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The Sex Party review – spiky comedy fails to satisfy
Bigotry in the bedroom … Timothy Hutton and Pooya Mohseni in The Sex Party. Photograph: Alastair Muir
Timothy Hutton on The Sex Party: ‘Do I think it will be controversial? I don’t know …’
Original reporting and incisive analysis, direct from the Guardian every morning
© 2022 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
Menier Chocolate Factory, London There’s tension in Terry Johnson’s tale of four couples meeting for sex and nibbles but the unruly debate isn’t deep enough
A t first, The Sex Party looks like a retro BBC sitcom about swingers, although that term is banned at this adult shindig. Four couples collect for sex and nibbles at a cool north London postcode. There is gleeful talk about getting it on and a fair share of parading around in lingerie and thigh boots.
But Terry Johnson’s spiky comedy takes us from the familiar fare of smut and sniggering double entendres to something bolder and more awkward in the sex/gender debate at its centre, even if it does not reach a satisfying end.
We only ever see what happens in the high-end kitchen (set designed by Tim Shortall) but we get a vivid idea of the action in the living room from the moans and groans we hear. In a production also directed by Johnson, the acting stays fine across the board although the characters are flimsy (Lisa Dwan especially does wonders with her part) and the star casting of Timothy Hutton stays strangely marginal for too long. He drifts on and off stage, saying little and looking like a cliched California guru in yoga pants.
The dialogue often goes off on random, unruly riffs; one character (Will Barton) talks about taking MDMA and the dialogue sounds under the influence too.
The play’s grenade is lobbed as the first act closes, with the entry of Lucy (Pooya Mohseni), a trans woman, and from here on in it feels like another play altogether. Doris Lessing, in a Penguin introduction to Lady Chatterley’s Lover, wrote that what happens in the bedroom is a “report on the sex war” outside it and it seems to be the case with this living room; suddenly, no one wants to convene there and a very live tension is in the air.
Much is flung at us, from talk of toilets to language and JK Rowling and it feels genuinely edgy. It is brave of Johnson to grapple with a debate that has become so divisive that a meeting of this kind would be unimaginable in real life. But arguments come thick and fast without being explored. Johnson seems to be shooting an arrow through the issues of the day – including, too briefly, consent – but it comes to feel like a dramatised version of Twitter.
The room exposes its bigots and we finally see the point of Hutton’s character but as more plot-points are lobbed at us in the closing moments it feels much less like a sitcom than an entire series rolled into one production.

Wednesday to Blood, Sex & Royalty: the seven best shows to stream this week
Deadly, and great fun … Jenna Ortega in Wednesday. Photograph: © 2022 Netflix, Inc./Netflix
Original reporting and incisive analysis, direct from the Guardian every morning
© 2022 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
The Addams Family gets a glorious reboot with Jenna Ortega and Catherine Zeta-Jones, while Netflix gifts us another racy docudrama hot on the heels of The Crown. Plus: Morgan Freeman narrates Our Universe
“They haven’t built a school strong enough to hold me. I doubt this one will be any different.” This reboot of The Addams Family from the master of the theatrically sinister, Tim Burton, focuses on the enigmatic teenage daughter Wednesday (Jenna Ortega). She’s been thrown out of her regular high school after an incident with some deadly flesh-eating fish and enrolled at a performatively gothic “school for outcasts” – the alma mater of her mother Morticia (Catherine Zeta-Jones). Here, the cliques are divided into supernatural categories (vampires, werewolves etc) and Wednesday’s glorious disdain for all other students will be tested to destruction. Great fun. Phil Harrison Netflix, from Wednesday 23 November
This generation-spanning love story is inspired by Japanese pop superstar Hikaru Utada ’s two songs First Love and Hatsukoi. They are separated by 19 years, but the screen story has an even wider narrative scope. Jumping between three decades, it takes in the first meeting of Harumichi Namiki (Takeru Satoh) and Yae Noguchi (Hikari Mitsushima), their growing attraction and their separation. But as the two protagonists wallow in their memories, might redemption be possible? Can their love be rekindled? It’s tasteful, idealised and at times, a little antiseptic: romance as designed by Marie Kondo. PH Netflix, from Thursday 24 November
Paging Morgan Freeman! Netflix has an uplifting, beautifully shot new series about life, the universe and pretty much everything – all it needs is a narrator. Freeman, of course, rises to the occasion, lending his impossibly grave and sonorous tones to this epic, frequently eye-popping series. The emphasis here is on connections: from the stars to the oceans and the big bang to the tiniest plant growing in the desert, what irresistible forces and processes link all life on Earth? It’s undeniably spectacular and admirably ambitious stuff. PH Netflix, from Tuesday 22 November
The streamer has clearly decided that royal-based semi-fiction is the way to go: hot on the heels of season five of The Crown comes this racy docudrama based on the scurrilous but arguably proto-feminist life of Anne Boleyn. The dramatic segments are led by Amy James-Kelly’s Anne, but there are slightly awkward inserts involving historians offering thoughts on the context of the fictionalised action. It might have worked better as a basic drama – as it is, the show struggles to gather momentum as either history or entertainment. PH Netflix, from Wednesday 23 November
Implausible feats of vigilante guerrilla warfare in this thriller starring Jessica Ann Collins as Amber Chesborough, an American scientist who has been captured in the middle of a bloody conflict on the Colombia-Venezuela border. It falls to her husband Prince (Michiel Huisman) and her misleadingly named brother Bambi ( Luke Evans ) to save her. Fortunately, the pair are former special forces soldiers. Echo 3 is the creation of Zero Dark Thirty writer Mark Boal and the tone (underground political intrigue meets sweaty ultraviolence) is comparable. PH Apple TV+, from Wednesday 23 November
Proving to be more than a simple but joyous one-hit lockdown wonder , David Tennant and Michael Sheen’s snappy series – in which they play themselves – returns for a third season. Still directed and written by Simon Evans (who also stars), the newest collection of 15-minute shorts sees real-life pals David and Michael return to normal life. Simon – whose work schedule needs filling – pitches a Christmas radio drama to the pair. The only problem is that they’ve made it clear they no longer want anything to do with him … Hollie Richardson BritBox, from Thursday 24 November
This two-part crime documentary possesses all the twists and turns of a melodrama but, sadly, is both true and, to this day, unresolved. Patricia Hall went missing from her home in Pudsey, West Yorkshire in 1992. Her husband, Keith, was immediately a suspect and the subject of a controversial honey trap that led to a game of cat and mouse with the police. But still, no evidence tied him to the crime. So what really happened to Patricia? The programme hears from Keith Hall, Patricia’s sister Christine and other key protagonists as they process this ongoing tragedy. PH Prime Video, from Friday 25 November

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Mandatory “LGBTQ+ diversity” sex education in Welsh schools aimed at children as young as three is both “extreme and unbalanced”, the High Court has heard.
A barrister representing a group of parents in Wales has told the High Court that mandatory sex education introduced this year is both “extreme and unbalanced” in its content.
The sex ed classes have reportedly been made compulsory for all children aged three and over within the Welsh primary education system — there is said to be no parental opt-out clause — with children as young as three being taught about “inclusive behaviours, language and role modelling” for all “genders”.
According to a report by The Telegraph , parents believe that the sex ed course, which aims to instruct children on “diversity within different types of relationships, including LGBTQ+ diversity”, is biased, giving no space for families who have different philosophical or religious perspectives.
“When parents send their children to school they don’t expect to have psycho-sexual theories and ‘plus issues’ taught from the age of three,” Paul Diamond, the barrister representing the parents, remarked, describing the Welsh guidelines for the classes as “the most extreme and unbalanced documents there could be”.
“This is the most comprehensive change in the school environment and it places its entire focus on one issue, that of LGBTQ+,” he continued, arguing that the new system left “no room for religious, moral or philosophical views of the children or their parents”.
UK Schools Teach Six-Year-Olds About Masturbation https://t.co/cZniVRij20
— Breitbart London (@BreitbartLondon) September 24, 2019
Jonathan Moffett KC, who is representing the Labour-led Welsh government, rejected these claims, saying that the parents who took the case have been “plagued by inaccurate information” on the guidelines — which mandate children aged 11 and up are instructed to understand “the importance of inclusivity, including for LGBTQ+ people”.
Meanwhile, a spokesman for the Welsh government has reportedly said that all “learners” — a gender-neutral term often used by progressive institutions instead of “boys and girls” — will “only learn topics that are appropriate to their age and development”.
“At a younger age, for example, children will be taught about treating each other with kindness and empathy,” the spokesman claimed. “As they grow older they will gain an understanding of topics such as online safety, consent, and sexual health – all of which will be handled in a sensitive way.”
The Telegraph does not elaborate on whether or not the spokesman gave any inkling as to how the Welsh government determines what is “appropriate” for children of various ages.
As of the time of writing, the legal dispute reportedly remains ongoing.
WHO: Under-4s Should Learn About ‘Early Childhood Masturbation’, ‘Explore Gender Identities’ https://t.co/HW7uYugjz4
— Breitbart London (@BreitbartLondon) May 8, 2020
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