelmente.




The movie contains unbelievably sexist lines and attitudes, and it's impossible to imagine anyone in this day and age watching the film without being horribly offended.


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