Helen Mccrory Nude
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Helen Mccrory Nude
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New series of Peaky Blinders coming to BBC Two in October
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Published: 22:00 BST, 20 September 2014 | Updated: 18:38 BST, 25 September 2014
'I have only just started doing sex scenes. When I was younger, I would always say no to taking my clothes off. Now I'm 46, I know what the camera is doing,' said Helen McCrory
'I love the fact that I get to wear loads of kohl eyeliner, a big hat and shoot a gun,’ says Helen McCrory, talking about her role in the BBC2 series Peaky Blinders.
She plays the matriarchal Aunt Polly in a Twenties Birmingham gangster family and wields a long hatpin with lethal consequences.
It seems only fair after all the fun her actor husband Damian Lewis had playing a war hero-turned-terrorist in Homeland.
Tough, confident and uncompromising in her choice of work, McCrory, like Aunt Polly, is a force to be reckoned with.
She has won numerous awards during an impressive stage and screen career (her credits include Harry Potter, The Queen and several high-profile TV dramas, including Charles II and North Square) and easily holds her own as one half of that formidable partnership with Lewis.
She is also highly intelligent, with a voice that is low, seductive and powerful enough to hit the back row of any theatre (witness her devastating display in the Greek tragedy Medea at London’s National theatre recently).
'There is this assumption that a woman my age can't be sexy - we are supposed to be washed up, knackered old hags!' said Helen
Now 46, McCrory is slim, with high cheekbones and huge brown eyes – she’s one of those women who seems to get more attractive with age.
The day we meet, in a central London hotel, she’s wearing a short, white dress exposing a pair of elegant brown legs in high heels. She’s sexy, but in a classy way.
She deployed her sex appeal to good effect in the ITV drama Leaving, in which she played an older woman having an affair with a 20-year-old man.
‘I have only just started doing sex scenes,’ she says.
‘When I was younger, I would always say no to taking my clothes off.
'Now I’m 46, I know what the camera is doing and I’m experienced enough to say to the director, “Can I have a look at playback” and if I don’t like it I’ll ask to reshoot the scene.
Helen spent her childhood living overseas and says this has helped her as an actress
'When you’re 21 on a set you can’t do that.’
Nonetheless, she says most of the sex scenes she shot for Leaving were cut.
‘They realised a woman in her 40s doesn’t necessarily look that different naked from a woman in her 20s,’ she says, with a dismissive shrug of her shoulders.
‘There is this assumption that a woman my age can’t be sexy – we are supposed to be washed up, knackered old hags!’
She’s anything but of course, as her ultra stylish Event shoot proves.
Part of the attraction of doing Peaky Blinders was the look of the series.
‘Most British dramas of this kind tend be full of gritty social realism and I’m bored of doing them and watching them.
'Peaky Blinders is stylised, it’s glamorous and has that epic, cinematic look reminiscent of Once Upon A Time In The West.
'The characters are heroes of their own lives as they would be in an American TV series.
'They’re not downtrodden victims who have been abused as children, which you get in a lot of British series.’
Based on a real-life mafia-style gang which ran criminal rackets in the back streets of Birmingham after World War I (imagine Al Capone and his gang hanging out in the Black country), Peaky Blinders’ Midlands mafioso were stylish dressers with sharp suits and equally sharp headgear.
They sewed razor blades into the peaks of their caps and anyone who offended them would get a fatal head-butt – hence the name.
They were also battle-hardened, having fought in the trenches. Polly ran the family business when her brothers were away at war. She’s tough, but unlike the boys, is a pragmatist with a cool head.
‘And Polly gets a much bigger role in series two,’ says McCrory, gleefully.
'The Peaky Blinders have expanded down to London and she is left in charge of Birmingham and is right on the front line.’
'I never really feel I belong somewhere or indeed have the desire or need to,' said Helen
The second season has a lot of sex as well as drugs and glamour.
‘It’s set in the roaring Twenties, when cocaine became very fashionable,’ says executive producer Jamie Glazebrook.
‘In the first series everyone was frequenting opium dens, now they’re snorting coke. Life is faster, more frenetic and the money is pouring in. The Peaky Blinders are now rich and their lives have changed as a result.’
McCrory’s life, too, has changed dramatically in recent years, in part through her marriage to Lewis, who became a huge star in the U.S. after his Emmy award-winning role in Homeland.
Two years ago, the couple were invited for dinner at the White House, because Obama is a huge fan of the show.
The actors were told by protocol officials to turn up at 7pm prompt and that make-up and hair could be arranged for them a few hours before.
‘We turned that down,’ says McCrory.
‘I’d never been to Washington before and wanted to hit the sights and see a couple of museums.
‘So we rushed back to the hotel five minutes before, jumped in the shower, got changed and ran down to the White House.’
McCrory wore a white ball gown with black flowers and long gloves for the occasion: ‘You are supposed to wear white when you are presented at Buckingham Palace for the first time, so it was a nod to that.’ When I express my ignorance about such etiquette matters McCrory arches an eyebrow and says: ‘That’s my Foreign Office upbringing, darling.’ Her father was a British diplomat.
She thought they’d just be shaking hands with the President and First Lady in a receiving line. Instead they were placed at the top table.
‘As two actors we can recognise a good billing and this was fabulous, our names on a table with the Obamas, David Cameron, Sam Cam and George Clooney. And no, I did not take a selfie!’
She says the President was very chatty and easy to talk to.
Helen and husband Damian Lewis at the Metropolitan Museum of Art in New York, 2013
‘Damian asked his feelings on whether the U.S. was right to go into Iraq because it would be useful to know for the storyline (of Homeland). The President just looked at him, smiled enigmatically and said “You’ll be the first to know”.’
McCrory met Lewis in 2003 when they were cast in the same play at the Almeida Theatre in north London.
‘We almost closed the Almeida with a production called Five Gold Rings,’ she jokes.
‘I think my mother is the only person who really liked it.’
Critics at the time praised the sizzling performances given by McCrory and Lewis.
Michael Attenborough, who directed the play, later commented on the electricity between the two leads: ‘I could have warmed my hands on it! It was like directing a fire.
'They were playing two characters who shouldn’t be falling in love with each other – he was falling in love with his brother’s wife. And Damian and Helen were incredibly sexy together.’
Two years earlier, Lewis had lost his mother in a car crash in India, an event that had left him utterly devastated.
Friends say that when he met Helen he was ready to settle down and start a family. They moved in together soon after and had a daughter, Manon, in 2006.
By the time they married in front of friends and family at Kensington and Chelsea Register Office in July 2007, she was already pregnant with their second child, Gulliver.
They have both said that they would love to work together again and the Shakespearean plays they’ve mentioned doing are quite revealing: both feature feisty female roles and sparring lovers.
She says they’re considering whether to do a version of The Taming Of The Shrew either on stage or film, while Lewis has debated their suitability for playing Beatrice and Benedick in Much Ado About Nothing, joking that, ‘It’s how she talks to me anyway – rudely and dismissively’.
Now their two children are at school they take turns to work abroad. McCrory spent long periods in the U.S. when her husband was working over there and took them with her.
Helen met Damian in 2003 when they were cast in Five Gold Rings
'Homeland was filmed in North Carolina and we would go for two months over the summer which we really enjoyed.
'Damian was there for four months altogether, so we did the two months in between, which meant we only had a month either side to get through.’
They’re now weighing up a move to New York for an extended period so Lewis can take on theatre work.
‘I love travelling around with my family. I guess I’m used to it from my own childhood,’ she says.
Perhaps it’s her diplomatic upbringing, but McCrory seems like a woman who is as comfortable dining with the American President as she is on the West End stage or wielding a gun in a gritty TV drama.
She spent her childhood living overseas and says this has helped her as an actress.
‘I never really feel I belong somewhere or indeed have the desire or need to.
'I’m an outsider wherever I am, so that allows me to judge situations in a cleaner way – I don’t have a particular axe to grind.’
After shooting Peaky Blinders, McCrory delivered a five-star performance of Medea at the National Theatre in a new production of Euripides’ Greek tragedy.
It’s a troubling play to watch, because Medea kills her two young sons to take revenge on her husband for leaving her. Now a mother herself, did she find that difficult to perform?
She scoffs. ‘No. I’m acting! I don’t stand there and imagine killing my own children – nothing on Earth would persuade me to do that.’
It was her idea, she tells me, to drag two bloodstained sleeping bags on stage, purportedly carrying the children’s bodies, at the end of the play.
‘I think everyone was a bit shocked when I suggested it,’ she says. ‘Someone even asked me how I would ever be able to go camping with my own kids again but as I say, it’s a play. I’m acting, not doing psychotherapy.
'Most British dramas of this kind tend be full of gritty social realism and I'm bored of doing them and watching them. Peaky Blinders is stylised, it's glamorous and has that epic, cinematic look,' said Helen
‘To be honest, I don’t think I could do the role if I wasn’t going home to my two little ones, who are utterly angelic until they come into our room a few hours later and say, “Is it morning yet Mummy?” and it’s only 2am.’
She comes off stage at the National Theatre dripping in sweat. Her dresser is in the wings with a chamois cloth to wipe her down between scenes.
‘The ancient Greek playwrights thought a lot of the physicality of acting. Euripides talks about how grief affects the body and I can feel my face getting heavier when I play Medea.
'Grief ages you – you can feel your body changing and what it costs you. A good friend of mine lost her parents recently and her face has changed. It will go back but you can read the sadness from every pore, and that’s what Euripides requires.’
A lot of actors, male and female, find playing the Olivier stage at the National Theatre intimidating because it’s so big, but not McCrory.
‘I love it. I like a theatre to be really big – or really small like the Donmar Warehouse, where you don’t need to act, you just need to be. When you are in a theatre with 1,200 seats like the Olivier you can act with a capital A. I just go for it.’
Helen delivered a five-star performance of Medea at the National Theatre in a new production of Euripides' Greek tragedy. It's a troubling play to watch, because Medea kills her two young sons
With Maxine Peake doing Hamlet in Manchester and Harriet Walters about to take on Henry IV, is McCrory tempted to tackle a big male Shakespearean role? ‘In principle, yes, but there are still some female roles I’d like to do, such as Cleopatra.’
She’s also keen to do comedy. ‘I’m looking to adapt one of those great Forties American comedy films for the stage.
'There were a plethora of strong female roles at that time played by the likes of Katharine Hepburn and Bette Davis. You don’t get many roles for women like that these days.
'Nowadays, film companies ask 14-year-olds in Milwaukee what they want to watch – and it ain’t Katharine Hepburn.’
Although the stage is her first love, she has enjoyed playing the steely Aunt Polly in Peaky Blinders.
‘From an actor’s perspective getting to develop a character over 12 hours is fantastic.
'Polly is the brains of the gang, along with her brother Tommy Shelby. His methods of ruling are more physical but she is just as violent and threatening in a psychological way.
'She’s not a woman you would want to mess with.’
And nor, indeed, is the actress who plays her.
‘Peaky Blinders’ is on BBC2 next month. Series one is available on BBC iPlayer
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Helen McCrory is an award-winning British screen and stage actress known for her roles in the Harry Potter films, Hugo, Skyfall, Fearless, and TV series Peaky Blinders. Her filmography numbers over 70 movies and TV series. She actively occupies herself with charity.
Nude Roles in Movies: Peaky Blinders (2013-2017) , The James Gang (1997)
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Nude , breasts, underwear Ep. 01x02 | 00:43:01 A nice close-up of Helen's left breast as a guy undresses her!
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Born in London, England, the Brit babe Helen McCrory first caught viewers' attention in the award-winning The Queen (2006), starring Shakespeare’s Slut herself, Helen Mirren . But the dark-eyed diva didn't enter the mainstream until she showed up opposite a bunch of literary wizards. In 2009, Helen appeared as wicked witch Narcissa Malfoy in Harry Potter and the Half-Blood Prince. Sadly, she kept her robes on in the family-friendly franchise film, so don't expect to get more than half-wood, gents. A star of the stage and the boob tube, Helen continued on her big screen adventures with The Fragile Heart (1996), in which the brunette beauty with the tiny tits revealed her magic hats for the first time. She then followed that up with a topless turn in The James Gang (1997) before returning to the telly with nude revelations in Anna Karenina (2000) and Charles II: The Power & the Passion (2003). Helen took a long break from nude scenes, appearing clothed in Sherlock Holmes and the Case of the Silk Stocking (2004), Doctor Who (2010), Penny Dreadful (2014), and Peaky Blinders (2013), which at least offered a glimpse of her cleavage. But in the Richard Gere TV series MotherFatherSon (2019), Helen finally delivered the goods once again! Her naughtiest bits are mostly covered by sexy underwear, but in one mam-orable and long-awaited scene, Helen whips out a naked tit and lets a very lucky guy kiss her lovely lady lump. This naked wicked witch will put a spell on you!
Hotel Splendide
(2000)
- as
Lorna Bull
The James Gang
(1997)
- as
Bernadette James
The Fragile Heart
(1996)
- as
Nicola Pascoe
MotherFatherSon
(2019)
- as
Kathryn
Peaky Blinders
(2013-2019)
- as
Polly Gray
Life
(2007-2008)
- as
Amanda Puryer
In a Land of Plenty
- as
Mary Freeman
Made with love in Chicago since 1999! © 1999-2022 SK Intertainment, Inc. All Rights Reserved.
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Nude , breasts, underwear Ep. 01x02 | 00:43:01 A nice close-up of Helen's left breast as a guy undresses her!
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We use cookies to understand how you use our site and to improve your experience. This includes personalizing content and advertising. To learn more, Click Here . By continuing to use our site, you accept our use of cookies , revised Privacy Policy , and Terms of Use . We use cookies. Learn More | Privacy Policy | Terms of Use
Want Free Access to Helen McCrory Pics & Clips?
Enter an e-mail, verify your account & start watching!
Born in London, England, the Brit babe Helen McCrory first caught viewers' attention in the award-winning The Queen (2006), starring Shakespeare’s Slut herself, Helen Mirren . But the dark-eyed diva didn't enter the mainstream until she showed up opposite a bunch of literary wizards. In 2009, Helen appeared as wicked witch Narcissa Malfoy in Harry Potter and the Half-Blood Prince. Sadly, she kept her robes on in the family-friendly franchise film, so don't expect to get more than half-wood, gents. A star of the stage and the boob tube, Helen continued on her big screen adventures with The Fragile Heart (1996), in which the brunette beauty with the tiny tits revealed her magic hats for the first time. She then followed that up with a topless turn in The James Gang (1997) before returning to the telly with nude revelations in Anna Karenina
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