Her Name Is Pussy

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This article is about the James Bond villainess. For the band, see Pussy Galore (band).
Pussy Galore is a fictional character in the 1959 Ian Fleming James Bond novel Goldfinger and the 1964 film of the same name. In the film, she is played by Honor Blackman. The character returns in the 2015 Bond continuation novel Trigger Mortis by Anthony Horowitz, set in the 1950s two weeks after the events of Goldfinger.
Auric Goldfinger (film)
The Cement Mixers (novel)
Blanche Blackwell, a Jamaican of Anglo-Jewish descent, is thought to have been the love of Fleming's later life and his model for Pussy Galore.[1]
In Fleming's 1959 novel Goldfinger, Pussy Galore is the only woman in the United States known to be running an organized crime gang. Initially trapeze artists, her group of performing catwomen, "Pussy Galore and her Abrocats", is unsuccessful, and so the women train as cat burglars instead.
Her group evolves into an all-lesbian organization, based in Harlem, known as the Cement Mixers. In the novel, she has black hair, pale skin, and (according to Bond) the only violet eyes that Bond has ever seen. She is in her thirties, and her voice is low and attractive. Born into poverty in the rural southern United States, she fell into juvenile delinquency. Attempting to go straight, she joined the circus and became an acrobat. Pussy tells Bond that she became a lesbian after she was sexually abused by her uncle at the age of 12.
Auric Goldfinger enlists the help of Pussy and her Cement Mixers to carry out "Operation Grand Slam", a scheme to kill all the soldiers guarding Fort Knox by poisoning their water supply with a water-borne nerve agent (GB, also called sarin), and then to use a nuclear weapon which he had purchased from a quartermaster storekeeper at an Allied military base in Germany for one million dollars to blow open the United States Bullion Depository and contaminate the one billion dollars of gold stored there with the nuclear bomb to make it radioactive, which will vastly increase the value of his gold holdings.[2] Goldfinger chooses the Cement Mixers because he needs a group of women to impersonate the nurses in the fake emergency medical teams he plans to send into the poison-stricken Fort Knox.
After Bond and Felix Leiter foil "Grand Slam", Galore runs into Bond while impersonating a stewardess on Goldfinger's hijacked escape flight to the Soviet Union (which carries his remaining fortune in gold). Bond, having previously been drugged by a fake vaccination, has been kidnapped and transported onto the plane to join Goldfinger, who is determined to kill him at last.
However, Bond punctures one of the airplane's windows with a knife (causing Goldfinger's henchman Oddjob to be blown out and plunge to his death), then tackles Goldfinger, and, in the ensuing struggle, kills him. Bond then forces the crew of the airplane to reverse course. When the gold-heavy craft runs out of fuel, and the crew must ditch it in the ocean, Bond and Pussy are the only ones who manage to escape into a life raft. It is hinted at the end of the novel that Pussy is sent to prison, as she says to Bond, "Will you write to me in Sing Sing?"
Her original band of Amazonian catwomen appear as characters in the film, but as small-aircraft aerobatic pilots rather than trapeze artists.
Pussy returns in the 2015 Bond continuation novel Trigger Mortis by Anthony Horowitz, set in the 1950s two weeks after the events of Goldfinger. The novel contains material written, but previously unreleased, by Fleming.[3][4][5]
In the film, Galore is first seen when Bond wakes up in Goldfinger's private jet, having been knocked out with a tranquiliser gun by a Goldfinger henchman. He is lying on a couch when he regains consciousness, and since the first thing he sees when he opens his eyes is her stunning blonde-framed visage leaning over him, the dialog runs as follows:
James Bond: Who are you?
Pussy Galore: My name is Pussy Galore.

She is the leader of Pussy Galore's Flying Circus, a group of women aviators connected with Goldfinger's "Operation Grand Slam" (played in certain scenes by stuntmen in blonde wigs). In a later scene, Pussy uses judo to attack Bond after she catches him eavesdropping on Goldfinger's plan, and turns him over to Goldfinger.
However, Bond corners Galore in a barn and forcibly holds her down and kisses her. She initially tries to fight him off, but as he overpowers her, she eventually succumbs.
She then secretly turns against Goldfinger; she alerts the CIA to her employer's scheme, and they help her replace the deadly nerve gas that Goldfinger is planning to have her aviators spray over Fort Knox with a different, harmless substance.
Having foiled Goldfinger's plan, Bond boards the President's private plane to travel to the White House. Goldfinger, now a fugitive, forces Galore to participate in hijacking the plane in order to force the pilot to fly him to Cuba. However, Bond defeats Goldfinger by shooting out the plane's window and causing him to be sucked out of the plane at high altitude and to plunge to his death. Bond then saves Galore from the crashing plane: they both bail out, land safely in an unidentified tropical region, and are presumed to have sex under their parachute.
Pussy ranked second in a poll of favourite Bond girls by Entertainment Weekly in 2007, beaten only by Ursula Andress' character Honey Ryder.[7] Yahoo! Movies had her name included in the 2012 list of the best Bond girl names, calling it "The most famous Bond Girl name, and also the rudest — U.S. censors almost cut it from Goldfinger."
Elisabeth Ladenson wrote that she is one of "two memorable lesbians" from Fleming's Bond novels (the other being Rosa Klebb).[8]
Lauren Spungen criticized the portrayal of homosexuality in the characters of Klebb and Galore, arguing that the "battle between heterosexuality and homosexuality" is a metaphor for the battle of "good and evil".[9]
The 1997 parody film Austin Powers: International Man of Mystery features a character named Alotta Fagina in an apparent reference to Galore (and perhaps also to the many other double-entendre named Bond girls, such as Octopussy and Holly Goodhead).[10]
The Rolex GMT-Master reference 6542 is nicknamed "Pussy Galore" because the movie character wears this particular watch.[11]
Two Republic F-105 Thunderchief aircraft, both single-seat D-models, were christened "Pussy Galore" and "Pussy Galore II" by Capt Victor "Vic" Vizcarra in 1965 and 1967. Both aircraft were lost during the Vietnam War. Pussy Galore I was shot down over Hanoi. Pussy Galore II was damaged in a ground accident in Taiwan and was a total write-off. Both planes had nose art with female genitalia overlaying openings used to refuel the jets while airborne via aerial refueling. The markings never lasted long, as wing commanders tended to go apoplectic when they were seen.[12]
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Where The Hell Does The Word 'P***y' Come From, Anyway?
How a word potentially derived from “pocket” became one of the nastiest terms in the dictionary.
“Grab them by the pussy,” Donald Trump idiotically proclaimed in the hot mic moment heard ‘round the world.
Few people misunderstood those now infamous words, leaked just weeks before the 2016 presidential election. Trump was using what Oxford English Dictionary cites as the second, vulgar meaning of the term “pussy.” You could paraphrase him with accuracy and translate his statement to, “Grab [women] by the vagina.” 
“You can do anything,” he added, making cruel, moronic light of sexual assault.
Pussy is a strange word. Cross reference the definition with Merriam-Webster online and you’ll find the number one entry is also “cat.” You’ll need to scroll down a bit before you land on “vulva,” “sexual intercourse,” or “the female partner in sexual intercourse.” But who actually uses “pussy” in conversation about a cat? No one.
Pussy is primarily used to talk about sex ― whether it’s the sexual organ or the woman attached to it, or some conflated and generalized combination of the two. Perhaps worse, the word can be used as a slur against effeminate or cowardly men. Think: “George is scared. What a pussy!” Somehow, the term morphed from cat to genitals to sexist insult ― but how? And why?
Quora and Reddit and Agatha Christie-related forums are abuzz with these questions, where people are clamoring to know whether “pussy” is derived from “pusillanimous” (an adjective meaning “showing a lack of courage or determination; timid”)... or if that interpretation is hot garbage. (Spoiler: it likely is.)
It turns out experts are pretty perplexed with “pussy,” too.
“The etymology of ‘pussy’ isn’t known definitively,” Merriam-Webster’s Kory Stamper told The Huffington Post, “which seems odd but is somewhat common with taboo words.”
Prickly terms like “pussy,” Stamper explained, are often used in speech before they’re finally written down, so all an etymologist can do is analyze the later print evidence and use some linguistic intuition to fill in the history. And this leads to disagreement.
One such etymological leap comes from Slate’s Bob Garfield and Mike Vuolo, hosts of the podcast “Lexicon Valley.” Garfield and Vuolo cite a few examples of “pussy” usage. First, they claim one of the earliest known appearances of the word “pussy” occurred in the late 1500s, when an English pamphleteer named Philip Stubbs used it to refer to a woman in a non-sexual manner. After discussing 16th-century men’s tendency to hastily marry, Stubbs wrote:
“No, no, it maketh no matter these things, so long as he have his pretty pussy to huggle for that is the only thing he desireth.”
Here, Garfield and Vuolo note the OED’s similar “pussy” origin story: the dictionary claims that the term was used in the late 1500s to reference a girl or woman exhibiting characteristics associated with a cat, like sweetness or amiability. Puss (minus the y), the hosts point out, predates all of this as a word referring to cats.
Second, Garfield and Vuolo turn to a lewd country song from the 1600s that employs a curious double entendre, representing the first time that “puss + y” was used to refer to both a cat and a woman’s vagina. Here’s a sampling of that song by Thomas D’Urfey:
“A pretty young kitty she had that could purr. Twas gamesome and handsome and had a rare fur. And straight up I took it and offered to stroke it. In hopes I should make it kind.”
Third, they time-travel to the early 1900s to find evidence of “pussy” being used to refer to a man. An early example they could find is from a 1904 novel God’s Good Man: A Simple Love Story, in which author Marie Corelli writes: “I shall invite Rocksmith and his tame pussy, Mr. Marius Longford.”
Garfield and Vuolo go on to cite Sinclair Lewis and Jerome Weidman (”I wouldn’t miss a second of this for all the pussy in Paris.”), other literary purveyors of “pussy,” with still no clear etymological trajectory. “Pussy,” according to their history, was all over the place, but seems anchored to those Middle Low German feline roots.
Stamper, on the other hand, said she’d have taken a different route to track the meaning of “pussy,” particularly as used by Trump. “Our etymologists think that the genitalia ‘pussy’ likely came into English from a Scandinavian language,” she said. “There are words in some of the ‘grandparent’ languages to English, like Old Norse and Old English, that are very similar to ‘pussy’ and which mean either ‘vulva’ or ‘pocket.’”
A mention of “pocket” conjures visions of “Broad City,” the NYC-based comedy that features a character, Ilana, prone to proudly concealing marijuana in her vagina ― “nature’s pocket.” (The show also happened to air a Hillary Clinton cameo last season.) Taking into consideration this pop culture moment and others like it, Stamper’s explanation seems divorced of sex, situated lightyears away from the vile dripping from Trump’s mouth. In fact, without the chauvinism, pussy is a word ripe for a feminist take-back, less Urban Dictionary and more Pussy Riot. As Jessica Valenti tweeted, the word “pussy” on its own is, well, fine.
Cannot believe this needs repeating: Saying ‘pussy’ is fine, grabbing pussy is not. One is talk, the other is sexual assault.
The issue isn’t crude talk really. It’s that the language those men used described sexual assault. It’s unacceptable.
“Grab them by the p—-y,” Trump says. “You can do anything.” And Billy Bush is like, OK! -This is rape culture. This is what we hear & live
But rolling off the tongue of a known bigot, the word “pussy” is nasty, crude and offensive. In the 2005 video that leaked last week, Trump manages to both call someone “a pussy” (it’s unclear whether he’s talking about another man, Billy Bush, or another woman, Arianne Zucker) and cavalierly describe sexual assault using the word “pussy.”
Language is fickle, but thanks to men like Trump, words that have fairly innocent origins become vehicles for misogyny. And pussy’s sexist burn can linger both ways, even when it’s not connoting assault. Today, calling a man one is not so different from calling him “a girl,” Oxford’s Katherine Martin told “Lexicon Valley.” And referring to a woman as one runs the risk of reducing “women to faceless herds of sexy cattle,” Lindsay Zoladz wrote for Slate. 
Like many critics have written in the aftermath of pussygate, “it’s not just a word.” Pussy’s history might be confusing, but few people were left wondering what Trump’s language implied.
Editor’s note: Donald Trump regularly incites political violence and is a serial liar, rampant xenophobe, racist, misogynist and birther who has repeatedly pledged to ban all Muslims — 1.6 billion members of an entire religion — from entering the U.S.
CORRECTION: Due to a transcription error, Thomas D’Urfey’s name previously appeared as Thomas Murphy. This post has since been corrected.
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Pussy Galore (Honor Blackman) | James Bond Wiki | Fandom
Her Name Is Pussy