Hell On Heels
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Hell On Heels
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
The film is about two companies who are battling it out for customers, Mary Kay, and one of her workers Lexi Wilcox are fighting it out with Jinger Heath. Who will win? You will have to see. The film is about two companies who are battling it out for customers, Mary Kay, and one of her workers Lexi Wilcox are fighting it out with Jinger Heath. Who will win? You will have to see. The film is about two companies who are battling it out for customers, Mary Kay, and one of her workers Lexi Wilcox are fighting it out with Jinger Heath. Who will win? You will have to see.
Clifton Sanders (as Dean Monroe McKenzie)
This movie has to be one of the best that Shirley has been in. It seems the roles that she loves the most are the roles she does to perfection every time. This was outstanding....she could almost pass for Mary Kay if it called for a resemblance. This is one of Shirley's better roles. Now, let's see someone top that role!
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Lexi Wilcox : Mary Kay, Mary Kay - i just wanted to meet you, I just started two months ago - I just wanted to tell you I'm going to be queen next year
Mary Kay : When I first started sellin', I went to the sales director and you know what he said to me?
Mary Kay : I am saying that to you right now, I think you will.
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I'm hell on heels
Say what you will
I've done made the devil a deal
He made me pretty
He made me smart
And I'm going to break me a million hearts
I'm hell on heels, baby I'm comin' for you
This diamond ring on my hand
Is the only good thing that came from that man
Got a GTO from one named Joe
And a big piece of land down in Mexico
I'm hell on heels, baby I'm comin' for you
I got a pink guitar, a Lincoln Town Car
From ol' what's his name I met at a bar
Got a high-rise flat in Hollywood
From a married man who wasn't up to no good
I'm hell on heels, baby I'm comin' for you
Then there's Jim, I almost forgot
I ran him off, but I took the yacht
Poor ol' Billy, bless his heart
I'm still using his credit card
I'm hell on heels, Sugar Daddy I'm comin' for you
I'm hell on heels, say what you will
I've done made the devil a deal
He made me pretty
He made me smart
And I'm gonna break me a million hearts
I'm hell on heels baby I'm comin' for you
I'm hell on heels, say what you will
I've done made the devil a deal
He made me pretty
He made me smart
I'm gonna break me a million hearts
I'm hell on heels, Sugar Daddy I'm comin' for you!
Writer(s): Angelina Presley, Miranda Lambert, Ashley Monroe
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All Titles TV Episodes Celebs Companies Keywords Advanced Search
Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Edited into Jenna's Tough Love (2005)
Empty Jenna all-girl, all-sex vehicle has dated badly
Reviews in IMDb from a decade or more ago of this Wicked release reflect the decline of Adult Cinema from its various glory years to the all-sex gonzo revolution that has fully taken hold. Unlike many of her other fine narrative films, and the usual high quality of Brad Armstrong productions, this is boring wall-to-wall fetish sex and nothing more. That begs the question: is all-sex all the fans want and all the pornographers are now prepared to deliver. Probably so, but that doesn't justify wasting the talent assembled here (including such greats as Stephanie Swift, Asia Carrera and Sydnee Steele) or the viewer's time. The seven segments all feature Jenna either dishing out or taking BDSM lite, resembling later Tanya Hyde classics from Britain but minus her employing studs and their dicks, as well as injecting creativity into the mix. All Brad does is garb his cast in standard leather and latex, with fetish boots, extreme corsets and other accoutrements as they finger or dildo each other. One scene even indulges in the "medical instruments" fetish as co-star Nikki Tyler experiences forced gaping with use of a tool resembling a speculum inserted into her posterior. As much as I love watching Stephanie Swift in action, I didn't appreciate her going through the motions in a lesbian threesome with JJ and Felecia. Similarly, most segments play like lukewarm imitations of the stylish (and also quite dated) work of Andrew Blake in the '90s.
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