Housewife Film

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Not Rated | 82 min | Horror, Thriller
On a snowy eve, Little Holly's sister and father are killed by her frantic mother. Years later, Holly is married, lonely, and her life is soon about take a turn for the ultra weird, when she visits "Umbrella of Love and Mind".
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6 October 2017 | susana-c-fernandes
Can Evrenol had already surprised me with his amazing BASKIN movie on 2016, so I was looking forward to seeing his newest title at the Lisbon International Horror Fest (MOTELX).

Housewife tells the story of a woman who was traumatized as a child after watching her mother kill her father and sister. This trauma obviously takes its toll on the character, growing up to become a disturbed, frail woman who, in spite of having a husband and friends, shows little signs of any true connection with people and lives inside her world, memories and (sick) fantasies.

After getting acquainted with a cult and becoming close to its leader, she has the opportunity to (sort of) go back to the horrific night and finally confront her demons.

Aesthetically I consider the movie a work of art. Its attention to detail, soundtrack and atmosphere build up the tension for an entire hour, certainly too much for some viewers, but I enjoyed it. After BASKIN, I knew what I was in for, so I waited for the shock and gore while appreciating (and trying to understand) the dream-like sequences of the plot.

As expected, it all comes together in the ending... but not quite. The movie leaves much to be figured out, including the presence of some characters (old lady), who I left without a clue of who they were and what exactly they were doing there. This, along with the movie's slow pace, can be frustrating (and certainly was for many viewers) and I'm afraid it's almost as if the director had to set the bar a little lower, if he wishes us mere mortals to get his point on future movies.

One final word about the acting, I considered it fine for the most part, but some complained that the characters showed a lack of connection that was only made worse by their attempt to speak in English. I didn't think this was necessarily bad. The lack of connection was there, but I actually think it contributed to the movie's atmosphere of being "barely awake". Also, the main actress was superb, in my opinion.

As in BASKIN, Housewife leaves us with that "WTF did I just watch" feeling. I heard the people behind me in the theater say that the director "needed to find Jesus", after the final sequence, which is truly disturbing.

If you are a David Lynch fan and enjoy a good, juicy, "tentacly" piece of gore, definitely watch this movie and try to figure it out. If you're not into movies that are "too intellectual" or require a great deal of deciphering, my advise is to stay away from it.
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Horror | Thriller
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Housewife (1:30)|Домохозяйка (2017)

Housewife is a 1934 American drama film directed by Alfred E. Green and starring George Brent, Bette Davis and Ann Dvorak. The screenplay by Manuel Seff and Lillie Hayward is based on a story by Hayward and Robert Lord.
A print is held at the Library of Congress.[1]
Nan Reynolds (Ann Dvorak) struggles to run the household on her meek husband Bill's (George Brent) meager salary as an office manager. She urges him to apply for better jobs elsewhere, but he is disinclined to take risks, and his lack of ambition is placing a strain on their marriage.
Pat Berkeley (Bette Davis), who attended high school with Nan and Bill, is hired by his firm as an advertising copywriter, and her success prompts Nan to coerce her husband into asserting himself with his boss. When he fails to spark any interest with his ideas, Bill succumbs to his wife's suggestion that he start his own agency using the money she has managed to save. Spurred by Nan, he steals a major client from his former firm and hires Pat to help him handle it. Complications arise when the feelings the two had for each other years before are reignited and they embark upon an affair. Nan becomes aware of their relationship but chooses to ignore it.
Bill announces he wants a divorce. When Nan refuses to grant him one, he angrily leaves the house and accidentally hits their son Buddy (Ronnie Cosby) with the car, seriously injuring him. Months pass, Buddy recovers, and Bill and Nan's divorce is in its final stages. Hearing Nan's court testimony, Bill realizes how good she is as a wife and mother and how much he loves and needs her, and the two decide to reconcile.
Frank S. Nugent of The New York Times observed, "A characteristic of a poor boxer is that he telegraphs his punches. In Housewife . . . the dramatic punches are not merely telegraphed, but radioed. About the most unexpected element of the film is the bewildering regularity with which the unexpected fails to happen . . . Mr. Brent and Miss Dvorak do as well as any one might expect, but Miss Davis is a trifle too obvious as the siren."[2]
Although Variety called it "satisfactory entertainment,"[3] when asked about the film in later years, Bette Davis responded, "Dear God! What a horror!"[4]
^ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress,, (<-book title) p.84 c.1978 by The American Film Institute
^ New York Times review
^ Bubbeo, Daniel, The Women of Warner Brothers. Jefferson, NC: McFarland & Company 2002. ISBN 0-7864-1137-6, p. 35
^ Stine, Whitney, and Davis, Bette, Mother Goddam: The Story of the Career of Bette Davis. New York: Hawthorn Books 1974. ISBN 0-8015-5184-6, p. 55
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Housewife (2017) - IMDb
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Housewife (1934) - IMDb
Housewife Film