Hot Girls Grinding

Hot Girls Grinding
Hot, Heavy, and Highly NSFW — the Sexiest GIFs of All Time

May 3, 2021

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Rose McGowan and Rosario Dawson fire up the cinema

Marley Shelton, Robert Rodriguez, Rose McGowan, Quentin Tarantino and Rosario Dawson at 'Grindhouse' After Party in Los Angeles, California on March 26th, 2007.

Jeff Kravitz/FilmMagic, Inc for Variety Magazine/Getty
W HAT TWISTED MINDS would come up with Grindhouse , a lurid and most excellent tribute to the Seventies heyday of double-feature exploitation films usually shown in low-rent theaters (hence, “grindhouse”) with sticky floors and sleazy clientele? Try Quentin Tarantino , who directed Death Proof – one half of the double bill – featuring Rosario Dawson as a plucky makeup artist sweating it out with two other girls in a Dodge Challenger speeding down country roads at 125 mph with a serial killer named Stuntman Mike (a badass Kurt Russell) in hot pursuit. And try Robert Rodriguez, who directed the other half – Planet Terror , featuring Rose McGowan as a go-go dancer with a machine gun replacing one leg that’s been chewed off by zombies.
Tarantino grew up watching B movies such as Vanishing Point and The Italian Connection at mall theaters around greater Los Angeles. And the young Rodriguez, sitting on top of the family van at a drive-in near San Antonio, Texas, snuck forbidden peeks at The Boob Tube and Alien instead of the family flicks his mom had chosen.
So that’s their excuse. But what sort of actress enjoys fleshing out such rabid male fantasies? As Rodriguez confides, “When we started talking about the movie, Quentin said, ‘There should always be a lesbian kiss just around the corner – possibly.’ I took that to heart, and in my very first scene, I have two female tongues going at each other and licking. You find out it’s Rose licking a mirror, but it gets across the idea that it could be around the corner at any time.”
“The way Rose says ‘cocksucker’ is really great,” says Tarantino. “It’s the way she emphasizes the c-k. She’ll screw up a line and say, ‘Aw, fucking cocksucker!’ Robert told me once, ‘Rose said the greatest Quentin line the other day. She was talking about how she doesn’t like the word “whore,” and she said, “You can call me a cunt till the cows come home, but don’t call me a whore!’ “
C UT TO ROSARIO DAWSON’S HOME, a lovely Spanish cottage near the beach in Los Angeles. Dawson is welcoming visiting friends, including Rose McGowan, who’s sitting on Dawson’s white couch with a sweater borrowed from Dawson pulled tight around her. We’ve got Shiner Bock beer (local to Austin, Texas, where Grindhouse was mostly shot) and thin mint Girl Scouts cookies, and we’re discussing their experiences in the hands of Tarantino and Rodriguez. Topic A was the previous night’s screening of Grindhouse , which included trailers for grindhouse films not yet made. Eli Roth ( Hostel ) had a huge impact with his trailer, a horror take on the holidays called Thanksgiving .
MCGOWAN: It was great – the whole thing of laughing and dry-heaving at the same time.
DAWSON [ Giggling as she takes a pull from her beer ]: Thanksgiving was genius! That’s the first one I’d want to watch.
MCGOWAN: I thought it was incredibly rude of you Death Proof girls to leave that other girl [Mary Elizabeth Winstead] to be raped by the hick.
DAWSON: I talked to Quentin about it several times, because I had a huge problem with leaving her there. I don’t leave that girl behind – I love that girl, we’re friends. And Quentin says no. I say, “Can I throw her the keys to the car?” And he says, “No, you can’t, that’s not how it’s going to work.” I was like, “Damn.”
MCGOWAN: I’m surprised you thought you could change that. I couldn’t change the word “the.”
R OSE MCGOWAN HAS PROBABLY acted in more horror movies than she’s seen. When she appeared in Scream , she had to make lots of knowing references to films she had never watched. “All they do now is think about ways to torture women, primarily,” she says. “I don’t really get that. What is this, a manual for young, budding serial killers? Can’t we just go watch Pillow Talk ?”
We’re eating burgers at House of Pies, an authentically tatty diner in Los Feliz. McGowan is small enough that our booth seems to swallow her up. She’s almost literally incoherent from hunger, but as her blood sugar finds its equilibrium, she regains her customary state of mind: funny, acerbic, just a bit contemptuous of the idiocy of the world she has to live in.
“In a town that’s supposed to be visual and creative, it’s really quite shocking how much they cannot imagine,” she says. “I didn’t get hired for a movie once because they didn’t like the part in my hair. Sometimes I would like to crawl through the phone wire, take the phone and smash them in the head.”
Unlike Dawson, McGowan appears in both halves of the Grindhouse double feature: In Tarantino’s Death Proof , she’s in the smaller role of a blonde who unwisely accepts a ride in a car with a skull painted on the hood. Rodriguez, however, customized the role of Cherry Darling (the go-go dancer with the machine-gun leg) in Planet Terror for her, down to the name. McGowan explains, “I always said that if I had a little girl, I’d want to name her Cherry Darling, but I couldn’t because she’d get made fun of in the schoolyard for sure.”
McGowan and Rodriguez met two years ago at a party in Cannes, France; they were sitting alone, waiting for their friends to return. “Yup, you’re a loser too,” McGowan remembers saying. “As I am wont to do, I started rambling – yapping, as it were.” Rodriguez thought that McGowan had dropped out of show business; she had to explain that she had spent the last couple of years starring in Charmed , the Aaron Spelling TV show about three witch sisters. “She’s funny, creative, talented, sexy,” says Rodriguez. “I thought if people saw her character onscreen, it’d be great. Add a machine-gun leg and it’s even better.”
So what are the pros and cons of having a machine-gun leg? McGowan ponders the issue. “Pros: You can get rid of people you don’t like pretty fast. Cons: You could only wear one shoe, although you’d have to pay for two. Overall, I think it’d be a plus.”
McGowan knows that she’s going to be the locus of some very specific perversions. “There’s gun fetishists and amputee fetishists, and between the two, I’m going to be really popular.” She raises her slender arms over her head, considering how this might affect her life. “I’m just far too lazy for a fetish,” she decides.
Rodriguez split up last year with Elizabeth Avellán, his wife of sixteen years and the mother of his five children (she remained a producer on Grindhouse ). Tabloids reported that Rodriguez and McGowan were a couple; they both seem sincere when they deny it. Rodriguez says, “We’re just good friends, and we were stuck together like glue once we started making the movie.”
McGowan says that she’s currently single – for the first time since she was fourteen. (She’s thirty-three now.) “It can be incredibly lonely, and what embarrassed me was that I got dependent on automatic company. I love my friends to death, but it’s never the same. People say it’s good for you to be single. Why?” She has famously dated Marilyn Manson and, more recently, Men’s Health honcho David Zinczenko. She says that her relationships tend to last three and a half years. “I think I’m an overstayer,” she says. “I should go out at two and a half, frankly.” She laughs, not maliciously. “It has been pointed out that I like people obsessed with their work – they leave me alone. If I’m looking for anything in a man, I’d say empathy, and thousands of miles between us.”
Asked what people get wrong about her, McGowan smiles sadly. “Most things,” she says quietly. “It kind of bums me out, but it’s not entirely my job to go around proving any different.” People assume that McGowan is a hard-boiled rock chick. In fact, she likes to stay home with her two Boston terriers [Bug and Fester] and has a small circle of close friends. “It makes me laugh, what people think I’d be doing,” says McGowan, not laughing. “Last Friday night, I was on my hands and knees with a scrub brush and Clorox, cleaning algae off my tiles. Which I derive a lot of pleasure from, strangely.”
Perhaps the biggest source of McGowan’s wild-child image was the 1998 MTV Video Music Awards, when she wore heels, a thong and not much else as Manson’s date. Today she explains that she thought it would be a one-day prank and didn’t realize the enduring life of the images. “I tend to do things I think are funny and ironic,” she says, “and later I realize that I’m the only one in on the joke.”
Conversation with McGowan can quickly flit from her childhood (an ultra-Catholic commune in Italy) to how people push religion much harder than drugs (“Any person on drugs I’ve known wants to keep it to themselves”). But for all her quick wit, there’s a tinge of melancholy to her. Maybe she finds being a celebrity embarrassing, or maybe she’s grown weary of trying to explain herself to the world.
In Planet Terror , McGo
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