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Norma and Norman Bates have an interesting relationship on Bates Motel , and by interesting we mean creepy. To commemorate the beginning of Season 4, we take a look at the five creepiest mother-son moments between the two.
5. Norma undresses in front of her son
What makes this moment even worse is when Norma says, “I’m your mother. It’s not like it’s weird or anything.”
There’s a big difference between sleeping in the same bed and spooning, and that line is definitely crossed.
3. Norma reveals she was raped by her nrother
This can be filed under: too much information.
He also caresses her, for good measure.
There are familial kisses, and there are strange, passionate, open-mouth kisses. This kiss most certainly falls into the latter category.
Tell us what you think! Hit us up on Twitter , Facebook , or Instagram or leave your comments below.
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Nothing could be worse than having to feel the pain of forbidden love. Love is boundless, and it is only human to feel emotions. We disregard situations, time, society, morality in the name of love, but it’s the sheer honesty and madness of it that makes love the most beautiful and delicate of human emotions. Empathy is the core of humanity, and we humans understand and feel each other’s pain. Films about forbidden love have always been a feast for cinephiles which makes it a very interesting topic for an article.
Needless to say, this is a highly subjective list, and the choice of movies might be controversial. But then I believe that’s the fun of it all. With all that said, here is a list of top movies about forbidden love of all time. These romance movies are based on taboo relationships. You can also watch these best taboo movies on Netflix, Hulu, or Amazon Prime.

Most people dismiss ‘ The Reader ‘ as a mediocre, Oscar-bait drama that’s nothing more than a skin show. But I, for one, love the film. It’s deeply flawed and may come off as a bit of a drag at times but just too beautiful and humane to dismiss. The film depicts the complex sexual relationship between a teenage kid and a woman in her mid-30s. Kate Winslet is stunning in her role as a woman struggling to deal with her inner demons and deeply torn by her shameful past. Watch it for its delicate rendering of humanity.
Bernardo Bertolucci’s controversial drama explores the disturbing relationship between a mother and her son. Joe, a teenager, has a troubled relationship with his parents, and after his mother’s husband commits suicide, he moves along with her to Rome. However, the boy’s emotional troubles begin to take a toll on him, and he begins to use drugs. In order to free him from the web of addiction, his mother grows increasingly closer to him, which develops into a sexual relationship. The film as a whole doesn’t hold up well, but the incestuous part is done in a very effective manner.
How, in our world, could the love story of a 20-year-old man and an 80-year-old woman be not a case of forbidden love? Hal Ashby’s black comedy romantic drama centers around a young man obsessed with death who frequently attends funerals, stages fake suicides, and grows increasingly detached from his mother. While romance might not seem to be the film’s thematic focus, the complex relationship between Harold and Maude is essential to understanding the sheer profoundness of the themes it deals with. They are two different worlds whose starkly contrasting perspectives on life form the core of the film. It might seem a bit bizarre and twisted for a certain audience, but it has aged incredibly well and feels thoroughly refreshing and original.
I haven’t been the biggest fan of ‘The Graduate’ except for its ending which, in my opinion, is one of the finest ever in cinema. It’s quite difficult to relate to a coming-of-drama that’s more than 50 years old. But there are some amazing moments in the film that still hold up well and manage to move me tremendously. ‘The Graduate’ was a trendsetting phenomenon that changed the way coming-of-dramas were made. The feeling of angst and sexual tension felt by Benjamin is palpable. He is seduced by the wife of his father’s business partner but ends up falling in love with her daughter. As I said, it might not hold up well for modern audiences, but it’s still an incredible experience and an absolute fun ride.
Arguably one of Stanley Kubrick ‘s more underrated works, ‘Lolita’ tells the story of a middle-aged man deeply infatuated with a gorgeous teenage girl. Adapted from Vladimir Nokobov’s novel of the same title, ‘Lolita’ generated controversy due to its bold subject and was panned by critics. Kubrick infuses a dark, perverse sense of humor that works brilliantly with its chaotic, often flippant narrative. The Censor Board back in the day had severe limitations, and so Kubrick had to compromise on certain aspects of the film which were highly bold and provocative for its time. This kind of affects the film on a thematic level. Nevertheless, it’s still an immensely fascinating film made by a filmmaker who would change cinema in the years to come.
Do we love a person because of their physicality? No, not really, as Spike Jonze made us believe that you could actually fall in love with an operating system too. Set in a futuristic world, ‘Her’ tells the story of Theodore Twombly – a lonely, divorced man who purchases an artificially intelligent operating system and develops an intimate relationship with it. There’s a very profound sense of irony here as ‘ Her ,’ despite being set in an unknown time in the future, is very much a film about today. We are often cruel to ourselves and struggle with our own identity in an unsparing world. Love here is way too abstract for any kind of physical embodiment. It’s incredibly touching and so deeply humane.
‘Boys Don’t Cry’ is a harrowing look at repressed sexuality and gender identity. The film is based on the real-life story of Brandon Teena, an American trans man who was brutally raped and killed in Nebraska. Brandon, played by Hillary Swank, adopts a male identity and moves to Nebraska, where he falls in love with Lana. They remain lovers despite Lana discovering Brandon’s true identity. Their romance is painful and uncertain as violence consumes their blissful but brief and fleeting span of time. If your idea of powerful cinema happens to be one that has the power to devastate and disturb you emotionally, then this is your kind of film.
‘The Ballad of Jack and Rose’ is a beautifully flawed film about the painful delicacies of human relationships. The great Daniel Day-Lewis plays Jack, a farmer with a heart condition who lives with his daughter who is isolated from the world outside her home. When Jack brings in his girlfriend, Kathleen, and her teenage sons home, his daughter begins to develop jealousy towards his partner. When he discovers that she had sex with Kathleen’s son, he is infuriated but is deeply torn when he realizes that she is in love with him. It’s a beautifully made drama that occasionally tends to drift and meander but manages to strike a chord in you because of the sheer warmth and humanity that it brings in.
This wouldn’t seem surprising at all. Ang Lee ‘s heart-wrenching cowboy romance is quite simply one of the most astonishing tales of forbidden love. Jack and Ennis spend their time together in the Wyoming mountains during the summer and develop a very passionate sexual and emotional relationship with each other. They are portrayed as outcasts, and they live in a cruel, judgemental world where feelings and desires are repressed. The film beautifully captures the angst, the verve, the passion, and the pain of love. Undoubtedly a movie for the ages.
Iranian director Majid Majidi is an extraordinary filmmaker. There’s an astonishing sense of warmth and simplicity in his cinema that makes it so endearing and charming. ‘Baran’ is one of his best works. It tells the story of a 17-year-old boy who works on a construction site where he falls in love with an Afghan refugee girl who is disguised as a boy so that she can work at the site. Only the boy knows the secret as he covertly watches her from behind her room to get a glimpse of her real beauty. They do not get to talk to each other but strongly contain their feelings for each other. Majid Majidi masterfully captures every single detail here that contributes to the beauty of the story.
This is the film I show people when they say that Martin Scorsese is a very unemotional director. Few love stories have been as emotionally devastating and brutally painful as ‘The Age of Innocence.’ It tells the story of Newland Archer – a young and ambitious lawyer engaged to a woman from a highly respected family. However, things change when Archer falls in love with his fiancee’s cousin, Ellen. Their repressed emotions intensify the passion and intimacy of their relationship, making their eventual fate a deeply tragic one. It’s brutal, inexplicably painful, and too powerful to even talk about.
Arguably the most controversial film on the list, ‘Ma Mere’ is easily the most disturbing and unwatchable film about incest ever made. The film features the great Isabelle Huppert playing an incestuous mother obsessed with sex who asks her son to have sex with her. They make violent love as Helene asks her son to physically hurt her by cutting her abdomen, and as his masturbation reaches its climax, she slits her own throat. The film is blatantly provocative and, for the most part, plain unwatchable, but you just fail to take your eyes off of an explosive Isabelle Huppert, who is in top form here.
This Hungarian gem is a criminally underrated drama that explores a poignant incestuous relationship between an estranged brother and sister. The film possesses a dark tone that reflects the unusual relationship between its characters, but it doesn’t tend to exploit the provocative nature of the story. There’s a sense of lurking danger felt throughout the movie, but the way it portrays its characters and their relationship make us empathize with them rather than trying to put us off with blatant emotional manipulation.
Todd Haynes’ ‘Carol’ is quite simply one of the most beautiful films about what it feels like to fall in love. These are two people dying to fall in each other’s arms, yearning for a sense of emotional liberation from the clutches of a cold society. Therese is a shy young girl who isn’t happy with her boyfriend. Carol is a wealthy, middle-aged mother on the verge of a divorce. These are two people in different phases of life, from different strata of society, but the world around them is cold and indifferent to their feelings and desires, and that is when they meet. With an amazing cast and a nuanced script, Haynes crafts a timeless story of love so full of warmth and humanity.
When people say European cinema, the names most often mentioned are Andrei Tarkovsky , Ingmar Bergman , Jean Luc-Godard, Luis Bunuel, Michael Haneke , and so on and so forth. But Krzysztof Kieslowski ‘s name is often sadly overlooked, and in my humble opinion, he’s right up there with the aforementioned greats as one of the finest auteurs European cinema has ever produced. He had this ability to get so deeply personal and intimate that it leaves you soaked in a plethora of emotions.
‘A Short Film About Love’ was the cinematic extension of the sixth episode of his highly acclaimed Television drama ‘Dekalog’ and was one of his underappreciated works. Teenage angst and sexual infatuation have never been portrayed so beautifully in cinema as Kieslowski paints the madness, the enigma, the ecstasy, the melancholy of human emotion so delicate yet so profound and magical to be put into words. I wouldn’t give away much of the film here as it’s a film that means so much to me. It’s sad, painfully truthful, yet intoxicating.
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Part of HuffPost Parenting. ©2022 BuzzFeed, Inc. All rights reserved.
I’m not ready for him to graduate high school this June.
Writer, Blogger, and the mind behind My Dishwasher's Possessed!
Feb 22, 2017, 08:30 AM EST | Updated Feb 22, 2017
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Writer, Blogger, and the mind behind My Dishwasher's Possessed!
“Mom, this was the first time we ever saw a movie alone, just the two of us.”
I was watching my 18-year-old son, coffee cup in his hand, looking up at me between bites of his doughnut. We decided to grab a snack before heading home after watching “Hidden Figures.”
Wasn’t it just yesterday that I would walk him in his stroller to Dunkin’ Donuts? How could this man with the scruffy beard be the same toddler that I would hand-feed pieces of Munchkins to so he wouldn’t choke? And is it true, had we really never seen a movie, just the two of us?
“Yeah Mom. We usually are with Dad, or Lizzy and Peter, or Grandpa. This is the first time it was just you and me.”
The minute he said it, I couldn’t help myself from wanting a do-over. That’s it, he can’t be grown up, because we haven’t seen more movies together, just him and me.
It doesn’t matter that I’ve been an at-home mom his whole life. I got to see first steps, hear his first words, and watch almost every play, field day, and concert he took part in. We’ve had our share of mother-son dates. Who cares if this was the first time we saw a movie alone together? Kathy, get a grip.
I’ve had so much time with him. But selfishly, it doesn’t feel like enough.
I’m not ready for him to graduate high school this June and move on to college.
Yes, it was our first movie alone, but would it also be our last? It was just luck that we went to this one together. Usually he spends his weekends with his friends. But since he has been gone so much lately, he decided to take it easy and stay home with us. There’s no girl in the picture yet. Once that happens, I won’t see him much at all.
I’m ashamed to admit this, but I didn’t even really want to go with him. Or with anyone for that matter. I’ve been so stressed-out dealing with my daughter and her special needs as well as just the daily grind of being a mom of three that all I wanted was a few hours in a movie theater by myself.
I said a silent prayer of thanks that I listened to my better angels and said yes to a date with my son.
As my mind rambled on, I could hear Tom talking. The film moved him greatly. Of course he knew that racism and sexism existed, but it was different seeing it play out on screen. How is it possible that such abuse went on back then? Why is it that it racism and sexism still plague us today? He marveled at the strength of the women at the center of the movie’s plot and of the actors’ performances.
I had to keep willing myself to stay present because a part of me couldn’t get over that this young man who was so articulately discussing the film was the same kid who, as a small child, was so speech-delayed his preschool teacher told me she doubted he would ever lead a “normal” life.
I’ve watched him work so hard to overcome his dyslexia and do things that other kids took for granted. There were days when I wondered if I was up to the task of guiding this amazing person. Yet here he was, sitting in front of me, speaking of the history of NASA, and talking about about camera angles and set production.
I wish I could go back to that young mom who was terrified that her child would be OK. I would grab her and tell her that she should relax a bit and enjoy her child. It all worked out fine. He is getting ready to spread his wings and leave the nest.
Of course, knowing myself, I wouldn’t have listened.
So I snap out of my fog, and do my best to enjoy the moment I have. Sip my coffee and be glad for a date with my son.
This piece was previously published on Kathy’s site, My Dishwasher’s Possessed!
Writer, Blogger, and the mind behind My Dishwasher's Possessed!

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